Bisti May 2019 – Day 3 Sunrise

I was up at 4AM and noted that it was very cloudy, overcast and a little breezy.  I thought about not going out due to the heavily overcast sky, thinking there may not be good sunrise light, but I went, anyway.

My destination was the hilltop at the end of a canyon that I had scouted on the first day of my arrival.  There was good color in the eastern sky before sunrise, but I was a little too late in getting to my destination in time to get shots of the best color.  As I was hiking to my destination, I missed a turn into the side canyon that I had to take to get there.  Fortunately, I realized my mistake quickly and only lost a few minutes as I backtracked.  Still, those few minutes cost me a few possibly good shots, as the color was mostly gone by the time I got set up to shoot.

North Bisti Toadstool Hoodoo and overcast sky just after sunrise. Nikon D850, Nikon 24-70mm at 55mm, f/16, 2.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

The heavy cloud cover eliminated the sunrise golden hour, too.  I had to make do with the light that I had to work with and the clouds did add some interest to the sky, at least; but the photos are a little dull without that golden hour light and the dispersed, uniform light with no shadows made the images a bit flat.

Overcast sky over north Bisti features. Nikon D850, Nikon 24-70mm at 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

At least, I got just a little color in the overcast sky in a few of my shots.

North Bisti toadstools in monochrome. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I considered converting most of my images to monochrome, but without the shadows, these lack the depth that help make such images more appealing.

Various north Bisti hillside toadstools. Nikon D850, Nikon 24-70mm at 50mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

There were many interesting toadstool type hoodoos scattered all around the hillsides and wide vista.

Overcast sky over north Bisti features. Nikon D850, Nikon 24-70mm at 36mm, f/16, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

The features in the foreground of the shot above are actually fairly large, but they are on a hillside across a ravine so I could not safely get closer.

I spotted this large petrified log in a ravine downhill to the west.  The slope was quite steep here and I would not risk trying to get closer to this one.  I have a number of shots of it, trying to show how impressively large it appears and the environment around it; but I think none of the shots do it justice.

Large petrified log sections and north Bisti vista. Nikon D850, Nikon 24-70mm at 44mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I continued to work the area, shooting anything that I though might be interesting.

Large and small north Bisti toadstools. Nikon D850, Nikon 24-70mm at 44mm, f/16, 1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

Looking back up the hill from above the large petrified log is this large hillside with many toadstool hoodoos on the top and a few scattered below:

North Bisti toadstools and hillside. Nikon D850, Nikon 24-70mm at 42mm, f/16, 1/6s, ISO 64. Helicon focus stack of 3 images. Edited in Adobe Lightroom and DxO Nik modules.

These are the features that are most prominent, when first climbing up the hillside from the canyon access:

A large north Bisti toadstool and hillside. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/8s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.

A close up of that rather large toadstool feature:

A large north Bisti Toadstool. Nikon D850, Nikon 24-70mm at 55mm, f/16, 1/6s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.

And another view of the large toadstool with the vista stretching out behind it:

A large north Bisti Toadstool. Nikon D850, Nikon 24-70mm at 32mm, f/16, 1/8s, ISO 64. Helicon focus stack of 5 images. Edited in Adobe Lightroom and DxO Nik modules.

Down the hillside behind the large toadstool, I got down low behind one emerging toadstool to get this view of the sky and the vast desert vista:

A north Bisti Hoodoo’s view. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/10s, ISO 64. Helicon focus stack of 8 images. Edited in Adobe Lightroom and DxO Nik modules.

I was not satisfied with the sharpness in the first image in this post, so I made a series of images to focus stack:

North Bisti Toadstool Hoodoos. Nikon D850, Nikon 24-70mm at 40mm, f/16, 1/13s, ISO 64. Helicon focus stack of 7 images. Edited in Adobe Lightroom and DxO Nik modules.

{Note that a number of the previous images are created by focus stacking a number of images.  I finally have had enough of the problems with Photoshop focus stacking, so after some research, I’m trying Helicon software, which is designed specifically for this task.  So far, I’m really impressed with it.  Helicon produces more accurate results, much faster than Photoshop and has an easy to use retouching tool, that can fix things like artifacts produced by moving subjects (for example, the clouds in these images)}.

