We arose early on the morning of July 30 to get out and into position before the sunrise. I again went to the south side of the volcanic ridge, but this time just a little below the crest to await the sunrise.
My first composition here included a little too much of the scrubby vegetation in the lower right corner of the image. So I changed the composition a little and then cropped the image more to get this out of the photograph.
After scouting around some of the BLM land and the Rio Grande National Forest in southeastern Colorado, we returned to our campsite near a large volcanic ridge for sunset photography.
It just happened that this road led directly towards a golden hour illuminated hill in the distance. There were nice clouds in the distance and thin, wispy clouds above those. Those wispy clouds added interest with the low angle sunset rays accentuating them.
English Valley Sunset, Nikon D850, Nikon 14-24mm @ 19mm, f/11, 1/125s, ISO 3200
To the north of the road there is another eroded portion of a volcanic dike. That feature did not get much late day light, since it was in the shadow of hills to the west well before the golden hour. From the view point above that outcrop looks like a pinnacle.
English Valley Sunset, Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/250s, ISO 4000
Walking to the east, this same outcrop looks completely different. Although, this feature did not get golden hour light, there were illuminated clouds in the sky behind it, making these last three images more interesting.
English Valley Sunset, Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/320s, ISO 4000
My son and I camped on BLM land north of Del Norte in July, 2020. We chose a location adjacent to a volcanic ridge, where we would photograph at sunrise and sunset.
Arising early in the morning, we only had to hike a short distance to our first photo location. I initially chose to go to the south side of the ridge, looking for a good view of the large ridge with interesting foreground objects.
I first chose a tree as a foreground item, but I did not like that location, as it seemed too far from the ridge. I then moved up the slope towards the ridge, to a large boulder to use in the foreground.
As the sunlight progressed over the ridge, I changed my composition, moving to the left of the boulder. Note that sunlight is just beginning to highlight the small tree in front of the boulder and a little of the grass clumps in the foreground.
Eventually, the early morning light moved down the slope, highlighting more of the foreground. When I saw the light hitting the small clump of cacti on the boulder, I knew I had the shot that I wanted.
My son, who was shooting from the top of the lower portion of the ridge, called to me telling me that I should move up to the ridge crest. So I picked my way up the steep rock covered slope, where I made the image below.
I tested a few other compositions from this location on the ridge, but none of those worked out very well. There were some impressively long shadows in the valley to the south of this ridge. I made a few exposures with those shadows in the landscape image, but all of my compositions from this vantage point were disappointing.
We soon retreated to our campsite for breakfast, after which we will do a bit of scouting in the general area during the mid-day hours, then return here for a sunset shoot.
From La Garita Arch we drove to an area called “English Valley”. We parked at a turn around at the end of a sometimes barely discernible road at a high area overlooking a valley to the south.
The sun was rapidly sinking in the sky, so we quickly found spots to try to capture the late day sunset sky above the valley.
Sunset Scene, English Valley, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 0.5s, ISO 64.
We were fortunate to have good clouds to the south and we could see a little rain falling in the distance.
As the light changed, I moved to other locations and turned a little more to the east.
Sunset Scene, English Valley, Colorado.Nikon D850, Nikon 14-24mm @ 14mm (before crop), f/11, 0.5s, ISO 64.
The moon had risen early and became visible as the clouds moved around.
Sunset Scene, English Valley, Colorado. Nikon D850, Nikon 14-24mm @ 14mm (before crop), f/11, 0.5s, ISO 64.
One can see how the light in the clouds migrated as the clouds themselves blew across the scene.
The last image in this post was chosen for Flickr’s Explore page, but I like the first image in this post better, although the light on the valley is better in the last image.
We thought about staying the night at this location, but decided to go to another area, where my son said we would have better chances of good sunrise subjects to shoot.
Leaving Cathedral Campground, we headed to an area to the north of Del Norte, Colorado that my son had explored sometime earlier this year. Our first stop was at La Garita Arch, a natural arch in an ancient volcanic dike on BLM land.
La Garita Arch, Southeastern Colorado, iPhone, edited in Adobe Lightroom and DxO modules.
We were here well before sunset, so I made a few iPhone photographs, while awaiting the golden sunset hour.
Panorama at La Garita Arch, Colorado. iPhone, edited in Adobe Lightroom and DxO modules.
Hiking up a hillside to the west of the arch, looking for a good place from which to shoot, I noted many cacti of various kinds scattered around, intermingled with some colorful, lichen covered rocks.
Cacti, iPhone, edited in Adobe Lightroom and DxO modules.
It required some attention to where one stepped to avoid putting a foot onto one of these.
The arch is not an easy one to photograph and the shadow of the hillside to the west of the arch moves quickly up the incline to the arch as the sun sinks into the sky, limiting the late day light on the arch.
La Garita Arch. Nikon D850, Nikon 14-24mm @ 14mm @ 24mm, f/11, 1/6s, ISO 64.
