Travel related information
This is the old church that first drew my attention to Cuervo, New Mexico, as I drove by along I-40, some years ago. This time I took time to stop and photograph portions of this mostly ghost town.
To be continued,
Ken
Cuervo, New Mexico is a small community along interstate I-40 in New Mexico. It is mostly a ghost town, having been established as a railroad stop in 1901, then drying up when the railroad chose another stop in Tucumcari, NM.
I’ve driven this stretch of I-40 past Cuervo numerous times, first making a mental note of this place, when I spotted an old, picturesque church as I drove by at 75mph, thinking that someday I might want to stop in to photograph that old church.
I had spent the night near Gallup, NM, waking up to a snow covered vehicle and campground with temperature in the low 20s. I drove through intermittent snow and rain that heavily overcast morning. I figured the overcast sky would create the perfect environment for photographing in Cuervo, so I determined to take time to stop here today. Atlas, as I drove along not paying attention to where I was, I drove past the only east bound exit for Cuervo. I had to drive 7 or 8 miles to the next exit, make a U-turn and backtrack to Cuervo. By the time I got back to Cuervo, most of the overcast had cleared and it was mostly bright and sunny. But I was here and decided to walk around the small town, photographing the abandoned homes, anyway.
The old church is still somewhat maintained, at least. The roof appears to be relatively new.
To be continued,
Ken
The natural features in the foreground rocks made great leading lines into the desert background for this image and the muted color of the rocks in the shadows contrasted with the sunset light enhanced color of the background rocks.
I know, this is not a wonderful photo, but as I sat in the shadows on the rock ledge on this image’s right side, I noted (again) how desert life tends to accumulate in the creases between rock units. And the ledge, which is not as wide as it looks near the camera lens, seems to be disappearing into the distance.
I kept with the “Transformation” theme for a number of photos, shooting from the shadows into the sunset light on the background. In this one, I liked the fracture leading upward toward the cylindrical rock feature, then the rock/skyline edge merging with the shadow line leading down into the sunlit valley.
For Transformation 8, I was inspired by the foreground rock layer that appears to be flowing downhill.
The title “Complex” is in honor of the complexity of the geology and rock details throughout this image.
My first inclination was to title this image “Let Sleeping Rocks Lie”, as I think the rock with the sunset light on it looks much like a resting puppy and that rock opening behind the head looks like a floppy ear. Then I noted that that opening was heart shaped. This detail might be more clear, if viewed on a large screen. Clicking on the image will take one to my Flickr page with this image.
The rocks here have some incredible detail and textures that can best be seen on a large screen, too.
To be continued,
Ken
This is a continuation of my last sunset shoot in Valley of Fire State Park, Nevada in March 2023.
For continuity, I’m including an image from the previous post.
As the golden sunset hour advanced, I made a number of images from a location with sufficient elevation that allowed an expansive view across the desert and the extensive rock formations. Shooting from the shadow of a massive rock outcrop behind me, I used the natural lines and layers in the foreground rock as leading lines and to contrast the change in the rock color from shadow into the brightly lit rocks of the setting sun.
Maybe my choice of title for the image above is not a good one. Perhaps, it should be “Snapping Turtle”. I’m one of those people that seems to be prone to pareidolia. That is I see life forms in some shapes. In the image above I see the head of a snapping turtle in the rock at upper center. I suppose it could be imagined as something else, maybe a birds beak?
I worked my way around this area capturing many images, most of which will not be posted. Somewhere I read an article that described my actions like those of a photographer “dancing around a teacup”, shooting a teacup from all directions, looking for that one magic or unique view. I have to admit that I’m often guilty of this.
More pareidolia, I’m seeing the face of some sort of animal creature in the rightmost portion of this rock, enjoying the last sun rays of the day.
In the mostly shadowy area in which I was standing, looking out across the vast desert, I noted one small area being highlighted, as if in a spotlight of the late day light.
I knew when I saw the skeleton of a small desert tree that I wanted to somehow include it in one or more images. Its location made compositions including it difficult. It was highlighted by the late day sun, when I first spotted it, but the sun was rapidly sinking and the little tree rapidly going into shadow. By the time I determined the best way to compose around the tree and got a couple of fairly decent shots, the tree was mostly in shadow.
Anyway, I think the tree provides a subtle foreground object for these two images.
To be continued,
Ken
This is a continuation of an exploration and sunset shoot in Valley of Fire, Nevada in March of 2023.
The late day sun rays made this rock look like an ancient warriors golden helmet.
