We woke up to a heavy snow cover in our campground the second morning of our visit here. We had been watching the weather forecast and expected snow over a large area, we just could not judge how much would fall at our location, which was a higher elevation than that used in the weather forecasts .
Snow in Bandelier Campground, March 2021, iPhone PhotoSnow in Bandelier Campground, March 2021, iPhone Photo
Judging by the depth of snow on the flat surfaces, it looks like 6-8 inches of cover.
After making a few early morning iPhone photos and taking care of a few housekeeping chores, I began to walk around the campground area with my DSLR.
I managed to isolate a few individual, snow covered trees against the overcast sky.
Snow covers Bandelier Campground, March 2021. Tree and Clouds 1.Snow covers Bandelier Campground, March 2021. Tree and Clouds 2.Snow covers Bandelier Campground, March 2021. Monochrome Tree and Snow.Snow covers Bandelier Campground, March 2021. Skeleton Tree in Snow.Snow covers Bandelier Campground, March 2021. Towering Tree in Snow.
As I walked around, I tried to capture a few small features in the snow covered landscape.
Snow covers Bandelier Campground, March 2021. Grass in Snow 1.Snow covers Bandelier Campground, March 2021. Grass in Snow, Monochrome.
And anything else that looked unique or interesting.
Snow covers Bandelier Campground, March 2021. Crawling Snow Covered Tree Creature.
A distant mountainside was visible through the forest and I tried to frame that in a few photographs, but the 24-70mm lens did not allow for close ups of the distant mountains tops.
Snow covers Bandelier Campground, March 2021. Distant Mountains 1.Snow covers Bandelier Campground, March 2021. Distant Mountains 2.
I think the individual trees are the best images that I captured here; but here are a few miscellaneous other images to give a feel for the general look of the snow covered forest area around the campground.
Snow covers Bandelier Campground, March 2021. Snow Forest 1.Snow covers Bandelier Campground, March 2021. Snow Forest 2.Snow covers Bandelier Campground, March 2021. Snow Forest 3.Snow covers Bandelier Campground, March 2021. Snow Forest 4.Snow covers Bandelier Campground, March 2021. Snow Forest 5.Snow covers Bandelier Campground, March 2021. Snow Forest 6.Snow covers Bandelier Campground, March 2021. Old and Fallen, Old and Standing.
It is good that I got out early to capture the snow, since it began to melt away even as I made my way back to my van. It was essentially all gone by late morning.
By the time this final post, covering my fall visit to the Rio Grande National Forest, is published it will be late spring of 2021. It would have been good to have been able to publish all of the fall photographs in the fall, but it takes time to review and edit so many photographs and there are always other trips, events and personal matters that delay getting posts prepared.
Maybe I should take fewer photographs? But photography of natural places is my hobby and I get to do too little of it as is, so I will continue to make as many photos like these as often as I can get away to do so.
Fall Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 3200.Red and Green Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.
Dark Red. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.Fall Forest Roadway. Nikon D850, Nikon 24-70mm @ 24mm, 1/500s, f/11, ISO 3200.Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 3200.Leaves and Moss on Stump. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 3200.Leaves and Stump. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 3200.Trapped. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 6400.
I’ll finish with a final photograph that I think is appropriate for wrapping up this trip.
The heart shaped scar on this tree appears to be natural and not one of the many carved ones that I encountered.
As soon as I publish this, I will begin preparations for another trip to begin in a few days. I have much to do and still have to select a primary destination. Maybe by next year, I will even be posting photos from that trip. (I still have other events in the queue to work through before getting to anything new)!
Shelter. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 3200.Trunk Trio. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 3200.Hint of Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 400.Sanctuary. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.Forest Road and Barren Aspens, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 2000.Advanced Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Advanced Fall. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Hanging On, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 2000.Stump with moss and leaves. Nikon D850, Nikon 24-70mm @ 32mm, 1/320s, f/11, ISO 3200.
Just one comment to wrap up this post. Viewers will note that I’ve include color versions of a few images that were then converted to black and white with selective colorization to add emphasis.
Stay tuned for the wrap up for my September 2020 Rio Grande National Forest visit.
For our late day shoot, we decided to drive back into a higher elevation portion of the forest. I’ll refrain from using too many words to wrap up the final shoot of my last day here, so these last several posts will consist of mostly photographs.
Aspen Fall. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2500.Aspen Leaf and Evergreen. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1600.Leaf and Bark. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 320.Fall Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.Leaf Hoard. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 2000.Leaf and Bough. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.Golden Forest Floor. Nikon D850, Nikon 24-70mm @ 26mm, 1/250s, f/11, ISO 2000.Gnarly. Nikon D850, Nikon 24-70mm @ 32mm, 1/250s, f/11, ISO 2000.Soft Landing. Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 3200.
I continued to shoot, under the overcast sky, in an upper elevation Aspen forest, where the ground was covered with fall leaves and an abundance of old logs and stumps of fallen trees.
Mossy Logs and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/320s, f/11, ISO 800.Glory Fades. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 1000.Death in the Forest. Nikon D850, Nikon 24-70mm @ 28mm, 1/250s, f/11, ISO 1000.
The stump above reminds me of the skeleton skull of a longhorn steer that one might find in a desert setting.
Tree Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 34mm, 1/400s, f/11, ISO 1250.Fading Away. Nikon D850, Nikon 24-70mm @ 70mm, 1/320s, f/11, ISO 1250.Old Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/250s, f/11, ISO 1250.Colorful Forest Floor. Nikon D850, Nikon 24-70mm @ 70mm, 1/640s, f/11, ISO 1250.
