Cathedral Creek Trail, Scouting Photographs, July 2020

I left Teal Campground, heading towards Del Norte, Colorado, expecting to meet up with my son somewhere in that area, after he drove down from Denver to spend a few more days with me in the southeastern portion of Colorado.

When I got back into a cell phone coverage area, I got a message from my son suggesting that we meet at Cathedral Campground north of US 160 between South Fork and Del Norte.

After driving miles on narrow, rough forest service roads, I arrived at Cathedral Campground, found a suitable campsite with an open site, which I claimed for my son, across the campground loop from my site.  It would be several hours before my son arrived, so I decided to hike a portion of a trail that went up the mountainside along Cathedral Creek to scout for possible sunset and/or sunrise photography locations.

Embargo Creek Crossing at Cathedral Campground. iPhone photograph, edited in Adobe Lightroom and DxO modules.

I immediately had to cross Embargo Creek, which ran along the east side of the camping area.   A short distance along the trail, it intersected Cathedral Creek and continued to follow the creek uphill.

Cliffside alone Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

After hiking a fair distance, there were views of cliffs along each side of the trail.  So I began to look for good, unobstructed views of the rock outcrops and estimate the potential for getting late day or early morning light on those cliff sides.

A cliff along Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

All of the views from the trail were obstructed to some extent by trees.

A cliff along Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

I could see the possibility of hiking through woods to maybe get beyond some of the near trail obstructions, usually requiring a creek crossing and/or new route finding off of the official trail.

Cliff view, Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

 

Cliffside, Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

The views to the west, like that above, might be good for sunrise photography.

An obscured view of a cliffside along Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

There were many beetle killed trees, which spoiled the views, along the trail.

Cliffside, Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

It was a partly cloudy afternoon with more clouds building up, as is normal in the late afternoons in the mountains.  A late afternoon thunderstorm would not be good to be out in here.

Cathedral Creek, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO modules.

There were a number of creek crossings along the trail.  This one was the prettiest.  I took the above photo, while standing on rocks in the creek and the one below after crossing the creek.

Cathedral Creek, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO modules.

I made an iPhone video of the creek at this crossing and it can be viewed here.

I failed to bring along my hiking stick, so I had to balance on logs and/or rocks at a number of creek crossings.  At one such crossing, I had to stoop over, putting my left hand on a small log for balance as I crossed.  After getting across, I noticed a young couple watching from just up the trail.  They congratulated me upon my safe crossing.  I decided that I needed to find a suitable stick along the trail to use as a hiking stick to balance myself at the crossings on the way back down the trail.

The couple told me there were views of cliffs a little further up the trail, but the views were from just below the cliffs and the views were all obstructed by dead trees.

I continued up the trail for a while longer, before deciding to turn back.

An obscured vies of a cliffside along Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.
An obscured view of a cliffside along Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.
A cliff along Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

I can see that one might cross the creek, hike to the west through brushy areas and maybe get beyond the major obstructions.  But these views were a long way up the trail from the campground.  The best views were to the west, which meant hiking up the trail in the early morning dark to be at one of these locations for sunrise.  The trail ran between two mountain ridges, so it was likely that the rock outcrops to the west might not get the golden hour sunlight.

The views to the east of the trail were not as good and the golden hour sunset light would be limited, at best, and one would have to hike back down the trail in the dark after a sunset shoot.

Wildflowers along Cathedral Creek Trail. iPhone photograph, edited in Adobe Lightroom and DxO modules.

There were a few scattered wildflowers near the creek.

An unidentified moth, iPhone photograph, edited in Adobe Lightroom and DxO modules.

I spotted this colorful moth spreading its wings on a plant beside the trail.  I tried to identify it, but I could find none that looked like this on a number of websites.  I submitted this photo to one site that supposedly would help identify moths and butterflies, but it has been weeks since posting and I’ve gotten no response.

As usual, the hike down took much less time than the hike up the trail and this time I used a stick that I picked up along the trail as an aid in balancing at the creek crossings, making those crossings much easier and faster.

I checked my GPS device upon arriving back at my campsite to get an estimate of the change in elevation from my campsite to the highest point I hiked to on the trail.  The elevation of my campsite was  9400 feet and the highest elevation I had recorded on the trail was 10,114 feet.  So I had climbed up at least 714 feet in elevation.