I do not recall seeing Bisti photographs such as those in this post.  I know others have hiked around this area, since I could see evidence of footprints which had been essentially removed by recent rains;  but such areas of Bisti are less popular with the typical visitors and do not have the striking rock shapes as the more popular areas.  Yet these photographs, when compared to those from the more popular areas, illustrate the geological variety and vastness of this striking desert wilderness.

This post is getting too long, so I will continue it in a follow up.

Thanks for following, remember that your critiques and comments are always welcome and that clicking on most of the photos will take you to the photograph on Flickr,

Ken

Vaughan Lake Sunrise – July 2019

I did not have to get up very early for a sunrise shoot at Vaughan Lake, since I only had to walk a short distance downhill towards the reservoir from our campsite.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 0.4s, ISO 64.

As the early morning light turned the trees a glowing red color, I used this narrow channel as a leading line through the marsh grass towards the hillside.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/3s, ISO 64.

I continued to work around the channel in the marsh grass, shooting as the light advanced down the hillside.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/3s, ISO 64.

The early morning sunlight really made the tops of the marsh grass stand out in these last two shots at the reservoir.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/8, 1/160s, ISO 1000.

As the sun went higher, I moved back towards the camping area to try a few shots across the wide swaths of grass and wildflowers between a roadway and the reservoir.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/160s, ISO 500.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/250s, ISO 500.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/160s, ISO 500.

Next stop on this trip will be Irish Canyon.

Until then,

Ken

 

Bisti – May 2019 – Day 2 Mid-Day Scouting

My plan for scouting was to go to the plateau where the Pedestal and Tongue Hoodoos (see posts from my March visit for preliminary information) are located, evaluate shooting options there and in the general area.

However, even though I went to the plateau, I deviated from the plan.  Instead, I found a route down into the deep wash just south of the plateau and explored the wash area.  From the plateau on another visit, I had seen large wing like hoodoos in the distance, but I only knew how to get near those from another longer route.  This is one of the things that I enjoy most about scouting an area, results are often more interesting, when one deviates from a plan.

The Route. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

The photo above looks down the valley/wash back towards the north parking area along which I hiked to get up onto a plateau where many interesting features are found.

Along the wash route to the plateau, I spotted this saddle like feature on a hilltop:

Saddle Hoodoo. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Walking directly south after climbing onto the plateau, one comes to a very deep ravine/wash.  I found an easy route down into the ravine.

Temporary Arch or Bridge. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Near the base of the hill just around the corner from the junction with the deep ravine, I spotted this fragile arch or bridge that had been formed by water washing down the hillside.  I’m sure this little bridge will be short lived.

North Bisti Wings – The Seal. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Turning to the left in the deep ravine, one very shortly comes to the base of the hill upon which are the large wing like hoodoos in the above photo.  The middle feature is the one referred to as “The Seal”.  I had seen these from the plateau on the opposite of the wash and prior to this exploration, I did not know how to get to these other than walking up the wash from the east.  The route I discovered today is a much shorter and faster route from the north parking area.

To get up near these features requires climbing a steep slope of loose, clay soil.

North Bisti Wings and Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

There are a few short branches off of the main wash at the base of the Seal hoodoo and I explored along these finding a few other interesting hoodoos that are easily accessible.

North Bisti Wings and Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

A view across a deep ravine, with many hoodoo features on the opposite side:

Deep Wash and Many North Bisti Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

There are many flat top wing like hoodoos and others along the ravine walls:

North Bisti Hoodoos and Rocks. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.
North Bisti Emerging Wing Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Another view overlooking a deep ravine:

Deep Wash Canyon in North Bisti. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

A hoodoo lined North Bisti Wash:

Hoodoo Lined Bisti Wash. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.
Hoodoo Lined Bisti Wash. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Back below the big wing hoodoo and others near The Seal, there were interesting clouds passing over:

North Bisti Wing Hoodoo. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.
North Bisti Wing Hoodoo. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.
North Bisti Wing Hoodoo. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.
North Bisti Hoodoo Wings. iPhone photo with edits in Adobe Lightroom and DxO Silver Efex Pro 2.

Continuing to the east along the ravine more large wing like hoodoos are high up on hillsides along the wash:

North Bisti Wing Like Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.
North Bisti Wing like hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

The narrow ravine eventually merges with a wide wash in the vicinity of the Conversing Hoodoos.

