Landscape Photography – Page 38 – Ken's Photography and Travel Blog

Bisti – May 2019 – Arrival and Day 1 Scouting – Part 1

After having scouted some of the northern part of the Bisti Wilderness in New Mexico during my March 2019 visit, but not having time during that visit to photograph in that portion of Bisti, I wanted to go back and spend more time on the north end and I wanted to go before the hot weather of summer set in. For various reasons, I had delayed going back, but I finally set out in late May. Since I was eager to get there, knowing that leaving on a Friday would maybe present problems with finding a suitable and available stop over place and staying over on a Friday would result in arriving on a weekend, which tends to be a busy time for visitors, I decided to drive straight through (about a 12.5 hour drive, according to mapping software). With stops for fuel, food and to take time to walk around at rest breaks, I figured it would take 14-15 hours to get to Bisti. I had intended to leave home around 7AM and anticipated arriving at Bisti around 9-10PM and with total darkness not arriving before about 9PM, I would not have to drive for very long in the dark. However, as usual, I got away from home a little latter than the plan, so I arrived closer to 10PM than 9PM and it was already totally dark, when I arrived at the dirt road entry to the unofficial North Bisti parking area.

As I pulled off of NM 371 in total darkness, the dirt road looked different than I remembered. I had not been there in total darkness previously. Thinking more light would let me verify my location, I switched on both the upper and lower LED light bars, which are really bright. Even with that much light, initially I could not be sure that I was in the right place and I did not want to drive into the wrong area, so I consulted my iPhone map, which seemed to confirm that I was in the correct location. Nevertheless, I proceeded with caution. As I drove along, I began to feel more confident, as I recognized features from the March visit here.

As I turned past the bluff behind which was the large, open parking area, I saw a truck and an RV trailer in the distance. Not wanting to be a nuisance with my bright lights, I stopped at the edge of the parking area and switched off the LED light bars, made sure the regular vehicle lights were in low beam, then parked a respectable distance from the RV and truck. (For some reason, people coming into such areas like to park adjacent to others, even when there is much space available).

I walked around my vehicle with a flashlight to verify that there was no problem with my parking area. I noted how dark it was there and I marveled at the infinitely many stars in the sky. Seeing a campfire near the RV, I walked over to say hello and to be sure whoever were there were satisfied that I had not parked too close to their camp. (I must have been about 30 or so yards away, but I had plenty of space to move away more). As I approached their campfire, hailing whoever was there, and I got close enough, I saw one person sitting by the campfire, then another came out of the truck or trailer. The one by the campfire was a youngish man from Denver and the other an older man from Oregon. They confirmed that they had no problem with where I parked, then the older one said, “That is quite the light arrangement you have”. To which the younger one added, “I thought I was being abducted by aliens”. So it is good that I turned the lights off, when I did, rather than leaving them on until I parked!

I saw them again from a distance in the morning, but I never visited with them again, since they left sometime the next day, while I was out in the Wilderness.

My original plan for the first morning was to go out for sunrise photos, but since I was getting to bed after 11PM, had slept only 5-6 hours the night before, I would not get more than 5 hours sleep this night, if I got up early for sunrise and I had no definite route planned to get to a destination for sunrise, I decided it best to sleep in and scout the area first, rather than wander around in the early morning darkness.

So the first morning, after coffee and breakfast, I installed the solar panels, then went scouting, adding more GPS waypoints and shooting iPhone scouting photos. This is a really remarkable place to explore. There seems to be no end to interesting features, geology and photographic opportunities.

Sportsmobile in the Bisti North Parking Lot — The “unofficial” north Bisti parking area. iPhone photo.

As I was installing the solar panels, a passenger type van with a sign on the side that I could not make out, passed by and parked near the corner of the fence line at the border of the Bisti wilderness area. A number of young people got out and I assumed it might be a geological field trip, maybe from a university. I anticipated encountering that group later, during my scouting of the area, but I never saw them again and the van was gone when I returned from my scouting walk about.

Twin Peaks — Petrified tree stump with twin peaks landmark in the background. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.

As I returned from scouting the area, I frequently stopped to look around and behind me to get a feel of the area and to make mental notes of landmarks. I did not encounter anyone during my walk about, but at one point, I saw a group of people on an elevated area in the distance. I assumed that they must have come from the official south parking area, which is the most popular place for visitors.

Bisti_May25_2019_ScoutingPhoto — Rock Ridge Landmark. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.

