We woke up to a heavy snow cover in our campground the second morning of our visit here. We had been watching the weather forecast and expected snow over a large area, we just could not judge how much would fall at our location, which was a higher elevation than that used in the weather forecasts .
Snow in Bandelier Campground, March 2021, iPhone PhotoSnow in Bandelier Campground, March 2021, iPhone Photo
Judging by the depth of snow on the flat surfaces, it looks like 6-8 inches of cover.
After making a few early morning iPhone photos and taking care of a few housekeeping chores, I began to walk around the campground area with my DSLR.
I managed to isolate a few individual, snow covered trees against the overcast sky.
Snow covers Bandelier Campground, March 2021. Tree and Clouds 1.Snow covers Bandelier Campground, March 2021. Tree and Clouds 2.Snow covers Bandelier Campground, March 2021. Monochrome Tree and Snow.Snow covers Bandelier Campground, March 2021. Skeleton Tree in Snow.Snow covers Bandelier Campground, March 2021. Towering Tree in Snow.
As I walked around, I tried to capture a few small features in the snow covered landscape.
Snow covers Bandelier Campground, March 2021. Grass in Snow 1.Snow covers Bandelier Campground, March 2021. Grass in Snow, Monochrome.
And anything else that looked unique or interesting.
Snow covers Bandelier Campground, March 2021. Crawling Snow Covered Tree Creature.
A distant mountainside was visible through the forest and I tried to frame that in a few photographs, but the 24-70mm lens did not allow for close ups of the distant mountains tops.
Snow covers Bandelier Campground, March 2021. Distant Mountains 1.Snow covers Bandelier Campground, March 2021. Distant Mountains 2.
I think the individual trees are the best images that I captured here; but here are a few miscellaneous other images to give a feel for the general look of the snow covered forest area around the campground.
Snow covers Bandelier Campground, March 2021. Snow Forest 1.Snow covers Bandelier Campground, March 2021. Snow Forest 2.Snow covers Bandelier Campground, March 2021. Snow Forest 3.Snow covers Bandelier Campground, March 2021. Snow Forest 4.Snow covers Bandelier Campground, March 2021. Snow Forest 5.Snow covers Bandelier Campground, March 2021. Snow Forest 6.Snow covers Bandelier Campground, March 2021. Old and Fallen, Old and Standing.
It is good that I got out early to capture the snow, since it began to melt away even as I made my way back to my van. It was essentially all gone by late morning.
This post was prematurely published due to a mistake by the author, during the editing and preview process, getting my blogs out of chronological order and maybe causing confusion of followers. Consequently, I’ve made a few edits, trying to correct poor writing and/or errors and now I will republish this item and hope there are no more glaring errors. My apologies for the confusion.
After setting up in the campground at Bandelier National Monument, we drove down into the canyon to the visitor center and made a scouting hike upstream along the stream that runs through the Frijoles Canyon. Actually, the stream is referred to as the Frijoles River, even though it is usually just a narrow stream of water. I suppose at times of heavy precipitation, that little stream can become a raging river. We hiked an undetermined distance, but I’m guessing maybe about a mile along the river before turning back.
We decided that the photographic opportunities would be slim along that trail, unless there was early morning frost or maybe snow cover to provide more interest.
We returned to the canyon the next (first) morning of our stay here with our cameras, hoping for better photographic opportunities than we had seen on our scouting hike.
The park gate opening and closing times limit the access time to the canyon, so golden hour photography was not a possibility during our visit. This might not matter, since the canyon walls limit the time of the sunlight arriving and exiting the canyon. Some times of the year may be better than others.
Unfortunately, we did not get snow, nor even a heavy frost. Nevertheless, we continued hiking and trying to get a few interesting photographs. I was mostly unsuccessful in my efforts and I have chosen not to present any of the results of my attempts at creative photography here.
Early on the hike, we came upon several deer that seemed curious about us, but not concerned. I suppose they were accustomed to humans.
Deer, Bandelier National Monument, March 2021Deer, Bandelier National Monument, March 2021
A second deer, going in the opposite direction of this first one, came along and they each eyed each other in an appraising manner, before continuing on their way.
