This is a continuation of my morning shoot on the fourth full day of this visit to Badlands NP.
Grassland and Badland
I parked at a small pullout along SD240, where I noted a path through the grassland. I took that path into the grasslands to see what opportunities I might find for photographing a large badlands feature in the distance.
Prickly Edge
The sky was still heavily overcast, which at this time of the morning was better for photography than having a clear sky and overly brightly lit landscape.
Prickly Edge – Wide View
Normally, I would not put the horizon at or near the center of an image, but here the sky was as interesting, perhaps more so, than the foreground. So I’ve ignored that general rule about horizon placement in a number of my compositions here.
This is the WayDarkland
This concludes my morning shooting in Badlands NP today. Time to explore more of the park.
It was another heavily overcast morning in Badlands National Park with sporadic light rain.
Traffic Stop, Badlands NP, September 18, 2022, PM, iPhone Photo through the windshield
These female Bighorns and lambs were in no hurry and did not care that they were holding me up in my quest for early morning photos.
Bighorn, Badlands NP, September 18, 2022, PM, iPhone Photo
Shooting under the heavy overcast, most of my images were dark. I brightened them, but did not want to overdo that and ruin the reality. These images look better on a large screen with proper brightness for viewing images, but may look very dark in this blog post, especially if viewed on a small screen. Some of these images have embedded links to the images on Flickr, where these usually look much better than in this blog.
I shot all of these image at a number of different viewpoints along SD240, the main road through the park. I met a young lady from Michigan, who was also shooting images. We seemed to be stopping at the same places for awhile. She observed that the color in the badlands rocks were more saturated when wet. I told her that she had discovered the reason geologists like to view wet rocks, rather than dry ones.
I had decided to shoot at one of the overlooks in Badlands National Park my first morning here, but when I arrive at that destination, I did not like the view and proceeded down the roadway to another pullout. That pullout was intended as an overview of an area to the north, but I climbed a grassy slope on the opposite side of the roadway, anticipating better sunrise lighting on the features on that side of the roadway. That is, if there was a sunrise this heavily overcast morning, after a storm came through during the night.
Sky NotchOvercast RidgeDark MorningInto the Badlands
Looks like no golden hour this morning, but the clouds are dramatic.
Into the Badlands 2
With the sun just barely peeking through the heavily overcast horizon, I decided to move on down that roadway and look for other photographic opportunities.
Clearing Storm Clouds over BadlandsHitchhikerPastel MorningMorning SpotlightMorning ColorBadland MorningBadlands MeanderMirrored
I hope these post on photography in Yankee Boy Basin are not getting boring. Initially, I had only planned for two posts, but those got longer than I expected. This will be a short post with only a couple of photos to review.
These two images are from our last evening to shoot here. The weather report indicated a smallish chance for rain, so we thought we would get lucky and have a tremendously beautiful sky at sunset. It did not turn out that way. The sky was heavily overcast all around and it began to rain shortly after we got into position to shoot, so we cut our outing short.
An overcast evening in Yankee Boy Basin, Colorado.
The composition above, I thought at the time, was just a desperate attempt to get something, as it began to sprinkle, before we had to retreat. I had reservations about even spending time editing this image or showing it to anyone. After letting this one sit for awhile before editing it, I remembered why I made this image.
The tops of the yellowish-green vegetation, running diagonally from the bottom left corner, leads the eye to the dead, leaning tree trunk, which in turn points to the overcast, threatening sky, as if to say, “you better hurry and shoot now”. So, I think, this composition worked better than I expected, when I was hastily making this image.
Wildflowers, Mountains and Sky in an overcast evening in Yankee Boy Basin, Colorado.
This final image is again one that I still have reservations about. I’m trying to show the drama in the sky and soften it with the wildflowers in the foreground set below the rugged mountain peaks. The softness of the wildflowers is enhanced by motion, created by the wind and a slow shutter speed. This is usually not the kind of image I prefer. Often I would increase the ISO under these conditions to get a fast shutter speed to freeze the motion in the vegetation and in the clouds. If there had been some side lighting on the wildflowers this would have been a much more impactful image.
Please feel free to critique my images. Your feedback is always welcome.