Of the many shots I took, the one above is the best.
We had hoped to camp nearby the arch, but the only real campsite here was already taken. So we moved on to another area, where we hoped to get other late day images before the sun completely set.
Backtracking along CO 141 from the Dolores River Overlook, after our lunch there, we found the dirt road, Y11, that we had seen below the overlook. We traveled in the canyon along the river for a while, checking out scenes along it.
There had been a uranium mine off of this road that was shut down a few years ago after a number of employees developed cancer due to the radiation exposure. We saw a number of signs posted on the fence along the roadside warning of radiation hazards in the area to the west of the fence. Needless to say, we did not try to cross that fence.
After a few miles, we found the information sign that we had seen from up above. The sign marked the location of a rebuilt section of a hanging flume. My son had noted the hanging flume marked on a map before we began this outing, but thought it would be seen from CO 141. If we had not taken this side trip, we would have missed this interesting piece of Colorado mining history.
A reconstructed portion of a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/80s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
The only part of the original flume that remains are the supports mounted into the cliff face. This flume ran for a long distance and was an engineering marvel for the time it was built. Unfortunately, there is no surviving engineering information detailing its design or construction. More information can be found at hanging flume.org
A reconstructed portion of a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/200s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.A reconstructed portion of a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/30s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.Remnants of supports for a hanging flume along the Dolores River, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/200s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
The last full day of our stay at Ridgway State Park, the weather report predicted a high chance of rain, so we decided it best to avoid the dirt 4WD roads and stick mostly to paved and/or well maintained gravel roads.
So from the city of Ridgeway, Colorado, we traveled CO 62 to CO 145 to CO 141, making a big loop back to US 50 near Delta, CO and back to US 550 at Montrose.
This route took us through some beautiful canyons along the San Miguel and Dolores Rivers.
We stopped for a picnic lunch at a newly made overlook of the Dolores River.
A lunch break overlooking the Dolores River, Colorado. iPhone photo, edited in Adobe Lightroom and DxO Nik Modules.A dizzying view down onto the Dolores River. iPhone photo, edited in Adobe Lightroom and DxO Nik Modules.An overlook view of the Dolores River along CO 141. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/400s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.An overlook along the Delores River, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/500s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.Colorado Wildlife. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/250s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
I spotted a number of small lizards scampering around the rocks along the overlook. One even got aggressive with my son, charging at him as he briefly looked away. I guess that lizard thought his personal space was being violated.
A small Colorado inhabitant. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/320s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.A piece of weathered wood in a rock niche. iPhone photo, edited in Adobe Lightroom and DxO Nik Modules.
I’m always drawn to the twisted, weathered evergreen type trees that grow in these arid environments.
A weathered and twisted evergreen tree along CO 141. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/250s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
A close up of the lower trunk details of the tree above:
A weathered and twisted evergreen tree along CO 141. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/160s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
Below our lunch site we could see a marker type sign beside the dirt road on the opposite side of the river. After lunch, we decided to backtrack to find that dirt road and check it out.
The destination for a final sunset shoot on the last day of my May 2019 visit to the Bisti Wilderness was the same as yesterday’s, since yesterday’s sunset light was obscured by heavy clouds on the western horizon. I really liked my chosen location and this was my last chance to shoot here on this visit. There were some clouds today, but not so heavy as yesterday.
The light turned out to be good at sunset, but not great. The clouds on the western horizon blocked the light until just a few minutes before sunset. Even after the sun dropped below the denser clouds, there were still wispy clouds defusing the light. However, I think I got a few good images.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
As yesterday, I had to navigate carefully getting into position for various compositions, being careful about where and how I walked, where I stood near steep drop offs and using care in setting the tripod. This was not a place in which to get careless or make sudden, unplanned moves.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 55mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
This post wraps up my May 2019 visit to the Bisti Wilderness. There is still much that I have not seen or photographed here, so I expect that I will return sometime in the future.
I hope that my readers have enjoyed following along with my experiences and photography here.
I am reluctant to get out of my sleeping bag this morning. I linger there for 10 more minutes after the alarm, considering whether to sleep in or go out for a morning shoot. Eventually, I convince myself to face the morning. After all, this is my last morning to shoot here.
This morning I will make up for yesterday’s mistake. In route to my planned destination, I stop to shoot a blue hour silhouette. One that caught my eye yesterday morning; but I hastened by then, mistakenly thinking I did not have time to linger. I am a little later at this location today. The scene does not look as good as it did yesterday. Mistake made and likely to be repeated, even though I am reminding myself to take the shot, whenever the opportunity presents itself.
Guardian of the Pass. Large Bisti Hoodoo at blue hour. Nikon D850, Nikon 24-70mm @ 60mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
After shooting the silhouette, I proceed towards my intended destination, the place high up on a hill at the end of a canyon, where I shot under a heavily overcast, morning sky early in the week. I am anticipating excellent sunrise light at that location this morning. As I hike, I become concerned about getting there sufficiently early and I am not enthusiastic about my choice of location today, either. The Conversing Hoodoos are along my route, so I decide to check those for possible morning shots, since I am not satisfied with the results of my sunset shoots of those features.
