After leaving Cold Sprints Campground in Routt National Forest we traveled to Vaughan Lake Campground.
Along the route we encountered a modern day cattle drive:
A modern day Cattle Drive. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
This is a through the windshield iPhone photo of one of the batches of cattle we drove by on our way to Vaughan Lake. There were cowboys and a very young cowgirl on horse back, loosely guiding the animals down the roadway. Mostly the cattle seemed to know where they were going. Occasionally, we saw a cowboy moving a wandering animal back onto the route. There are always a few independents in every herd!
We expected there to be many wildflowers in the Vaughan Lake camping area and we were not disappointed, although some were not yet in bloom, due to a late season following a very snowy winter.
There were many Columbines, my favorite Colorado wildflower, near our campsite. Consequently, I have many photographs of Columbines to share and I will devote another blog post entirely to Columbines.
A Columbine at Vaughan Lake Campground. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/2000s, ISO 400.Fendler’s Waterleaf at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 220mm (before crop), f/11, 1/500s, ISO 1600.
I’ve tentatively identified the wildflower in the above image via an online wildflower site, but there is some uncertainty. If any reader can dispute this identification, please let me know.
An unidentified wildflower at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/16, 1/500s, ISO 2000.
I could not determine the identity of the above wildflower. It might by American Vetch.
Dandelion at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/1250s, ISO 800.
There were numerous dandelions in the area. I recall picking these as a child and blowing on the seed pods, dispersing the seeds. This is a crop from a larger image, as are all of the wildflower photos posted here.
Silvery Lupine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/500s, ISO 800.
I think this is Silvery Lupine, but there seem to be a number of variations and hybrids of this flower, so I can’t be sure of this identification.
A seed pod and sail at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 310mm (before crop), f/11, 1/800s, ISO 1600.
I was actually trying to get a shot of the orange bell like flower seen in the lower left of the above image; but I did not succeed in getting that flower in focus. However, I did note that this leaf with what appears to be a seed hanging onto its sail was in focus, so I cropped this portion of the image.
I should add that I was hand holding my camera with the big 80-400mm lens, so it was a bit difficult to maintain focus on the intended subject. Keep in mind that there was some wind motion in the flowers, a shallow depth of field in these shots and much unsteadiness of the camera and lens in my hands. Readers might note the high ISO values that I had to use to get sufficiently high shutter speeds to freeze the motion.
An unidentified wildflower at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 360mm (before crop), f/8, 1/800s, ISO 1600.
Here is the orange flower that I was trying to shoot in the previous photo. Here I managed to get the bottom bloom in focus.
Fendler’s Waterleaf at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 135mm (before crop), f/8, 1/640s, ISO 1600.
And finally, another Fendler’s Waterleaf.
I will have more on this area in subsequent blogs. Until then,
Up at 4AM and out of the Sportsmobile by 4:45AM, we arrived at Smith Lake in the Flat Tops Wilderness about 30 minutes prior to sunrise. I found the place that I had scouted the previous day and set up, taking a few test shots, while waiting for the sunrise.
The light was good, but it was breezy enough that the lake surface was rippling, so no glassy, mirror like reflections were possible. I also had to go to 2500 ISO and F/8 to get a fast enough shutter speed to freeze the vegetation motion. The high ISO resulted in more noise in the photos, requiring attenuation in post processing.
I used 3 basic compositions, shooting multiple shots of each, as the sunrise light illuminated the mountainside on the far side of the lake. Two of the resulting shots are presented here.
Smith Lake, Routt National Forest, Colorado Nikon D850, Nikon 14-24mm @ 16mm, f/8, 1/125s, ISO 2500.Smith Lake in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 2.5s, ISO 64
Note that the second image above is made with a slow shutter speed (2.5s), which smoothed the water, but the vegetation may not be really sharp due to some wind motion.
I noted that the light on the mountainside might actually be best prior to sunrise, probably due to the sun already being up fairly high before the mountain received the sunrise light.
