Early this morning we were at a location that we had previously scouted near some interesting pointy rocks for sunrise photography.
The first images here are pre-sunrise and a few minutes later the light is totally different.
These are the pointy rocks that look like guardians over the valley, standing at attention for the coming sunrise.
After shooting from behind these rock features, I began to wander around the area, looking for other photo possibilities, but you will have to come back again to see how that search turned out.
I went into Brown County State Park again for sunrise photography, this time stoping at one of the overlooks. It was another morning with scattered clouds and good cloud color.
Shooting into the bright sky and getting a good exposure of the foreground fall color is a challenge and no matter how careful one is with the exposure and filter application, post processing of the images is a must.
These sunrise images have varying exposures, filter usage and post processing, yielding variations in the colors and details.
Even though I’m usually sleeping well in the early morning hours, I force myself out of a warm, comfortable bed, because my favorite time for photography is in the early morning hours, especially in popular places, because the normal tourist don’t usually get out early and one doesn’t have to worry about people getting in the way of ones photography.
When I pulled into the parking lot at Ogle Lake, I was the only one there. As I prepared my camera and tripod, a lady drove into the lot and stopped to ask me about the best place for sunrise here in the park. She and her husband were staying in the park lodge, but they had apparently not had time to scout places for sunrise photos. I told her I did not know what place was best, but it might be good here and it was too late for her to get to another good place before sunrise. I suggested that she might photograph from the dam or from the north side of the lake for the best sunrise views.
She commented upon my camera, thinking it had an unusual lens. I was using my large 14-24mm wide angle lens with a Progrey filter holder mounted on it. Due to the bulbous 14-24mm lens, it is not possible to use screws in filters, requiring a bulky filter holder attachment. It is the filter holder that makes it look unusual.
I headed for the dam, where I thought I might have some fall foliage for foreground and good reflection on the lake, leaving the lady behind in the parking lot.
It was a cloudy morning, the sky color was spectacular. Sometimes we get lucky.
The morning color came on quickly and disappeared as quickly as it came, but the clouds in the sky still made it possible to get interesting photos after the color faded.
After finishing my shoot from the dam area, I decided to take a short walk along the lake shore. There is a hiking trail that goes all around the lake, which I’ve done in previous visits here. I knew the south side might not have the best views this morning and it was probably muddy in portions, so I headed for the north side.
As I approached the trail head, I encountered the lady from the parking lot again. We chatted for a few minutes. She was thrilled with her sunrise experience. She was shooting with a Canon R6, which she had not had for long. She is a retired portrait photographer, previously from California, living in Kentucky with her husband. I’m assuming her husband is not into photography or else he would have accompanied her this morning. She asked about my filters and I explained why I used these for my landscape work. I was surprised, when she revealed that she had not previously known anything about this subject. I never thought that a professional photographer of any speciality would not know about the use of these specialty filters. However, I have observed professional portrait photographers shooting in the outdoors without any filters. I’ve also noted the over exposed backgrounds in many such portrait photographs. I suppose some filters might be difficult to use for people subjects, but it can still be possible to compose outdoor photos and avoid overexposed backgrounds, unless one is doing that purposely.
My son and I decided to walk from our campsite into the nearby area for a sunrise shoot on our final day in Valley of Fire State Park. The scenery near the campground is not as impressive as in other areas in the park, so I was not sure how this would turn out.
The early morning light enhanced the color in the rock features and highlighted the desert grasses, but as I edited the photos, I felt that a monochromatic treatment was more appropriate for many of the scenes that I captured.
The early morning light was good, the color in the rocks good and I always like the way the low elevation sunlight highlights the desert vegetation. To be sure the light quality was what drives us to get up early to photograph the landscape, but maybe it was the lack of spectacular features and the clear, bland sky that inspired me to go with monochrome for these few selected photos.
I’m still trying to decide whether to post other photos from this morning’s shoot or move on to our final sunset shoot. My indecision and the need to review more images, plus other distractions, might create an interruption of my goal of posting twice weekly.
I set out from my campsite before sunrise on the first morning after my arrival in Snow Canyon to hike to my chosen location for sunrise photography. It was a crisply cold morning, which I dressed for, but I was soon unzipping my jacket as my body generated heat from the gentle uphill hike.
I stopped at a location near petrified sand dunes, chose a location to set up my camera and waited for sunrise, making a few pre-sunrise images.
I’ve always liked the lighting just before sunrise and I often like those images better than those after the direct sunlight hits the subject.
I made a number of images as the direct rays of the rising sun began to impinge upon the distant canyon walls and add color to the sky.
After seeing the early morning rays touching the uppermost parts of the highest peaks, I began to hike back towards my campsite, looking for other scenes to photograph.
