Indiana Covered Bridges – October 2019 – Houck Bridge

The second bridge I visited in my second day of photographing Indiana covered bridges in October, 2019 was Houck Bridge.  Although Houck Bridge seems to be in very good condition, it has been by passed and is now closed to traffic.

Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 400, edited in Adobe Lightroom and DxO Nik modules.

One can still walk through the bridge, but not drive through it.  Access to the creek level is most easily gained from the west side.  There is also a sizable parking lot on the west side of the bridge, so I am guessing that this bridge is now set up as a prime tourist attraction.  A couple of people did come and go, while I was here.

The interior photograph is an HDR image made from multiple exposures.

Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.

Next up: Dick Huffman Bridge.

Ken

Indiana Covered Bridges – October 2019 – Oakalla Covered Bridge

After a day of other activities, I took another afternoon to visit more covered bridges in an area east of Indianapolis, Indiana.  I started at Oakalla Bridge, just south of the last bridge (Dunbar) that I had visited during my first day of shooting covered bridges.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/160s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I think most of the covered bridges have some graffiti on or around them and Oakalla Bridge seems to be popular with those who like to mark things with graffiti.  I saw some evidence of graffiti being painted over on the exterior of the bridge and other graffiti in the interior.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 1/60s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

It is also easy to get down into the creek channel from one side of the bridge.  The long log in the creek below the bridge even has graffiti on it.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 250, edited in Adobe Lightroom and DxO Nik modules.

There was plenty of room to move around on the wide sandy bank on one side of the bridge.  I made numerous images from this area, but in the end, I only chose a couple of those as most representative of the bridge and its setting to include in this post.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/80s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.

More on Indiana covered bridges to come,

Ken

Indiana Covered Bridges – October 2019 – Dunbar Bridge

The last bridge that I got to late in the afternoon of my first day of photographing Indiana covered bridges was the Dunbar Bridge.  There was more traffic across this bridge than any of the other bridges that I had photographed earlier in the day, maybe because it was late in the day and people were going home after their work day was over.

Dunbar Covered Bridge and information sign. iPhone photo, edited in Adobe Lightroom and DxO modules.
Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/4s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.

Wide angle lens distortion, especially when shooting from one side at an angle to the plane of the bridge, makes these bridges appear to be leaning to one side.  Some bridges were actually leaning a little and/or the sides were not vertical, so the distortion exaggerates the lean or angle.  I try to correct this in post processing, but sometimes it is not possible to completely correct the distortion.

Beneath Dunbar Covered Bridge.Nikon D850, Nikon 14-24mm @ 24mm, f/11, 5.0s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.

To get to the creek for a side image, I had to walk beneath the bridge from the only easily accessible route.  This appears to be a popular place for young people, judging by the graffiti and many footprints in the sand.  Looking closely at the writing on the left hand side beam one can see a message from Missy proclaiming that she loves Ken.  I promise that I did not write that or anything else on the bridge.

Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 21mm, f/11, 1.6s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The side view of the bridge with the creek, bridge and tree reflections in the creek and the sandy shore line with the early fall foliage in the background was quite good.

Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 3.0s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The dim late day light required longer exposures, showing the motion in the clouds and probably blurring of the tree foliage moving in the wind.

Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 30.0s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.

Some of these images have embedded links to higher resolution images on Flickr.  Viewing the images there will let one see more detail.

Until next time,

Ken

Indiana Covered Bridges – October 2019 – Rolling Stone

My third stop during my first day of photographing Putnam County covered bridges was the Rolling Stone Bridge.

This bridge got its name from a large boulder in the creek that moved, when the current was strong.  That boulder was destroyed, as it was deemed a threat to the bridge.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

Rolling Stone is a short, single span bridge in an attractive setting.

I shot multiple exposures of the inside, then combined those to  create HDR images.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, Multiple Exposures, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

The engineering and construction of these bridges is remarkable.  These were designed to last for many years, although these do require maintenance, mostly to the exterior, from time to time.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

I was able to get down to the creek and shoot from several viewpoints along the creek shoreline.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/200s, ISO 2000, edited in Adobe Lightroom and DxO Nik modules.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/250s, ISO 3200, edited in Adobe Lightroom and DxO Nik modules.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 21mm, f/11, 1/160s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

More on Indiana covered bridges later,

Ken

Indiana Covered Bridges – October 2019 – Pine Bluff

The second stop during my first day of photographing covered bridges in Putnam County, Indiana was at the Pine Bluff Bridge.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

The setting around Pine Bluff is more attractive than that around Cornstalk (see previous post) and this will be a great place to shoot, when the fall colors peak.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/30s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Interior HDR.  Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I found a way to get down to the creek, where I could walk along the edge of the creek and beneath the bridge to shoot it from both sides.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.

I experimented with the DxO Nik Selective Colorization of a monochrome image with a couple of the photographs taken of this bridge, bringing out the red color of the bridge after converting the images to monochrome.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/8, 1/400s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/8, 1/400s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/1
80s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

The photo above is my favorite of this bridge with the curved road leading to it.