After this morning’s shoot, we broke camp and headed to Vaughan Lake Campground, so stay tuned for photos from that area.
Saturday night, I was completely alone in the parking area and I did not encounter anyone else during my Sunday morning sunrise shoot. I had expected more visitors, since it was a weekend. I’m guessing there were visitors and campers in the official south parking area.
I went to the area east of the big, prominent hoodoo that is immediately visible in the distance as one begins the hike into the northern portion of Bisti from the north parking area for sunrise photography the second morning of my May visit to Bisti. This large hoodoo on a hilltop is visible from a long distance and is useful as a navigation aid.
Pre-sunrise at one of the north Bisti predominate hoodoo landmarks. Nikon D850, Nikon 24-70mm at 55mm, f/16, 6.0s, ISO 64.
There was good light this morning, as I shot with my 24-70mm lens.
North Bisti Wilderness Sunrise Silhouette. Nikon D850, Nikon 24-70mm at 32mm, f/16, 0.5s, ISO 64.One of the predominate north Bisti landmarks at sunrise. Nikon D850, Nikon 24-70mm at 30mm, f/16, 0.5s, ISO 64.
A shot a sequence of these features as the sun rose, progressively illuminating the hillside.
One of the predominate north Bisti Hoodoos and hillside at sunrise. Nikon D850, Nikon 24-70mm at 28mm, f/16, 1/4s, ISO 64.A predominate north Bisti Hoodoo and hillside at sunrise. Nikon D850, Nikon 24-70mm at 28mm, f/16, 1/4s, ISO 64.
Note that the bottom photo is from a slightly different angle, as I had moved around shooting other features as the sun rose higher in the sky, and I did not get back to exactly the same composition.
A view towards the west between two tall features. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/3s, ISO 64.A north Bisti bluff at sunrise. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1/4s, ISO 64.North Bisti rock features and sky at sunrise. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/25s, ISO 64.
The laminar clouds added considerable interest to the sky as the sun rose.
North Bisti features and sunrise sky. Nikon D850, Nikon 24-70mm at 32mm, f/16, 1/15s, ISO 64.A north Bisti bluff with pedestal and sky at sunrise. Nikon D850, Nikon 24-70mm at 60mm, f/16, 1/4s, ISO 64.A north Bisti Pedestal and Bluff at Sunrise. Nikon D850, Nikon 24-70mm at 60mm, f/16, 1/25s, ISO 64.
After the best early morning light, I explored around this area looking for interesting features to shoot in the early morning light before it got too harsh. A few photos from that time will be included in a subsequent post.
As I was leaving the north Bisti parking area, taking the short route just over and along the north fence line, and passing a young couple with two very young kids, the young man approached me, saying that I looked like I might know the area and asking if they could follow me. Of course, I agreed, being happy to help anyone in that situation. I had to walk much slower than I normally would, since the kids could not keep up, otherwise. The young man soon put the smaller, pre-school child in a carrier on his back. That young man was not very big, yet he must have been strong and in good physical shape, to carry even a small child like that. As we walked along, I learned that the young man and his wife were from South Korea, he was working on an MBA at Illinois University and they would return to South Korea, when he finished his degree.
I was heading out much earlier than required, had plenty of time to get to my destination, the “Conversing Hoodoos”, well before sunset, so I guided them on a longer route than necessary, taking them past other interesting features on the way. The young man stopped to take snapshots along the way and I encouraged him to take as much time as he needed, since I had no need to hurry.
Conversing Hoodoos and background at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/15s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
We arrived at the conversing hoodoos with plenty of time to spare prior to sunset. The young couple insisted on taking a family photo with me and thanked me profusely for guiding them into Bisti. After explaining and pointing out the more direct and easy route back to the parking area, I left them alone, wandering down a canyon to get a few shots before it was time to get back to my primary subjects.
Near sunset light on hoodoos along a Bisti canyon wall. Nikon D850, Nikon 14-24mm at 21mm, 1/50s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.
