I spotted old, abandoned ranch structures and a windmill set back some distance from a highway, as I was traveling through the high plains of New Mexico a year or two ago. I resolved to stop and photograph the ranch scene on my way back through, since I was on a travel schedule, when I first noted these old structures.
I watched for that old ranch and windmill on my way past the area a couple of times, but I did not spot it again during those trips. The mental picture I had made for the ranch location was not accurate or maybe as time went by my memory became fuzzy. However, on my way home from the Great Sand Dunes of Colorado, I passed this way again and I spotted the windmill.
Abandoned ranch structures and old windmill on the high plains of New Mexico.
The ranch was, indeed, miles from where I had thought it was. I had made a mental note of the next town I went through for location reference, after first discovering that ranch. That town was miles away, but over time I became convinced that the ranch was just on the outskirts of that town. Consequently, I only began to look for it as I approached that town.
Lesson learned: even though my mental recollection is usually good, I should make written or recorded notes and/or GPS locations for places that I want to get back to.
Abandoned ranch structures on the high plains of New Mexico.
This area was volcanically active in ancient times and I’m fairly sure that is an old volcano cone in the background.
I had to shoot from a fence line with the house far on the other side. I considered shooting with an 80-400mm for which I have a 1.4x extender to get close up shots, but I think the shots with a 24-70mm at 70mm give a much better indication of the setting in this wide open landscape.
More abandoned structures down the road from here will be in the next post,
We returned to the dunes in the early evening for sunset photography and I struggled to find satisfying compositions. Maybe we were not in the optimal location for this shoot. There were low clouds on the western horizon, which also blocked the sunset light.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
As we were giving up and beginning to hike back towards the parking lot, there was a sudden and brief break through of light. My son, being much younger and more fit than I, ran to the west to catch the fleeting light, while I walked as fast as I could, hoping to get to a good vantage point before the light was gone.
Great Sand Dunes, Colorado, March 2021
I think the image above is the best one the I got during this outing. I was still far from the best vantage point for the best light, but I knew the light was fading fast and I had to stop and shoot now. I got low to catch the dim light in this grassy patch of sand with the fading light on the dune in the background and the interesting clouds over the dune.
Great Sand Dunes, Colorado, March 2021
After the light faded from that dune and illuminated the mountainside to the east, I pointed my camera in that direction to get this final shot.
I continued to wander around in the Great Sand Dunes early the first morning of our March 2021 visit, looking for good compositions.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
The icy rim along the ridge in this dune caught my eye. I like the way that icy ridge leads the eye from the left corner of the frame to the long ridge, which in turn leads the eye into the upper part of the image.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
I’m always looking for objects with distinct shadows and these chunks of frozen sand, that lie along the edge of a dune, add interest to this image. The edge of the dune acts as a leading line from the lower right towards the upper left. This line is more brightly lighted than other portions of the image and acts as a diagonal dividing line in the image. Notice how the sand details, visible texture and light change as the eye crosses this diagonal. The darkness in the clouds and the shadowy, distant mountains create a strong contrast with the sunlit sand.
Great Sand Dunes, Colorado, March 2021
A series of circular features breaking the ripple patterns in the sand made me stop to take this photo. I’ve converted the original color image to monochrome, since I think this image with these features is more dramatic in black and white.
Great Sand Dunes, Colorado, March 2021
This small piece of “driftwood” breaks up and modifies the wind created ripples in a dune. I put quotes on “driftwood”, since I’m not sure that this is the proper term for how this chunk of a tree got here. Maybe it blew in via wind or maybe it was washed here by water?
I’ll have more to say about making this image in a subsequent post.
We were in the sand dunes before sunrise of the first morning of our March 2021 visit. Hiking in sand requires some effort, but at least during the winter, some of the sand is frozen on the surface, making it a little easier to walk on.
Photographing the dunes in the early morning has the advantage of overnight winds wiping away or muting the footprints of the previous days’ visitors. Still one might have to hunt for places to avoid remaining footprints. Caution is also required in approaching an area to photograph, so one’s own footprints are not ruining the scene.