My son arrived soon after I returned to my campsite and after a short discussion about the photographic possibilities here, we decided to move on to another area north of Del Norte that my son had explored during an earlier visit to southeastern Colorado.

More on that later,

Ken

 

Teal Campground, Colorado, July, 2020

Teal Campground, north of Pagosa Springs, Colorado is nestled among tall ponderosa pines on the west side of Williams Creek Reservoir.  The drive into the campground is long and, after the pavement ends, is on forest service roads, the conditions of which are highly variable.  During my visit, some sections were relatively good, while most sections were rocky, bouncy, pot holed and washboarded.

The setting for the campground is attractive with good views of mountains across the reservoir and in other directions.  The campsites are available on first come basis and a fee is required.  With my National Parks Senior Pass, I only paid $11/night.  A number of campers were already there, but I was fortunate to find a perfect site for my Sportsmobile.

Teal Campground Campsite. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

There are a couple of other campsites just up the road and I was uncertain about whether I wanted to stay here or in one of the other two campgrounds.  Before I paid for my site, I walked around and found the camp host in his pickup truck talking to other campers.  He was very adamant that no smoking was allowed in any outdoors area nor in his “very clean” restrooms.  Fortunately, I am not a smoker and I did not want to use the restrooms during the pandemic anyway.  The host told me that the other campsites usually had vacancies, unless Teal was full, but one site, Palisades, at the end of the road, was only for those with horses.

I decided to stay at Teal for at least one night and check out the other sites and Williams Creek hiking trail from Palisades the next day.

After lunch, I set out to check out the area for possible photo locations, testing compositions with my iPhone.

Contours. Teal Campground, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

Some of the big pines had interesting features, but the one above is my favorite.

The Fallen. Teal Campground Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

The ground under the pines was covered with fallen needles and pine cones.  I thought the stray section of old rusty barb wire among these made for an interesting photo.

Scouting Photograph, Williams Creek Reservoir, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

I found a number of boulders scattered around in the grassy area near the reservoir that might make good foreground objects at sunset.

Scouting Photograph, Williams Creek Reservoir, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

It was an increasingly cloudy afternoon and I began to think that there would be no golden hour at sunset today.

Scouting Photograph, Williams Creek Reservoir, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.
Scouting Photograph, Williams Creek Reservoir, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.
Scouting Photograph, Williams Creek Reservoir, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

I think I found some good possible compositions and the clouds will be great to have.  Now I just need to have golden hour light to make these better.

Scouting Photograph, Williams Creek Reservoir, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.
Scouting Photograph, Williams Creek Reservoir, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

Aren’t those clouds magnificent?

Wildflowers in Teal Campground, Colorado. iPhone photograph, edited in Adobe Lightroom and DxO Nik Modules.

There were numerous varieties of wildflowers around the open grassy area surrounding the campground, too.

Now I just need to have an early dinner, prepare my DSLR gear and wait for sunset.

Until then,

Ken

 

 

 

Thirty Mile Campground, Rio Grande National Forest, July 2020

An interim stopover on my journey from Ridgeway, Colorado to the southeastern corner of Colorado in July, 2020 was Thirty Mile Campground.  It is a long, slow drive on rough county/forest service roads to the campground.  This campground has sites that one can reserve and others that are on a first come first serve basis.    There were only a few sites available, when I made my reservations prior to my trip to Colorado.  I wanted to be sure that I had a place to stay at least one night, so reserving a site assured that I would not have to search for a free site in the forest.  I thought I might be able to get one of the free sites, if I decided to stay a second night; but the campsites were all full or reserved on the day that I arrived and there were no reserve sites available for a second night.  I would have to wait until the second day to find any available free sites, if I wanted to stay a second night.

My campsite in Thirty Mile Campground, Colorado, July 2020. iPhone Photograph.

Thirty Mile is a nice campground and my site was just inside the campground along the Rio Grande, where it was pleasant to hear the rushing water in the river.  After checking into my campsite, I took a walk along the river to check out possible locations for photography late in the day and/or early in the morning.

The river is pretty, but there seemed to be limited possibilities for photographic variations along the river.  This is a popular place for anglers and many of the people in the campground were there to fish for trout in the Rio Grande.