This rock ridge image illustrates the “leading line” technique in photography, with the line of rocks leading the eye through the photograph. (Click on the photo to view on Flickr).

Headless Hoodoos with a Native American house in far background. The house makes a good navigation landmark, which can be seen from far away. iPhone photo.

I was alone in the parking area, much of the day, but others began to arrive in the afternoon, going out and returning well before sunset. I noted some were crossing the fence line near the corner and walking directly into the wilderness, rather than going to the south end of the parking area, where there was no fence at a drainage crossing, which I had been using. When I saw one such group returning to their vehicle in the afternoon, I approached them and asked about the route they were taking into Bisti. They assured me it was a good direct route with easy crossings of the deep drainage. They were all from a local mission and offered much advise on the area, including where to get water locally, rather than driving 45 miles into Farmington. One of them was a Navaho, but he did not look like a Native American, and he had lived in the area for 37+ years.

Crossing the fence line near where I parked would save a quarter mile (one way) walk across the parking area and maybe another 1/4 to 1/2 mile (one way) of walking otherwise. I found that walking directly east along the fence line led to a very easy place to get into the drainage, then I only had to walk a few yards along the drainage to an easy exit. So I am very glad that I watched and learned from other local visitors.

I shot so many photos during this scouting session that I will break this post into multiples with more frequent posts. Hopefully, the frequency of these posts will not be too much for you.

Ken

Cold Springs Campground – Day 2 – Sunrise Photography

In the morning of July 13 we shot sunrise photos just east of the lake at Cold Springs Campground in Routt National Forest. We began shooting from a hillside just east of the lake.

Coldsprings Camping Area, Routt NF, CO — An area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISO

I thought that the weathered tree stump made an appropriate foreground object here.

Coldsprings Campground — Cold Springs Campground Scene. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 0.8s, ISO 64.

The lake made a great mirror, reflecting the clouds in the sky and the trees along the edge of the campground. None of the other campers were up and about yet. We tried to be as quiet as we could so as not to disturb them.

I put the weathered stump and a taller stump with slight side lighting at the edge of this photo.

After shooting on the hillside, we moved down into the meadow at the base of the cascade. There were lots of white and blue wildflowers in the meadow, especially around the cascade and stream. The area below the cascade was wet and marshy, which I had not anticipated and I was not wearing my water resistant hiking shoes. My shoes, socks and feet got soaked with cold water.

Water Cascade, Coldsprings Campground, Routt NF, CO — A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1.6s, ISO 64.

As you can see, I got multiple compositions of the cascade with varying amounts of the surroundings. I used slow shutter speeds to get the silky effect of the flowing water. There was not much wind, but there was enough motion in the vegetation to keep from getting really sharp images of the wildflowers. I tried to make the images at times when the wind was most calm in hopes of getting sharper images. This works with only limited success.

After breakfast, I hiked to the marshy area above the cascade, where there were many wildflowers in another meadow around the stream. By the time I got there the clouds were mostly gone, the light harsh, still a little too much wind and many swarming mosquitoes. I tried a few shots anyway, but those were not presentable. Somewhere in there, I apparently lost my Rocket Blower, which I had just put into a pocket for convenience, rather than take it along in my backpack, which I left behind in the vehicle. (For non-photographers, a Rocket Blower is a device for blowing dust off of lenses, filters and camera sensors. This is an essential piece of gear, in my opinion, so I have since acquired another one. For the rest of this trip, I had to borrow my son’s whenever I needed it).

Later in the morning we walked 10 minutes down the road to Smith Lake Trailhead. Smith Lake Trail is only 0.7 miles, steep in a few places, mostly near the start, but mostly an easy trail. We hiked to Smith Lake and decided to return the next morning for sunrise photography.

On the way to Smith Lake Trailhead, we noted a small field of Columbines, which would possibly be good for foreground shots at sunset, assuming the clouds cleared by that time, as it had gotten much cloudier and rained lightly off and on during the day.

We also walked back to the reservoir, hiking a short distance along one of the two trails starting at the reservoir. We turned back as lightning and thunder got closer and more active. It only sprinkled lightly and we took time to explore more in the area south of the roadway, along the stream from the reservoir.

That is it for this post. Stay tuned for the sunset shoot results,

Ken

Cold Springs Campground Day 1, Routt National Forest, Colorado, July 2019

To avoid possible monotonous posts, I’ve decided to mix up things a bit. I still have a week’s worth of photos from a May visit to the northern area of the Bisti Wilderness, but since I’ve had many consecutive posts about Bisti, I will now intersperse posts about other areas with the Bisti posts. This means getting posts out of the heretofore chronological order. I hope this will keep followers from being overly bored and will not result in confusion due to the lack of timeline continuity. This is the first such out of chronological order post.