Great Sand Dunes, Colorado, March 2021
Those lumpy looking features in the left center of the image above are frozen parts of the sand dunes and make good foreground objects in the vastness of the dunes.
Great Sand Dunes, Colorado, March 2021
These dunes cover a vast area and we are barely in the edge of the dunes and well below the highest peak.
Great Sand Dunes, Colorado, March 2021
It was good to have early morning clouds over the mountains to the east of the dunes.
Great Sand Dunes, Colorado, March 2021
I varied my compositions by moving around slightly or carefully approaching foreground objects, so as not to trample the natural patterns in the sand as the sunrise light progressed over the dunes.
Great Sand Dunes, Colorado, March 2021
The photo above is nearly the same composition as the first image of this post, but the light has changed with the rising sun and the shadows are longer and more pronounced.
Great Sand Dunes, Colorado, March 2021
Moving just a few feet can make a dramatic difference in an image in the dunes, as does the changing light conditions.
This is a continuation of a previous post with photographs from the ancient Native American site, Tsankawi, a part of the Bandelier National Monument, New Mexico.
Tsankawi, Bandelier NM, March 2021. Tsankawi Trail Fragment.
Up above the main continuous trail through Tsankawi, I spotted a portion of a trail that was obviously out of place. This part apparently broke away from its original location and lodged here many years ago.
Tsankawi, Bandelier NM, March 2021. Contemplation 2.
The depth of this portion of the trail is impressive. The pathways are narrow, which suggests that the people that made these were not large people.
Tsankawi, Bandelier NM, March 2021. Deep, Narrow and Steep.
It took a little effort to navigate some portions of these ancient paths, especially when carrying a daypack and DSLR.
Tsankawi, Bandelier NM, March 2021. Curves and Dead End.
Interestingly, this portion of the trail had dual pathways, but one was a dead end. Was this two lane path created by having one foot on one side and the other foot on the other side of the trail? Each side is too narrow for having both feet within the narrow channel.
Tsankawi, Bandelier NM, March 2021. Evidence of a dwelling, Shelter or storage area.
There were numerous indications of dwellings, shelters or storage areas along the pathways of Tsankawi. Some areas were off limits for visitors, so we did not get to see everything here.
Tsankawi, Bandelier NM, March 2021. Photographing the interior of a cave.
The entrance to this cave (above) seems to have a torso with head shape.
Tsankawi, Bandelier NM, March 2021. Tsankawi Cave.Tsankawi, Bandelier NM, March 2021. Tsankawi Caves.
There were numerous caves in some areas. Notice the foot and/or hand holds in the rocks around these caves.
Tsankawi, Bandelier NM, March 2021. Tsankawi View.
A desert view from the main trail around the Tsankawi area.
This wraps up the best photos that I managed to get in this amazing place. Perhaps someday I will get back again, when conditions are more favorable for photography.
We visited Tsankawi again one afternoon, but we never really got to be here at the very best time of the day for photography. Although, we did have some cloudy sky, which helped add a little interest at times.
Tsankawi is really an amazing place. I was most impressed by the paths created by Native Americans many years ago. Those ancient people walked the same paths so often as to wear deep trenches in the rock. Sometimes the trenches were only a few inches deep and sometimes several feet deep. Even though the rock may not be super hard here, it is not soft either, so it must have taken many walkers over many years to create such deep pathways in the stone.
Tsankawi, Bandelier NM, March 2021. Walking Through the Past 1, monochrome with selective colorization.Tsankawi, Bandelier NM, March 2021.Walking Through the Past 2, monochrome with selective colorization.Tsankawi, Bandelier NM, March 2021. Tsankawi Trail.Tsankawi, Bandelier NM, March 2021. Contemplation. Monochrome with selective colorization.Tsankawi, Bandelier NM, March 2021. Old Tree and Fractured Rock with Petroglyphs
One has to look closely to see the old, worn petroglyphs, of which there were many, in some of the rock faces.