I watched a doe grazing on the opposite side of the river, shooting a number of photos and videos with my phone.  The doe did not seem to care that I was watching it.  One of the unedited videos can be seen here.

After my walk along the river, I drove along the road past the campground to check out the scenery along the Rio Grande Reservoir, which is a very long reservoir.  The road beside the reservoir is mostly a narrow one lane road with periodic pullouts, where vehicles can pass each other.  It was a rainy, overcast day, which created some photographic opportunities.

An iPhone shot through windshield on a rainy day along the Rio Grande Reservoir, Colorado. iPhone Photograph.

I drove almost to the very end of the reservoir before turning back.  Near the end, the water shallowed, revealing the trace of the river going into the reservoir.  In the upper end of the reservoir there was colorful vegetation and I got lucky when a break in the clouds allowed sunlight to highlight some of that vegetation.

Near the upper end of the Rio Grande Reservoir, Colorado. iPhone Photograph.

During my drive back towards the campground, I stopped to shoot with my iPhone at a few locations.

Wildflowers and Boulders beneath cloudy sky along the bank of the Rio Grande Reservoir, Colorado. iPhone Photograph.

There were a few scattered wildflowers and large colorful boulders, some covered with lichen, in various shapes between the roadway and the reservoir.

Boulders and a mountainside along side the Rio Grande Reservoir, Colorado. iPhone Photograph,
Sportsmobile framed by boulders with a mountainside in the background, along the Rio Grande Reservoir, Colorado. iPhone Photograph.
Pointy and flat top boulders along the bank of the Rio Grande Reservoir, Colorado. iPhone Photograph.
Wildflowers sheltered against a large boulder along the banks of the Rio Grande Reservoir, Colorado. iPhone Photograph.

The next post will have DSLR photos taken along the river and along the reservoir.

Stay well and safe,

Ken

 

 

 

Bisti Wilderness, May 2019, Day 7, Sunrise

I am reluctant to get out of my sleeping bag this morning.  I linger there for 10 more minutes after the alarm, considering whether to sleep in or go out for a morning shoot.  Eventually, I convince myself to face the morning.  After all, this is my last morning to shoot here.

This morning I will make up for yesterday’s mistake.  In route to my planned destination, I stop to shoot a blue hour silhouette.  One that caught my eye yesterday morning;  but I hastened by then, mistakenly thinking I did not have time to linger.  I am a little later at this location today.  The scene does not look as good as it did yesterday.  Mistake made and likely to be repeated, even though I am reminding myself to take the shot, whenever the opportunity presents itself.

Guardian of the Pass.  Large Bisti Hoodoo at blue hour. Nikon D850, Nikon 24-70mm @ 60mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After shooting the silhouette, I proceed towards my intended destination, the place high up on a hill at the end of a canyon, where I shot under a heavily overcast, morning sky early in the week.  I am anticipating excellent sunrise light at that location this morning.  As I hike, I become concerned about getting there sufficiently early and I am not enthusiastic about my choice of location today, either.  The Conversing Hoodoos are along my route, so I decide to check those for possible morning shots, since I am not satisfied with the results of my sunset shoots of those features.

Arriving at the Conversing Hoodoos and looking around, I conclude that there is a high probability of excellent golden hour morning light on the most interesting features, so I abandon my original plan in favor of shooting here.

I plan several compositions, shooting test shots in the pre-sunrise light as I await the sunrise.  The sky is clear with no obstructions.  There are hills to the east, which may limit some light on the lower portions of my compositions and maybe block the very first sunrise rays from my subjects.  As the sunrise light strikes the hoodoos, I am elated  that my change of plan is working out well.

Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 32mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 34mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After the golden sunrise light passes, I continue shooting with fully lit subjects for a few minutes.  I am not excited by any of the pre-sunrise nor post sunrise shots, so I am not sharing those.

Finishing my early morning shoot, I walk at a leisurely pace back towards the parking lot, looking for other places to shoot along the way.  Maybe I chose an uninteresting route to the parking lot.  I’m not finding interesting compositions in the later morning light; but I take time to make a few images anyway, hoping something jumps out at me.   I decide that none of these attempts produce any interesting results.  My lack of energy this morning might be relevant to my failure to get interesting shots in the post sunrise hour.  Frame of mind matters in artistic pursuits.