A country road leading to Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/3.5, 1/125s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

The final image here is looking back from near the bridge down the roadway leading to the bridge.  I know this will be a great place to try to return to another time, when the fall colors are at their peak.

More on Indiana covered bridges to come,

Ken

Covered Bridges of Indiana – October, 2019 – Cornstalk Covered Bridge

Prior to visiting Indiana in October, 2019, I had never realized that Indiana had so many covered bridges.  I have seen numerous covered bridges in the New England states, which seem to get lots of attention, but I had never heard much about covered bridges anywhere else.

Part of the reason for our trip to Indiana was to attend a number of the Covered Bridge Festivals in an area west of Indianapolis.  These are very popular events, drawing many locals and others from far away.  Local organizers of these festivals provide maps with suggested routes to bridges nearby the festival sites.

I’ve always been intrigued by old covered, wood bridges, most of which were built in the 1800s to early 1900s, so I knew I wanted to try photographing as many as my time would allow.  I was not at all sure about how or when to best photograph the local bridges, having never visited any of them and having no idea of the setting, nor the lighting at various times of the day.

So one afternoon, with one of the maps to a few bridges, I headed to the northern most bridge on the map, planning to work my way south from there, visiting as many bridges as possible before dark.

My first stop was Cornstalk Bridge in Putnam County.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, edited in Adobe Lightroom and DxO Nik modules.
Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

Th first image is an HDR made from multiple exposures, while the second is a single exposure.  The exterior is brightly lit by the sunlight, but the interior is in shadow, so no single exposure will capture details in both the interior and exterior.  If the vegetation looks a bit blurred in the HDR, it is because it was a very windy day and anything moving between images complicates merging multiple exposures.  I’ve tried to minimize this “ghosting” effect, but I’m sure some remains.  These image look similar, but note that the interior is brighter in the HDR with more detail visible and the sky is not over exposed as it is in the single image.  The colors are also a little different between the images and maybe I should have paid more attention to the HDR color editing.  I think the single exposure colors are more accurate.

Cornstalk Interior HDR B&W. Nikon D850, Nikon 14-24mm @ 44mm, f/11, Multiple Exposures, edited in Adobe Lightroom and DxO Nik modules.

Shooting the dark interior with bright light coming through the top, side vents and from the opposite end of the bridge, also required resorting to HDR.  Even so, the exterior is over exposed.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/13s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

In the second interior image, I minimized the effect of the exterior overexposure problem by shooting at a different angle, which allowed for a more effective use of a graduated neutral density filter; but the shutter speed is slow, so the vegetation seen through the vents and at the end of the bridge is blurry due to motion.  An HDR might have been a better choice for this type image, but I wasn’t keen on shooting the interior and I had more ground to cover this afternoon, so I did not take a lot of time inside the bridge.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.

There was so much motion of the vegetation caused by the wind, that I had to use high ISO to get sufficiently fast shutter speed to freeze the motion.  The high ISO resulted in more noise, which I’ve tried to minimize in post processing.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/500s, ISO 2000, edited in Adobe Lightroom and DxO Nik modules.

The exterior of Cornstalk was not easy to shoot.  I found a way down into the dry portion of the creek channel, but I could not get to a good view point, without wading through water and mud and I was not prepared to do that.  So my side shots here are limited to views from the creek shore.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/200s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

The image above is from the opposite end of the bridge from the first image.  The lighting on this end was different than on the other end, making the colors darker.  Even though it was cloudy, the sky was still bright, so I used a graduated neutral density filter to help balance the exposure across the entire image.  There is no distinct line between the sky and the rest of the image, so I put the dark portion of the filter over the entire image, with the darkest portion over the upper part.  This increases the color saturation of the entire image.

More on Indiana’s covered bridges to come,

Ken

 

 

Bisti Wilderness, May 2019, Day 7 Sunset

The destination for a final sunset shoot on the last day of my May 2019 visit to the Bisti Wilderness was the same as yesterday’s, since yesterday’s sunset light was obscured by heavy clouds on the western horizon.  I really liked my chosen location and this was my last chance to shoot here on this visit.  There were some clouds today, but not so heavy as yesterday.

The light turned out to be good at sunset, but not great.  The clouds on the western horizon blocked the light until just a few minutes before sunset.  Even after the sun dropped below the denser clouds, there were still wispy clouds defusing the light.  However, I think I got a few good images.

North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

As yesterday, I had to navigate carefully getting into position for various compositions, being careful about where and how I walked, where I stood near steep drop offs and using care in setting the tripod.  This was not a place in which to get careless or make sudden, unplanned moves.

North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 55mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

This post wraps up my May 2019 visit to the Bisti Wilderness.  There is still much that I have not seen or photographed here, so I expect that I will return sometime in the future.

I hope that my readers have enjoyed following along with my experiences and photography here.