Tsankawi, Bandelier NM, March 2021. Lone Tree.Tsankawi, Bandelier NM, March 2021. Tsankawi Petroglyphs.
Viewing a larger image on Flickr will allow for better resolution of the many petroglyphs on this rock face.
Tsankawi, Bandelier NM, March 2021. Small Evergreen Tree growing in a crack in the Tsankawi desert area. Monochrome with selective colorization.
I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.
The first image here is a shot down FSR 380, just past my campsite. It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.
Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.
Aspen trunks have always fascinated me. They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.
A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting. A smaller aperture would have given a smaller, sharper starburst.
Leaves and Trunks. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 400.Signatures. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.
I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement. I posted this image on LinkedIn, where I knew others would see those traces as I did, and as of this writing it has received 15,275 views, 252 likes and 56 comments.
Under the Canopy. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.
The small Aspens in full color beneath the much taller ones were eye-catching.
Under and Over. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 800.Leaning into Fall. Nikon D850, Nikon 24-70mm @ 60mm, 1/200s, f/11, ISO 800.Aspen Sky. Nikon D850, Nikon 24-70mm @ 50mm, 1/500s, f/11, ISO 400.
A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky. There is a full range of color in the images here, since “peak” color is not yet here.
Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.
After the creek and waterfall trek, I drove along FSR 243 towards FSR 380. There are several places that I had noted, via Google Earth, along FSR 243 as places of possible interest and possible campsites. When passing these locations previously, I was not impressed by the view that I had from the roadway. There had always been a number of campers in these areas and I had seen fly fishermen in the creek. As I passed by the primary location of interest today, there were no others anywhere around, so I decided to check it out.
A dirt road departed FSR 243 at a sharp angle and moderately downhill into a broad, open flat area with plenty of space for multiple unrestricted campsites. I drove to the end of the dirt road and got out to have a look around. Walking to the creek, I immediately saw a number of trout in the shallow water. The bank along the creek was mostly steep with loose soil, but I found a place to safely get down to the edge of the creek and then stepped over to the other side at a narrow place in the creek.
I shot a number of iPhone photos and made a couple of videos of the flowing creek.
Treasure Creek. iPhone photograph.
One can see in the photo above that it is getting very cloudy again.
After awkwardly stepping back across the creek and making my way back to my vehicle, I continued on to FSR 380 and headed westerly.
I stopped along FSR 380 at a place that I had previously spotted and near where I had shot another late day image, when returning from Del Norte.
It had sprinkled light rain sporadically and began again as I was shooting here. It was apparent from the heavy clouds that a storm was brewing over the mountains.
I continued along FSR 380 and it began to rain more heavily. The rain soon turned to slushy ice, then to pellet like snow. I was close to several campsites that I had been keeping an eye on. My coveted location had always had a truck camper in it, whenever I had previously passed by. Today I got lucky. The spot I liked was empty. There was an RV trailer nearby in the same camping area in a spot, which had always been available previously, and I had resolved myself to maybe having to use that space, if it was available today and the truck camper was still here.
Snowy Campsite. iPhone photograph.
After parking in the campsite, I got out to take a photo with the snow coming down. I then waited, hoping that the snow would end and I would be able to shoot photos from this location.
The snow continued long enough for the ground to be thinly covered, but it mostly melted away soon after the snow stopped. As sunset time approached, I walked into an open area with a good view of the valley and the mountains to the southwest.
After the Storm. Nikon D850, Nikon 24-70mm @ 24mm, 1/25s, f/11, ISO 64.
With the cloud cover, I knew there was little chance of a golden hour sunset today.
The storm clouds made up for the lack of a golden hour sunset.
Mountain Peaks and Meadow. Nikon D850, Nikon 24-70mm @ 26mm, 1/125s, f/16, ISO 640.
When I first saw this location, I thought it would be best for a sunset shoot; but as I looked around today, consulting my photo app on my iPhone, I realized that this location was better for sunrise than sunset.