I found a batch of young evergreens among the large Aspens decorated by fallen Aspen leaves.
Evergreens and Aspens. Nikon D850, Nikon 24-70mm @ 58mm, 1/250s, f/11, ISO 1250.Small Evergreen with Aspen Leaves. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1250.
This wraps up the mid-day exploration and shoot and I want to remind viewers that the images look much better on the website or on Flickr (if posted there) and on a large screen, rather than in an e-mail or small mobil device screen.
Thanks for following and stay tuned for the final late day shoot,
After our morning shoot, my son wanted to explore some of the other Forest Service Roads nearby, so we drove along several of those and into higher elevations, where most of the trees had already lost most of their leaves.
It was an overcast day and the dispersed light was good for photographing in the forest.
The Aspen leaf in this photo had not quite completed its color transformation, before it fell to rest upon a mossy bed.
Yellow and Green, Nikon D850, Nikon 24-70mm @ 70mm, 1/1250s, f/11, ISO 5000.Aspen Leaves on Mossy Stump, Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 3200.Forest floor, Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.
I prefer to photograph these little details as I find them; but sometimes I’m tempted to move things around. I did not move anything in the photo above; but I can’t help but wonder, if I should have. Should I have removed the blade of grass pointing at the Aspen leaf in the middle? Or does that blade of grass serve as a useful pointer in this photograph? Would this image be better, if I had cleared away some of the debris around the edges or the scattered leaves, leaving just the single leaf in the center? What about that little twig resting on the stump to the left of the center leaf?
I have no objection to “posing” a natural scene for artistic purpose and I have removed man made items from natural scenes and I’m quite ok with this. I’ve occasionally removed a twig, a fallen tree limb or a blade of grass, if I thought those were distracting in a scene. But nature is not perfect, so will “cleaning” a scene make it unreal? Is unreal ok in this sense? No one would know the scene has been modified, if not so informed by the photographer. Is it acceptable to “manufacture” a natural scene?
Red and Green, Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 800.Aspen Leaf, Nikon D850, Nikon 24-70mm @ 65mm, 1/200s, f/11, ISO 800.
And I will wrap up this portion of this morning’s photos with one final forest image, which I just noted this morning was chosen for Flickr’s Explore page.
In an opening in the forest on a steep slope, I photographed the distant mountainsides below clouds that provided shadows and moving spotlights on the massive forest.
Much of the mountainsides were covered with beetle killed evergreens. A scattering of color within the mass of dead, grey trees caught my eye as they were highlighted by light breaking through the cloud cover.
There are a few green evergreens and a scattering of Aspens within the mass of dead trees. I wonder how this will evolve with time. Will Aspens replace the evergreens or will the evergreens somehow evolve to resist the beetles?
It was getting late in the day, there would be no golden hour light here due to mountains blocking the late day light and in any case I did not want to try to find my way through the forest in the dark, hiking back to my campsite. So I began to work my way back up the slope. Taking my time and stopping whenever I thought I might get an interest photo.
I continued my stroll through the Rio Grande National Forest just off of US 380, hoping to get interesting photographs within the forest.
Near and Far. Nikon D850, Nikon 24-70mm @ 40mm, 1/500s, f/11, ISO 640.
I shot the image above with the near trees on one side of FSR 380 and the far trees on the far side of the roadway. There was increasing cloudiness, which I hoped did not indicate a late day rain storm.
Aspen Trunks and Evergreens. Nikon D850, Nikon 24-70mm @ 70mm, 1/3s, f/11, ISO 64.
One can find an infinite number of ways to shoot the Aspen trunks, which is both good and bad. When is enough, enough? And when do these images become so repetitive as to be boring? Is there really anything unique in these images?
A few recently fallen trees broke up the vertical pattern of the tree trunks.
Bent and Broken. Nikon D850, Nikon 24-70mm @ 28mm, 1/125s, f/11, ISO 500.Diverse Forest. Nikon D850, Nikon 24-70mm @ 31mm, 1/125s, f/11, ISO 500.Trunk Line. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 1600.
Even within a dense forest, I noted that sometimes by standing in the right place, I could see an almost linear line of tree trunks. Of course, I had to crop the wide angle view to show what caught my eye.
Early Fall Aspen Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.
As I worked my way around the edge of a high ridge in the forest, I began to find more fallen trees, which made various geometric patterns on or near the forest floor.
Standing and Fallen. Nikon D850, Nikon 24-24mm @ 70mm, 1/160s, f/11, ISO 1600.Forest Floor. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 2000.
After few more minutes of walking from the end of the ridge I came to an opening in the forest along a steep slope with good views of forested mountainsides. I could tell that the sun would drop below a mountain side before the golden hour, but the moving clouds resulted in highlights of the distant fall color as the shadows moved across the mountainsides.
I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.
The first image here is a shot down FSR 380, just past my campsite. It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.
Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.
Aspen trunks have always fascinated me. They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.
A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting. A smaller aperture would have given a smaller, sharper starburst.
Leaves and Trunks. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 400.Signatures. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.
I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement. I posted this image on LinkedIn, where I knew others would see those traces as I did, and as of this writing it has received 15,275 views, 252 likes and 56 comments.
Under the Canopy. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.
The small Aspens in full color beneath the much taller ones were eye-catching.
Under and Over. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 800.Leaning into Fall. Nikon D850, Nikon 24-70mm @ 60mm, 1/200s, f/11, ISO 800.Aspen Sky. Nikon D850, Nikon 24-70mm @ 50mm, 1/500s, f/11, ISO 400.
A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky. There is a full range of color in the images here, since “peak” color is not yet here.
Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.
