I made a few sunset shots as the late day storm clouds blew past, as I was setting up for night shooting.
Dramatic Sky. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/80s, ISO 64, edited in Adobe Lightroom and DxO Color Efex Pro 4.
The clouds in the sky were moving and changing quickly as they blew from northwest to southeast.
English Valley Sunset Sky. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/10s, ISO 64, edited in Adobe Lightroom and DxO Color Efex Pro 4.
Just as the sun was setting, the sky to the northwest was clearing rapidly and we hoped that the clouds would clear out completely, as the weather forecast predicted, for our night images.
I used a few of my images to make a very short time-lapse movie, which can be seen here SE Colorado Sunset Sky.
We made final checks of our cameras, remote shutter release programs and put rain covers in place (there was still a slight chance of overnight rain), then hiked back to our vehicles.
Early the next morning we retrieved our cameras, then went to another location for sunrise photographs. Upon returning home, I processed the night images and this is the final product.
Star trails with moonlight landscape. A composite of 45 4 minute night exposures with the foreground illuminated by moonlight. Nikon D850, Nikon 14-24mm @ 24mm, f/5.6, ISO 400. Edited in Adobe Lightroom, Photoshop and DxO Nik modules.
Normally, a dark sky is preferred for star photography, but there was a bright moon this night. Our cameras were programed for 4 minute exposures, during the interval when the landscape would be illuminated by moonlight. The light on the landscape and shadows changed throughout the shooting interval, with some images looking dull and other images looking almost like they were lighted by golden hour sunlight. I chose one of the images with what I considered the most attractive foreground light to make make this final composite of 45 images.
We returned to our vehicles, after our hike up to a saddle in a volcanic dike, to have dinner and prepare for sunset and set up for night photography. The weather was threatening with heavy clouds being blown in by strong winds from the northwest.
Late Day Storm iPhone photo, edited in Adobe Lightroom and DxO modules.
I’ve always liked the way the light changes just before a storm. We were a little concerned about the prospects for sunset and night photography, but the weather report showed decreasing chances of rain as the evening progressed and only a slight chance of overnight rain.
English Valley Campsite iPhone photo, edited in Adobe Lightroom and DxO modules.
The sky was mostly covered with thick clouds in all directions.
English Valley Campsite iPhone photo, edited in Adobe Lightroom and DxO modules.
After a modest dinner, we gathered our gear and hiked up onto the volcanic ridge to the south and picked our spots for sunset and night images. We used applications on our iPhones to determine when the moon would rise and set, so we that we could program our remote shutter releases to shoot in that time interval. We also knew where the moon would be in the sky, so we could decide which direction we wanted to shoot to take best advantage of the moon for lighting the landscape.
Night shooting setup iPhone photo, edited in Adobe Lightroom and DxO modules.
One can see that the cloud cover is still heavy, but it seems to be clearing, with the clouds blowing to the southeast.
Cloudy sky. iPhone photo, edited in Adobe Lightroom and DxO modules.
The image above is to the south of my selected location.
Sunset sky view. iPhone photo, edited in Adobe Lightroom and DxO modules.
Looking back to the northwest from my position, the clouds are much thinner now. Our vehicles are just visible in the center left of this image.
Anchored leg of tripod for extended night shooting. iPhone photo, edited in Adobe Lightroom and DxO modules.
After a few sunset images, I finalized my night composition and made sure the tripod was stable and added a few rocks around one leg for additional security. One can see that the standing room is tight and requires care in moving around here.
That’s all for now. I will have the sunset and night image results in the next post.
Retrieving our cameras in the early morning from the volcanic ridge adjacent to our campsite, where we had left them the night prior, shooting programmed shots of the night sky, we drove a short distance to another location that we had scouted previously for sunrise photography.
I had to hike across a wide area and up a slope to get to a good place for my first composition, after which there was not much time to set up prior to the sun rising over the hills to the east of our location. Just as I set up at my first location, the sun suddenly came over the horizon, before I was completely ready, not giving me enough time to test my compositions and I was not happy with the initial results.
I moved on to other locations hoping to salvage something from this morning’s efforts. When I first reviewed the images from this morning, I passed over them, thinking none were good enough to bother editing. Later I revisited those images and decided that some had merit.
Volcanic Dike Ridge and Boulders. Nikon D850, Nikon 14-24mm @ 17mm, f/11, 1/10s, ISO 64, edited in Adobe Lightroom and DxO Viveza and Color Efex Pro 4.
Our location was below another volcanic dike on a steep slope covered with boulders.
Volcanic Dike Ridge and Boulders. Nikon D850, Nikon 14-24mm @ 17mm, f/11, 1/13s, ISO 64, edited in Adobe Lightroom and DxO Viveza and Color Efex Pro 4.
The boulders and clumps of grass worked well as foreground; but I was still disappointed in many of my compositions.