In July, 2019 I traveled to my oldest son’s place north of Denver, Colorado and we set out the following day for a week of camping and photography in the northwestern portion of the state.

Our first destination was Cold Springs Campground in the Routt National Forest adjacent to the Flat Tops Wilderness, named for the Flat Top Mountains of the Rocky Mountain Range.

When we arrived at the campground, there was only one spot left in the first come, first serve campground. Even though it was not the most sought after camping spot for most, it was actually a good spot for us and the Sportsmobile, since it was fairly level, easy to pull into and out of and had full sun exposure, which was perfect for utilizing the solar panels for maintaining the battery charge. The spot was closest to the roadway, so we got some dust from passing traffic, which tended to travel faster than the speed limit, but the dust was minimal and not a real problem.

The Sportsmobile in Cold Springs Campground July 2019. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Since all other campers or those looking for an empty spot had to pass our location on the way into and out of the campground, we had several people asking about our camping vehicle and taking photos of it. One couple even stopped beside us in their vehicle, as we hiked along the roadway towards the reservoir, after they had seen us around the Sportsmobile. They asked questions about the vehicle and seemed interested in looking into acquiring one, making a note of the Sportsmobile name.

The biggest problems at this campsite at this time of the year were the mosquitoes and other swarming insects, which swarmed us every time we were outside for any length of time. This is typical of forested mountain areas in the summer, especially those near water and there was a small lake adjacent to the campground fed by a mountain stream cascading into it on the north end of the campground. We used lots of insect repellant, still it was difficult to concentrate with so many mosquitos and/or other insects buzzing about. I also had to edit out a number of mosquitos from some images. There might be others hidden in the image details that I did not see, when editing.

There were fairly abundant wildflowers in the area, especially around the wetter areas near the streams.

Mountain Stream and Wildflowers. Nikon D850, Nikon 24-70mm @ 40mm, f/16, 1/15s, ISO 800

I tried to use higher ISO to get faster shutter speeds to freeze the flowers, but with limited success, since I still wanted to have a slow enough shutter speed to get a silky effect on the flowing water.

There is a small reservoir, maybe a half a mile up the road, where the roadway ends. We hiked to the reservoir to check it and the area to the south of the roadway, looking for suitable areas for photographic interest.

We also explored around the small lake adjacent to the campground, determining that we could do sunrise photos on the east side of the lake.

A Gnarly Tree Stump in the forest near Cold Springs Campground, Routt National Forest, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

At sunset, we got good light, after the afternoon clouds opened, shooting south of the roadway.

Routt National Forest Scene — One of the Flat Top Mountains in the Routt National Forest, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/20s, ISO 64

Routt NF, CO, Near Coldsprings Campground. Nikon D850, Nikon 24-70mm at 38mm, f/11, 0.8s, ISO 400.

The bands of color in the sky of this photo are in the raw file. I thought this was not normal and would not have included this photo, but my son convinced me that this is not the abnormal banding sometimes seen in digital photos. He thinks there are just layers of clouds that are separating the colors in this manner and I can see some layering in the atmosphere. It just looks so unusual to me, so I am still not fully accepting that this is normal coloration.

Stay tuned for more about our Colorado experience and resulting photographs.

Ken

Spring 2019 Road Trip – Sunrise – Day 5

We returned to the area just outside the Bisti Wilderness on the north end of Bisti for sunrise photography on day 5 of our stay in Bisti.

Sunrise Day 5 March 2019 — Accidental Sunrise Abstract. Nikon D850, Nikon 14-24mm at 19mm, f/11, 1/10s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

I use a remote shutter release to avoid camera shake that results when physically pressing the on camera shutter button. Sometimes the remote shutter release button gets pressed accidentally, especially when moving the camera, maybe when walking with the camera on a tripod with the remote dangling from the camera. I usually just delete such accidental shots and that was my inclination for the image above. However, the colors and patterns looked intriguing to me, so I kept this image, pushing the texture and colors in Adobe Lightroom with additional editing in Dxo Nik Color Efex Pro 4 to get this “abstract” image. I wish I could say that I shot this one purposely, since I like it; but I doubt that I could duplicate this image, even if I tried. Maybe my most interesting shots are totally accidental!

