This is a continuation of photographs shot in Cathedral Valley, Capitol Reef National Park shot in March of 2022.
This sinkhole is deeper than this photo makes it appear. Falling in would be undesirable.
To be continued,
Ken
One of the most fascinating areas in Capitol Reef National Park is Cathedral Valley, located in the northeastern portion of the park. There are two access routes into/through this area from Utah Highway 24. The access closest to the visitor center requires a river ford, while the other, nearer Hanksville, does not require a river ford and gets into the most scenic portion much sooner than the river ford access point.
The geology in this area is varied and great for photography. We visited numerous times and only scratched the surface of the photographic opportunities here. I will devote a number of post to this area.
Initially, we hit the most popular areas in this very large valley and scouted for the places we wanted to get to at golden hours, which was a challenge, given the many miles of driving to get here from our lodging and the limited time we had to work this very large area.
I see opportunities to organize my photographs of this area into themes, but rather than take the organizational time required for that at this time, I’m posting images in the order that they were taken.
Enough for now, more later,
Ken
South of the Capitol Reef National Park Visitor Center at the end of the paved road is the Capitol Gorge Trailhead. We hiked a short distance down the canyon, then up a short, steep trail to check out natural water tanks formed in low places along a water drainage.
I captured a few images in the canyon in route.
The snow like blobs in these photos are foamy floaters in the water.
Water flow has cut through rock forming a small arch along the occasional stream bed.
Early visitors in this canyon left their names and dates high up on the canyon wall. These marking are much higher than anyone other than a giant can reach. Maybe some stood on horses or wagons to leave their mark here or maybe the canyon was not as deep many years ago?
I cannot recall where in the park this final photo was taken, but I think it was shot along the unimproved dirt road that continues past the end of the paved roadway from the Capitol Gorge Trailhead parking area.
More later,
Ken
In late March of 2022, I drove to my oldest son’s home north of Denver, Colorado and we drove together to Capitol Reef National Park in Utah. We lodged in the small town of Torrey, just west of the park.
Since we arrived late in the day, we only got out for a brief visit to the park visitor center and a stop at a nearby overlook trail, where we shot a few handheld images.
The sky was overcast, the light well suited for muted monochrome images.
This old tree stump looked different, depending upon the angle of view.
The color image of this old tree stump with this angle of view reminded me of a dancer’s torso, but when I showed this one to my grandson, he saw two dogs back to back. I have to admit that I had a similar initial interpretation, but only seeing one blunt snout dog with long ears trailing behind it. I still prefer the dancer interpretation.
I have not had time to go through all of my photos from this trip and just barely got time to write this initial post, more will follow; but I may not be able to keep up with my preferred schedule of two posts per week. (Every trip leads to much to do to catch up at home).
Be safe and well,
Ken
As sunset approached, I hiked back into the area around my campsite with my DSLR for a sunset shoot. As usual, I went out earlier than I thought necessary. Even so, my timing was off. Some of the features that I had anticipated shooting, were already in shadow, well before sunset. So I had to give up on some of the preplanned shot locations.
My first stop was at this vey tilted rock or hoodoo nearest to the campground. It was in full late day sunlight and I could see that there were already shadows on the big hillside in the distance.
I found this batch of prickly pear cacti that were still getting some late day rays, with the red hill behind them mostly in shadow.
Even though the light was much less than I had planned to see, I like this composition with the small, weakly lit tree and the big red hill in the background.
I like the sinuous leading line formed by this drainage with green grass contrasting with the red earth and the change in lighting from the right side to the left of this image
I converted this final image, made from the top of the hill from which I had photographed during my scouting hike, to black and white, to get a more dramatic late day image.
I tried capturing more images of the moon over this hilltop, shooting from a location on the side of the hill with tilted rocks pointing at the moon, but I could not get a good image with the lens I had chosen to use today.
Thanks for following,
Ken
After our morning shoot, we drove around to explore the local area, getting to a couple of places with overviews of Marble Canyon in the distance. At one of these areas I photographed a couple of interesting trees with the cloudy sky and/or the canyon in the background.