I find that late day light, within an hour of sunset, is a good time to get shots that look good, when converted to monochrome. The late day light creates shadows and depth within the landscape image. While such photos can also look good in the original color version, I think the monochrome is more appealing.
A bit later from a distance, I saw the young man high up on a hill among some of the large hoodoos, shouting and waving. He seemed to be having a good time. He had told me they were going to the south area the following day and asked, if I would be there, as he was thinking that I could guide them around there, as well. Even though, I would have enjoyed that, I had no plans to go to the south area on this trip. They did have some information about the south area and I told them that that area was usually busy on weekends and that they could probably find others to at least point them in the right direction to see the things that they were interested in.
Near sunset light illuminates rock forms on a Bisti canyon wall. Nikon D850, Nikon 14-24mm at 16mm, 1/25s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.Near sunset light illuminates a Bisti canyon wall. Nikon D850, Nikon 14-24mm at 24mm, 1/50s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.
I was using my wide angle 14-24mm lens during this outing and I was not really pleased with most of my compositions with that lens at the Conversing Hoodoos. I decided that I needed to return on another day of my visit with my 24-70mm lens so that I could more easily get the compositions that I wanted.
Conversing Hoodoos at Sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/20s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.A jack rabbit shaped hoodoo in Bisti. Nikon D850, Nikon 14-24mm at 24mm, 1/40s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
The “Jack Rabbit” (my name) hoodoo on top of this hillside, is difficult to photograph with a wide angle lens, since it is not easily accessible and shooting from below just does not get one close enough and one needs to get a close up view to see the “Jack Rabbit” shape. This feature is seen in a canyon near the “Conversing Hoodoos”.
Bisti Conversing Hoodoos at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/20s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.Bisti Conversing Hoodoos at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/25s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.Bisti Conversing Hoodoos at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/25s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.Bisti canyon wall features in near sunset light. Nikon D850, Nikon 14-24mm at 24mm, 1/60s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
The features in the image above are along a canyon wall near the “Conversing Hoodoos”. The little hoodoo in the middle looks like a bird in a nest, stretching its head out to survey the area.
The sky was mostly very clear with only a few distant clouds, which were not visible in most of my compositions. I am hoping that there will be a more interesting sky the next time I shoot here.
There were scattered thunderstorms in the afternoon and more storm clouds were approaching well prior to the normal time we would go out for sunset shots, so we decided to go out early and try to get some shots before the storm arrived.
I went down the road to the small field of Columbines we had seen earlier in the day, arriving there shortly before the storm blew in. There had been sunlight, but by the time I arrive at my destination, clouds obscured the sun. I only had time to get a couple of shots before the wind and thunder convinced me that I should hasten back to the campground for cover from the storm.
Storm Clouds over Routt NF, CO Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 640.
Not long after getting back into the vehicle and zipping up the penthouse window covers, it began to rain, followed quickly by pebble size hail. As the rain and hail stopped, a double rainbow appeared to the east of the campground and there was light on the mountainsides to the east and south. It was still far from certain that the storm was completely past, so we hung around the vehicle until we were fairly sure the storm was over before going out again.
My son shot via his drone, launching it from the campground, while I went back to the field of Columbines. There were clouds and good sunset light with a beautiful sky, as there often is just after a storm.
After the Storm, Flattop Mountain, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/8, 1/125s, ISO 2500.
It was still windy and I was trying to get the Columbines in the foreground, so I went to high ISO in the dimming light to get a high enough shutter speed to freeze the motion of the flowers. The high ISO shots in the dim light were noisy and I was not able to filter out the noise enough to make most of them presentable.
Flattop Mountains, Columbine Meadow, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/10, 1/125s, ISO 320.
I was disappointed with many of my shots, which I think were good compositions, but those with Columbines in the near foreground were mostly too fuzzy due to wind induced motion of the wildflowers or noisy due to high ISO and/or failure to chose a better focus point. On the other hand, focusing on the close up wildflowers would have resulted in fuzzy distant objects. I only have three shots from this shoot that I thought presentable.