A view down a North Bisti wash. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Just around the corner, so to speak, from the Conversing Hoodoos is a large batch of large wing like hoodoo features with one triangle shaped one:

North Bisti Triangular Hoodoo against background hillside. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.
A North Bisti Triangular Hoodoo. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

One can imagine the triangular hoodoo as an alien space ship.

North Bisti Large Hoodoos and Wings. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Many large wing like hoodoos with some forming windows between the hard rock tops and the softer sediment beneath are in this large group.

North Bisti Large Wing Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Color Efex Pro 4.

Later in this trip I found a way to get up above or near the same level as these features, where I shot at sunset the last day of this visit.  I have not yet evaluated or edited the photos from that shoot, so it remains to be seen how those turned out.

As I hiked back to the north Bisti parking area, it became very windy with rain visible in the distance.  The wind whipped up dust and blasted me with sand on occasion, making the hike back a bit less pleasant.

That’s all for now,

Ken

Bisti – May 2019 – Day 2 Sunrise

Saturday night, I was completely alone in the parking area and I did not encounter anyone else during my Sunday morning sunrise shoot.  I had expected more visitors, since it was a weekend.  I’m guessing there were visitors and campers in the official south parking area.

I went to the area east of the big, prominent hoodoo that is immediately visible in the distance as one begins the hike into the northern portion of Bisti from the north parking area for sunrise photography the second morning of my May visit to Bisti.  This large hoodoo on a hilltop is visible from a long distance and is useful as a navigation aid.

Pre-sunrise at one of the north Bisti predominate hoodoo landmarks. Nikon D850, Nikon 24-70mm at 55mm, f/16, 6.0s, ISO 64.

There was good light this morning, as I shot with my 24-70mm lens.

North Bisti Wilderness Sunrise Silhouette. Nikon D850, Nikon 24-70mm at 32mm, f/16, 0.5s, ISO 64.
One of the predominate north Bisti landmarks at sunrise. Nikon D850, Nikon 24-70mm at 30mm, f/16, 0.5s, ISO 64.

A shot a sequence of these features as the sun rose, progressively illuminating the hillside.

One of the predominate north Bisti Hoodoos and hillside at sunrise. Nikon D850, Nikon 24-70mm at 28mm, f/16, 1/4s, ISO 64.
A predominate north Bisti Hoodoo and hillside at sunrise. Nikon D850, Nikon 24-70mm at 28mm, f/16, 1/4s, ISO 64.

Note that the bottom photo is from a slightly different angle, as I had moved around shooting other features as the sun rose higher in the sky, and I did not get back to exactly the same composition.

A view towards the west between two tall features. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/3s, ISO 64.
A north Bisti bluff at sunrise. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1/4s, ISO 64.
North Bisti rock features and sky at sunrise. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/25s, ISO 64.

The laminar clouds added considerable interest to the sky as the sun rose.

North Bisti features and sunrise sky. Nikon D850, Nikon 24-70mm at 32mm, f/16, 1/15s, ISO 64.
A north Bisti bluff with pedestal and sky at sunrise. Nikon D850, Nikon 24-70mm at 60mm, f/16, 1/4s, ISO 64.
A north Bisti Pedestal and Bluff at Sunrise. Nikon D850, Nikon 24-70mm at 60mm, f/16, 1/25s, ISO 64.

After the best early morning light, I explored around this area looking for interesting features to shoot in the early morning light before it got too harsh.  A few photos from that time will be included in a subsequent post.

Until next time,

Ken

July 2019 – Colorado – Cold Springs – Routt National Forest – Day 2 Sunset

There were scattered thunderstorms in the afternoon and more storm clouds were approaching well prior to the normal time we would go out for sunset shots, so we decided to go out early and try to get some shots before the storm arrived.

I went down the road to the small field of Columbines we had seen earlier in the day, arriving there shortly before the storm blew in.  There had been sunlight, but by the time I arrive at my destination, clouds obscured the sun.  I only had time to get a couple of shots before the wind and thunder convinced me that I should hasten back to the campground for cover from the storm.

Storm Clouds over Routt NF, CO
Storm Clouds over Routt NF, CO Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 640.

Not long after getting back into the vehicle and zipping up the penthouse window covers, it began to rain, followed quickly by pebble size hail.  As the rain and hail stopped, a double rainbow appeared to the east of the campground and there was light on the mountainsides to the east and south.  It was still far from certain that the storm was completely past, so we hung around the vehicle until we were fairly sure the storm was over before going out again.

