We woke up to a heavy snow cover in our campground the second morning of our visit here. We had been watching the weather forecast and expected snow over a large area, we just could not judge how much would fall at our location, which was a higher elevation than that used in the weather forecasts .
Snow in Bandelier Campground, March 2021, iPhone PhotoSnow in Bandelier Campground, March 2021, iPhone Photo
Judging by the depth of snow on the flat surfaces, it looks like 6-8 inches of cover.
After making a few early morning iPhone photos and taking care of a few housekeeping chores, I began to walk around the campground area with my DSLR.
I managed to isolate a few individual, snow covered trees against the overcast sky.
Snow covers Bandelier Campground, March 2021. Tree and Clouds 1.Snow covers Bandelier Campground, March 2021. Tree and Clouds 2.Snow covers Bandelier Campground, March 2021. Monochrome Tree and Snow.Snow covers Bandelier Campground, March 2021. Skeleton Tree in Snow.Snow covers Bandelier Campground, March 2021. Towering Tree in Snow.
As I walked around, I tried to capture a few small features in the snow covered landscape.
Snow covers Bandelier Campground, March 2021. Grass in Snow 1.Snow covers Bandelier Campground, March 2021. Grass in Snow, Monochrome.
And anything else that looked unique or interesting.
Snow covers Bandelier Campground, March 2021. Crawling Snow Covered Tree Creature.
A distant mountainside was visible through the forest and I tried to frame that in a few photographs, but the 24-70mm lens did not allow for close ups of the distant mountains tops.
Snow covers Bandelier Campground, March 2021. Distant Mountains 1.Snow covers Bandelier Campground, March 2021. Distant Mountains 2.
I think the individual trees are the best images that I captured here; but here are a few miscellaneous other images to give a feel for the general look of the snow covered forest area around the campground.
Snow covers Bandelier Campground, March 2021. Snow Forest 1.Snow covers Bandelier Campground, March 2021. Snow Forest 2.Snow covers Bandelier Campground, March 2021. Snow Forest 3.Snow covers Bandelier Campground, March 2021. Snow Forest 4.Snow covers Bandelier Campground, March 2021. Snow Forest 5.Snow covers Bandelier Campground, March 2021. Snow Forest 6.Snow covers Bandelier Campground, March 2021. Old and Fallen, Old and Standing.
It is good that I got out early to capture the snow, since it began to melt away even as I made my way back to my van. It was essentially all gone by late morning.
This is a continuation of my iPhone photography in Indiana Antique Stores in October, 2020.
Pile of Cameras, iPhone Photos
I think the camera in the middle is an Argus brand. I had an Argus C3 that I acquired, when I was in high school. I do not know what happened to that camera.
There are always lots of old jars, bottles, dishes and glassware in the antique malls. Sometimes the displays make interesting photograph subjects, sometimes not.
Old Glasses, Monochrome, iPhone PhotoAn antique lard bucket, iPhone Photo
Lard was a common cooking item up until not so many years ago and I suppose some people may still use it. It was a common item in my childhood home.
Mild and Satisfying?, iPhone PhotoOld Scythes and Hand Saw, iPhone Photo
One of those tools looks out of place. I even have a rusting Sears Craftsman handsaw in my garage, that I’ve not used for many years. It does not have the carvings on the wood handle that this older one has.
Antique Bottles, iPhone Photo
More bottles and jars.
Antique Jars, iPhone PhotoAn old Automobile Service Station Jar, iPhone Photo
Was this bottle used to contain gasoline or motor oil?
Old Blue Jars, iPhone PhotoAntique Wood Spoke Ford Automobile Wheel, iPhone Photo
This wheel was still attached to an old automobile or truck in the backyard of an antique store in a Indiana small town. The blue bottles in the photo above the wheel photo were in the same outdoor space near the automobile.
I have driven the same route through the Texas Panhandle numerous times in my travels, seeing numerous old, abandoned houses and businesses. Occasionally, I will take a few minutes to stop and photograph some of these, if I have time in my schedule to do so.