Fortunately, there were some clouds in the sky this morning to add some interest to the sky. The early morning light brings out the structure and color of the rocks here, which are otherwise not very colorful.

The two images above are mostly of the same subject, but it is obvious that moving around getting a different point of view can yield very different photos. I call the rock feature in the center of the one above “Satellite Dish Rock”, since the pointy rock just right of top center looks a lot like a satellite dish from a rear view point. I have another photo from the rear taken on another day, but I’m not sure that it is good enough to post.

I like the way the early morning light highlights the rocks in a diagonal pattern in this photo (best viewed large on Flickr). There are many interesting rock features in the background that may not be obvious, unless this image is viewed large.

I’m using the rock and its shadow on the bottom left to anchor the foreground and the drainage pattern beside it to lead the eye up the hill to the rock outcrops and the small window rock in the upper left.

It occurs to me, when looking at these photos, that some may think these just depict dirt and rocks. So why spend so much time and energy photographing such objects? As always, beauty is in the eye of the beholder. Not all of us will have an appreciation of the natural beauty of the land. Indeed, in midday light, much of this area is just bland dirt and rocks. But add golden hour light and a few clouds in the sky and I think it is beautiful, at least if captured in a well composed image. Whether or not I manage to capture an interesting image is always a matter of creative vision and I know that I do not always succeed in that endeavor. So your critiques are always welcome and may help me to improve my photography.

Thanks for following,

Ken

P.S. I will be traveling for a few days and posts may be irregular, since I may not have internet connectivity.

Spring 2019 Road Trip – Bisti – Day 4 – Sunset

On day 4 of my March 2019 photography excursion, my son and I went to the little area on the north side of Bisti, which we think is actually on BLM land and is not a part of the designated Bisti wilderness.

Sunset Day 4 March2019 — A smug looking rock. Nikon D850, Nikon 14-24mm at 20mm, f/11, 1/50s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

I had spotted this rather smug looking rock on an earlier scouting of this area. The rock has a cartoon like face expression, maybe implying “I’m not talking to any of you”. [Not that rocks actually speak to me, at least not in actual spoken words].

One of the hoodoos that we also found on an earlier scouting here is in the above photograph. It is too bad that the sky was so drab and uninteresting on this day.

The photo above is an attempt to use the drainage pattern and the broad band of red pebble covered ground as leading lines into the background features; but there might be too much of the foreground in this case. It would have been good to have something else of interest in the near fore ground.

I like this smaller (but actually fairly large) feature in the center here with the sand pattern around it from erosion of that feature. I would have liked to have gotten a bit more isolation of this feature, but I could not find a suitable place from which to photograph it to achieve that on this day. Anyway, this composition does give a good sense of the environment here and the setting for this feature.

As a reminder, clicking on any of the photos in this post will take you to the photo on Flickr, where they will probably look better than on this web page or in your e-mail. Also big screens are better for viewing these photos than small, mobile devices.

Until next time,

Ken

P.S. I will be traveling again for a few days, so the next few posts might be delayed, since I do not know where or when I might have adequate internet connectivity.

Spring 2019 Road Trip – Bisti – Day 2 – Sunset

{Readers might note that this post is out of chronological order. Apparently, I overlooked the draft of this post as I was publishing my blogs}.

My oldest son arrived in Bisti during the afternoon of my second day there. We decided to go to the place that I had scouted the previous afternoon for sunset photography.

It was another very cloudy day near sunset as we arrived at our destination and began preliminary shooting and picking our spots for sunset shots.

Muted colors previous to sunset in Bisti Wilderness. Nikon D850, Nikon 24-70mm at 70mm, f/11, 1/40s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Adobe Lightroom now has a new Texture adjustment that I discovered while editing this photo. I probably pushed it too much in this photo, but I wanted to experiment with this new toy.

The tall feature in the upper right is a good navigation item here. It can be seen from far away and from various directions.

A photographer getting a sunset shot in Bisti Wilderness. Nikon D850, Nikon 24-70mm at 24mm, f/11, 0.4mm, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

My oldest son is standing on the slope that I scouted the previous afternoon. Some late day light is apparent at the fringes of the rocks; but the cloud cover is making it brief and muted.

Cloudy, muted sunset light on Bisti Hoodoos and Bluffs. Nikon D850, Nikon 24-70mm at 32mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

My shot from the slope, where my son was standing in the previous photo. Note the cloudy sky. There is golden hour light, but it is not as brilliant as one would like to see.