A previous post referred to the areas that we scouted during our second day at Cold Springs Campground, looking for potential places for more sunset and sunrise photo shoots. This post will present a few of the iPhone shots taken during that scouting with some comments.
A dead tree near Smith Lake Trail, Routt National Forest, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
This striking looking dead tree trunk, spotted along the Smith Lake Trail, looks like a good photographic subject, but it was so tall one would have to have a really wide field of view of shoot upwards from near its base to fully capture it. We never got around to trying to shoot this properly.
A wilderness boundary marker along Smith Lake Trail. iPhone photo with edits in Adobe Lightroom and DxO Nik Efex Pro 4.
This boundary marker has nothing to do with photography, I just thought it interesting to see this marker. Someone, wondering around in the forest, not hiking along a trail, would never know when entering or leaving a designated wilderness area.
Smith Lake in the Flat Tops Wilderness, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
This view of a mountainside with Smith Lake in the foreground, suggested that early morning light would make this a good place for a sunrise shoot.
Smith Lake Panorama. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
A panoramic view of Smith Lake and the mountain in the background, suggests possible multiple compositional possibilities.
Columbines and fallen tree. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
I found this batch of Columbines down the slope from the roadway south of the campground. (Click on the photo to view on Flickr).
Approaching storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
Looking up the hillside south of the campground, it was apparent that it was time to return to the camp before getting caught in a storm. However, after getting to the Sportsmobile, I did take a chance and try to shoot at a field of Columbines, but I had to beat a hasty retreat again as the storm came in.
Near the end of the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
As the storm began to subside, a double rainbow appeared to the east of the campsite. The complete semicircle rainbow was visible at one time, but I could not get a shot of it with my iPhone. One can see sunlight from the west striking the mountainside in the lower left, so as long as the storm clouds, which were moving westward, did not obscure the sunset, we would get good after the storm light.
Possible good indication for sunset light after the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
A fuller view of the sun lite mountainside south east of the campsite as the storm passed, gave us some hope of getting sunset light on the mountainside.
A subsequent post will cover the actual sunset shoot after the storm.
I explored mostly along a route towards, around and past features known as the “Conversing Hoodoos” during my first scouting outing in the north portion of the Bisti Wilderness. Note that a few of the features in the images here were first seen by my son and I during our March scouting of this area; but we had scouted in much less of an organized manner and I wanted to record more precisely the locations of places to which I would return to photograph in better light conditions.
“Conversing Hoodoos” iPhone Photo with edits in Adobe Lightroom and Dxo Nik Color Efex Pro 4.
There are numerous canyons or washes throughout Bisti. The Conversing Hoodoos are near a junction of a couple of these canyons. These were to be my first features to photograph later and I wanted to check out various angles from which these might be photographed and whether they were best photographed at sunset or sunrise of if both sunrise and sunset would work well. There are many other interesting features near these and in nearby canyons or along the canyon walls.
A large batch of Bisti hoodoos near the Conversing Hoodoos. iPhone photo, edited in Adobe Lightroom and Nik Color Efex Pro 4.“Jack Rabbit” hoodoo, iPhone photo, with edits in Adobe Lightroom and DxO Nik Software
I called the small hoodoo on the top of this hill “Jack Rabbit”, because it looks like a rabbit when viewed in a particular manner. This feature is just a little past the Conversing Hoodoos.
“Jack Rabbit” hoodoo close up. iPhone Photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
The Jack Rabbit hoodoo is difficult to photograph due to its location. A long zoom might be better for shooting this feature than either a wide angle or a moderate zoom.
The Wizard Hat. A headless hoodoo that looks like a wizard hat. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
Near the entrance into a canyon just past the Conversing Hoodoos is this pointy feature that was obviously the base for a hoodoo at one time, but the cap or head has fallen off.
Wing like hoodoos in a canyon wall. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
There are many interesting features and emerging hoodoos in the Bisti canyon walls. These can be difficult to isolate for interesting photographs and their locations often limit the golden hour light with many being in shadows, when the light would be good otherwise.
