It is unusual for me to come across such finds as this late in the day with the sun low in the sky or with such great clouds in the sky from a clearing rain storm. I had to walk through tall grass to get near enough to shoot this old homestead in Middle America.
The title for this image is inspired by the small object I spotted in the upper left corner of the door frame. I know that object might be too small in this image for a viewer to identify, but it is an old Prince Albert tobacco tin. Prince Albert tobacco is still produced and it was very common and popular, when I was a kid growing up. Empty, discarded tins like this were common litter items back then.
There are modern electric power generating windmills on the far horizon in this image, indicating the continuity of wind energy in Middle America from the past into the future.
My first inclination was to call this “Puddle House” for an obvious reason. I had to shoot this old, abandoned house from a fence line near the roadway with a big zoom to get the close up image.
We returned to the area refered to as White Rocks in Southern Utah for an early morning shoot. I switched from the Nikon D850 and 24-70mm lens to the Nikon Z8 and Nikon Z14-24mm for this shoot.
After climbing out of the White Rocks canyon, which was already nearly all in shadow, I paused to capture a few shots over the canyon and the landscape around the canyon. The sun was low in the sky, not quite golden hour, but the lighting was good. We still had to hike back to our vehicle and make a slow drive out of this area, which is best done in daylight, so we never quite waited for sunset.
The square shape of the head on this hoodoo looks as if it could have been purposely shaped. Getting this image with that georgeous sky behind it was a bonus.
Square Head from another view point
Maybe those rocks in the foreground are from previous hoodoos here?
This post is a continuation of photography in an area of Southern Utah that is commonly referred to as “White Rocks”. There are many interesting rock features in this area.
I have to admit to cheating a little in the editing of this first image. In the original image there was a big rock where the two in the foreground are now. I found that single, large rock distracting, so I used Lightroom’s AI tool to break that rock into smaller rocks. This tool is often used to remove objects, but it can also modify objects. the tool creates three choices from which to choose at each activation and one can repeat the activation, if none of the choices are desirable. I could have completely removed that big rock, but that did not seem appropriate, so I chose this broken rock alternative, which I think fits better with the other rocks in the “Broken Circle”. Some will object to this blatant modification of a landscape, but I’ve finally gotten to the point of seeing such photography as much as art as in faithfully copying what nature provides. So I’m ok with modifications, within reasonable limits and we have to use our own judgment as to what is “reasonable”.
Geologist refer to these rock features as “hoodoos” or “toadstools”. To me the rock atop the pedestal in the foreground here looks like a toad. So Maybe this is a “Toad’s Stool”.
I titled this “Parent and Child”, but I can also see it as a dog with its tail sticking up. Some people’s pareiodlia may see it otherwise, but in the end it is another of natures marvelous creations, no matter how we perceive it.
I made this second image of “Parent and Child” a few minutes after the first, composing from a different angle. Within those few minutes, the sky in the background had changed significantly due to the windy conditions, illustrating how a minor change in view point and changing environmently conditions can affect a photograph.
A close up of the hoodoo with the pink bonnet in the previous image and a conversion to monochrome, give a completly different interpretation to this scene.
Getting into a position to make this image was not easy. Steep slopes with gravel size rock chips and thin layers of sand over the hard rock surface and other obstacles, made moving around treacherous and positioning awkward.
These hoodoos are the same one presented in individual photos. Grouping these into one shot, I’m imagining a father, child and mother in these rock shapes, all peering down into the valley below.
Another group of hoodoos that look like a family unit. Dad in the background, mom on the right, casting a sideways look at the child in a curious manner.
That’s it for now. Stay tuned for more Southern Utah landscapes,