Deer, Bandelier National Monument, March 2021
There are many Native American ruins and cave dwelling in the canyon with many near the visitors’ center. Having toured those on previous trips, we continued along the trail towards a more distant ruin called the Alcove House. My son had visited the Alcove House during a previous visit, but it was not open when I was first here, so this was my first time to see this area of the park.
To get up to the Alcove House ruins requires climbing a number of ladders and steps up the canyon side.
Ladder & Sign, Bandelier National Monument, March 2021
Much of the area at the final destination is roped off, which limits photographic compositions.
Native American Ruins in Bandelier National Monument, March 2021
In the afternoon, we made a scouting hike of a loop trail through Tsankawi, a Native American area near White Rock, New Mexico that is a part of the Bandelier National Monument. Unfortunately, I forgot to bring my iPhone along, so I did not get any scouting photographs, which is too bad, since I think I missed opportunities to get photographs under a more interesting sky than we had during later visits.
Early Monday morning, I went into the Sprinter Service Center as soon as the gates opened. I found two service technicians in the service building and explained the problem to them. I was told by the one that would look into the problem, that the battery would be put on a charger first and then he expected to begin work on the van around mid-morning.
He then gave me a ride back to the main MB dealership facility, where I would have to wait. The technician apparently got to work on my van sooner than I expected, as I was informed by the service manager that it was ready to go much sooner than I had expected.
The problem turned out to be a simple fix, once it was traced down. There is a connection below the van between the battery and alternator, where Sportsmobile wired into the van battery for the automatic step motor. According to the technician, Sportsmobile did a poor job of wiring here, pinching wires, partially insulting the connections between the wires at the terminal with shrink wrap and the nut securing all the wire ends onto a terminal stud was loose. The nut looked like a self locking variety, so it should not have backed off due to vibration.
Had I known where to look, I could easily have cured the problem myself and been on my merry way much sooner.
Anyway, I dismounted the solar panels, packed them away, and updated my son on my status.
He informed me that the weather forecast for Bisti had taken a turn for the worse, with much snow expected and colder night time temperatures. A little snow there might make for some interesting photographic opportunities, but a lot of snow might cover features too much and melting snow would render the clay soil a real problem to deal with. And the snow would melt rapidly during daylight hours.
Consequently, we decided to meet at Bandelier National Monument, which was only a 2-3 hour drive from Albuquerque. I was not elated about Bandelier, since I had overnighted there a couple of years ago and I was not overly impressed with the photography possibilities there.
But the campground in Bandelier is very nice, usually not crowded, especially at this time of the year, which is good, since the campsites are first come, first serve, with no reservable sites. There are also clean, newish, heated restrooms, but no showers.
I arrived at the campground first, drove through both campground loops and picked out two campsites that looked suitable, then went to the automated reservation kiosk and reserved those two sites for a couple of nights. We were not sure how long we would stay.
My son came into the campground shortly after I pulled into my site. After we got set up, we went down into the deep canyon, where the visitor’s center is and most of the Native American ruins are located. This is the most visited portion of this national monument.
We hiked for about a mile along the stream/river that runs through the canyon to scout for possible photographic opportunities for the next day. We were expecting some snow and we decided that snow would improve the scenery here.
We then retreated to our campsites for the night.
So finally the “bad” part of this trip was over and we were making plans for the remainder of this Spring Break Trip.
Driving between destinations, trying to maintain a travel schedule, I often see things that I neglect to take time to photograph. I have driven by the same places numerous times, thinking I should someday stop to get a photograph, even if it is midday with the harsh light of the midday sun directly overhead and minimum or no shadows.
If I stopped at each of these numerous places, I would obviously fall far behind in my travel schedule. Today I decided to take time at one such place that was some distance off of the highway, but clearly stood out in the wide open space in this part of New Mexico.
The architectural design of this structure suggest that it might have been a school house in this tiny community in the wide open plains of New Mexico. I probably should have stopped somewhere to inquire about this old place, but I did not take the time.
The destination for a final sunset shoot on the last day of my May 2019 visit to the Bisti Wilderness was the same as yesterday’s, since yesterday’s sunset light was obscured by heavy clouds on the western horizon. I really liked my chosen location and this was my last chance to shoot here on this visit. There were some clouds today, but not so heavy as yesterday.