My son shot via his drone, launching it from the campground, while I went back to the field of Columbines.  There were clouds and good sunset light with a beautiful sky, as there often is just after a storm.

After the Storm
After the Storm, Flattop Mountain, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/8, 1/125s, ISO 2500.

It was still windy and I was trying to get the Columbines in the foreground, so I went to high ISO in the dimming light to get a high enough shutter speed to freeze the motion of the flowers.  The high ISO shots in the dim light were noisy and I was not able to filter out the noise enough to make most of them presentable.

Flattop Mountains, Routt NF, CO
Flattop Mountains, Columbine Meadow, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/10, 1/125s, ISO 320.

I was disappointed with many of my shots, which I think were good compositions, but those with Columbines in the near foreground were mostly too fuzzy due to wind induced motion of the wildflowers or noisy due to high ISO and/or failure to chose a better focus point.  On the other hand, focusing on the close up wildflowers would have resulted in fuzzy distant objects.  I only have three shots from this shoot that I thought presentable.

Until next time,

Ken

Cold Springs Campground, Colorado – July 2019 – Day 2 Scouting

A previous post referred to the areas that we scouted during our second day at Cold Springs Campground, looking for potential places for more sunset and sunrise photo shoots.  This post will present a few of the iPhone shots taken during that scouting with some comments.

A dead tree near Smith Lake Trail, Routt National Forest, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

This striking looking dead tree trunk, spotted along the Smith Lake Trail, looks like a good photographic subject, but it was so tall one would have to have a really wide field of view of shoot upwards from near its base to fully capture it.  We never got around to trying to shoot this properly.

A wilderness boundary marker along Smith Lake Trail. iPhone photo with edits in Adobe Lightroom and DxO Nik Efex Pro 4.

This boundary marker has nothing to do with photography, I just thought it interesting to see this marker.  Someone, wondering around in the forest, not hiking along a trail,  would never know when entering or leaving a designated wilderness area.

Smith Lake in the Flat Tops Wilderness, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

This view of a mountainside with Smith Lake in the foreground, suggested that early morning light would make this a good place for a sunrise shoot.

Smith Lake Panorama. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

A panoramic view of Smith Lake and the mountain in the background, suggests possible multiple compositional possibilities.

Columbines and fallen tree. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

I found this batch of Columbines down the slope from the roadway south of the campground.  (Click on the photo to view on Flickr).

Approaching storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Looking up the hillside south of the campground, it was apparent that it was time to return to the camp before getting caught in a storm.  However, after getting to the Sportsmobile, I did take a chance and try to shoot at a field of Columbines, but I had to beat a hasty retreat again as the storm came in.

Near the end of the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

As the storm began to subside, a double rainbow appeared to the east of the campsite.  The complete semicircle rainbow was visible at one time, but I could not get a shot of it with my iPhone.  One can see sunlight from the west striking the mountainside in the lower left, so as long as the storm clouds, which were moving westward, did not obscure the sunset, we would get good after the storm light.

Possible good indication for sunset light after the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

A fuller view of the sun lite mountainside south east of the campsite as the storm passed, gave us some hope of getting sunset light on the mountainside.

A subsequent post will cover the actual sunset shoot after the storm.

Ken

 

Cold Springs Campground – Day 2 – Sunrise Photography

In the morning of July 13 we shot sunrise photos just east of the lake at Cold Springs Campground in Routt National Forest. We began shooting from a hillside just east of the lake.

Coldsprings Camping Area, Routt NF, CO
An area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISO
Coldsprings Camping Area, Routt NF, CO
An area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISO 64.

I thought that the weathered tree stump made an appropriate foreground object here.

Coldsprings Campground
Cold Springs Campground Scene. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 0.8s, ISO 64.

The lake made a great mirror, reflecting the clouds in the sky and the trees along the edge of the campground.  None of the other campers were up and about yet.  We tried to be as quiet as we could so as not to disturb them.

Coldsprings Camping Area, Routt NF, CO
A scene adjacent to the Cold Springs Campground in Routt National Forest, CO. Nikon D850, Nikon 14-24mm @24mm, f/16, 1.3s, ISO 64.