This is my last day here.  I have one more sunset shoot, weather permitting.    Until then,

Ken

Bisti Wilderness, May 2019, Day 6 Sunset

As usual, I was all alone in the north Bisti parking area overnight.  After returning from my early morning shoot, a few people came and went during the mid-day hours.

A young German couple, Tobias and Daniela, parked next to me and we chatted for a few minutes before they headed out into the wilderness area.  They were in the US for 4 weeks, traveling via automobile from Phoenix to Pittsburg, seeing sites along the way.  The couple returned before 6PM, stopping by to show me a few photos of various places that they had visited so far on their current trip to the US, giving me ideas of other places to visit.  Daniela’s blog site is Daniela’s Urlaubs Blog.

I am always amazed at how much international travel the Europeans do.  I know traveling between countries in Europe is easy,  but many travel outside Europe on a regular basis.  I have met numerous Europeans who are on extended vacations, spanning weeks.  I know that their labor laws assure their citizens of liberal holiday time, but they must budget a lot for their travels, even if they take advantage of cheap airfare, motels, car rentals, etc.  Still, it makes sense to me that if one is traveling so far, taking a long vacation is justified.

During the afternoon, there were dark, heavy clouds all around the area and I could see distant rainfall in numerous directions.  Some  of those rainfall events seemed to be heading directly towards my location, but it did not rain on me.

Bisti Panorama with storm clouds. iPhone photograph with edits in Adobe Lightroom and DxO Nik modules.

I made the panoramic shot above with my iPhone from atop a hill just inside the Bisti Wilderness and just north of the parking area.  This hilltop is the nearest place, where I could get a weak cell signal for making calls, getting e-mails and checking the weather, if the weak, intermittent signal lasted long enough to do so.  This shot is to the south, showing the massive cloud cover, which might not bode well for a sunset shoot.  The Sportsmobile is just a little rectangular blob near the center left edge of this image.

I made preparations to go out for sunset photography, although it was very cloudy in the west and the wind was increasing in intensity.  I stuffed my rain shell into my backpack before heading out, just in case of rain.

I hiked to a place, which I had previously scouted for sunset photography, high up on a hard rock platform, overlooking a large array of hoodoos with a wide vista over the desert area.

North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.

I made a number of test shots with my iPhone and DSLR of several compositions about an hour before sunset, as I waited and prepared for the warm sunset light.  These shots and my observations of the light indicated that the golden sunset light would be very limited today.  With this in mind, I carefully walked around on top of my perch area to determine how and where to quickly set up the tripod and camera, during the brief time that I would have to shoot at sunset.  Some of my chosen setup locations required carefully planned steps to safely get into position and care in setting the tripod, so I wanted to practice my moves.

North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.
North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.
North Bisti Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Nik modules.

I was excited about the possibilities for shooting here.  Unfortunately, a large mass of clouds on the western horizon obscured the sun at sunset time.  This is such a great place to shoot sunset that I will have to try again tomorrow evening, which will be my final chance to shoot here on this trip.  At least I have a few iPhone and DSLR images, just in case tomorrow’s sunset light is no better.

North Bisti Scene near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
North Bisti Hoodoos and Valley near sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 9 images.
North Bisti scene near sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO modules.

At the time I made these shots, there would have been golden hour light on the two large features on the left of the above image and on the mass of hoodoos in the image below, if the clouds on the western horizon had not blocked the direct rays of sunlight.

North Bisti Scene. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO modules.
North Bisti Hoodoos near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 9 images.

The DSLR images in this post have embedded links to the photos on Flickr, where these can be viewed in higher resolution.

I like these compositions and views, but the light that I had anticipated was not realized.  Hopefully, tomorrow will be better.

Until then,

Ken

Bisti Wilderness, May 2019, Day 5 Sunset

I am feeling the effects of insufficient sleep, after yesterday’s early and late day shoots with an extended hike sandwiched into the mid day hours, followed by today’s early morning sunrise shoot.  I try to nap for awhile, after Daniel’s departure, but a strong wind discourages sleep.  Looking out the Penthouse window, I see dark clouds to the west.  Fearing a rain will turn the clay surface parking lot into a muddy mess, I put the Sportsmobile top down and drive to a less clayey area near the parking area entrance, from which I can quickly exit the parking area in case of a downpour.  I see rain falling in the distance in several directions.  Walking up a hill to get a cell signal, I check the weather report, which does not mention rain at the two closest weather stations available.  I then check the weather forecast for my specific location via my GPS unit, which shows only 10% probability of rain in the area.

