After a morning shoot, my son and I decided to take a short hike in another part of the park, before. the crowds of tourists began to get out and about.
Movie Set Remains
It is not surprising that this area is a popular one in which to film portions of western movies. The image above is of the remains of one of those movie sets.
Where Many Have Trodden
A portion of our early morning hike went through a slot type canyon. The many footprints in the sand indicates the number of people that have recently hiked this way.
Natural PathwayClosing InRock FeaturesThrough A Rock’s Eye
In late March of 2023, I traveled to Snow Canyon State Park in Utah with the intention of staying here a full week. The park features, which are impressive, are essentially located along the roadway that goes through the park. However, due to the orientation of the canyon, sunrise works for golden hour photography in some portions of the park, but sunset golden hour is either very limited or non-existent. This was a disappointment, as that greatly limited my photographic possibilities here.
After checking into my campsite, I drove towards the south exit/entrance (I had entered via the north entrance) to check out the scenery in that direction and to get a cell phone signal. There is only a weak, at best, phone signal at the campground, but a good signal at and near the south entrance.
On my way back to the campsite, I stopped to check out Jenny’s Canyon, a very short slot canyon that is accessible via a short hike from the roadway.
Sunlight filtering down into narrow canyons can create some remarkable color contrast on the canyon walls. The image above is shot looking upwards towards the sky from within the short slot canyon.
Usually, I find something of interest to photograph in route to my destination, but I found nothing of special interest during my first two days of the drive. Maybe I wasn’t looking intently enough and too preoccupied with getting to my stops. Although, I did see this group of deer near the entrance to my first overnight stop.
There is always at least one in a group photo that is not looking at the camera. iPhone Photo.
I’ve picked out a general location for sunrise photos tomorrow. The results are next up.
We left Hotchkiss headed towards home, driving CO92 to US 50 on the first leg of this journey.
Don’t Fence Me In
This is a scenic drive following a creek and its canyon that feeds into the Gunnison River, then tracks near the Gunnison River as it flow towards the Blue Mesa Reservoir.
Canyon and SkyCanyon and WildflowersIndian Paint BrushWildflowers
At one of the large pull outs along this route, a group of motorcyclist pulled in. One of them asked me to take a group photo on one of their phones. Afterwards, I asked permission to get a group photo for my blog. I was assured that none of them were in a witness protection program or had ex-spouses searching for them.
Riders of the Western Range
It turned out that most of this group are from DFW, Texas and the young couple on the right are from Tupelo, Mississippi, with the female an alumni of my college (Ole Miss).
Their handles, from left to right, are: Jax, Bab, Blackout, Wheezy, Bronco, Sparky, Tinkle, Demon Dawg, and Helkat.
Thank you all for allowing me to include your group photo in my blog,
From Ridgway we traveled to Hotchkiss, Colorado, where we planned to visit the North Rim of the Black Canyon of the Gunnison. Years ago we had briefly visited the south rim, but this was the first visit to the North Rim. After checking into our motel, which was surprisingly nice for such a small town, we drove to the north rim.
It is a fairly long drive from Hotchkiss to the canyon, but I wanted to do a bit of scouting, prior to returning for late day or early morning photos. It was early afternoon and the sun was high in the sky. We stopped at a number of canyon overlooks, where I snapped iPhone scouting photos.
Black Canyon of the Gunnison, North Rim, iPhone PhotoBlack Canyon of the Gunnison, North Rim, iPhone Photo
Since this is a deep canyon, direct sun light penetrates to the bottom for only a few minutes each day. The best time to photograph the canyon is probably not during the typically preferred golden hours of early morning and late day, so timing when to be here is a problem for those of us that are not highly knowledgeable of the lighting variation across the seasons here.
Black Canyon of the Gunnison, North Rim, iPhone Photo
Much geology is revealed in the rocks of the canyon walls. One can find lots of information on the canyon’s geology via many online sources. Here is one link to check out, if interested, and another here.
Black Canyon of the Gunnison, North Rim, iPhone PhotoBlack Canyon of the Gunnison, North Rim, iPhone PhotoBlack Canyon of the Gunnison, North Rim, iPhone PhotoBlack Canyon of the Gunnison, North Rim, iPhone PhotoBlack Canyon of the Gunnison, North Rim, iPhone Photo
The last photo in this post shows a feature referred to as “The Camel” (left of center and just above the vertical center).
My original intention was to return to the canyon with my DSLR either later today or the next morning, but given the travel time from our lodging and the uncertainty about the best time of day to be here, I decided more effort on this visit might not be adequately fruitful. Instead, we changed our travel plans and decided to move on towards home a day earlier than planned.
I know these iPhone photos are not very good, but these are all I have for this trip.
Upper Muley Twist Canyon in Capitol Reef National Park is accessed via a three mile four wheel drive road from the Burr Trail Road west of the the point where that road climbs out of Strike Valley. A high clearance vehicle is recommended for this roadway, as it is rugged with some sizable rocks that one must navigate over. However, we saw one or two Subaru Outbacks, that are capable vehicles, at the trailhead. So experienced drivers might be able to safely navigate this road with such vehicles; but definitely, ordinary, low clearance vehicles should not attempt this roadway. The road is narrow in portions with room for only one vehicle.