Animal like shape hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
I continued walking through a canyon just to the east side of the Conversing Hoodoos, finding many interesting features both in the canyon and along the canyon walls.
Animal like shape hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
I made a number of images of one particular hoodoo to illustrate how these can look so much different depending upon the angle of view.
Animal like shape hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.Animal like shape hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
From these two perspectives, this looks like a gecko; but others might imagine something else.
Animal like shape hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
Continuing along the canyon, I found a feature that I referred to as “Big Mouth”.
Clam Hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
Later in the day, while having a conversation in the parking lot with a group from a local mission, one asked if I had seen the “Clam”. I knew immediately that they were referring to this one that I had been calling “Big Mouth”.
Clam Hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
Another view of the Clam and other nearby features in this canyon.
How did these get here? iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
I’m always amazed when I find man made objects such as these in places where one would not expect to see such thing. These appear to be automotive engine parts, but there is not anything nearby to suggest how these arrived here. I assume these must have been dumped here many years ago before this area was designated a protected wilderness.
After having scouted some of the northern part of the Bisti Wilderness in New Mexico during my March 2019 visit, but not having time during that visit to photograph in that portion of Bisti, I wanted to go back and spend more time on the north end and I wanted to go before the hot weather of summer set in. For various reasons, I had delayed going back, but I finally set out in late May. Since I was eager to get there, knowing that leaving on a Friday would maybe present problems with finding a suitable and available stop over place and staying over on a Friday would result in arriving on a weekend, which tends to be a busy time for visitors, I decided to drive straight through (about a 12.5 hour drive, according to mapping software). With stops for fuel, food and to take time to walk around at rest breaks, I figured it would take 14-15 hours to get to Bisti. I had intended to leave home around 7AM and anticipated arriving at Bisti around 9-10PM and with total darkness not arriving before about 9PM, I would not have to drive for very long in the dark. However, as usual, I got away from home a little latter than the plan, so I arrived closer to 10PM than 9PM and it was already totally dark, when I arrived at the dirt road entry to the unofficial North Bisti parking area.
As I pulled off of NM 371 in total darkness, the dirt road looked different than I remembered. I had not been there in total darkness previously. Thinking more light would let me verify my location, I switched on both the upper and lower LED light bars, which are really bright. Even with that much light, initially I could not be sure that I was in the right place and I did not want to drive into the wrong area, so I consulted my iPhone map, which seemed to confirm that I was in the correct location. Nevertheless, I proceeded with caution. As I drove along, I began to feel more confident, as I recognized features from the March visit here.
As I turned past the bluff behind which was the large, open parking area, I saw a truck and an RV trailer in the distance. Not wanting to be a nuisance with my bright lights, I stopped at the edge of the parking area and switched off the LED light bars, made sure the regular vehicle lights were in low beam, then parked a respectable distance from the RV and truck. (For some reason, people coming into such areas like to park adjacent to others, even when there is much space available).
I walked around my vehicle with a flashlight to verify that there was no problem with my parking area. I noted how dark it was there and I marveled at the infinitely many stars in the sky. Seeing a campfire near the RV, I walked over to say hello and to be sure whoever were there were satisfied that I had not parked too close to their camp. (I must have been about 30 or so yards away, but I had plenty of space to move away more). As I approached their campfire, hailing whoever was there, and I got close enough, I saw one person sitting by the campfire, then another came out of the truck or trailer. The one by the campfire was a youngish man from Denver and the other an older man from Oregon. They confirmed that they had no problem with where I parked, then the older one said, “That is quite the light arrangement you have”. To which the younger one added, “I thought I was being abducted by aliens”. So it is good that I turned the lights off, when I did, rather than leaving them on until I parked!
I saw them again from a distance in the morning, but I never visited with them again, since they left sometime the next day, while I was out in the Wilderness.
My original plan for the first morning was to go out for sunrise photos, but since I was getting to bed after 11PM, had slept only 5-6 hours the night before, I would not get more than 5 hours sleep this night, if I got up early for sunrise and I had no definite route planned to get to a destination for sunrise, I decided it best to sleep in and scout the area first, rather than wander around in the early morning darkness.