After lunch, the weather and clouds approaching from the west do not look as threatening, so I drive back to my favored parking spot, adjacent to the barbed wire fence at the boundary of the Bisti Wilderness area.

I am hesitant go out at sunset, seeing heavy clouds covering the western horizon and a half dozen distant rain showers in various directions.  I decide to go anyway, hoping to get some good sunset light and not get rained on.

I target the plateau area again, thinking that sunset light will be good there.  Arriving early enough prior to sunset to wander around looking for interesting subjects, I make a few images in the late day light before choosing sunset compositions.

Small Bisti Arch and Shadow. Nikon D850, Nikon 24-70mm at 50mm, f/16, 1/25s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I find this interestingly shaped, small, natural bridge, casting a long shadow, among the many rock features in the wash area adjacent to the plateau.

North Bisti Rocks and Hoodoos. Nikon D850, Nikon 24-70mm at 35mm, f/16, 1/5-1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 5 images.
Hoodoo Wash_Shark Tank. Nikon D850, Nikon 24-70mm at 35mm, f/16, 1/6-1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 10 images.
North Bisti Golden Hour Sunset Scene. Nikon D850, Nikon 24-70mm at 36mm, f/16, multiple exposures, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 10 images.

A number of these images are created via a technique called focus stacking, in which a number of images, focused at different distances from the camera, are combined into one image, creating better sharpness throughout the image.    I tend to acquire more images than necessary for this method, but better too many than not enough.  I’ve given up on using Photoshop for focus stacking, since the Photoshop processing is slow and not accurate.  I’m testing Helicon software for this and I’m impressed with its speed, accuracy and editing feature.

The late day light is good, but I am concerned about the clouds low on the western horizon.  I get lucky as the sun drops below the cloud cover just before setting, briefly providing warm light.

North Bisti Plateau Sunset Golden Hour. Nikon D850, Nikon 24-70mm at 65mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 6 images.

I make a number of images of this composition as the sunset light, limited by cloud cover and shadows, moves down the rock features.

North Bisti Plateau Sunset Golden Hour. Nikon D850, Nikon 24-70mm at 64mm, f/16, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 7 images.

And finally, I take a few shots of the sunset with rock features in the foreground.

Sunset scene on a North Bisti plateau. Nikon D850, Nikon 24-70mm at 44mm, f/16, multiple exposures, ISO 64. HDR image created in DxO Nik HDR Pro.
North Bisti Plateau Sunset Scene. Nikon D850, Nikon 24-70mm at 46mm, f/16, multiple exposures, ISO 64. HDR image created in DxO Nik HDR Pro.

These last two are HDR images, created from multiple exposures, using DxO Nik HDR Pro.  Such processing is required, when shooting a scene with strong light contrast, since camera sensors do not have a sufficiently wide dynamic range to capture the entire light range in one exposure.

I hope you enjoy this post.  Click on the photographs to view higher resolution images on my Flickr page.

Until next time,

Ken

 

Echo Park, Dinosaur National Monument, Colorado 2019, Scouting Photography

This post is a continuation of experiences and photography during a July 2019 road trip in Colorado.

From the Gates of Lodore in Dinosaur National Monument my oldest son and I continued on to Echo Park, also in Dinosaur National Monument.  To get to Echo Park one must travel 13 miles down a narrow, steep, rocky, high clearance vehicle road.  The road is not an extreme 4 wheel drive, at least not when dry and going into the area is mostly downhill; but 4 wheel drive vehicles are recommended for this road.   There are some narrow intervals, where it is not possible for two vehicles to pass each other.