With such intermittant light it is always difficult to know what to do or where to be for the best photographic opportunity. One can be patient and stick to one place or move around, looking for other compositions. It is probably best to pick one composition and wait patiently. Sometimes I have patience, sometimes I don’t.

Sunset highlights on Bisti Wilderness features. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Even with brief and muted light, I like the image above with the contrasting highlights and dark shadows. I’ve used the alignment of the rocks and hoodoos as a leading line into the photo. This line also intersects with the line formed by the big hill in the upper center of the photo, which then leads the eyes to the sunset sky.

A cloudy, sunset silhouette in Bisti Wilderness. Nikon D850, Nikon 24-70mm at 36mm, f/11, 1/50s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

A cloudy sky can make for dramatic sunset silhouettes.

A sunset silhouette taken from atop a hill in Bisti Wilderness. Nikon D850, Nikon 24-70mm at 70mm, f/11, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Another sunset silhouette with colorful, striated clouds. This image is cropped from a much larger image, most of which was just dark shadow in the foreground. Details in the shadows could have been brought out via editing, but there was really not anything there to add interest.

And that is it for this sunset shoot.

Ken

Spring 2019 Road Trip – Bisti – Day 3 – Sunrise

There is an area just to the southeast of the Bisti south parking area that we had previously ignored, thinking there was probably nothing of interest there; but we decided to explore that area, anyway. It was only a few minutes hike from the parking area, so we did not have to allow nearly as much time for getting to it. We found canyons with numerous branches there to explore.

One of a number of canyons near the south Bisti parking area. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/10s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

One of the problems with photographing in canyons is that large portions of them tend to be in shadow at both sunrise and sunset and the light in the canyons either later in the day after sunrise or earlier in the day at sunset can be harsh.

One of a number of canyons near the south parking area for Bisti Wilderness. Nikon D850, Nikon 14-24mm at 22mm, f/11, 1/13s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

For the shot above, I found a place to actually sit on a large rock and look down this canyon and wait for sunrise light. I have purposely left deeper shadows in the foreground to contrast with the early morning light on the background, with the dark bottom of the canyon and the walls of the canyon leading the eye towards the background. The photo looks a bit dark in this post. Click on the photo to see this image on Flickr, where a larger view will make it look much better. Perhaps, I left too much shadow and darkness for some computer screen viewing? My monitor is fairly bright and the image looks good viewing it in Adobe Lightroom. But perhaps, I should re-visit the editing and bring up the shadow areas a little?

One of several canyons near the Bisti south parking area. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/80s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

The photo above is near a branch in one of the canyons nearest to the south Bisti parking lot. This shot is taken much later in the morning than sunrise shots are normally taken, but note the deep shadows on the east side of the canyon wall.

After our morning experience in these canyons, we decided that sunset might be a better time for photography here and to return to shoot here at sunset, which will be the topic of the day 3 sunset post.

Ken

Spring 2019 Road Trip – Bisti – Day 1 – Sunset

While in Farmington, I took advantage of the city amenities to do laundry, have a simple restaurant meal and acquire a few more provisions, including food, water and filling my spare fuel containers, before heading to Bisti.

Upon arriving at the parking area for the southern access into Bisti/De Na Zin, I noted only a few visitors were there; but with the eminent weekend, I expected more soon and, indeed, more began to arrive as I set up.

I parked in a north-south direction near the back end of the parking lot and began installation of my solar panels on the roof rack, being sure to secure them well, since it was quite windy. Normally, I would move the solar panels during the day to get the most power possible from them, but with them on the roof and the required tying down, it would not be convenient to move them, so I just left them facing south at about 45 degrees to the roof rack. It turns out that this arrangement was sufficient to keep the house batteries charged, as I did not have to resort to running the engine at anytime.

The Sportsmobile with solar panels on the roof rack and the Penthouse raised. iPhone photo.

The photo above was actually taken near the end of our stay in Bisti.

I met and chatted with a few of the visitors Friday afternoon before heading into the wilderness area. It was a windy, cloudy day with a considerable wind chill, even though the air temperature was not so cold. I knew the possibilities for late day light were slim, but I went out late in the day, just in case. I wanted to explore new areas, anyway. If nothing else, I would be able to scout possible places to return to in more favorable photographic conditions.

An interesting feature in Bisti Wilderness. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

I spotted the small hoodoos/toadstools in the above photo high up on a hill top. There was no direct way to get to these. So I hiked around this area for awhile, eventually finding a not prohibitively steep slope to climb up a hillside from which I hoped to be able to work my way to these features.