This house is just off of a highway and almost completely surrounded by high grass and trees. I had made a mental note of it several times and finally decided to stop by to photograph it.
The view above is seen as one is driving to the northwest. If driving from the the northwest, the house is almost hidden and can easily be overlooked.
The sun was almost directly overhead, the light bright and harsh, so I converted the images to monochrome, which gives more pleasing images under these conditions.
I photographed all around the house, but with the dense vegetation, I did not get good images from other view points.
In the spring of 2019, returning to Texas from Colorado, I spotted a group of abandoned farm buildings near an exit from I-70 on the high plains of eastern Colorado. I immediately wanted to photograph those old farm structures, but I had already passed the exit and I did not want to take the time required to backtrack, so I just made a mental note of the location in case I passed that way again.
In July of 2019 I was on that route again, returning from another trip to Colorado. I remembered the exit number from the earlier trip and this time I did not pass up an opportunity to stop and photograph those old buildings.
Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
It was late morning, the sun was high, the light harsh, but it was unlikely that I would ever be here at a better time, so I did the best that I could with what I had. I decided not to get out the DSLR equipment and just stroll around shooting with my iPhone.
Old Farm House on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
I decided that the best post processing for these images would be a conversion to monochrome, given the light conditions and the subject matter.
Old Farm House on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
I was lucky to catch a bird flying out of the old barn.
Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
I’m glad that I took a few minutes to stop here. There have been so many times that I’ve passed up opportunities to shoot places such as this, because I was on a time schedule for getting to some destination. I hope that I will have more time, during future road trips, to photograph a few more of the old and abandoned building that are scattered across our country.
I hiked to The Seal to shoot pre-sunrise and sunrise shots at this large well known hoodoo in the northern portion of Bisti on the morning of my 6th day here in late May of 2019. The sunrise light was not great, but it was still good.
The Seal, Bisti Wilderness, Pre-Sunrise. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
I made a few exposures from below The Seal in the pre-sunrise light. Then climbed further up the hillside to shoot from just below the hoodoos and from a location that gave me a view from just above The Seal and other adjacent features. The pre-sunrise, dim light required long exposures.
A large Bisti Hoodoo adjacent to The Seal. Nikon D850, Nikon 24-70mm @ 50mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.Large Bisti Hoodoo near The Seal. Nikon D850, Nikon 24-70mm @ 34mm, f/16, multiple long exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 5 images in Helicon software.
This iPhone shot shows the DSLR shooting location, overlooking The Seal and adjacent rock features and the westerly view with the first sunrise rays highlighting the features on the horizon:
Waiting for the light. iPhone photo edited in Adobe Lightroom and DxO Nik modules.
One of the long exposure pre-sunrise shots with the DSLR:
Eye Level with The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 6.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
I think most photographers shoot The Seal from below, since that is the view that lets one see the seal shape of the hoodoo cap. I’m sure others have walked around, viewing these in the same manner as shown above, but I do not recall having seen any photos from this viewpoint. I’m hoping that I captured images here that are less common, if not unique.
When the sun rose over the horizon, I began to see the highlights on my primary subjects.
Eye level at The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO modules.Large Bisti Hoodoo near The Seal. Sunrise light, Nikon D850, Nikon 24-70mm @ 24mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.
I then moved back down the slope to shoot The Seal from below in the early morning sunlight.
The Seal near sunrise. Nikon D850, Nikon 24-70mm @ 38mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO modules.
Finishing my shoot at The Seal, I went back down into the wash and proceeded to another nearby location that I had previously scouted.
North Bisti Hoodoos and Wings. Nikon D850, Nikon 24-70mm @ 35mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.North Bisti Rocks and Hoodoos. Nikon D850, Nikon 24-70mm @ 40mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images in Helicon software.
As is my normal practice, I continued to wander around after the golden hour, looking for other interesting features to shoot before the sun got too high in the sky. I climbed up out of the deep wash onto the high plateau in the area where I had shot on other occasions and found these two curious looking rocks and their shadows:
Kissing Bisti Rocks. Nikon D850, Nikon 24-70mm @ 56mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO modules.