There is a sizable campground in Echo Park, but sites are on a first come basis, so there is no guarantee that one will find a campsite after the drive down.  We were fortunate that a number of campsites were available, when we arrived, and two of those sites had good shade, which we really needed, since the daytime temperatures were in the mid 90s (F).  The shade only protected us during the morning and part of mid-day.  In the afternoons there was no avoiding the sun.  Since we were out in the early morning and late day for photography, we were mostly resting around the campsite during the day.  The summer heat can make it difficult to be entirely comfortable in the vehicle during the day and the insects with mosquitos made it undesirable to be outdoors.  This is one of those times, when an outdoor, screen shelter would be useful.  However, a nearby couple with such a shelter said the insects and mosquitos got into the shelter, anyway.  The mosquitos also got into our vehicle each time we opened a door, so we spent some time trying to eliminate them.  I have since acquired a couple of battery powered bug zappers to test during a future trip.

The Sportsmobile in Echo Park Camp Site. iPhone photograph edited in Adobe Lightroom and DxO modules.
Steamboat Rock in my window. iPhone photograph edited in Adobe Lightroom and DxO modules.
Echo Park Campground view from my window. iPhone photograph edited in Adobe Lightroom and DxO modules.

The setting for the campground is very nice with views of Steamboat Rock on one side and views of high cliffs all around.  From our campsite we only had to walk a very short distance through woods to the river and good views of Steamboat Rock and the Yampa River.

Steamboat Rock in Echo Park, Dinosaur National Monument, Colorado. iPhone photograph edited in Adobe Lightroom and DxO modules.
A panoramic view of the Yampa River going around Steamboat Rock. iPhone photograph edited in Adobe Lightroom and DxO modules.

During the mid-day hours, we made a couple of exploratory hikes looking for good places for sunrise and sunset photography.

An old dead tree along a trail in Echo Park. iPhone photograph edited in Adobe Lightroom and DxO modules.

Even though the NPS website says there are no trails in Echo Park, there is at least one created by frequent visitors and it appears to go on along the river for quite a way.

A trail through Echo Park. iPhone photograph edited in Adobe Lightroom and DxO modules.

Hiking along this trail, we found a large, open grassy park with scattered rocks that would be useful as foreground, with the canyon walls in the background.

Echo Park with rock foreground and starburst. iPhone photograph edited in Adobe Lightroom and DxO modules.

The bank of the river near this area is steep, but we found a way down into the channel.  If hiking here, be aware that the river bank is undercut in numerous places, where it could give way without warning, so be very careful walking near the river bank.

Yampa River Channel. iPhone photograph edited in Adobe Lightroom and DxO modules.

We think we can get good photos in the river channel at both sunrise and sunset.

Yampa River at its confluence with the Green River. iPhone photograph edited in Adobe Lightroom and DxO modules.

The confluence of the Yampa and Green Rivers cannot be seen in these photographs, as it is hidden behind the vegetation and rocks near the center of the the image above and that below.

Yampa River near the confluence with the Green River. iPhone photograph edited in Adobe Lightroom and DxO modules.
The Yampa River and Canyon in Echo Park. iPhone photograph edited in Adobe Lightroom and DxO modules.
Yampa River and canyon walls near sunset. iPhone photograph edited in Adobe Lightroom and DxO modules.

Several of these iPhone images were actually made during sunrise or sunset shoots.

DSLR sunset and sunrise photography here will be the subject of subsequent posts.

Until then,

Ken

Bisti Wilderness, May 2019 – Day 4 Sunrise

On the fourth day of my May 2019 visit to the northern portion of the Bisti Wilderness, I went to a plateau area with large hoodoo features for sunrise photography.  It was a cold morning and even though I did not think it was below freezing when I started hiking, my initial attempt to get a sip of water from my Camelbak tube was unsuccessful due to ice in the tube.  It might well have been colder out on the slightly higher elevation plateau than back in the parking area.

I shot in the pre-sunrise hour, while waiting for sunrise and testing various compositions.

A large north Bisti hoodoo in pre-sunrise light. Nikon D850, Nikon 24-70mm at 28mm, 8.0s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

Since I had plenty of time and the light was changing so slowly, I began to make multiple shots, focusing at different points, so that I could focus stack the images to improve the front to back sharpness.

Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 32mm, 2.5s, f/16, ISO 64. Helicon focus stack of 7 images, edited in Adobe Lightroom and DxO Nik modules.
Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 32mm, 2s, f/16, ISO 64. Helicon focus stack of 6 images, edited in Adobe Lightroom and DxO Nik modules.
Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 32mm, 1s, f/16, ISO 64. Helicon focus stack of 4 images, edited in Adobe Lightroom and DxO Nik modules.
Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 27mm, 0.6s, f/16, ISO 64. Helicon focus stack of 6 images, edited in Adobe Lightroom and DxO Nik modules.