We were on this roadway several times during this visit to Capitol Reef National Park. The trailheads for both the Strike Valley Overlook and Upper Muley Twist Canyon begin at the parking area, which is large enough to accommodate at least 4 vehicles.
The full loop hike of the canyon is a nine mile round trip. The canyon hike was secondary to our purpose for being here, so we never tried to do the full hike. According to the map of the canyon, there are 4 arches in the canyon. The first arch is about 1 mile from the trailhead. We hiked to the first arch, prior to going to the Strike Valley Overlook for late day photography. We did not have time to go any further on that visit here and still get to the Strike Valley Overlook.
We returned here to hike further into the canyon one day prior to a sunset shoot at a nearby location and again we did not have time for the full hike, so we settled for shooting at the first and second arches along the hiking route.
Hole Rock
The canyon wall has interesting features, such as the holes eroded into the solid rock walls. There were many of these similar to the one in the photo above.
Against the Wall
The canyon walls are steep and sheer rock along portions of the route with stains from water runoff. This green tree against the colorful canyon wall made an interesting photographic subject.
Saddle Arch, Upper Muley Twist Canyon
We hiked past the first arch to the second one that is know as Saddle Arch. This arch is easily visible from the canyon floor, as one rounds a bend in the canyon. It is high up on the canyon wall, requiring a steep climb up a sandy slope to get nearest to it.
I made a number of images from various vantage points. The time of day was not the best for great lighting, but it was the only time we would be here. The colorful sandstone layers add interest to the photos and geologists will enjoy viewing and studying such exposed features.
I suppose a well prepared hiker/rock climber could get to the area directly beneath and behind the arch; but that would be a dangerous undertaking for a most hikers.
On the hike out we stopped by the first arch to try to get closer photos. More on that in the next post.
South of the Capitol Reef National Park Visitor Center at the end of the paved road is the Capitol Gorge Trailhead. We hiked a short distance down the canyon, then up a short, steep trail to check out natural water tanks formed in low places along a water drainage.
I captured a few images in the canyon in route.
Capitol Gorge and Hiker/PhotographerCapitol GorgeStanding Tall – Black and White with Selective ColorizationDefiance – Trees atop Canyon Walls – Black and White with Selective ColorizationReflection in a Natural Water Tank
The snow like blobs in these photos are foamy floaters in the water.
Water TankIcy Water Tank and ArchGreen Gold – Tree adjacent to the tanks – Black and White with Selective ColorizationArch below Tanks
Water flow has cut through rock forming a small arch along the occasional stream bed.
Old Visitor Register – Enhanced to bring out faded writing
Early visitors in this canyon left their names and dates high up on the canyon wall. These marking are much higher than anyone other than a giant can reach. Maybe some stood on horses or wagons to leave their mark here or maybe the canyon was not as deep many years ago?
Parched, Hopeful – Capitol Reef Desert Scene
I cannot recall where in the park this final photo was taken, but I think it was shot along the unimproved dirt road that continues past the end of the paved roadway from the Capitol Gorge Trailhead parking area.
The longest hike we did while at the Grand Canyon North Rim was one that generally followed along the canyon rim, but was mostly in forest with occasional good views of the canyon.
View from a trailClouds over the Canyon
The first three images contain the same canyon features with varying compositions and view points.
Intimate Moment
The tree leaning into another reminded me of a couple sharing this grand view.
Clouds and Canyon
The sky was mostly cloudy, as was typical during our visit, and the canyon was hazy.
Along the TrailNear a TrailStorm over the Canyon
Again today, there was a storm in the distance and rain threatened to catch us on the trail.
Storm CoudsTrees, Canyon and Storm Clouds
I will continue with more photos from this hike in a subsequent post.
Backtracking along CO 141 from the Dolores River Overlook, after our lunch there, we found the dirt road, Y11, that we had seen below the overlook. We traveled in the canyon along the river for a while, checking out scenes along it.
There had been a uranium mine off of this road that was shut down a few years ago after a number of employees developed cancer due to the radiation exposure. We saw a number of signs posted on the fence along the roadside warning of radiation hazards in the area to the west of the fence. Needless to say, we did not try to cross that fence.
After a few miles, we found the information sign that we had seen from up above. The sign marked the location of a rebuilt section of a hanging flume. My son had noted the hanging flume marked on a map before we began this outing, but thought it would be seen from CO 141. If we had not taken this side trip, we would have missed this interesting piece of Colorado mining history.
A reconstructed portion of a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/80s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
The only part of the original flume that remains are the supports mounted into the cliff face. This flume ran for a long distance and was an engineering marvel for the time it was built. Unfortunately, there is no surviving engineering information detailing its design or construction. More information can be found at hanging flume.org
A reconstructed portion of a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/200s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.A reconstructed portion of a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/30s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.Remnants of supports for a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/200s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
This is a continuation of my photography effort in Yankee Boy Basin near Ouray, Colorado in July, 2020.
On a couple of our visits to this area, we drove past the waterfalls to try our luck with photographing variations in the local landscape. The images in this post are all from one morning’s shoot.
Pre-Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 13s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
This first image is a long exposure made before sunrise, but it is evident that the mountain peaks are already getting some early morning light. Even though it was a calm morning, there may be some foliage motion apparent in the long exposure.
Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.8s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
As the sun began to come up, I made a series of images, capturing the early morning golden light on the mountaintops, using the deep canyon, created by the many years of the stream flowing down the mountain side, with accompanying erosion, as a leading line into the image.
One of the subtle details that I like in these images is the shadow of another mountain peak that is superimposed upon the prominent, highlighted peak. I wish that I could say that I planned for this, but it was just an unexpected bonus.
Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
I experimented with variations on this general composition, trying to determine the most satisfying one. For the one above, I moved past the tree that was on my left and rotated to the right to include the single tree on the right and more of the area along the right of the canyon. For the one below, I included a clump of rocks in the lower right and rotated to the left a little. I like this composition better than any of the previous ones.
Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.8s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
The image below is a variation of the one above. I like this composition, too, but I still like the one above more, perhaps because the left side of the canyon stands out better in that image, as does the mountain peak at the top right, and the stream and canyon are leading more directly to that peak.
One might note that I edited out that dead tree limb in the lower left in the very first image in this post. I do not like that element in the other images, but removing it leaves some traces of the edit that might not be apparent to others that do not know that something was removed, but I know that the edit artifacts are there.
Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
I moved back near my initial position to include the tree on the left in the image below. One can see a hint of the golden hour glow on the far left peak coming through the top of that tree. That effect looked better in real life than it does in this image.
Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
I’ve highlighted the rapids in the stream a little in the editing process to emphasis its function as a leading line. I could probably improve the canyon’s and stream’s leading line function by a little more lightening along those, but I think the dark red rock along the canyon wall is sufficient and I do not want to take too much of the viewers eye off of that highlighted mountain peak.
Moving even more downstream along the canyon, I used a large boulder as a foreground object.
Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 2.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
To me, that boulder looks too close to the far wall of the canyon to be pleasing. I may take another look at the edit of this photo to see if I can create more separation here. The leading line of the far canyon wall with the trees along the top edge is still effective in this image, leading the eye to the highlighted peak at the top left. There is an additional leading line behind the trees, formed by another drainage, leading the eye up towards the highlighted peak near the center of the image. Maybe the greenery in that leading line could be lightened a little more to improve its function.
Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
My initial impression as I composed the above image was that it was not very interesting. But now that I’ve had more time to think about why I selected this composition, I like it more and maybe even more than any of the other compositions from this shoot. I like the light and color variation across the image and the leading line of the stream at the bottom left, intersecting with the drainage that goes diagonally across the image to the highlighted peaks at the top right. Maybe a little more editing might emphasize the leading lines better and maybe I could create more depth to separate that boulder in the right corner from the canyon wall.
The sky is rather dull in all of the images from this shoot. Clouds might have made all of these images more striking, but we have to work with what we have, when we only get to visit such beautiful places infrequently.
Higher resolution images can be viewed on my Flickr page by clicking upon the images. The images also look much better, when viewed on a computer screen, rather than the tiny screen of a phone.
On the morning of our third day in Echo Park, Dinosaur National Monument, Colorado, my oldest son and I returned to the Yampa River and the nearby grassy meadow for our final photography shoot before packing up and heading back to Denver.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 0.8s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.
We again went onto the bar in the river channel just east of the confluence of the Green and Yampa Rivers to shoot in the pre-sunrise and sunrise light.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.5s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.
I made compositions similar to those of the previous day’s sunset shoot, capturing the morning sky, the canyon walls and reflections of those in the river.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1/8s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.
Clouds moved across the sky as the light changed. I shot towards the east and the rising sun, then made a few images toward the west.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1/6s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 8s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
I turned again to the east and north as the sky and clouds became brighter, which created more contrast in the images and brighter reflections in the river.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 15mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
As the sun rose behind the canyon walls, the clouds became brighter and more colorful.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 1/4s, edited in Adobe Lightroom and DxO Nik Modules.
After shooting in the river channel, we climbed back onto the meadow and made more images as the morning light advanced across the sky. The moon transited across the sky to the south as we shot.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
Today, rather than using rocks in the meadow as foreground objects, I put tall clumps of grass in the foreground.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
Shooting with the wide angle lens results in distortion, some of which can be taken out, but not all of it. Note how the rock outcrop on the right side of this image appears to be tilted in towards the middle of the image. Trying to take out this tilt with the tools in Adobe Lightroom will affect the rest of the image in an undesirable manner.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
There were a few scattered thistles in this meadow and I used one as a foreground object.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
The first of the sunrise rays began to show up on the top of the large rock outcrop on the east side of the meadow
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.
and a little later on the rock outcrop on the west side.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.
We were fortunate to have scattered clouds this morning to add interest to the sky.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.
This wraps up the highlights of my July 2019 Colorado road trip,