I put the weathered stump and a taller stump with slight side lighting at the edge of this photo.

After shooting on the hillside, we moved down into the meadow at the base of the cascade.  There were lots of white and blue wildflowers in the meadow, especially around the cascade and stream.  The area below the cascade was wet and marshy, which I had not anticipated and I was not wearing my water resistant hiking shoes.  My shoes, socks and feet got soaked with cold water.

Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1.6s, ISO 64.
Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.
Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.
Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.

As you can see, I got multiple compositions of the cascade with varying amounts of the surroundings.  I used slow shutter speeds to get the silky effect of the flowing water.  There was not much wind, but there was enough motion in the vegetation to keep from getting really sharp images of the wildflowers.  I tried to make the images at times when the wind was most calm in hopes of getting sharper images.  This works with only limited success.

After breakfast, I hiked to the marshy area above the cascade, where there were many wildflowers in another meadow around the stream.  By the time I got there the clouds were mostly gone, the light harsh, still a little too much wind and many swarming mosquitoes.  I tried a few shots anyway, but those were not presentable.  Somewhere in there, I apparently lost my Rocket Blower, which I had just put into a pocket for convenience, rather than take it along in my backpack, which I left behind in the vehicle.  (For non-photographers, a Rocket Blower is a device for blowing dust off of lenses, filters and camera sensors.  This is an essential piece of gear, in my opinion, so I have since acquired another one.  For the rest of this trip, I had to borrow my son’s whenever I needed it).

Later in the morning we walked 10 minutes down the road to Smith Lake Trailhead.  Smith Lake Trail is only 0.7 miles, steep in a few places, mostly near the start, but mostly an easy trail.  We hiked to Smith Lake and decided to return the next morning for sunrise photography.

On the way to Smith Lake Trailhead, we noted a small field of Columbines, which would possibly be good for foreground shots at sunset, assuming the clouds cleared by that time, as it had gotten much cloudier and rained lightly off and on during the day.

We also walked back to the reservoir, hiking a short distance along one of the two trails starting at the reservoir.  We turned back as lightning and thunder got closer and more active.  It only sprinkled lightly and we took time to explore more in the area south of the roadway, along the stream from the reservoir.

That is it for this post.  Stay tuned for the sunset shoot results,

Ken

Spring 2019 Road Trip – Bisti – Day 5 Sunset – A Monochrome Day in Bisti

The evening of the fifth day in Bisti, my son and I decided to shoot sunset photos in an area, which we think is on BLM land.  At least we know it is outside the Bisti Wilderness proper area.  It is an area  that we accessed via a short spur road off of the road to the unofficial parking area for Bisti North parking.

It was a cloudy day without great sunset light, so I converted the shots presented in this post to monochrome.

Sunset Day 5 March2019
A cloud covered scene near Bisti North. Nikon D850, Nikon 24-70mm at 60mm, f/11, 1/6s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

The photo above is my favorite from this shoot.  There are dramatic clouds and hints of rain falling from the clouds, interesting rocks in the foreground and middle ground.

Sunset Day 5 March2019
A cloudy sky at sunset and Bisti rock forms. Nikon D850, Nikon 24-70mm at 50mm, f/11, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

We had spotted this little natural bridge or window on an earlier scout of this area.

Sunset Day 5 March2019
Cloudy sky near sunset and Bisti Rock Forms. Nikon D850, Nikon 24-70mm at 28mm, f/11, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

And another little window shot that I like better than the previous one, possibly because of the more dramatic clouds and the more interesting foreground.

Sunset Day 5 March2019
Cloudy Sky over Bisti. Nikon D850, Nikon 24-70mm at 34mm, f/11, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

The shot above is what I consider a minimalistic shot.  The objects in the photo are limited, but there are dramatic clouds, interesting geologic features and multiple leading lines in the barren foreground,  which hints at the vast openness of this area.

Sunset Day 5 March2019
Cloudy Sunset Sky and Bisti Rock Forms. Nikon D850, Nikon 24-70mm at 28mm, f/11, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

The shot above is another minimalistic shot of the same basic features as in the previous shot, but with a different point of view.  In this case I have emphasized the broad area around the narrow drainage patterns that are acting as leading lines into the photo with the clouds adding drama to the scene.