When I saw this vertical arch and the way it was attached between the rocks above and that beneath, I immediately thought of it as a blood sucking insect. As I move around the rock that first impression was reinforced.
A few minutes later I found another rock that appeared to be another blood sucking creature.
It is not unusual to find rock faces with these little holes along rock interfaces that look like they were purposely designed as perforations at which to separate the rock layers.
I might have disturbed this rock creatures rest, as it appears to be opening one eye to see what has awakened it.
The golden hour is now in full force as the magic sunset hour begins to color the desert rocks golden yellow.
To be continued,
Ken
This is the second part of our final sunset shoot in March 2023 in Valley of Fire State Park, Nevada.
I’m always amazed at the rock sculpture nature provides for us to enjoy.
There is definitely a wary looking face in this rock that appears to be watching me as I make this image. Maybe this rock has had bad experiences with humans in the past.
While the image may not be a greatly attractive scene, I found it interesting enough to take time to capture it. There is much texture, interesting rock shapes and lines running through the rock. The image name is for the narrow wash in the center that has an accumulation of sand at the bottom center.
I moved to the right from the last composition to make this image, which shows off some of the more interesting features in the rock. The rock at the top, with its concave erosional form reminds me of a baseball catcher’s mitt. With the Texas Rangers clinching a berth in the 2023 World Series, maybe this is an appropriate time to post this image.
A close up, color version, of the “Catcher’s Mitt”.
Erosion has created holes in these rocks that I can imagine animals or ancient people using as shelters. Modern day man might even take temporary shelter in one of these in an emergency.
To be continued,
Ken
I’ve decided to move on to our final sunset shoot in Valley of Fire State Park, Nevada, rather than write another blog on our early morning shoot near our campground. But I will include one more image from that early morning shoot here.
Initially, I did not think highly of this image, but the more I looked at it, the better I liked it. The shadows, colors and features in the foreground rock with its ridge leading into the background were the impetus for this composition. Maybe my thought process leading to this composition was ok, after all.
Moving on…
The earliest photos shot while scouting and anticipating golden hour are seldom the (my) best, many do not even get processed and sometimes I’m grasping to just find something in these shots worthy of posting anywhere. So I apologize in advance, if my images chosen for this post are of little interest to readers.
And there is a better composition here, but I did not see it until near the end of this sunset shoot. Sometime one must move around more to see the obvious. I will return to this location in another post with much better compositions at this location.
Wandering about, I walked down a narrow passageway between two massive rock features, noted the nooks, holes and vertical feature in one of those rocks and I had to stop to capture this with late day sun on features in the background.
To be continued,
Ken
This is a continuation of a late day shoot in Valley of Fire State Park, Nevada, March 2023.
My oldest son (on top of the peak in the lower right) shot the storm from other higher elevation vantage points and complained that I did not come up to join him. I have not seen his photos, so I don’t know how to compare his to mine, but he is of the opinion that he had better views than I did. I was busy shooting what I saw from my location and I thought I might miss out on the scene by taking time to move elsewhere and at least I know that we did not get identical shots.
This wraps up today’s sunset shoot. Next up, sunrise in the desert near the campground in Valley of Fire State Park, Nevada.
Until then,
Ken.
This is a continuation of a March 2023 sunset shoot in Valley of Fire, Nevada.
I made many images with the late day light changing as the sun sank into the western horizon with clouds moving overhead and a distant storm on the easterly horizon. I’m presenting a few selected images in this post.
To be continued,
Ken
It seems suitable, at this time of the day, that the clouds in the sky and the geology in Valley of Fire, Nevada came together to create an hourglass shape, if one has the imagination to see it.
Another late day storm was brewing over the desert, which resulted in dramatic sky for background.
I composed this image to have the rocks along the diagonal pointing towards the distant storm.
Then I thought maybe I had too much in this image, so I moved in close to the end portion of the foreground rock, keeping a portion of the little bush at the edge of the rock.
This emphasized the foreground rock, but reduced the background and the stormy, cloudy sky, which I think is not an improvement. The wider angle view is better, I think.
I like the way the rock texture looks, even on its own, but with the late day light and a stormy sky background it seems to really pop.
In this image I like the foreground shadows that contrast with the late day light on the middle ground and the background sky and the rugged geology.
Maybe the correct word is “symmetrical”, but the image is not exactly symmetrical, so I will stick with the “Symmetric” label.
I used the many linear features in the rock as leading lines in this photo, which is a cropped version of the original. The original included much more of the foreground, as I like those linear features, but upon reviewing, I thought maybe I over did it with the foreground.
To be continued with much more of that late day desert storm,
Ken