Mountain Meadow. Nikon D850, Nikon 24-70mm @ 24mm, 1/80s, f/16, ISO 800.Late Day Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/40s, f/16, ISO 800.
I hung out here shooting until just after sunset.
Cloudy Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.Late Day Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.
I made a few sunset shots as the late day storm clouds blew past, as I was setting up for night shooting.
Dramatic Sky. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/80s, ISO 64, edited in Adobe Lightroom and DxO Color Efex Pro 4.
The clouds in the sky were moving and changing quickly as they blew from northwest to southeast.
English Valley Sunset Sky. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/10s, ISO 64, edited in Adobe Lightroom and DxO Color Efex Pro 4.
Just as the sun was setting, the sky to the northwest was clearing rapidly and we hoped that the clouds would clear out completely, as the weather forecast predicted, for our night images.
I used a few of my images to make a very short time-lapse movie, which can be seen here SE Colorado Sunset Sky.
We made final checks of our cameras, remote shutter release programs and put rain covers in place (there was still a slight chance of overnight rain), then hiked back to our vehicles.
Early the next morning we retrieved our cameras, then went to another location for sunrise photographs. Upon returning home, I processed the night images and this is the final product.
Star trails with moonlight landscape. A composite of 45 4 minute night exposures with the foreground illuminated by moonlight. Nikon D850, Nikon 14-24mm @ 24mm, f/5.6, ISO 400. Edited in Adobe Lightroom, Photoshop and DxO Nik modules.
Normally, a dark sky is preferred for star photography, but there was a bright moon this night. Our cameras were programed for 4 minute exposures, during the interval when the landscape would be illuminated by moonlight. The light on the landscape and shadows changed throughout the shooting interval, with some images looking dull and other images looking almost like they were lighted by golden hour sunlight. I chose one of the images with what I considered the most attractive foreground light to make make this final composite of 45 images.
We returned to our vehicles, after our hike up to a saddle in a volcanic dike, to have dinner and prepare for sunset and set up for night photography. The weather was threatening with heavy clouds being blown in by strong winds from the northwest.
Late Day Storm iPhone photo, edited in Adobe Lightroom and DxO modules.
I’ve always liked the way the light changes just before a storm. We were a little concerned about the prospects for sunset and night photography, but the weather report showed decreasing chances of rain as the evening progressed and only a slight chance of overnight rain.
English Valley Campsite iPhone photo, edited in Adobe Lightroom and DxO modules.
The sky was mostly covered with thick clouds in all directions.
English Valley Campsite iPhone photo, edited in Adobe Lightroom and DxO modules.
After a modest dinner, we gathered our gear and hiked up onto the volcanic ridge to the south and picked our spots for sunset and night images. We used applications on our iPhones to determine when the moon would rise and set, so we that we could program our remote shutter releases to shoot in that time interval. We also knew where the moon would be in the sky, so we could decide which direction we wanted to shoot to take best advantage of the moon for lighting the landscape.
Night shooting setup iPhone photo, edited in Adobe Lightroom and DxO modules.
One can see that the cloud cover is still heavy, but it seems to be clearing, with the clouds blowing to the southeast.
Cloudy sky. iPhone photo, edited in Adobe Lightroom and DxO modules.
The image above is to the south of my selected location.
Sunset sky view. iPhone photo, edited in Adobe Lightroom and DxO modules.
Looking back to the northwest from my position, the clouds are much thinner now. Our vehicles are just visible in the center left of this image.
Anchored leg of tripod for extended night shooting. iPhone photo, edited in Adobe Lightroom and DxO modules.
After a few sunset images, I finalized my night composition and made sure the tripod was stable and added a few rocks around one leg for additional security. One can see that the standing room is tight and requires care in moving around here.
That’s all for now. I will have the sunset and night image results in the next post.
Abandoned ranch structures and old windmill on the high plains of New Mexico.
Abandoned ranch structures on the high plains of New Mexico.