Interesting features in Bisti Wilderness. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

The view to the east in the above photo is at the top of the hill that I climbed. I continued walking along the hill top to the west, looking for access to the interesting features that I had spotted from the valley below.

Scouting Photo, Bisti. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

On the northern side of the hilltop, I spotted this small wash with emerging hoodoos.

Working the area scouting photo in Bisti. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

The view to the south of the hill, overlooking the area through which I hiked, to get here was quite good.

Working the scene scouting photo, Bisti Wilderness. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

After a short hike along the ridge, I came upon the features for which I was looking. I wanted to be on the far side of these at sunset. Carefully walking around so as not to damage anything or leave footprints, which I did not want in a photo, I looked for a safe way to the other side. The drop off on the right side, I deemed too steep for a safe descent; but I could walk along on the left edge of the ridge past the hoodoos and the slope below was not excessively steep.

It is always a good idea to look at a photographic subject from various view points to find the best possible vantage point, so I took a number of iPhone photos as I worked around this area. One might note that these natural features can look much different from different view points.

A view from just below the feature from the west side.

Another possible composition from the west side.

And a wider view from the west side.

One of my concerns at this location was where my shadow would appear as the sun went low into the sky. So I thought I probably would need to go a bit more down the slope below this feature.

A view from just below this feature in Bisti Wilderness. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

The view above is a bit deceptive. This photo is not taken from as far away a view point as it appears. From this point of view, I can see several different places along the slope from which to shoot and possibly eliminate my shadow from the composition.

Since I still had plenty of time prior to sunset, I continued to explore the area.

A view from a hillside in Bisti Wilderness. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Another possible feature to shoot from the top of the ridge is shown in the above photo.

I continued back down into the valley below, since it appeared that the increasing cloud cover was not promising for late day photos. I eventually set up to shoot one of the large colorful bluffs and waited for the sunlight to peek out from underneath the clouds.

I was rewarded with really good light for a brief moment, only to see that my shadow was a prominent feature in my composition. There had been no shadow due to cloud cover, when I set up my shot. I worked quickly to modify my composition, but the sunlight vanished more quickly.

Soon I gave up hope for more light and headed back towards the parking area hoping to avoid hiking too long in the dark.

About half way back to the parking area, the sun made a brief appearance. I turned around to see the desert lit up by great light and I hastily set up to attempt a shot.

Late day sunlight briefly illuminates the Bisti Wilderness. Nikon D850, Nikon 14-24mm at 18mm, f/11, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

With such an interesting sky, I put the horizon roughly in the middle, which is generally not a good idea. I considered cropping this image, looking at various scenarios, but in the end I liked the original composition better than the crop possibilities. I think the little drainage wash coming in from the bottom right leads the eye into this image, then the diagonal lines formed by the vegetation and their shadows adds to this effect.

After this shot, I quickly tried another composition with one of the red hills in it, but the light faded quickly.

Late day sunlight briefly illuminates Bisti wilderness. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/13s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Note that in this image I included much more of the sky and less of the desert foreground, since the light was much more dramatic on the clouds in the sky.

Maybe had I gone back up the hillside to the little hoodoo/toadstool area, I might have gotten a good shot, if I had been prepared and waited patiently for the light. Then I would certainly be hiking out in the dark, but that is not a big deal here.

Even though this afternoon’s photographic excursion was disappointing, my expectations had not been high and I had found places to revisit again at another time. Such is the life of a landscape photographer.

More Bisti experiences to come,

Ken

Guadalupe Mountains National Park – Spring 2019 – Day 2 – Sunset Photos

After scouting about a mile along the Tejas trail earlier in the day, I went out again late in the day, planning to be near the far end of my scouting hike to get a shot of the most prominent feature on the mountainside east of the trail. After arriving at that point on the trail, I very soon realized that the sunlight was not going to illuminate that feature as I had hoped. Only a small portion of the intended subject would be highlighted with most of it being in shadow. So I began hastily backtracking down the trail to check out other possibilities. The next pre-scouted site that I attempted did not work out either, so I continued back along the trail.

I arrived at another pre-scouted site that looked more promising and proceeded to make a number of shots, none of which were greatly impressive. However, I managed to get one that I could edit and make look presentable.

A late afternoon scene along the Tejas Trail, Guadalupe Mountains National Park, Texas. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/10s, ISO 64. Edited in Adobe Lightroom, DXO Nik Viveza 2 and Color Efex Pro 4.