The light turned out to be good at sunset, but not great. The clouds on the western horizon blocked the light until just a few minutes before sunset. Even after the sun dropped below the denser clouds, there were still wispy clouds defusing the light. However, I think I got a few good images.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
As yesterday, I had to navigate carefully getting into position for various compositions, being careful about where and how I walked, where I stood near steep drop offs and using care in setting the tripod. This was not a place in which to get careless or make sudden, unplanned moves.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 55mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
This post wraps up my May 2019 visit to the Bisti Wilderness. There is still much that I have not seen or photographed here, so I expect that I will return sometime in the future.
I hope that my readers have enjoyed following along with my experiences and photography here.
I am reluctant to get out of my sleeping bag this morning. I linger there for 10 more minutes after the alarm, considering whether to sleep in or go out for a morning shoot. Eventually, I convince myself to face the morning. After all, this is my last morning to shoot here.
This morning I will make up for yesterday’s mistake. In route to my planned destination, I stop to shoot a blue hour silhouette. One that caught my eye yesterday morning; but I hastened by then, mistakenly thinking I did not have time to linger. I am a little later at this location today. The scene does not look as good as it did yesterday. Mistake made and likely to be repeated, even though I am reminding myself to take the shot, whenever the opportunity presents itself.
Guardian of the Pass. Large Bisti Hoodoo at blue hour. Nikon D850, Nikon 24-70mm @ 60mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
After shooting the silhouette, I proceed towards my intended destination, the place high up on a hill at the end of a canyon, where I shot under a heavily overcast, morning sky early in the week. I am anticipating excellent sunrise light at that location this morning. As I hike, I become concerned about getting there sufficiently early and I am not enthusiastic about my choice of location today, either. The Conversing Hoodoos are along my route, so I decide to check those for possible morning shots, since I am not satisfied with the results of my sunset shoots of those features.
Arriving at the Conversing Hoodoos and looking around, I conclude that there is a high probability of excellent golden hour morning light on the most interesting features, so I abandon my original plan in favor of shooting here.
I plan several compositions, shooting test shots in the pre-sunrise light as I await the sunrise. The sky is clear with no obstructions. There are hills to the east, which may limit some light on the lower portions of my compositions and maybe block the very first sunrise rays from my subjects. As the sunrise light strikes the hoodoos, I am elated that my change of plan is working out well.
Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 32mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 34mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
After the golden sunrise light passes, I continue shooting with fully lit subjects for a few minutes. I am not excited by any of the pre-sunrise nor post sunrise shots, so I am not sharing those.
Finishing my early morning shoot, I walk at a leisurely pace back towards the parking lot, looking for other places to shoot along the way. Maybe I chose an uninteresting route to the parking lot. I’m not finding interesting compositions in the later morning light; but I take time to make a few images anyway, hoping something jumps out at me. I decide that none of these attempts produce any interesting results. My lack of energy this morning might be relevant to my failure to get interesting shots in the post sunrise hour. Frame of mind matters in artistic pursuits.
This is my last day here. I have one more sunset shoot, weather permitting. Until then,
As usual, I was all alone in the north Bisti parking area overnight. After returning from my early morning shoot, a few people came and went during the mid-day hours.
A young German couple, Tobias and Daniela, parked next to me and we chatted for a few minutes before they headed out into the wilderness area. They were in the US for 4 weeks, traveling via automobile from Phoenix to Pittsburg, seeing sites along the way. The couple returned before 6PM, stopping by to show me a few photos of various places that they had visited so far on their current trip to the US, giving me ideas of other places to visit. Daniela’s blog site is Daniela’s Urlaubs Blog.
I am always amazed at how much international travel the Europeans do. I know traveling between countries in Europe is easy, but many travel outside Europe on a regular basis. I have met numerous Europeans who are on extended vacations, spanning weeks. I know that their labor laws assure their citizens of liberal holiday time, but they must budget a lot for their travels, even if they take advantage of cheap airfare, motels, car rentals, etc. Still, it makes sense to me that if one is traveling so far, taking a long vacation is justified.
During the afternoon, there were dark, heavy clouds all around the area and I could see distant rainfall in numerous directions. Some of those rainfall events seemed to be heading directly towards my location, but it did not rain on me.
Bisti Panorama with storm clouds. iPhone photograph with edits in Adobe Lightroom and DxO Nik modules.