I was getting good color in the clouds to the west and it initially looked like there would be good sunrise light, but cloud cover on the eastern horizon quickly limited the golden hour light.  One can see that the far features on the horizon here are beginning to get the first rays of sunrise light:

Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 38mm, 0.4s, f/16, ISO 64. Helicon focus stack of 8 images, edited in Adobe Lightroom and DxO Nik modules.

And here there is enough direct light to cast shadows, but the light is still muted:

Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 44mm, 1/6s, f/16, ISO 64. Helicon focus stack of 4 images, edited in Adobe Lightroom and DxO Nik modules.
Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 44mm, 1/8s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

Here there is finally a burst of light through the cloud cover:

Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 27mm, 1/13s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I had to work quickly, when the light came, since I could see that there were limited breaks in the clouds on the eastern horizon.

Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 46mm, 1/25s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 56mm, multiple exposures, f/16, ISO 64. Helicon focus stack of 5 images, edited in Adobe Lightroom and DxO Nik modules.
Early morning on a north Bisti plateau. Nikon D850, Nikon 24-70mm at 24mm, multiple exposures, f/16, ISO 64. Helicon focus stack of 5 images, edited in Adobe Lightroom and DxO Nik modules.

As usual in the early morning hours, I was alone in the wilderness (I was the only camper in the north parking area), but I did see one couple passing nearby on the plateau.  Maybe they had intended to shoot at my location and, seeing me there already, decided to move on somewhere else.  As I was finishing my morning shooting, I caught a glimpse of someone standing nearby watching me.  My first thought was that the couple that had passed by had returned.  Without looking directly at the onlooker, I made a comment about the light disappearing so quickly.  Looking up from my camera, the stranger gave me a big smile and we exchanged greetings.  His name is Daniel and he was visiting from France, spending four weeks in the southwestern U.S.

Daniel asked if he could tag along with me, since he did not know the area.  I was finished with my morning shoot, so I gave him a partial tour of the area, showing him some of the best features that I had found, allowing him as much time as he liked for photography.  He was really good at rushing up and down the steep hillsides that were covered with loose, dry clayey soil.  I would not even attempt to climb those hillsides, even had I been his much younger age.

As we hiked around, I got to know a bit more about Daniel.  He is a pastry chef with a wife, son and daughter, living in a small city in the south of France near Marseille.  He is quite fond of the southwestern area of the US and has visited this area numerous time, but this was his first in Bisti.  Daniel said the U.S. is his favorite country and he would like to live here, but would not want to be so far away from his extended family.

After the tour, I invited him to have coffee and breakfast in the Sportsmobile, since we were much closer to it than the south parking area, where Daniel had parked.  Afterwards, we would hike back to the southern area, scouting much during a long hike.  This will be a topic for other posts.

Until then,

Ken

 

 

 

 

Colorado 2019 – Gates of Lodore – Sunrise

Since the hike to the sunrise shooting location at the Gates of Lodore was not long, we did not have to get up excessively early, but we still began hiking in the dark this morning.

We were fortunate that we had the moon setting as the sun was rising today.  I made a series of images as the moon set behind the western canyon wall.

Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.8s, ISO 2000. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 1/6s, ISO 1600. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.8s, ISO 200. Edited in Adobe Lightroom and Dxo Nik modules.

The moon is so much brighter than the foreground that getting a really good moon exposure was difficult, so I did not get any detail in the moon with the long exposure times required for the foreground, even though I was using a graduated neutral density filter.  A combination of the moons movement and/or the wide angle distortion results in an oblong moon, too.  I could have tried to make multiple images with proper exposure for the moon, then for the foreground and merged those, but due to the rapidly changing morning light, I decided against this.  Plus, I am usually not really pleased with the results of such attempts.

I continued to shoot as the sunrise light progressed down the canyon wall and the clouds moved through the morning sky.

Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1.6s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 1.0s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/6s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.

On the hike back towards the campsite, we made a detour down to the river to check out possible compositions closer to the river.

Green River near Gates of Lodore. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/13s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.