There was good light on the mountainside, but the shadows were quickly encroaching upon the scene. If not for motion in the vegetation, I could have tried creating an HDR image or stacked a number of images. In this image I applied color, contrast, brightness and structure adjustments in DXO Nik software via numerous control points. Then more adjustments in DXO Nik Color Efex Pro 4. I added a vignette frame around the edges to eliminate an obvious vignette in one corner of the original image that was caused by my filter holder.

Moving a bit more back down the trail, I stopped to shoot in another location, before the light disappeared completely. Again I had to make a number of exposures, trying to balance the shadows and highlight, but none came out really well and HDR was, again, not an option.

Late day sunlight along a mountain top in Guadalupe Mountains National Park, Texas. Nikon D850, Nikon 24-70mm at 42mm, f/11, 1/20s, ISO 64. Edited in Adobe Lightroom, DXO Nik Viveza 2 and Color Efex Pro 4.

One can see how far the shadows have moved up the mountainside in just a short time interval. This image is edited in a very similar fashion to the previous one. I could have brought out more detail in the shadows, but chose not to do so in this case.

I tried a few more shots as I moved back down the trail, but none worked out very well. The evening was pleasant and there was a full or near full moon that evening, so the walk back to the RV parking lot was quite pleasant and well lit by moonlight, so I did not have to get out my headlamp.

This photo shoot did not turn out as well as I had hoped, but at least I got a couple of reasonable images and had a pleasant moonlight hike back along the trail.

I had picked out a few possible places for sunrise shots the following and last morning of my visit, but none of those were really appealing, so I decided to forego getting up early for a morning shoot and get an earlier start on the road to the next destination.

This park has much more to see than I had time to get to. In particular, McKittrick Canyon is reportedly very nice in the fall, so maybe I can make another visit one fall. I would also like to get into the gypsum dunes in the Salt Basin. So I really need to find time to plan another visit.

Ken

Spring Trip 2019 – Part 1 – Monahans Sandhills State Park, Texas – continued

Before I continue with photography within this park, I will offer a brief review of the park and facilities. There was some work being done at the visitor center at the entrance, when I was there. This required one to go into the center to confirm one’s arrival and pay any fees that were due, rather than pay in the typical way at a reception window. However, I was a bit confused by the signage at the entrance, thinking that I needed to drive on into the park to find the place to check in. So I continued, following the signs to the camping area. Upon getting to the RV area, I found a ranger helping another RVer with a big rig get into his assigned spot. He came over to chat with me for awhile and told me how to best get to my reserved spot and told me I had a good spot adjacent to a sand dune on one side. He also told me that he could come by, when he made his early morning rounds, and take me back to the visitor center to check in. I informed him that I would probably be in the dunes in the early morning hours and late day hours. I did not tell him why and he did not ask, but he looked a bit confused, since apparently few visitors get out that early into the dunes. Anyway, even though I saw him passing by my place during my subsequent stay, he never stopped by and I never got any note on my vehicle, even though I did not have the typical sticker or receipt that the parks require on vehicles within the park. I did stop by the visitor center as I was leaving the park to be sure all was ok and I was informed that all my fees were paid by the online reservation and I was all set to go. I knew that I had paid the campsite fee, but I still thought that I had to pay the entrance fee, since my annual membership card was expired.

This is an old park and the facilities need some refurbishing, especially the restrooms and showers. The showers are open with no privacy doors. The shower water valves do not operate the way I expected and I initially thought there was no hot water. This is a sandy place and visitors using the showers naturally leave much sand in the shower area.

The park is just north of I-20 and a railway that parallels I-20. Being in the heart of the Permian Basin, there is much oil field truck traffic on I-20 and there were numerous trains passing by through out the night, so it can be rather noisy at night. I must admit that the train whistle sound during the night was a bit nostalgic, since I recall hearing these during the night in my childhood home.

The days were mostly pleasantly cool during my visit, but the late night and early mornings were cold. Even with chemical hand warmers in my fleece mittens, that opened to fingerless mode so that I could operate the camera controls, my finger tips got numb, especially just before sunrise, when I need them to not be so numb.

This is an Adobe Photoshop focus stack of 5 images, edited in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 31mm, f/11, 1/30s, ISO 64.

Apparently, there is much night life activity in the sand dunes, too. The evidence of such is reflected by the many animal tracks in the sand, especially in the early morning hours before people walk through the dunes, disturbing the surface.

This image is created via focus stacking 5 images in Adobe Photoshop with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 48mm, f/11, 1.6s – 2.0s, ISO 64.