I made the panoramic shot above with my iPhone from atop a hill just inside the Bisti Wilderness and just north of the parking area. This hilltop is the nearest place, where I could get a weak cell signal for making calls, getting e-mails and checking the weather, if the weak, intermittent signal lasted long enough to do so. This shot is to the south, showing the massive cloud cover, which might not bode well for a sunset shoot. The Sportsmobile is just a little rectangular blob near the center left edge of this image.
I made preparations to go out for sunset photography, although it was very cloudy in the west and the wind was increasing in intensity. I stuffed my rain shell into my backpack before heading out, just in case of rain.
I hiked to a place, which I had previously scouted for sunset photography, high up on a hard rock platform, overlooking a large array of hoodoos with a wide vista over the desert area.
North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.
I made a number of test shots with my iPhone and DSLR of several compositions about an hour before sunset, as I waited and prepared for the warm sunset light. These shots and my observations of the light indicated that the golden sunset light would be very limited today. With this in mind, I carefully walked around on top of my perch area to determine how and where to quickly set up the tripod and camera, during the brief time that I would have to shoot at sunset. Some of my chosen setup locations required carefully planned steps to safely get into position and care in setting the tripod, so I wanted to practice my moves.
North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.North Bisti Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Nik modules.
I was excited about the possibilities for shooting here. Unfortunately, a large mass of clouds on the western horizon obscured the sun at sunset time. This is such a great place to shoot sunset that I will have to try again tomorrow evening, which will be my final chance to shoot here on this trip. At least I have a few iPhone and DSLR images, just in case tomorrow’s sunset light is no better.
North Bisti Scene near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.North Bisti Hoodoos and Valley near sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 9 images.North Bisti scene near sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO modules.
At the time I made these shots, there would have been golden hour light on the two large features on the left of the above image and on the mass of hoodoos in the image below, if the clouds on the western horizon had not blocked the direct rays of sunlight.
North Bisti Scene. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO modules.North Bisti Hoodoos near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 9 images.
The DSLR images in this post have embedded links to the photos on Flickr, where these can be viewed in higher resolution.
I like these compositions and views, but the light that I had anticipated was not realized. Hopefully, tomorrow will be better.
I hiked to The Seal to shoot pre-sunrise and sunrise shots at this large well known hoodoo in the northern portion of Bisti on the morning of my 6th day here in late May of 2019. The sunrise light was not great, but it was still good.
The Seal, Bisti Wilderness, Pre-Sunrise. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
I made a few exposures from below The Seal in the pre-sunrise light. Then climbed further up the hillside to shoot from just below the hoodoos and from a location that gave me a view from just above The Seal and other adjacent features. The pre-sunrise, dim light required long exposures.
A large Bisti Hoodoo adjacent to The Seal. Nikon D850, Nikon 24-70mm @ 50mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.Large Bisti Hoodoo near The Seal. Nikon D850, Nikon 24-70mm @ 34mm, f/16, multiple long exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 5 images in Helicon software.
This iPhone shot shows the DSLR shooting location, overlooking The Seal and adjacent rock features and the westerly view with the first sunrise rays highlighting the features on the horizon:
Waiting for the light. iPhone photo edited in Adobe Lightroom and DxO Nik modules.
One of the long exposure pre-sunrise shots with the DSLR:
Eye Level with The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 6.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
I think most photographers shoot The Seal from below, since that is the view that lets one see the seal shape of the hoodoo cap. I’m sure others have walked around, viewing these in the same manner as shown above, but I do not recall having seen any photos from this viewpoint. I’m hoping that I captured images here that are less common, if not unique.
When the sun rose over the horizon, I began to see the highlights on my primary subjects.
Eye level at The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO modules.Large Bisti Hoodoo near The Seal. Sunrise light, Nikon D850, Nikon 24-70mm @ 24mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.
I then moved back down the slope to shoot The Seal from below in the early morning sunlight.
The Seal near sunrise. Nikon D850, Nikon 24-70mm @ 38mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO modules.
Finishing my shoot at The Seal, I went back down into the wash and proceeded to another nearby location that I had previously scouted.
North Bisti Hoodoos and Wings. Nikon D850, Nikon 24-70mm @ 35mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.North Bisti Rocks and Hoodoos. Nikon D850, Nikon 24-70mm @ 40mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images in Helicon software.