Volcanic Dike Ridge and Boulder Strewn Slope. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/15s, ISO 64, edited in Adobe Lightroom and DxO Viveza and Color Efex Pro 4.
I missed the best of the light this morning, due to not arriving early enough.
Volcanic Dike Ridge and Rocky Slope. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/15s, ISO 64, edited in Adobe Lightroom and DxO Viveza and Color Efex Pro 4.
Maybe just the fact that I knew I had missed the best morning light biased me against these images in my initial review.
Rocky Slope and Volcanic Dike Ridge. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/15s, ISO 64, edited in Adobe Lightroom and DxO Viveza and Color Efex Pro 4.
The problem with this location is that the very first early morning light looks good on that volcanic ridge, but then the sun is already fairly high in the sky, so the golden light is very fleeting. By the time the sunlight begins to move down the slope the best light is gone.
Rocky Slope and Valley View. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/40s, ISO 64, edited in Adobe Lightroom and DxO Viveza and Color Efex Pro 4.
After shooting looking up the slope towards the ridge, I turned to the south and shot across the wide flat valley with the hills in the background, using boulders as foreground.
Valley View. Nikon D850, Nikon 14-24mm @ 24mm (before crop), f/11, 1/30s, ISO 64, edited in Adobe Lightroom and DxO Viveza and Color Efex Pro 4.
I was not really pleased with any of my images from this shoot and even considered not bothering to process some, including the last image in this post. However, after getting that last image selected for Flickr’s explore page, I’m glad that I took the time to process and share it. Be sure to click on the photos to view higher resolution ones on Flickr.
Having missed the best light this morning, we decided to return here again the next, and our final, morning here to try again.
After dinner my son and I hiked back up the volcanic ridge to the south of our campsite to set up for night photography.
I picked my view point, looking easterly from the ridge, making a few late day images and picking a final composition for the star photographs.
English Valley Sunset, Nikon D850, Nikon 14-24mm @ 16mm (before crop), f/11, 1/25s, ISO 64
The moon was up and would not set until sometime after midnight. We did not want the moonlight to interfere with the dark sky photos, so we set our remote timers to begin shooting for sometime after the moonset.
After getting our final compositions, making sure our tripods were stable, securing our focus rings with gaffer tape, programing remotes, installing rain covers (there was a slight possibility of rain), we started the remote timers and retired to our vehicles for the night, returning in the early morning prior to sunrise to retrieve our cameras, hoping we had suitable images for star trails.
Here is my final product from all of this effort:
English Valley Star Trails. A composite of 99 30s exposures plus one late day shot for the foreground.
Much better images can be seen on Flickr by clicking on the images.
We arose early on the morning of July 30 to get out and into position before the sunrise. I again went to the south side of the volcanic ridge, but this time just a little below the crest to await the sunrise.
My first composition here included a little too much of the scrubby vegetation in the lower right corner of the image. So I changed the composition a little and then cropped the image more to get this out of the photograph.
My son and I camped on BLM land north of Del Norte in July, 2020. We chose a location adjacent to a volcanic ridge, where we would photograph at sunrise and sunset.
Arising early in the morning, we only had to hike a short distance to our first photo location. I initially chose to go to the south side of the ridge, looking for a good view of the large ridge with interesting foreground objects.
I first chose a tree as a foreground item, but I did not like that location, as it seemed too far from the ridge. I then moved up the slope towards the ridge, to a large boulder to use in the foreground.
As the sunlight progressed over the ridge, I changed my composition, moving to the left of the boulder. Note that sunlight is just beginning to highlight the small tree in front of the boulder and a little of the grass clumps in the foreground.
Eventually, the early morning light moved down the slope, highlighting more of the foreground. When I saw the light hitting the small clump of cacti on the boulder, I knew I had the shot that I wanted.
My son, who was shooting from the top of the lower portion of the ridge, called to me telling me that I should move up to the ridge crest. So I picked my way up the steep rock covered slope, where I made the image below.
I tested a few other compositions from this location on the ridge, but none of those worked out very well. There were some impressively long shadows in the valley to the south of this ridge. I made a few exposures with those shadows in the landscape image, but all of my compositions from this vantage point were disappointing.
We soon retreated to our campsite for breakfast, after which we will do a bit of scouting in the general area during the mid-day hours, then return here for a sunset shoot.
From La Garita Arch we drove to an area called “English Valley”. We parked at a turn around at the end of a sometimes barely discernible road at a high area overlooking a valley to the south.
The sun was rapidly sinking in the sky, so we quickly found spots to try to capture the late day sunset sky above the valley.
Sunset Scene, English Valley, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 0.5s, ISO 64.
We were fortunate to have good clouds to the south and we could see a little rain falling in the distance.
As the light changed, I moved to other locations and turned a little more to the east.
Sunset Scene, English Valley, Colorado.Nikon D850, Nikon 14-24mm @ 14mm (before crop), f/11, 0.5s, ISO 64.
The moon had risen early and became visible as the clouds moved around.