The park has rules requiring visitors to stay on the official trails, which is limiting for photographers. It does not appear that those rules are rigidly enforced. There were numerous footprints and even bike tire tracks in the sand, adding unsightly features in my photos. Sometimes I will edit these out or at least try to mute those via editing, but many times I think the editing introduces undesirable artifacts, so I might not eliminate all such features. It is likely that casual observers will not note the edits, but knowing where the edits are, I can nearly always see unnatural results and would rather not introduce those into my photos.
I arose early on the last day I had to spend in Badlands National Park, once again driving that slow, washboarded gravel road from Interior to SD 240.
I went back to an area from which I had shot a couple of morning already, when the sky were cloudy. Today the early morning sky was mostly clear and I anticipated a good sunrise golden hour.
It was another heavily overcast morning in Badlands National Park with sporadic light rain.
These female Bighorns and lambs were in no hurry and did not care that they were holding me up in my quest for early morning photos.
Shooting under the heavy overcast, most of my images were dark. I brightened them, but did not want to overdo that and ruin the reality. These images look better on a large screen with proper brightness for viewing images, but may look very dark in this blog post, especially if viewed on a small screen. Some of these images have embedded links to the images on Flickr, where these usually look much better than in this blog.
I shot all of these image at a number of different viewpoints along SD240, the main road through the park. I met a young lady from Michigan, who was also shooting images. We seemed to be stopping at the same places for awhile. She observed that the color in the badlands rocks were more saturated when wet. I told her that she had discovered the reason geologists like to view wet rocks, rather than dry ones.
This post was scheduled for last week, but somehow (according to WordPress) missed its publication schedule. So I’m manually posting it today.
I returned to Little Baldy for sunrise photography the morning of my second day in the Wichita Mountains Wildlife Refuge.
The heart shaped rock perched at the top of Little Baldy caught my eye. I positioned myself to shoot up the rock fracture towards that rock. Working my way around this area, I discovered that the large, curved rock in the bottom right of this image forms a bridge over the rock below it. I tried to get very low and shoot through the bridge, but I was not successful getting photos that adequately revealed what I was trying to capture.
That concludes the best results of this morning’s shoot,
I continued shooting at an overlook of the Grand Canyon from the North Rim, as the sun rose higher in the sky and peeked through breaks in the clouds.
Note that some of the compositions in this post are similar to those in the previous post, but with varying light conditions.
This semicircular feature is called Wotan’s Throne.
The blocky peak in the upper left is called Vishnu Temple.
The Vishnu Temple feature is in the upper right of this black and white conversion. I like the way this black and white version brings out the layers in rocks, making those layers effective leading lines into the scene.
The color version above does not have the contrasting “pop” of the black and white version. I’m sure I could edit the color version to brighten the shadows more, but I still think I’d prefer the black and white in this image.
That is all for this morning’s shoot. Stay tuned for the rest of the day’s activity.
We drove to an overlook area on the North Rim for sunrise photos the first morning of our visit. The sky was overcast and the canyon air was hazy. The overcast resulted in intermittent sunrise light. I struggled with how to best present my photo sequences. Should I group them by compositional variations from one spot and show how the light varied from one photo to another, or present them in chronological order. After playing with various scenarios, I decided that chronological order would be the simplest method.
I began taking photos before the sun rose and continued for awhile after sunrise at this first stop of the morning.
The canyon was dark in this pre-sunrise image and I excluded all of the nearby foreground, which from this vantage point consisted mostly of the overhanging rock on the edge of the canyon overlook.
As I alluded to in the previous post, getting interesting foreground in the canyon images was problematic. I had to experiment much with the foreground objects that were available.
Pivoting to my right, I included part of the rocky ledge overhang just in front of the overlook. I have mixed feeling about using this foreground and how much to include, so I experimented with compositional variations with the rock ledge as foreground.
I moved to the far right side of the overlook for this next image, including some of the rocky overhang in the foreground and part of the rock layer a few feet below the rim.
Moving around a bit more on the far right of the overlook area, I included a small tree in the left foreground.
Moving back to the left front of the overlook, I included more of the rock ledge in the image above.
Then moving to the right a little, I’ve included the end most part of the overhanging rock ledge with a gap between portions of the ledge. I think this might work a little better, but it still looks like these foreground objects are more of a distraction than an interesting part of the photos.
Finally, the very end part of the rock ledge in the foreground.
I think by now it is clear how I struggled with the foreground objects here and the compositional variations are limited at such overlooks. I’m not highly pleased with any of these images, but these do look much better on a large screen.
The sunrise light was still mostly muted in these images. The next part will have some break through sunrise light bringing out more of the features and colors in the canyon rock layers.