As is my normal practice, I continued to wander around after the golden hour, looking for other interesting features to shoot before the sun got too high in the sky. I climbed up out of the deep wash onto the high plateau in the area where I had shot on other occasions and found these two curious looking rocks and their shadows:
Kissing Bisti Rocks. Nikon D850, Nikon 24-70mm @ 56mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO modules.
The low angle sun cast interesting shadows from a number of small hoodoos.
North Bisti Small Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 60mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images.Long neck (bird like) hoodoo and shadow. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.Bisti Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 44mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.
The brighter sunlight and long shadows are good for obtaining monochrome images.
Bisti Wash and Hoodoos. Nikon D850, Nikon 24-70mm @ 70mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
Little hoodoo that appears to be looking up to a bigger one:
Bisti Hoodoos and Shadows. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
An array of short hoodoos with flat, elongated rock caps in monochrome:
Fading Away. Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 50mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 5 images.
These elongated, flat rocks are remnants of an originally continuous rock layer. Weathering and erosion has created these individual rock sections. In time these will disappear entirely.
A monochrome with selective colorization (bringing out some of the original color in a monochrome image):
Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 48mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
I think the black and white version, which can be found on my Flickr page, of the above image is more appealing than the selectively colorized version.
Bisti Flat Rock Hoodoo Tops. Nikon D850, Nikon 24-70mm @ 28mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 8 images.
I am feeling the effects of insufficient sleep, after yesterday’s early and late day shoots with an extended hike sandwiched into the mid day hours, followed by today’s early morning sunrise shoot. I try to nap for awhile, after Daniel’s departure, but a strong wind discourages sleep. Looking out the Penthouse window, I see dark clouds to the west. Fearing a rain will turn the clay surface parking lot into a muddy mess, I put the Sportsmobile top down and drive to a less clayey area near the parking area entrance, from which I can quickly exit the parking area in case of a downpour. I see rain falling in the distance in several directions. Walking up a hill to get a cell signal, I check the weather report, which does not mention rain at the two closest weather stations available. I then check the weather forecast for my specific location via my GPS unit, which shows only 10% probability of rain in the area.
After lunch, the weather and clouds approaching from the west do not look as threatening, so I drive back to my favored parking spot, adjacent to the barbed wire fence at the boundary of the Bisti Wilderness area.
I am hesitant go out at sunset, seeing heavy clouds covering the western horizon and a half dozen distant rain showers in various directions. I decide to go anyway, hoping to get some good sunset light and not get rained on.
I target the plateau area again, thinking that sunset light will be good there. Arriving early enough prior to sunset to wander around looking for interesting subjects, I make a few images in the late day light before choosing sunset compositions.
Small Bisti Arch and Shadow. Nikon D850, Nikon 24-70mm at 50mm, f/16, 1/25s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
I find this interestingly shaped, small, natural bridge, casting a long shadow, among the many rock features in the wash area adjacent to the plateau.
North Bisti Rocks and Hoodoos. Nikon D850, Nikon 24-70mm at 35mm, f/16, 1/5-1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 5 images.Hoodoo Wash_Shark Tank. Nikon D850, Nikon 24-70mm at 35mm, f/16, 1/6-1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 10 images.North Bisti Golden Hour Sunset Scene. Nikon D850, Nikon 24-70mm at 36mm, f/16, multiple exposures, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 10 images.
A number of these images are created via a technique called focus stacking, in which a number of images, focused at different distances from the camera, are combined into one image, creating better sharpness throughout the image. I tend to acquire more images than necessary for this method, but better too many than not enough. I’ve given up on using Photoshop for focus stacking, since the Photoshop processing is slow and not accurate. I’m testing Helicon software for this and I’m impressed with its speed, accuracy and editing feature.
The late day light is good, but I am concerned about the clouds low on the western horizon. I get lucky as the sun drops below the cloud cover just before setting, briefly providing warm light.
North Bisti Plateau Sunset Golden Hour. Nikon D850, Nikon 24-70mm at 65mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 6 images.
I make a number of images of this composition as the sunset light, limited by cloud cover and shadows, moves down the rock features.