The low angle sun cast interesting shadows from a number of small hoodoos.
North Bisti Small Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 60mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images.Long neck (bird like) hoodoo and shadow. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.Bisti Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 44mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.
The brighter sunlight and long shadows are good for obtaining monochrome images.
Bisti Wash and Hoodoos. Nikon D850, Nikon 24-70mm @ 70mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
Little hoodoo that appears to be looking up to a bigger one:
Bisti Hoodoos and Shadows. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
An array of short hoodoos with flat, elongated rock caps in monochrome:
Fading Away. Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 50mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 5 images.
These elongated, flat rocks are remnants of an originally continuous rock layer. Weathering and erosion has created these individual rock sections. In time these will disappear entirely.
A monochrome with selective colorization (bringing out some of the original color in a monochrome image):
Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 48mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
I think the black and white version, which can be found on my Flickr page, of the above image is more appealing than the selectively colorized version.
Bisti Flat Rock Hoodoo Tops. Nikon D850, Nikon 24-70mm @ 28mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 8 images.
I wanted to reshoot at the Conversing Hoodoos at sunset, since I was not satisfied with the wide angle images made upon my first shoot here. Today I would use the 24-70mm lens, hoping the zoom range would let me be more discriminating with my compositions.
Daniel accompanied me for this shoot. We arrive early as I prefer to do, giving me time to shoot around the area at anything I see of interest, before moving to the primary subject.
There were many clouds in the sky, definitely adding interest to the sky, but maybe not good for sunset light.
The Clam Hoodoo under cloudy sky. Nikon D850, Nikon 24-70mm at 31mm, f/16, 1/40s, ISO 64.
The overcast sky with muted light made for good monochrome images. The Clam Hoodoo was just down a canyon/wash from the Conversing Hoodoos, so it was easy to shoot there prior to the sunset light.
Bisti Wilderness and cloudy sky in monochrome. Nikon D850, Nikon 24-70mm at 31mm, f/16, 1/10s, ISO 64.
In fact I think this turned out to be a really good late afternoon to find monochrome compositions with the many rock shapes and cloudy sky.
A Bisti bird like hoodoo in monochrome. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/10s, ISO 64.
This particular hoodoo with the broad flat area and a pointy beak like part reminded me of a bird in flight. Looking closely one can even see an “eye” and a crease for a mouth. The embedded link is to the color version on Flickr.
Bisti Wilderness and Cloudy Sky in Monochrome. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/13s, ISO 64.
This is my favorite monochrome image made this afternoon. I like the leading line of the sunlit rocks running diagonally, pointing to the highlighted rocks on the hillside, then the wash leading back to the upper center and the cloudy sky. I think this might even be the best image that I got in this shoot; although, I have not gotten any comments or faves on the posting to Flickr. So maybe readers will tell me if they see faults with this image. I think this image looks really good on my large iMac monitor. Maybe it does not look good viewed on smaller screens?
A rusting bicycle frame in the Bisti Wilderness Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/6s, ISO 64.
One never knows what kind of surprise one may find in this wilderness. Why and how is there a bicycle frame here? A totally surprising find.
Bisti Rock Sculpture in Monochrome Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/8s, ISO 64. Focus stack of multiple images.
I had previously taken a few iPhone shots of the “modern art like sculpture” in this image, while scouting here. Today I made a number of images of the two foreground rocks with the background hillside then focus stacked them using Helicon software before converting to monochrome.
Conversing Hoodoos and cloudy sunset Nikon D850, Nikon 24-70mm at 40mm, f/16, 1/25s, ISO 64.
As I had feared, the clouds on the western horizon prohibited any golden hour light this evening, so I had to make do with mostly silhouette type images of the Conversing Hoodoos with some sunset color on the horizon.
Conversing hoodoos and a cloudy sunset Nikon D850, Nikon 24-70mm at 58mm, f/16, 1/20s, ISO 64.An HDR image of the Conversing Hoodoos and a cloudy sunset Nikon D850, Nikon 24-70mm at 36mm, f/16, multiple exposures, ISO 64.