So the first morning, after coffee and breakfast, I installed the solar panels, then went scouting, adding more GPS waypoints and shooting iPhone scouting photos. This is a really remarkable place to explore. There seems to be no end to interesting features, geology and photographic opportunities.
The “unofficial” north Bisti parking area. iPhone photo.
As I was installing the solar panels, a passenger type van with a sign on the side that I could not make out, passed by and parked near the corner of the fence line at the border of the Bisti wilderness area. A number of young people got out and I assumed it might be a geological field trip, maybe from a university. I anticipated encountering that group later, during my scouting of the area, but I never saw them again and the van was gone when I returned from my scouting walk about.
Petrified tree stump with twin peaks landmark in the background. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
As I returned from scouting the area, I frequently stopped to look around and behind me to get a feel of the area and to make mental notes of landmarks. I did not encounter anyone during my walk about, but at one point, I saw a group of people on an elevated area in the distance. I assumed that they must have come from the official south parking area, which is the most popular place for visitors.
Rock Ridge Landmark. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
This rock ridge image illustrates the “leading line” technique in photography, with the line of rocks leading the eye through the photograph. (Click on the photo to view on Flickr).
Some of numerous hoodoos that are found along Bisti canyon walls. iPhone photo.A wing shaped hoodoo along a Bisti canyon wall. iPhone photo.An interesting turtle like hoodoo in a Bisti Canyon. iPhone photo.A finger like hoodoo along a Bisti canyon wall. iPhone photo.Odd shape ( a bird like one?) hoodoos along a Bisti canyon wall. iPhone photo.Headless Hoodoos with a Native American house in far background. The house makes a good navigation landmark, which can be seen from far away. iPhone photo.
I was alone in the parking area, much of the day, but others began to arrive in the afternoon, going out and returning well before sunset. I noted some were crossing the fence line near the corner and walking directly into the wilderness, rather than going to the south end of the parking area, where there was no fence at a drainage crossing, which I had been using. When I saw one such group returning to their vehicle in the afternoon, I approached them and asked about the route they were taking into Bisti. They assured me it was a good direct route with easy crossings of the deep drainage. They were all from a local mission and offered much advise on the area, including where to get water locally, rather than driving 45 miles into Farmington. One of them was a Navaho, but he did not look like a Native American, and he had lived in the area for 37+ years.
Wing like Bisti hoodoos, iPhone photo.
Crossing the fence line near where I parked would save a quarter mile (one way) walk across the parking area and maybe another 1/4 to 1/2 mile (one way) of walking otherwise. I found that walking directly east along the fence line led to a very easy place to get into the drainage, then I only had to walk a few yards along the drainage to an easy exit. So I am very glad that I watched and learned from other local visitors.
Large Bisti wing like Hoodoos. iPhone photo.Bisti hoodoo with a multi-colored layered base. (Click on the photo to view on Flickr).
I shot so many photos during this scouting session that I will break this post into multiples with more frequent posts. Hopefully, the frequency of these posts will not be too much for you.
In the morning of July 13 we shot sunrise photos just east of the lake at Cold Springs Campground in Routt National Forest. We began shooting from a hillside just east of the lake.
An area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISOAn area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISO 64.
I thought that the weathered tree stump made an appropriate foreground object here.
The lake made a great mirror, reflecting the clouds in the sky and the trees along the edge of the campground. None of the other campers were up and about yet. We tried to be as quiet as we could so as not to disturb them.
A scene adjacent to the Cold Springs Campground in Routt National Forest, CO. Nikon D850, Nikon 14-24mm @24mm, f/16, 1.3s, ISO 64.
I put the weathered stump and a taller stump with slight side lighting at the edge of this photo.
After shooting on the hillside, we moved down into the meadow at the base of the cascade. There were lots of white and blue wildflowers in the meadow, especially around the cascade and stream. The area below the cascade was wet and marshy, which I had not anticipated and I was not wearing my water resistant hiking shoes. My shoes, socks and feet got soaked with cold water.