Sunset Day 5 March2019
Cloudy sky over rock forms in the BLM area to the southwest of the unofficial North Bisti parking area. Nikon D850, Nikon 24-70mm at 40mm, f/11, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

I like the multiple tiers in the rock formations in this photo with the dramatic cloud backdrop.

Sunset Day 5 March2019
Bearded Lizard like feature in the BLM area to the southwest of the unofficial North Bisti parking area. Nikon D850, Nikon 24-70mm at 70mm, f/11, 0.6s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

This rock feature looks like a bearded lizard to me, hence the title of the photo.  I’ve added a lens vignette, shifting it to the left to focus on the “head” of the lizard or whatever imaginary creature one might think this looks like.

Sunset Day 5 March2019
Black and white turtle or other creature like hoodoo in the BLM area to the southwest of the unofficial North Bisti parking area. Nikon D850, Nikon 24-70mm at 35mm, f/11, 0.8s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

This hoodoo reminds me of a large turtle, but one might imagine it as some other exotic or alien creature.

Sunset Day 5 March2019
Cloudy sunset over the BLM area to the southwest of the unofficial North Bisti parking area. Nikon D850, Nikon 24-70mm at 26mm, f/11, 0.8s, ISO 64, edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

This photo does not have the greatest depth of field, but I still like it.  I used the flat rock wings or hoodoos running diagonally from bottom left towards the upper right to lead the viewers eye into the photo towards the feature on the horizon in the upper right.  I wish I could find these dramatic clouds on nice sunny sunset or sunrise shoots, while still allowing for great light on the photo subjects.

This wraps up the highlights of day 5 sunset shooting in the great vastness of one of New Mexico’s wonderful desert areas.

Until next time,

Ken

2018 Colorado Fall Color Road Trip – Day 3 – Part 1

Arising early on September 20, after coffee and a light breakfast, I set out in the Sportsmobile to select an advantageous spot for early morning photos along Owl Creek Pass Road just a short distance from my campsite.  I drove back and forth along one particular interval on the road, before picking what looked like a suitable place, gathered my selected gear for the morning shoot and set out across an open range pasture towards the drainage between the pasture and the mountains to the east.

It was a very cloudy morning, after a rainy night, but not completely overcast as most of the previous day had been and the rain was gone, so I had some hope of getting some early morning light highlighting the mountainsides nearby.  It was a bit dicey, as all of the clouds were moving towards the light from the sun, which was still hidden behind a mountainside to the east of the roadway.

As I walked across the open range pasture, I recalled the statement credited to Ansel Adams, “the secret to getting a good photograph is knowing where to stand”.  Photographers are always going to extremes to find the best place to stand and sometimes get into uncomfortable or precarious positions in doing so.  This morning I noted that a corollary to Adam’s statement had to be “knowing where not to stand”, as I carefully selected each step to avoid the numerous cow patties in the pasture.  There were so many that I had to be very careful, not only where I stepped, but where I set up the tripod to avoid sticking one of its legs into a cow patty.

I wandered around in the pasture, looking for various possibilities for suitable places from which to shoot.  The broad drainage area between the mountainside to the west and the pasture to the east of it was filled with scrubby vegetation, which would make for a messy foreground, no matter where I stood with my 14-24mm wide angle lens.  There was no time to scout any other area prior to sunrise, so I had to make the best of this area.

Pre-sunrise test shot. The clouds are adding drama to the sky, but might prevent early morning light on the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/3s, ISO 64.
The clouds moving to the east might totally obstruct the early morning sun rays. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.8s, ISO 64.
Pre-sunrise, early morning clouds and mist or campfire smoke in the valley. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.4s, ISO 64.
It is getting close to sunrise and the clouds are still a major concern. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.8s, ISO 64.
Nice clouds, but I am becoming more concerned about getting good early morning light on the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.8s, ISO 64.
Pre-sunrise. I kept seeing either mist rising or camp fire smoke wafting in the valley, but I was never ready to shoot, when it looked the best. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.4s, ISO 64.
A crop of the previous shot, better showing the mist or campfire smoke in the valley.
Surprise! Even with the heavy clouds, sunlight is beginning to highlight the mountainside! Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/6s, ISO 64.
A crop of the previous shot.
I’m liking the clouds thinning and the ribbon of light highlighting portions of the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/6s, ISO 64.
A crop of a photo very much the same as the previous one, leaving the dramatic sky and emphasizing the diagonal mountainside slope with the streak of light along it.
Rotating to the left, I get this view with a thin ribbon of light along the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/10s, ISO 64.
A crop of the previous shot, emphasizing the clouds and the thin ribbon of light along the mountainside.
With the light now highlighting the vegetation in the wash, I had to get a shot with the mud splattered Sportsmobile in the foreground. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/8s, ISO 64.
This is entirely about the clouds sweeping overhead. I just happened to note that the thinning clouds, revealing the blue sky background, made the sky look very attractive. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/125s, ISO 640.