Arriving at the Conversing Hoodoos and looking around, I conclude that there is a high probability of excellent golden hour morning light on the most interesting features, so I abandon my original plan in favor of shooting here.
I plan several compositions, shooting test shots in the pre-sunrise light as I await the sunrise. The sky is clear with no obstructions. There are hills to the east, which may limit some light on the lower portions of my compositions and maybe block the very first sunrise rays from my subjects. As the sunrise light strikes the hoodoos, I am elated that my change of plan is working out well.
Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 32mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 34mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
After the golden sunrise light passes, I continue shooting with fully lit subjects for a few minutes. I am not excited by any of the pre-sunrise nor post sunrise shots, so I am not sharing those.
Finishing my early morning shoot, I walk at a leisurely pace back towards the parking lot, looking for other places to shoot along the way. Maybe I chose an uninteresting route to the parking lot. I’m not finding interesting compositions in the later morning light; but I take time to make a few images anyway, hoping something jumps out at me. I decide that none of these attempts produce any interesting results. My lack of energy this morning might be relevant to my failure to get interesting shots in the post sunrise hour. Frame of mind matters in artistic pursuits.
This is my last day here. I have one more sunset shoot, weather permitting. Until then,
As usual, I was all alone in the north Bisti parking area overnight. After returning from my early morning shoot, a few people came and went during the mid-day hours.
A young German couple, Tobias and Daniela, parked next to me and we chatted for a few minutes before they headed out into the wilderness area. They were in the US for 4 weeks, traveling via automobile from Phoenix to Pittsburg, seeing sites along the way. The couple returned before 6PM, stopping by to show me a few photos of various places that they had visited so far on their current trip to the US, giving me ideas of other places to visit. Daniela’s blog site is Daniela’s Urlaubs Blog.
I am always amazed at how much international travel the Europeans do. I know traveling between countries in Europe is easy, but many travel outside Europe on a regular basis. I have met numerous Europeans who are on extended vacations, spanning weeks. I know that their labor laws assure their citizens of liberal holiday time, but they must budget a lot for their travels, even if they take advantage of cheap airfare, motels, car rentals, etc. Still, it makes sense to me that if one is traveling so far, taking a long vacation is justified.
During the afternoon, there were dark, heavy clouds all around the area and I could see distant rainfall in numerous directions. Some of those rainfall events seemed to be heading directly towards my location, but it did not rain on me.
Bisti Panorama with storm clouds. iPhone photograph with edits in Adobe Lightroom and DxO Nik modules.
I made the panoramic shot above with my iPhone from atop a hill just inside the Bisti Wilderness and just north of the parking area. This hilltop is the nearest place, where I could get a weak cell signal for making calls, getting e-mails and checking the weather, if the weak, intermittent signal lasted long enough to do so. This shot is to the south, showing the massive cloud cover, which might not bode well for a sunset shoot. The Sportsmobile is just a little rectangular blob near the center left edge of this image.
I made preparations to go out for sunset photography, although it was very cloudy in the west and the wind was increasing in intensity. I stuffed my rain shell into my backpack before heading out, just in case of rain.
I hiked to a place, which I had previously scouted for sunset photography, high up on a hard rock platform, overlooking a large array of hoodoos with a wide vista over the desert area.
North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.
I made a number of test shots with my iPhone and DSLR of several compositions about an hour before sunset, as I waited and prepared for the warm sunset light. These shots and my observations of the light indicated that the golden sunset light would be very limited today. With this in mind, I carefully walked around on top of my perch area to determine how and where to quickly set up the tripod and camera, during the brief time that I would have to shoot at sunset. Some of my chosen setup locations required carefully planned steps to safely get into position and care in setting the tripod, so I wanted to practice my moves.
North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.North Bisti Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Nik modules.
I was excited about the possibilities for shooting here. Unfortunately, a large mass of clouds on the western horizon obscured the sun at sunset time. This is such a great place to shoot sunset that I will have to try again tomorrow evening, which will be my final chance to shoot here on this trip. At least I have a few iPhone and DSLR images, just in case tomorrow’s sunset light is no better.
North Bisti Scene near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.North Bisti Hoodoos and Valley near sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 9 images.North Bisti scene near sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO modules.
At the time I made these shots, there would have been golden hour light on the two large features on the left of the above image and on the mass of hoodoos in the image below, if the clouds on the western horizon had not blocked the direct rays of sunlight.
North Bisti Scene. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO modules.North Bisti Hoodoos near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 9 images.
The DSLR images in this post have embedded links to the photos on Flickr, where these can be viewed in higher resolution.
I like these compositions and views, but the light that I had anticipated was not realized. Hopefully, tomorrow will be better.