I made one HDR image from a few of the images to at least get detail in the foreground rocks.
The results of this attempt at sunset shooting here dictates another effort on another day. Such is the life of a landscape photographer.
My mid-day scouting activity proved really useful for learning my way around in the northern part of the Bisti Wilderness as well as for determining good places for either sunrise and/or sunset landscape photography. I also began to make written notes, rather than relying upon my memory, since I’m seeing so much variation here that my brain cannot reliably recall some details, especially a few days after the fact.
Today my primary destination was the plateau area with a couple of significantly large hoodoos that I had first seen during my March 2019 visit with my oldest son. I wanted to get a better fix on the best route to these features and a better idea of how much time to allow for hiking there from the north parking area.
I would then explore more in that area.
I followed a general route that I had already found, but explored a slight deviation as I was climbing up out of a valley/wash near a previously found exit point.
Instead of going straight up a somewhat steep, red rock strewn exit, I turned to the right, up another short incline to see where that took me. I entered into a smallish, enclosed area, which I initially thought might be a dead end route.
Looking around the little nook, I spotted this small hoodoo on the wall near where I had entered:
Small Sentinel. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
It looked like a hoodoo sentinel standing guard over the little nook.
On the opposite side from where I came in, I could see that it would be possible to climb out there, so I went up the hill and entered into a large, flat area, which I recognized as being just east of an area my son and I had exited into from another direction during our March visit. We had come into that area via a much more difficult route.
Now I was actually on the plateau of my destination, so I began to walk to the south, which I recalled was where the large hoodoos and other features were located.
Hoodoo Plateau. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
In a blog post from the March visit, I included scouting photographs of the large pedestal like hoodoos in the above image. We did not get back here on that visit. Looking around, I realized that this area would be good for either sunrise or sunset shoots.
I continued exploring this area to the west and south. Finding areas that were familiar from the March 2019 and March 2011 visits:
Many Hoodoos in a Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.Many Hoodoos in a Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
There are a number of deep canyons or washes crisscrossing this badlands area with many hoodoos lining the walls of the washes.
Hoodoos and Wide Vista. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.A deep wash lined with hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
I explored along the top edge of the deep washes finding many interesting features.
Resting Hoodoo. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
Can you see the leading lines in these photos:?
Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
I recall photographing in this area in 2011 during my first visit to Bisti and I still have a few photos of the features in this image:
Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
I also found features that make good abstract photographs, like this one:
Abstract. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
Wandering through a hodgepodge of rocks along the edge of a deep wash I found the fish like hoodoo at the right end of the line of hoodoos:
Fish Tank. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.The Fish. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
And this scary looking rock:
Demon Head. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
Just behind the fish hoodoo:
The Pterodactyl. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
On the way out of this area:
Piling on. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
I could see these large wing like hoodoos on the far side of a deep wash:
Across the Deep Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
I did not know how to access those far away wing hoodoos at this time; but later I found a way down into the wash and a way to hike up near those wings.
Petrified log and north Bisti vista. Nikon D850, Nikon 24-70mm at 34mm, f/16, 1/13s, ISO 64. Helicon focus stack of 13 images. Edited in Adobe Lightroom and DxO Nik modules.
The last shots that I acquired on the hillside, where I spent most of the early morning on day 3 in the northern portion of the Bisti Wilderness, were of the long slender petrified log that I had discovered in scouting this area a couple of days prior.
I had found a way to safely get down a hillside and shoot near the log. The first image above is taken from a place on the hillside above the log.
Petrified log sections in North Bisti. Nikon D850, Nikon 24-70mm at 55mm, f/16, 1/20s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.
I shot four images from the perspective above, focusing at different points in the scene, then stacked those images using Helicon software. Focusing stacking results in a sharp image from front to back in the image.
The image below is created in the same manner, using 6 images, each with a different focus point.
Petrified log in north Bisti. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/10s, ISO 64. Helicon focus stack of 6 images. Edited in Adobe Lightroom and DxO Nik modules.
Satisfied that I had done as much as reasonable shooting on the hillside, I hiked back down into the canyon and made a few images of interesting features in the canyon.