This was, perhaps not the best morning nor the best location for sunrise shots, but the views were quite good, even though I might not have captured the scenes as well as I would have liked.

Part 2 of this post will continue with mid-morning shots and experimentation with tilt/shift lenses.

Until next time, best wishes to you all,

Ken

Colorado Fall Color Road Trip – Day 2

The sunrise photo shoot on day two of this trip was mostly a disappointment.  The features that I had hoped would get good sunrise light did not get sufficient illumination and those that did get light did not make really good subjects.  With a big zoom, I was able to get only a couple of fair shots of a distant feature with colorful foliage in the foreground and middle ground.

Nikon D850, Nikon 80-400mm at 400mm, f11, 1/80s (soft)
Nikon D850, Nikon 80-400mm at 400mm, f11, 1/160s (sharper, but no clouds).

I, also,  tried shooting along the little creek behind my campsite, but the compositions were limited and not very appealing.  There were some reflections of colorful trees in small portions of relatively still water, where I tried to get good images and even tried to get a number of images to focus stack, but I was not happy with any of those images.

The creek just to the west of my first campsite along Owl Creek Pass Road, Nikon D850, Nikon 24-70mm at 32mm, f16, 1/20s, 09192018.

Soon after breaking camp and beginning to scout for another site for late day shooting, it became very overcast with intermittent rain.  I managed to get a few good shots of Courthouse Rock, standing in a light rain, shooting from the far side of the meadow, where the scene from True Grit (1969) of Rooster Cogburn (John Wayne) and Lucky Ned Pepper (Robert Duval)  charged at each other with guns blazing.  I shot a sequence of photos here with clouds passing across the rock face.  The shots vary from ones with nearly completely visible Courthouse Rock to ones with Courthouse Rock completely cloud enshrouded.

Court House Rock in the clouds. Nikon D850, Nikon 80-400mm at 80mm, f11, 1/40s.
Court House Rock with clouds. Nikon D850, Nikon 80-400mm at 80mm, f11, 1/50s.

This looked like a good scene for time lapse movies, so I experimented with the built in time lapse feature of the Nikon D850, shooting short sequences of shots to convert into time lapse movies.

It may take a few moments for the videos to begin, so be patient after clicking one.

{This is open range cattle country and the meadow from which I shot Courthouse Rock was so covered with cow dung that I had to calculate each step to avoid it.  I assume this was not the case during the shooting of the True Grit scene}.

I drove around quite a bit on this day, scouting locations for the next day’s shoot and looking for other places to shoot on a rainy, overcast day.  I ended up going all the way back down to just before the start of forest road 858 to a campsite/view point from which the entire profile of Courthouse Mountain is visible.  I had hoped to be able to shoot sunset photos from that view point, since I had seen a brilliantly lit sunset view of this profile from Ridgeway State Park, but obviously today was not going to be the day to do that.  However, since I was there, I hiked up and over a ridge to the east of the parking area and made a few images with the big 80-400mm zoom.  The images are not great, but here are a couple.

Court House Mountain from a view point along Owl Creek Pass Road on a rainy day. Nikon D850, Nikon 80-400mm at 120mm, f11, 1/40s.
Courthouse Rock shot from a view point along Owl Creek Pass Road on a rainy day. Nikon D850, Nikon 80-400mm at 340mm, f11, 1/100s.

I did not find a campsite that really appealed to me more than the area near my first campsite.  So I ended up setting up camp no more than maybe a half a mile from the first campsite.  It rained off and on through the night and got fairly cold, but the temperature inside the van was still only down to about 50 degrees the next morning and I only switched on the furnace for a few minutes just after getting up, while preparing for day 3 along Owl Creek Pass Road, which will be the topic of the next post.