Sunset Scene, English Valley, Colorado. Nikon D850, Nikon 14-24mm @ 14mm (before crop), f/11, 0.5s, ISO 64.
One can see how the light in the clouds migrated as the clouds themselves blew across the scene.
The last image in this post was chosen for Flickr’s Explore page, but I like the first image in this post better, although the light on the valley is better in the last image.
We thought about staying the night at this location, but decided to go to another area, where my son said we would have better chances of good sunrise subjects to shoot.
Leaving Cathedral Campground, we headed to an area to the north of Del Norte, Colorado that my son had explored sometime earlier this year. Our first stop was at La Garita Arch, a natural arch in an ancient volcanic dike on BLM land.
La Garita Arch, Southeastern Colorado, iPhone, edited in Adobe Lightroom and DxO modules.
We were here well before sunset, so I made a few iPhone photographs, while awaiting the golden sunset hour.
Panorama at La Garita Arch, Colorado. iPhone, edited in Adobe Lightroom and DxO modules.
Hiking up a hillside to the west of the arch, looking for a good place from which to shoot, I noted many cacti of various kinds scattered around, intermingled with some colorful, lichen covered rocks.
Cacti, iPhone, edited in Adobe Lightroom and DxO modules.
It required some attention to where one stepped to avoid putting a foot onto one of these.
The arch is not an easy one to photograph and the shadow of the hillside to the west of the arch moves quickly up the incline to the arch as the sun sinks into the sky, limiting the late day light on the arch.
La Garita Arch. Nikon D850, Nikon 14-24mm @ 14mm @ 24mm, f/11, 1/6s, ISO 64.
Of the many shots I took, the one above is the best.
We had hoped to camp nearby the arch, but the only real campsite here was already taken. So we moved on to another area, where we hoped to get other late day images before the sun completely set.
I returned to Teal Campground after my hike on the Williams Creek Trail and the clouds began to get denser as it got closer to sunset time. It rained heavily for awhile, leaving a temporary puddle of water around the Sportsmobile. I still held out hope that the storm would pass and I would have another spectacular sunset like the one that I missed the prior evening.
It was still heavily overcast and sprinkling lightly when I went out with my camera gear. I set up at one location near the reservoir and selected my first composition. Just as I got ready to take my first test shot, a motor boat loaded with a number of fishermen, returning from the far side of the lake, pulled right into my shot as they headed to the remnants of an old concrete dock. I still made test shots to check my camera settings and composition as I waited for the fishermen to unload their boat and walk past me.
I decided that I did not like that location with the old, unattractive, concrete dock and now part of a boat in the foreground. Since it was still very heavily overcast, I moved to another location, still hoping for thinning in the clouds.
I made a number of exposures at various locations, but most were not appealing .
The clouds did not thin much at all and this is the best image I made:
Sunset Clouds, Williams Creek Reservoir. Nikon D850, Nikon 24-70mm @ 35mm, f/11, 1.3s, ISO 64. Edited in Adobe Lightroom and Dxo modules.
I do not think this is a bad image, it is just not what I was looking forward to. Most of my shots did not even have a hint of light in the clouds. At least this one did.
The clouds were moving fairly quickly past the mountain tops and I made a couple of short time lapse videos, but they are much too short to present. In hindsight I wish I had stood in the cold wind with the sporadic sprinkling of rain drops and made longer time lapse videos, but I was afraid of getting caught in another downpour, gave up and retreated to the shelter of the Sportsmobile.
I will move on somewhere yet to be determined tomorrow.
After shooting wildflowers in the meadow adjacent to Teal Campground and Williams Creek Reservoir, I decided to try getting images of the Canadian Geese that were usually feeding and swimming around near the reservoir shoreline.
I do not often try to photograph wildlife, since I’m usually not prepared for that type photography, and when I see wildlife unexpectedly, I am usually too slow to respond. The wild animals have scampered away and the birds fly or swim away before I can get a photo.
However, today I had my big lens (80-400mm) mounted already, so I was at least partly prepared. Even though, I still could not get close enough with the big lens without frightening away the geese, I could at least crop the D850 images and still get a reasonably good image.
Goose, Williams Creek Reservoir, Colorado. Nikon D850, 1/1250s, f/11, ISO 1250, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.Goose, Williams Creek Reservoir, Colorado. Nikon D850, 1/1250s, f/11, ISO 1250, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.Goose, Teal Campground. Nikon D850, 1/640s, f/11, ISO 1250, 80-400mm @ 400mm (before crop). Edited in Adobe Lightroom and DxO Modules.
As I attempted to get closer, the geese did as they usually do and took to the water.
Geese in Williams Creek Reservoir. Nikon D850, 1/1600s, f/11, ISO 1250, 80-400mm @ 400mm (before crop). Edited in Adobe Lightroom and DxO Modules.
Please do not fly away, stay tuned for more at Teal Campground and Williams Creek Reservoir,