The Clam Hoodoo in North Bisti. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/20s, ISO 64. Helicon focus stack of 6 images. Edited in Adobe Lightroom and DxO Nik modules.
I acquired a number of images with various focus points to create these final two images of the “Clam” hoodoo.
The Clam Hoodoo in North Bisti. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/40s, ISO 64. Helicon focus stack of 7 images. Edited in Adobe Lightroom and DxO Nik modules.
I used the Helicon retouching tool for the last image to fix some artifacts that were a result of the clouds moving as the multiple images were acquired. The Helicon retouching tool allows one to choose one of the multiple images and paint in portions of that image to replace the unnatural artifacts.
If the cloud motion just results in an appearance of a long shutter speed image, showing motion in the clouds, I think that is fine and does not require retouching. Obviously, this is a matter of personal preference.
The hike back to the parking area was pleasant, with moderate temperature. I had seen rain in the distance while shooting and while returning to the parking lot. The sky appeared to be clearing in the west, but the wind speed was increasing. It can get very windy here, but I am hoping it will not be so bad as to prevent a sunset shoot today.
I was up at 4AM and noted that it was very cloudy, overcast and a little breezy. I thought about not going out due to the heavily overcast sky, thinking there may not be good sunrise light, but I went, anyway.
My destination was the hilltop at the end of a canyon that I had scouted on the first day of my arrival. There was good color in the eastern sky before sunrise, but I was a little too late in getting to my destination in time to get shots of the best color. As I was hiking to my destination, I missed a turn into the side canyon that I had to take to get there. Fortunately, I realized my mistake quickly and only lost a few minutes as I backtracked. Still, those few minutes cost me a few possibly good shots, as the color was mostly gone by the time I got set up to shoot.
North Bisti Toadstool Hoodoo and overcast sky just after sunrise. Nikon D850, Nikon 24-70mm at 55mm, f/16, 2.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
The heavy cloud cover eliminated the sunrise golden hour, too. I had to make do with the light that I had to work with and the clouds did add some interest to the sky, at least; but the photos are a little dull without that golden hour light and the dispersed, uniform light with no shadows made the images a bit flat.
Overcast sky over north Bisti features. Nikon D850, Nikon 24-70mm at 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
At least, I got just a little color in the overcast sky in a few of my shots.
North Bisti toadstools in monochrome. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
I considered converting most of my images to monochrome, but without the shadows, these lack the depth that help make such images more appealing.
Various north Bisti hillside toadstools. Nikon D850, Nikon 24-70mm at 50mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
There were many interesting toadstool type hoodoos scattered all around the hillsides and wide vista.
Overcast sky over north Bisti features. Nikon D850, Nikon 24-70mm at 36mm, f/16, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
The features in the foreground of the shot above are actually fairly large, but they are on a hillside across a ravine so I could not safely get closer.
I spotted this large petrified log in a ravine downhill to the west. The slope was quite steep here and I would not risk trying to get closer to this one. I have a number of shots of it, trying to show how impressively large it appears and the environment around it; but I think none of the shots do it justice.
Large petrified log sections and north Bisti vista. Nikon D850, Nikon 24-70mm at 44mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
I continued to work the area, shooting anything that I though might be interesting.
Large and small north Bisti toadstools. Nikon D850, Nikon 24-70mm at 44mm, f/16, 1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Looking back up the hill from above the large petrified log is this large hillside with many toadstool hoodoos on the top and a few scattered below:
North Bisti toadstools and hillside. Nikon D850, Nikon 24-70mm at 42mm, f/16, 1/6s, ISO 64. Helicon focus stack of 3 images. Edited in Adobe Lightroom and DxO Nik modules.
These are the features that are most prominent, when first climbing up the hillside from the canyon access:
A large north Bisti toadstool and hillside. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/8s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.
A close up of that rather large toadstool feature:
A large north Bisti Toadstool. Nikon D850, Nikon 24-70mm at 55mm, f/16, 1/6s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.