An early morning photo of multiple animal tracks across sand dune ripples. Nikon D850, Nikon 24-70mm at 42mm, ISO 64, f/11, 1/30s. Two images focus stacked in Adobe Photoshop, edited in Lightroom and DXO Nik software.

This is a composite of 5 images, edited in Adobe Lightroom, Photoshop and DXO Nik software. Nikon D850, Nikon 24-70mm at 29mm, f/11, 1/40s, ISO 64.

In the late day excursions into the sandhills, I could hear coyotes yelping and they did not seem very far away. I saw numerous coyote tracks in the dunes, so I’m sure they were hunting prey in the night time hours within the dunes.

You might note that all of the images above are created by focus stacking a number of images in Photoshop. I like doing this to get sharpness through out an image, but there can be problems with doing this. In particular, if there is motion, such as movement of vegetation or clouds, while taking a series of shots, the focus stacking might not work out well. Since I knew I had this taking place in many of my shots, I inspected the results of each focus stacked image. If there were movement effects noted, I would either abandon the focus stack method or try again with different photos. If the movement effects were far in the background, where the image is not extremely sharp, anyway, I might ignore that and keep the resultant image. This is ok as long as the image is not enlarged to such an extent that the movement or misalignment is apparent. This is just a judgement call one has to make for such shots. I’ve also noted that Photoshop sometimes selects the portions of images that it uses in the focus stack in what appears to be a non logical way, with blobs of images included within an area where most of a separate image is selected. I’m sure that this is just a limitation of the software’s ability to distinguish sharpness for some portions of an image. This might be corrected by manually stacking the images, but that gets into a lot more work in the editing process.

In a couple of my initial focus stacked images, I noted glaring misalignments that could not be attributed to motion. Upon inspecting the original images, I noted that even though I typically sync adjustments across the images to be used in the focus stack process, the lens profile correction did not get applied to all images. This might have been my error, not the software’s problem. Upon correcting this, the focus stack misalignment issue went away. So just something else to be aware of when using this technique.

Early morning in Monahans Sandhills SP. This is a composite of 5 photos, edited in Adobe LR, Photoshop and DXO Nik software. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/60s, ISO 64.

Coyote footprints in Monahans Sandhills SP, Texas. Nikon D850, Nikon 14-24mm at 22mm, f/11, 1/200s, ISO 64. Edited in Adobe Lightroom and DXO Nik software.

Readers might note that this is a great place to use the “leading lines” technique in photography. There are very evident lines of multiple kinds in most of these photographs that serve to lead the eye through the photos.

Early morning light and shadows in the sandhills. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/10s, ISO 64.

I like the long shadows streaking through the late day sunlit highlights on the dunes and the numerous animal tracks in the sands in this shot.

Early Morning in Monahans Sandhills SP, Texas. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/13s, ISO 64.

In the photo above, I am not pleased with he sky. Note that it is very blue on the right and much too bright on the left. I first considered cropping to remove the sky, but I did not think I could get a pleasing crop. Subsequently, I considered deleting this photo due to its obvious defect, but then I thought that this can be an example from which to learn. The dark blue is probably due to the effect of the polarizing filter in a wide angle shot. I usually try to minimize this effect, but I apparently neglected to do so in this shot. I do not specifically remember using a graduated neutral density filter in this shot, but I think it most probable that I did. I tried to edit the sky color to even it out a bit, but I did not like the results, so I just left it as it was. Someone with great patience and skill in Photoshop could probably fix the sky, but I’m not so inclined.

I still have a few images from this park to share, so it looks like I will need to continue this in a separate post or two.

Ken

Tag: Landscape Photography

Bisti – May 2019 – Arrival and Day 1 Scouting – Part 1

Like this:

Cold Springs Campground – Day 2 – Sunrise Photography

Like this:

Cold Springs Campground Day 1, Routt National Forest, Colorado, July 2019

Like this:

Spring 2019 Road Trip – Sunrise – Day 5

Like this:

Spring 2019 Road Trip – Bisti – Day 4 – Sunset

Like this:

Spring 2019 Road Trip – Bisti – Day 2 – Sunset

Like this:

Spring 2019 Road Trip – Bisti – Day 3 – Sunrise

Like this:

Spring 2019 Road Trip – Bisti – Day 1 – Sunset

Like this:

Guadalupe Mountains National Park – Spring 2019 – Day 2 – Sunset Photos

Like this:

Spring Trip 2019 – Part 1 – Monahans Sandhills State Park, Texas – continued

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this: