More Utah desert images made via my iPhone.
Thanks for following,
Ken
Utah – March 2026 – Part 3
Tag: Monochrome Photos
Utah – March 2026 – Part 2
While waiting for my son to join me, I could not resist walking around the desert area surrounding my Utah campsite, capturing desert scenes with my iPhone camera.
I regret that I can’t find the poetry to describe these desert scenes. I’ve noted a few of my photography contacts on Flickr suddenly waxing poetic in a manner that suggest AI generated text. I have to admit, I’ve thought about that, but I’ve not yet given in to that temptation.
Thanks for following and stay tuned for more Utah desert scenes,
Ken
Badlands National Park, June 2025 – Part 3
At the very end of a visit to Badlands National Park several years ago, I thought I had found a really good place for sunset photography. So during this visit I found that location again and walked around during the day, scouting possible locations to return to at sunset. I used my iPhone camera to test a few compositions and capture a few micro-environmental images.
In ‘Dry Planet’ I wanted to show the similarity between the dry, white clay in the drainage patterns to the white clouds in the sky.
The dry drainage is waiting for more rain from those heavy clouds in the sky.
‘Dry Stream Bed’ features the same drainage as in ‘Anticipation’, from another view point.
The dry mud cracks into segments resembling a picture puzzle.
More scouting photos to come later,
Ken
More Relics in Rural America – Part 3
More photos taken in rural America, during an early June 2025 roadtrip.
My first inclination was to call this “Puddle House” for an obvious reason. I had to shoot this old, abandoned house from a fence line near the roadway with a big zoom to get the close up image.
More relics are just down the road,
Ken
Southern Utah March 2025 – White Rocks – Part 4
More photos from Southern Utah, March 2025.
If one looks very closely, for a sense of scale, there is a photographer in the upper left of this image.
Thanks for following and stay tuned for more Utah landscape photographs,
Ken
Southern Utah March 2025 – White Rocks – Part 2
This post is a continuation of photography in an area of Southern Utah that is commonly referred to as “White Rocks”. There are many interesting rock features in this area.
I have to admit to cheating a little in the editing of this first image. In the original image there was a big rock where the two in the foreground are now. I found that single, large rock distracting, so I used Lightroom’s AI tool to break that rock into smaller rocks. This tool is often used to remove objects, but it can also modify objects. the tool creates three choices from which to choose at each activation and one can repeat the activation, if none of the choices are desirable. I could have completely removed that big rock, but that did not seem appropriate, so I chose this broken rock alternative, which I think fits better with the other rocks in the “Broken Circle”. Some will object to this blatant modification of a landscape, but I’ve finally gotten to the point of seeing such photography as much as art as in faithfully copying what nature provides. So I’m ok with modifications, within reasonable limits and we have to use our own judgment as to what is “reasonable”.
Geologist refer to these rock features as “hoodoos” or “toadstools”. To me the rock atop the pedestal in the foreground here looks like a toad. So Maybe this is a “Toad’s Stool”.
I titled this “Parent and Child”, but I can also see it as a dog with its tail sticking up. Some people’s pareiodlia may see it otherwise, but in the end it is another of natures marvelous creations, no matter how we perceive it.
This hoodoo, supported by many rock layers, seems to be looking down into the valley at those which lie below its lofty perch.
I made this second image of “Parent and Child” a few minutes after the first, composing from a different angle. Within those few minutes, the sky in the background had changed significantly due to the windy conditions, illustrating how a minor change in view point and changing environmently conditions can affect a photograph.
Just a pair of stylish, cartoon like hoodoos in Southern Utah.
A close up of the hoodoo with the pink bonnet in the previous image and a conversion to monochrome, give a completly different interpretation to this scene.
Getting into a position to make this image was not easy. Steep slopes with gravel size rock chips and thin layers of sand over the hard rock surface and other obstacles, made moving around treacherous and positioning awkward.
These hoodoos are the same one presented in individual photos. Grouping these into one shot, I’m imagining a father, child and mother in these rock shapes, all peering down into the valley below.
Another group of hoodoos that look like a family unit. Dad in the background, mom on the right, casting a sideways look at the child in a curious manner.
That’s it for now. Stay tuned for more Southern Utah landscapes,
Ken
Multiple Exposure Fall – Part 3
This is a continuation of my fall photography, using in camera multiple exposures.
“Hole in Log” surprised me. There was a leaf in a hole in an old log, which I photographed, then placed a leaf over that hole and photographed it. I expected to see at least part of the leaf in the hole showing through in the multiple exposure, but the blackness of the hole resulted in the pixels in the leaf over the hole taking precedence, resulting in a shape in the covering leaf in the shape of the hole.
To be continued,
Ken
Trick or Treat 2024
Don’t be here, when the sun goes down tonight.
Our neighbors here in the backwoods of Indiana are friendly, but I don’t know about their dog.
Happy Halloween and stay safe,
Ken
Yosemite National Park – Part 4
After my early morning photography, my wife and I returned to the park to drive to Glacier Point. It is a long drive, but well worth the time, as the views from the stops along this route are spectacular.
I shot with both my iPhone and my DSLR with 24-70mm lens and 80-400mm lens with an extension tube. It was not optimal time for the best light for landscape photography, but this was the only opportunity I would have to be here for the foreseeable future, so I captured many images while I could do so.
Sub Dome blends into the background in some of these shots, but it is just above and to the left of the two waterfalls, which might appear small in these images, but those are quite large.
Sub Dome towers above Vernal Falls and Nevada Falls.
The bridge over the stream feeding Nevada falls and the many people around the top of the falls only became apparent upon using the 80-400mm lens.
There were some people standing near the top of Vernal Falls in this image, but I removed them in Lightroom. I think there may be other people in the far background, but I did not attempt removing those small, fuzzy objects.
These images are representative of the views from Glacier Point and Washburn Point overlooks.
Thanks for following,
Ken
Yosemite National Park – Part 2
My online research suggested that Tunnel View at sunrise was a favorite Yosemite NP location for many photographers. I had not been happy with my evening photography at Tunnel View, so I decided to try again at sunrise.
I knew that this would require photographing directly into the rising sun and would be a challenge for getting a good exposure and timing would be critical for catching the first glimpse of the sun as it rose over the horizon.
The evening prior, I had shot with a 24-70mm lens, which did not let me acquire much detail of the distant rock features. So I opted to use my 80-400mm lens with a 1.4x extension at sunrise.
The sky was totally clear this morning, which was a disappointment, since the sky would be bland and uninteresting. Largely due to that bland sky, I converted the only reasonably good images I got this morning to monochrome.
I say pre-sunrise, only because the sun had not shown itself above the horizon that I see, but it is obviously already above the horizon behind this view.
The shadows in the sky cast by some of these rock features was a pleasant surprise and add interest to that bland sky. I especially like that dark streak radiating from the peak of Half Dome.
The sun rose at the right edge of Half Dome and this is the best image that I captured. I could have used software to enhance the sun’s starburst and brought up the shadows a bit more, but I like this more natural look, except for the bright halo behind the sun, which is a highlight that I could not avoid.
Until next time,
Ken