Ken

Bisti Wilderness, May 2019, Day 7, Sunrise

I am reluctant to get out of my sleeping bag this morning.  I linger there for 10 more minutes after the alarm, considering whether to sleep in or go out for a morning shoot.  Eventually, I convince myself to face the morning.  After all, this is my last morning to shoot here.

This morning I will make up for yesterday’s mistake.  In route to my planned destination, I stop to shoot a blue hour silhouette.  One that caught my eye yesterday morning;  but I hastened by then, mistakenly thinking I did not have time to linger.  I am a little later at this location today.  The scene does not look as good as it did yesterday.  Mistake made and likely to be repeated, even though I am reminding myself to take the shot, whenever the opportunity presents itself.

Guardian of the Pass.  Large Bisti Hoodoo at blue hour. Nikon D850, Nikon 24-70mm @ 60mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After shooting the silhouette, I proceed towards my intended destination, the place high up on a hill at the end of a canyon, where I shot under a heavily overcast, morning sky early in the week.  I am anticipating excellent sunrise light at that location this morning.  As I hike, I become concerned about getting there sufficiently early and I am not enthusiastic about my choice of location today, either.  The Conversing Hoodoos are along my route, so I decide to check those for possible morning shots, since I am not satisfied with the results of my sunset shoots of those features.

Arriving at the Conversing Hoodoos and looking around, I conclude that there is a high probability of excellent golden hour morning light on the most interesting features, so I abandon my original plan in favor of shooting here.

I plan several compositions, shooting test shots in the pre-sunrise light as I await the sunrise.  The sky is clear with no obstructions.  There are hills to the east, which may limit some light on the lower portions of my compositions and maybe block the very first sunrise rays from my subjects.  As the sunrise light strikes the hoodoos, I am elated  that my change of plan is working out well.

Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 32mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 34mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After the golden sunrise light passes, I continue shooting with fully lit subjects for a few minutes.  I am not excited by any of the pre-sunrise nor post sunrise shots, so I am not sharing those.

Finishing my early morning shoot, I walk at a leisurely pace back towards the parking lot, looking for other places to shoot along the way.  Maybe I chose an uninteresting route to the parking lot.  I’m not finding interesting compositions in the later morning light; but I take time to make a few images anyway, hoping something jumps out at me.   I decide that none of these attempts produce any interesting results.  My lack of energy this morning might be relevant to my failure to get interesting shots in the post sunrise hour.  Frame of mind matters in artistic pursuits.

This is my last day here.  I have one more sunset shoot, weather permitting.    Until then,

Ken

Indiana Covered Bridges – October 2019 – Bakers Camp

The third bridge that I photographed in the afternoon of my first day of seeking covered bridges in Indiana was the Bakers Camp Bridge.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik modules.

I made use of a fairly new looking fence in a grassy area on one side of the bridge as a leading line to the bridge.

At the end of the fence line, near the bridge, I found a way down to the edge of the creek from which I made several photographs with reflections of the bridge in the creek, after removing some distracting litter along the near shore line.  It is not always possible to physically remove distracting objects, but whenever it is, I like to do so, since that is far easier than having to remove the objects later in post processing.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/125s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.

Walking back up to the front of the bridge, I made the usual frontal close up to get the bridge name and date into a photograph.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.

I then walked onto the bridge to attempt shooting inside.  I stood on one side in case of traffic, which is not usually heavy across these country bridges, but not unusual either.  In fact, one friendly lady, driving an SUV, stopped momentarily to ask if I was getting good photographs.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, multiple exposures, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.

Since it is dark inside these bridges, I used a high ISO and, due to the bright light at the end and from the top side vents, I made multiple exposures, combining them into an HDR image in post processing.

I walked on through and made other images from the opposite end.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.

More on Indiana covered bridges later,

Ken

 

 

Abandoned Farm Structures on the Colorado Plains

In the spring of 2019, returning to Texas from Colorado, I spotted a group of abandoned farm buildings near an exit from I-70 on the high plains of eastern Colorado.  I immediately wanted to photograph those old farm structures, but I had already passed the exit and I did not want to take the time required to backtrack, so I just made a mental note of the location in case I passed that way again.

In July of 2019 I was on that route again, returning from another trip to Colorado.  I remembered the exit number from the earlier trip and this time I did not pass up an opportunity to stop and photograph those old buildings.

Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

It was late morning, the sun was high, the light harsh, but it was unlikely that I would ever be here at a better time, so I did the best that I could with what I had.  I decided not to get out the DSLR equipment and just stroll around shooting with my iPhone.

Old Farm House on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

I decided that the best post processing for these images would be a conversion to monochrome, given the light conditions and the subject matter.

Old Farm House on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

I was lucky to catch a bird flying out of the old barn.

Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

I’m glad that I took a few minutes to stop here.  There have been so many times that I’ve passed up opportunities to shoot places such as this, because I was on a time schedule for getting to some destination.  I hope that I will have more time, during future road trips, to photograph a few more of the old and abandoned building that are scattered across our country.

Thanks for following and best wishes,

Ken