This image with the canyon wall reflection in the river is the only decent image I managed to get there.  If this image is viewed on Flickr, click on the Flickr image to see the spider on the grass frond on the right side of the image. (Not all of these images are posted to Flickr).

The next stop on this trip is Echo Park, also in Dinosaur National Monument.

Until then,

Ken

Colorado – July 2019 – Gates of Lodore in Dinosaur National Monument – Scouting & Sunset Shoot

From Irish Canyon, we traveled to the Gates of Lodore campsite in Dinosaur National Monument, checking out Browns Park National Wildlife Refuge first.  We decided that Browns Park would not be an easy place to photograph without having a second vehicle, since it was too far from the campsites to the most photogenic scenes.  This is one downside to traveling in a camper type vehicle, as it takes a while to prepare the vehicle for travel after camping in it.

When we arrived at the Gates of Lodore campground, there were plenty of available campsites, but the one nearest the trailhead to the Gates of Lodore and with good shade (it was hot) had a car parked in it, even though the site did not have a reserved tag on it.  We thought it possible that the car’s occupants had walked to the kiosk to fill out the reservation form, so we chose the next closest site that also had good shade.  We were not initially sure that we would stay in that site, so we were just sitting around discussing options, when a volunteer park ranger stopped by and provided much useful information about the park.  One of our concerns was the bear activity sign warning posted at each campsite.  There were bear vaults provided for storing food and anything with an odor that might attract bears.  We had lots of such items and it would be much trouble to move everything into a bear vault and retrieve it as we needed it.  The ranger assured us that there had not been any recent bear activity, so we did not need to bother with the vaults.  We also asked about mountain lion activity, but there had not been any sighting anywhere nearby, even though they are known to be around somewhere.  Mountain lions and bears are always a concern when hiking trails in their territory.

At least a half hour went by and no one returned to the vehicle in our preferred campsite, so we assumed hikers were parked there, where they should not be, if they were not camping.  So we paid for the site we were in and shortly afterwards the car’s occupants returned and departed.  Other campers soon came along and claimed that campsite.

After setting up the Sportsmobile for camping, we applied sunscreen over our insect repellant or vice versa and hiked to the Gates of Lodore.

Bleached animal bones along the Gates of Lodore trail. iPhone photo, with edits in Adobe Lightroom and DxO Nik modules.

Along the trail we spotted a number of bleached animal bones, possibly remnants of a wild animal’s meal.

The trail we were on went far into the back country, but we only checked out view points for photographing the Gates of Lodore, which is a canyon through which the Green River flows.

Gates of Lodore, Dinosaur National Monument, Colorado. iPhone photo with edits in Adobe Lightroom and Dxo Nik modules.

The first few overlooks we checked out had much distracting vegetation in the foreground.  My son found a very nice place off of the trail from which to photograph.

We returned to camp, had a meal and returned to the trail prior to sunset.  I initially tried to shoot near the view point in the scouting photo above, but I soon abandoned that, since I was not pleased with any composition I could make there.  I went back along the trail and set up near my son, so I’m sure we ended up with very similar photos, although he somehow manages to get more appealing compositions than I, even in the same location.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/13s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.

I made numerous shots as the sun went lower into the sky, varying my compositions a little.  Shooting down river into the canyon at this location presents the frequent lighting restrictions as most canyons.  The canyon walls go into shadow well before sunset, so the typical golden hour light is not really attained.  There was some good light on the foreground vegetation from time to time and there was some colorful vegetation mixed with various shades of green.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/125s, ISO 640. Edited in Adobe Lightroom and Dxo Nik modules.

Even though these first two images are the same composition, the light on the foreground is different in each.

One can see the shadow moving quickly up the canyon wall on the left of these next two photos.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/250s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.

I alternated from landscape to vertical trying to get some variation in the compositions.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/160s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.

One can see how the light is changing on the foreground and the canyon walls.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/160s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.

I varied the composition to get either more or less of the foreground boulders and/or the rock outcrop along the near canyon edge.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 1000. Edited in Adobe Lightroom and Dxo Nik modules.

Soon the light on the canyon wall was totally gone and only the clouds in the sky were varying in the images.

After this shoot we thought maybe sunrise would be a better time to shoot here.  So we will come back in the morning.

Until then,

Ken