This lopsided tree was easily isolated against the cloudy sky.
I think the black and white version of this image is more dramatic.
I captured several compositions of this deformed or broken tree with the clouds and canyon in the background.
I like the third image (vertical) of the deformed tree best, with the first (horizontal) a close second.
Until next time,
Ken
I continued shooting at an overlook of the Grand Canyon from the North Rim, as the sun rose higher in the sky and peeked through breaks in the clouds.
Note that some of the compositions in this post are similar to those in the previous post, but with varying light conditions.
This semicircular feature is called Wotan’s Throne.
The blocky peak in the upper left is called Vishnu Temple.
The Vishnu Temple feature is in the upper right of this black and white conversion. I like the way this black and white version brings out the layers in rocks, making those layers effective leading lines into the scene.
The color version above does not have the contrasting “pop” of the black and white version. I’m sure I could edit the color version to brighten the shadows more, but I still think I’d prefer the black and white in this image.
That is all for this morning’s shoot. Stay tuned for the rest of the day’s activity.
Ken
I just realized that I had overlooked a few items that I wanted to get into a post, after I already have a number of post scheduled. So to keep with the chronological order that I prefer for my posts, I’m slipping in an additional post this week, rather than rework my scheduled post dates.
In route to the Grand Canyon North Rim, I spotted a couple of old, rusting away automobiles that I took time to shoot. This Pontiac was located such that I could not get good, isolated images without including distracting items in the photos. This cropped image is the best that I could get.
Parked in front of a church, as if waiting for AAA, to replace a tire, is this rusty, early Ford.
Looks like this old Ford has been here a long time.
Ok, that’s it for this short post,
Ken
Even though I much prefer golden hour color in my landscape photography, I find that there are light conditions and/or scenes that work better in monochrome.
Sometimes it is just the textures, patterns or shadows that make an image look better in monochrome. In the case of the photo above, the early morning colors were so intensely saturated that I thought those colors looked unreal, so I converted the image to black and white and I much prefer this look in this particular case. (Best viewed on Flickr and on a large screen).
Usually, I like monochrome for those images that I capture a little after the sunrise golden hour or a little before sunset golden hour.
In the image above, the sun had not yet come up, but shooting towards the early morning sky made this a better situation for monochrome.
The same is true for the image above. I have mixed feelings about this composition, not about the monochrome. I liked the look of the heavily textured, clay soil in the foreground and the gullies seemed to make good leading lines into the background, but is this a compelling photo? Opinions are welcomed, but please view on Flickr and on a large screen.
The readers can tell by the dates on the photos that I visited this area on separate dates and different times of the day, hoping to get different photographic conditions and/or to shoot from different view points. In the image above I wanted to show context for the natural bridge in the center, but I also wanted its shadow against the background features.
I wanted a wide angle view here and the light and shadows were best for a monochrome image. This is a result of focus stacking multiple images. A careful inspection of the clouds in the sky makes it apparent that there were multiple images used here. I could have easily replaced the sky with that from a single image, but I liked the indicated movement of the clouds, so I left this feature.
These last two images are not great, but I still like them, particularly the bottom one, with the subtle shadow of the most prominent feature on the background. I suppose I could have enhanced this image to make the shadow less subtle.
I hope readers are not getting bored with Bisti, because there are more post on the way,
Ken
I had seen a number of abandoned houses and/or ranch/farm structures along my route home on previous trips this way. I decided that I would take time to photograph a few of these on my way home.
Roof Collapsing.
Abandoned House and Sheds
A closer look at the sheds
A closer look at the house
Abandoned House
All of the structures in the photos above are in close proximity to each other and on private property. I’m sure all of these were part of one settlement, ranch or other operation at one time. These are just off of a major highway, so they are easily observed by anyone traveling that highway.
The abandoned house in the following photos is not very near a highway, but it can be spotted from a major highway by a careful observer.
That’s all for this portion of my homeward journey,
Ken