North Bisti Plateau Sunset Golden Hour. Nikon D850, Nikon 24-70mm at 64mm, f/16, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 7 images.
And finally, I take a few shots of the sunset with rock features in the foreground.
Sunset scene on a North Bisti plateau. Nikon D850, Nikon 24-70mm at 44mm, f/16, multiple exposures, ISO 64. HDR image created in DxO Nik HDR Pro.North Bisti Plateau Sunset Scene. Nikon D850, Nikon 24-70mm at 46mm, f/16, multiple exposures, ISO 64. HDR image created in DxO Nik HDR Pro.
These last two are HDR images, created from multiple exposures, using DxO Nik HDR Pro. Such processing is required, when shooting a scene with strong light contrast, since camera sensors do not have a sufficiently wide dynamic range to capture the entire light range in one exposure.
I hope you enjoy this post. Click on the photographs to view higher resolution images on my Flickr page.
I am not satisfied with the results of yesterday’s morning shoot, in the cloud muted, dispersed sunrise light. So this morning, Daniel and I return to the plateau area, where Daniel found me yesterday.
Sunrise light is much better this morning.
Golden Hour Sunrise on a north Bisti Plateau. Nikon D850, Nikon 24-70mm at 48mm, f/16, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Golden Hour on a North Bisti Plateau. Nikon D850, Nikon 24-70mm at 50mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 4 images.Golden Hour Light on a North Bisti Plateau. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 6 images.
After the initial sunrise shots, we wander around the local area shooting a few other features.
Hoodoo Wash. Nikon D850, Nikon 24-70mm at 35mm, f/16, 1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.A double layer Hoodoo. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Bisti Wash. Nikon D850, Nikon 24-70mm at 32mm (before crop), f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
During post processing, I’m experimenting with selective colorization of a monochrome image. The original image after cropping is above. The final product is below.
Bisti monochrome with Selective Colorization. Nikon D850, Nikon 24-70mm at 32mm (before crop), f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
This is not a great image for such experimentation, but the original image was dull, so I think a little creative editing may yield something of interest. In my opinion, the monochrome version with the selective colorization is more interesting than the original, but still not a great photo. I am open to other opportunities to explore this editing technique.
Daniel wants to revisit a few of the large wing like hoodoos that I had taken him to yesterday, so we continue across a deep wash to the opposite side, stopping by The Seal and other large neighboring hoodoos.
By now the warm morning light is gone. I shoot a number of images of The Seal and its neighbors from various view points. These images are good references for another visit, during a golden hour.
The Seal. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/50s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Alligator or Lizard Hoodoo (my names). Nikon D850, Nikon 24-70mm at 58mm, f/16, 1/40s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.The Seal. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1/40s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 3 images.The Seal and Neighbors. Nikon D850, Nikon 24-70mm at 30mm, f/16, 1/40s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 9 images.
The slope to climb up to get near these features is steep and composed of dry, crumbly clay soil, which is difficult to walk on without slipping and sliding. At least it is dry and not muddy.
Hoodoo near The Seal. Nikon D850, Nikon 24-70mm at 40mm, f/16, 1/30s-1/40s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 3 images.The Seal and Others. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 6 images.
It is evident that these rock features look entirely different from various view points.
The Seal and Others. Nikon D850, Nikon 24-70mm at 50mm (before crop), f/16, 1/25-1/30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 6 images.
We hike on through the wash below The Seal, going past the Conversing Hoodoos and the area around those very distinctive features.
Stair Step Hoodoos. Nikon D850, Nikon 24-70mm at 42mm, f/16, 1/30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti Hoodoos. Nikon D850, Nikon 24-70mm at 42mm, f/16, 1/60s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 6 images.North Bisti Hoodoos. Nikon D850, Nikon 24-70mm at 32mm, f/16, 1/25s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 7 images.Conversing Hoodoos. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/60s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 7 images.
By the time we get to this area, the sun is fairly high and the colors in the rock layers are mostly washed out. Having seen these features in golden hour light, I can at least claim to be trying to emulate that light, in this heavily processed image.
We return to the north parking area for coffee and breakfast. Afterwards, Daniel drives away to continue his tour of the US southwest, heading for The Grand Canyon’s north rim. I hope Daniel enjoys the rest of his visit to the US, makes many photographs and acquires good memories of his visit.
