Sedona, Arizona – Part 1

Sedona, Arizona is in a picturesque setting with massive, colorful rock formations all around.  It is also a popular tourist city with all the trappings of such a city, many shops, restaurants and art galleries.

In the outlying areas there are many popular hiking trails, scenic destinations and places popular with rock climbers.

My wife and I drove around the local area around the city to check out the scenery.  I made mental notes about possible places to return to at sunrise or sunset to engage in my photography hobby.

My first chosen destination, Bell Rock, for a sunset shoot is just off of a major road and is a popular tourist draw.  As I left our motel in Sedona, an afternoon thunderstorm erupted with lots of lightening and heavy rain.  The local rock features that are visible from the city streets were surrounded by clouds with intermittent breaks in the clouds allowing sunlight to illuminate those features for a short while.  There would have been great photographic opportunities during the storm, if only there had been a place to safely pull over out of the heavy late day traffic and not be exposed to the heavy rain and possible lightening.  I could only observe and admire the views, wishing I were able to photograph the storm.

I hoped that there would still be some of the storm around when I arrived at the Bell Rock parking area, but the storm had moved on into the far distance by the time that I arrived.  The nearby sky was mostly clear, but the distant storm clouds were still visible.

There are a number of hiking trails around and near Bell Rock.  Most tourists opt to hike up the slope towards Bell Rock.  I decided to hike the less popular trail that went around behind Bell Rock towards other rock features nearby.  I only recall encountering two or three others on this trail.  The parking lot was not nearly as full, this late in the day, as it had been during my scouting pass through it earlier in the day.

Red Rocks against a Dark Sky
Red Rocks against a Dark Sky 2

As these first two images reveal, the distant clouds caused the light to constantly vary from entire shade to partial shade and the sky to vary from dark to light.

The Gold at Rainbow End

I made numerous, not so interesting, photographs of the distant rock outcrops as the late day light changed.  While the distant storm clouds added interest, it was not until I noted a faint rainbow appear that I began to hope for something more interesting.  Indeed, as I watched the scene that rainbow became brighter and a double rainbow appeared, seemingly terminating on the rocks with a golden glow from the late day sunlight.

Veneration

As I prepared to photograph this old, majestic tree skeleton (old trees like this are one of my favorite subjects), the clouds in the sky began to glow with the golden color of sunset light.  The golden cloud was perfectly positioned above the tree, as if forming a crown of honor and remembrance for the old tree.

Veneration 2

This is not the same tree as in Veneration, but it is nearby, with more of the local environment in the background.

Arizona Sunset Sky

As I walked the trail back towards the parking lot, after my late day shoot, I had to stop to capture these colorful, post sunset clouds with the silhouette of rock formations in the foreground.

After Sunset

When I turned to look back at this rock feature, I noted that the color was a deeper red just after sunset.  In researching this area, I had seen information that said these rocks looked best for photography just after sunset sunset.  My observation confirms that statement.

Until next time,

Ken

Bisti Wilderness, May 2019, Day 7, Sunrise

I am reluctant to get out of my sleeping bag this morning.  I linger there for 10 more minutes after the alarm, considering whether to sleep in or go out for a morning shoot.  Eventually, I convince myself to face the morning.  After all, this is my last morning to shoot here.

This morning I will make up for yesterday’s mistake.  In route to my planned destination, I stop to shoot a blue hour silhouette.  One that caught my eye yesterday morning;  but I hastened by then, mistakenly thinking I did not have time to linger.  I am a little later at this location today.  The scene does not look as good as it did yesterday.  Mistake made and likely to be repeated, even though I am reminding myself to take the shot, whenever the opportunity presents itself.

Guardian of the Pass.  Large Bisti Hoodoo at blue hour. Nikon D850, Nikon 24-70mm @ 60mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After shooting the silhouette, I proceed towards my intended destination, the place high up on a hill at the end of a canyon, where I shot under a heavily overcast, morning sky early in the week.  I am anticipating excellent sunrise light at that location this morning.  As I hike, I become concerned about getting there sufficiently early and I am not enthusiastic about my choice of location today, either.  The Conversing Hoodoos are along my route, so I decide to check those for possible morning shots, since I am not satisfied with the results of my sunset shoots of those features.

Arriving at the Conversing Hoodoos and looking around, I conclude that there is a high probability of excellent golden hour morning light on the most interesting features, so I abandon my original plan in favor of shooting here.

I plan several compositions, shooting test shots in the pre-sunrise light as I await the sunrise.  The sky is clear with no obstructions.  There are hills to the east, which may limit some light on the lower portions of my compositions and maybe block the very first sunrise rays from my subjects.  As the sunrise light strikes the hoodoos, I am elated  that my change of plan is working out well.

Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 32mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 34mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After the golden sunrise light passes, I continue shooting with fully lit subjects for a few minutes.  I am not excited by any of the pre-sunrise nor post sunrise shots, so I am not sharing those.

Finishing my early morning shoot, I walk at a leisurely pace back towards the parking lot, looking for other places to shoot along the way.  Maybe I chose an uninteresting route to the parking lot.  I’m not finding interesting compositions in the later morning light; but I take time to make a few images anyway, hoping something jumps out at me.   I decide that none of these attempts produce any interesting results.  My lack of energy this morning might be relevant to my failure to get interesting shots in the post sunrise hour.  Frame of mind matters in artistic pursuits.

This is my last day here.  I have one more sunset shoot, weather permitting.    Until then,

Ken

Spring Road Trip 2019 – Bisti – Day 6 – Sunrise

My son and I returned to the “Scalloped Rocks” area of Bisti for sunrise photography on day 6 in Bisti March, 2019.  This morning’s shoot was frustrating for me.  I had a malfunction with my remote/intervalometer that resulted in the camera shooting continuously, just as I was composing what I thought would be my best shot of the morning.

Another of my shots, that I thought would be really good, turned out to have much too shallow a depth of field.  It looked good in my quick review in the camera LED screen, but apparently, I did not inspect it closely enough and maybe my fingers were so cold at that time that I was not using my best judgement.

Sunrise Day 6 March2019
A pre-sunrise shot in the Scalloped Rocks area of South Bisti. Nikon D850, Nikon 24-70mm at 24mm, f/11, 10s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

A shot across the area just before sunrise is shown above.

Sunrise Day 6 March2019
Sunrise in the Scalloped Rocks area of South Bisti. Nikon D850, Nikon 24-70mm at 28mm, f/11, 2.5s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

And another pre-sunrise shot from a different point of view is above.

Sunrise Day 6 March2019
An accidental abstract. Nikon D850, Nikon 24-70mm at 27mm, f/11, 0.5s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

While my camera was shooting continuously, due to the remote release malfunction, there were numerous images captured, which were all trash; but I decided to make use of the one above, since it has interesting abstract photographic features, which I do not think I could have purposely created.

Sunrise Day 6 March2019
Sunrise light, clouds and silhouetted rock forms. Nikon D850, Nikon 24-70mm at 70mm, f/11, 1/6s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

I finally captured the image above, after managing to remove the remote release with my fumbling, numb fingers on this cold morning.  Valuable time was lost as I dealt with the equipment problem and I think I missed the best pre-sunrise light composition here; but at least I got this silhouette of a window with the sunrise sky in the background, before the sun was completely up.

Some days are like this,

Ken