And another view of the large toadstool with the vista stretching out behind it:
A large north Bisti Toadstool. Nikon D850, Nikon 24-70mm at 32mm, f/16, 1/8s, ISO 64. Helicon focus stack of 5 images. Edited in Adobe Lightroom and DxO Nik modules.
Down the hillside behind the large toadstool, I got down low behind one emerging toadstool to get this view of the sky and the vast desert vista:
A north Bisti Hoodoo’s view. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/10s, ISO 64. Helicon focus stack of 8 images. Edited in Adobe Lightroom and DxO Nik modules.
I was not satisfied with the sharpness in the first image in this post, so I made a series of images to focus stack:
North Bisti Toadstool Hoodoos. Nikon D850, Nikon 24-70mm at 40mm, f/16, 1/13s, ISO 64. Helicon focus stack of 7 images. Edited in Adobe Lightroom and DxO Nik modules.
{Note that a number of the previous images are created by focus stacking a number of images. I finally have had enough of the problems with Photoshop focus stacking, so after some research, I’m trying Helicon software, which is designed specifically for this task. So far, I’m really impressed with it. Helicon produces more accurate results, much faster than Photoshop and has an easy to use retouching tool, that can fix things like artifacts produced by moving subjects (for example, the clouds in these images)}.
I do not recall seeing Bisti photographs such as those in this post. I know others have hiked around this area, since I could see evidence of footprints which had been essentially removed by recent rains; but such areas of Bisti are less popular with the typical visitors and do not have the striking rock shapes as the more popular areas. Yet these photographs, when compared to those from the more popular areas, illustrate the geological variety and vastness of this striking desert wilderness.
This post is getting too long, so I will continue it in a follow up.
Thanks for following, remember that your critiques and comments are always welcome and that clicking on most of the photos will take you to the photograph on Flickr,
After the best early morning golden light was gone, I continued to move around the nearby area looking for interesting compositions in the early morning light and evaluating the best time for shooting whatever I found nearby.
A north Bisti petrified tree stump casting an early morning long shadow. Nikon D850, Nikon 24-70mm at 38mm, f/16, 1/15s, ISO 64.
There are a number of petrified tree stumps in this area, so I made
North Bisti Petrified Tree Stumps casting long shadows in early morning light. Nikon D850, Nikon 24-70mm at 30mm, f/16, 1/30s, ISO 64.
a few images of those.
North Bisti Petrified Tree Stumps in early morning light. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/20s, ISO 64.
There are many rocks in various shapes scattered around the desert here. Some are short hoodoo or toadstool like features.
North Bisti rocks casting long shadows on the desert floor in early morning light. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/25s, ISO 64.
I converted a number of my shots from this shoot to monochrome, since I think this time of the morning with long shadows is really good for monochrome.
The rock in the top right of this photo maybe should have an xxx rating:
An apparently virile male Bisti rock. Nikon D850, Nikon 24-70mm at 46mm, f/16, 1/25s, ISO 64.An early morning scene in north Bisti. Nikon D850, Nikon 24-70mm at 34mm, f/16, 1/40s, ISO 64.
I like the diagonal line of rocks and their shadows set against the wide open desert in the above photo.
Bisti Toadstool Rocks and Shadows. Nikon D850, Nikon 24-70mm at 40mm, f/16, 1/25s, ISO 64.
These short toadstool like rock features cast interestingly shaped shadows and I like the little rock with a sliver of light highlighting it in the shadow in the foreground in the above image.
A north Bisti wilderness scene in early morning. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/25s, ISO 64.
A stark image of the Bisti desert environment is presented in the above image.
North Bisti Rocks in early morning. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/50s, ISO 64.
As the sediment in the desert here erodes, linear features are often revealed, hinting at the original geological deposition. Fortunately, all of the rock does not weather at the same rate. Otherwise, there might only be a flat desert with no interesting features.
Scouting photos from this day will be posted soon.
As a reminder, most of my blog photos are posted to my Flickr page and one can click on any photo that your cursor indicates has an embedded link to view the photo on Flickr, where it will look better than in the blog.