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1.6s, ISO 64.A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.
As you can see, I got multiple compositions of the cascade with varying amounts of the surroundings. I used slow shutter speeds to get the silky effect of the flowing water. There was not much wind, but there was enough motion in the vegetation to keep from getting really sharp images of the wildflowers. I tried to make the images at times when the wind was most calm in hopes of getting sharper images. This works with only limited success.
After breakfast, I hiked to the marshy area above the cascade, where there were many wildflowers in another meadow around the stream. By the time I got there the clouds were mostly gone, the light harsh, still a little too much wind and many swarming mosquitoes. I tried a few shots anyway, but those were not presentable. Somewhere in there, I apparently lost my Rocket Blower, which I had just put into a pocket for convenience, rather than take it along in my backpack, which I left behind in the vehicle. (For non-photographers, a Rocket Blower is a device for blowing dust off of lenses, filters and camera sensors. This is an essential piece of gear, in my opinion, so I have since acquired another one. For the rest of this trip, I had to borrow my son’s whenever I needed it).
Later in the morning we walked 10 minutes down the road to Smith Lake Trailhead. Smith Lake Trail is only 0.7 miles, steep in a few places, mostly near the start, but mostly an easy trail. We hiked to Smith Lake and decided to return the next morning for sunrise photography.
On the way to Smith Lake Trailhead, we noted a small field of Columbines, which would possibly be good for foreground shots at sunset, assuming the clouds cleared by that time, as it had gotten much cloudier and rained lightly off and on during the day.
We also walked back to the reservoir, hiking a short distance along one of the two trails starting at the reservoir. We turned back as lightning and thunder got closer and more active. It only sprinkled lightly and we took time to explore more in the area south of the roadway, along the stream from the reservoir.
That is it for this post. Stay tuned for the sunset shoot results,
In the spring of 2018, my oldest son and I visited Joshua Tree National Park in Southern California. We photographed in the park in the early morning, late afternoon and night. During the middle hours of the day we scouted for places to photograph and/or we hiked several of the easy to moderate trails within the park. This post is about the Lost Horse Mine Trail with illustrations via iPhone photos.
A view of a portion of Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
In the early history of this area there were numerous mining operations, which have since been abandoned. Remnants of equipment and/or facilities remain at some of the mine sites. Hiking trails to the abandoned mines often follow the original roads made to access the mines.
Some of the equipment remaining at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
Lost Horse Mine Trail is an easy trail about a 4 mile round trip and only 480 feet elevation gain from the parking lot to the mine site. One can do a longer version, resulting in about a 6 mile hike, climbing a steeper, narrower loop from the mine back to the parking area. A long interval of the trail is visible in the photo above.
A view of a portion of Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
The trail is through a desert area with wide views of the local area with typical desert vegetation.
A blooming Yucca along Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.A blooming Yucca along Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
Bees were swarming around the Yucca blooms. Looking closely (maybe zoom in on the above photo) and at least one bee is visible on the left hand side of the bloom about half way down the photo. Another photo had more obvious bees in it, but I did not like that photo.
The remains of a winch at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
As in the first part about hiking in Joshua Tree NP, I’m including a couple of duplicate photos, except for the processing (color and monochrome). I like the monochrome treatment best here; but I would like to hear reader preferences.
The remains of a winch at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
The old mill is largely intact, but it is fenced off, so one cannot get close enough to get detailed photos of the milling machinery.
Remains of a mill at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.A view from Lost Horse Mine Trail near the mine area. iPhone photo edited in Adobe LR and Nik Color Efex Pro 4.
If one looks very closely, a hiker is visible on the trail in the above photo. The hiker is on the right at the jog in the trail, where it appears to go from the wider close up to the narrow looking distant part.
As a reminder, all the photos in this post are via an iPhone. We elected not to carry our heavy DSLR gear along, since the lighting was not optimal at the time of day that we hiked this trail.
