North Bisti – May 2019 – Day 3 Scouting

My mid-day scouting activity proved really useful for learning my way around in the northern part of the Bisti Wilderness as well as for determining good places for either sunrise and/or sunset landscape photography.  I also began to make written notes, rather than relying upon my memory, since I’m seeing so much variation here that my brain cannot reliably recall some details, especially a few days after the fact.

Today my primary destination was the plateau area with a couple of significantly large hoodoos that I had first seen during my March 2019 visit with my oldest son.  I wanted to get a better fix on the best route to these features and a better idea of how much time to allow for hiking there from the north parking area.

I would then explore more in that area.

I followed a general route that I had already found, but explored a slight deviation as I was climbing up out of a valley/wash near a previously found exit point.

Instead of going straight up a somewhat steep, red rock strewn exit, I turned to the right, up another short incline to see where that took me.  I entered into a smallish, enclosed area, which I initially thought might be a dead end route.

Looking around the little nook, I spotted this small hoodoo on the wall near where I had entered:

Small Sentinel. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

It looked like a hoodoo sentinel standing guard over the little nook.

On the opposite side from where I came in, I could see that it would be possible to climb out there, so I went up the hill and entered into a large, flat area, which I recognized as being just east of an area my son and I had exited into from another direction during our March visit.  We had come into that area via a much more difficult route.

Now I was actually on the plateau of my destination, so I began to walk to the south, which I recalled was where the large hoodoos and other features were located.

Hoodoo Plateau. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

In a blog post from the March visit, I included scouting photographs of the large pedestal like hoodoos in the above image.  We did not get back here on that visit.  Looking around, I realized that this area would be good for either sunrise or sunset shoots.

I continued exploring this area to the west and south.  Finding areas that were familiar from the March 2019 and March 2011 visits:

Many Hoodoos in a Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
Many Hoodoos in a Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

There are a number of deep canyons or washes crisscrossing this badlands area with many hoodoos lining the walls of the washes.

Hoodoos and Wide Vista. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
A deep wash lined with hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

I explored along the top edge of the deep washes finding many interesting features.

Resting Hoodoo. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

Can you see the leading lines in these photos:?

Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

I recall photographing in this area in 2011 during my first visit to Bisti and I still have a few photos of the features in this image:

Hoodoo Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

I also found features that make good abstract photographs, like this one:

Abstract. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

Wandering through a hodgepodge of rocks along the edge of a deep wash I found the fish like hoodoo at the right end of the line of hoodoos:

Fish Tank. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.
The Fish. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

And this scary looking rock:

Demon Head. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

Just behind the fish hoodoo:

The Pterodactyl. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

On the way out of this area:

Piling on. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

I could see these large wing like hoodoos on the far side of a deep wash:

Across the Deep Wash. iPhone photo with edits in Adobe Lightroom and DxO Nik Modules.

I did not know how to access those far away wing hoodoos at this time; but later I found a way down into the wash and a way to hike up near those wings.

I think that is more than enough for this blog,

Ken

Bisti May 2019 – Day 3 Sunrise

I was up at 4AM and noted that it was very cloudy, overcast and a little breezy.  I thought about not going out due to the heavily overcast sky, thinking there may not be good sunrise light, but I went, anyway.

My destination was the hilltop at the end of a canyon that I had scouted on the first day of my arrival.  There was good color in the eastern sky before sunrise, but I was a little too late in getting to my destination in time to get shots of the best color.  As I was hiking to my destination, I missed a turn into the side canyon that I had to take to get there.  Fortunately, I realized my mistake quickly and only lost a few minutes as I backtracked.  Still, those few minutes cost me a few possibly good shots, as the color was mostly gone by the time I got set up to shoot.

North Bisti Toadstool Hoodoo and overcast sky just after sunrise. Nikon D850, Nikon 24-70mm at 55mm, f/16, 2.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

The heavy cloud cover eliminated the sunrise golden hour, too.  I had to make do with the light that I had to work with and the clouds did add some interest to the sky, at least; but the photos are a little dull without that golden hour light and the dispersed, uniform light with no shadows made the images a bit flat.

Overcast sky over north Bisti features. Nikon D850, Nikon 24-70mm at 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

At least, I got just a little color in the overcast sky in a few of my shots.

North Bisti toadstools in monochrome. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I considered converting most of my images to monochrome, but without the shadows, these lack the depth that help make such images more appealing.

Various north Bisti hillside toadstools. Nikon D850, Nikon 24-70mm at 50mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

There were many interesting toadstool type hoodoos scattered all around the hillsides and wide vista.

Overcast sky over north Bisti features. Nikon D850, Nikon 24-70mm at 36mm, f/16, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

The features in the foreground of the shot above are actually fairly large, but they are on a hillside across a ravine so I could not safely get closer.

I spotted this large petrified log in a ravine downhill to the west.  The slope was quite steep here and I would not risk trying to get closer to this one.  I have a number of shots of it, trying to show how impressively large it appears and the environment around it; but I think none of the shots do it justice.

Large petrified log sections and north Bisti vista. Nikon D850, Nikon 24-70mm at 44mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I continued to work the area, shooting anything that I though might be interesting.

Large and small north Bisti toadstools. Nikon D850, Nikon 24-70mm at 44mm, f/16, 1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

Looking back up the hill from above the large petrified log is this large hillside with many toadstool hoodoos on the top and a few scattered below:

North Bisti toadstools and hillside. Nikon D850, Nikon 24-70mm at 42mm, f/16, 1/6s, ISO 64. Helicon focus stack of 3 images. Edited in Adobe Lightroom and DxO Nik modules.

These are the features that are most prominent, when first climbing up the hillside from the canyon access:

A large north Bisti toadstool and hillside. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/8s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.

A close up of that rather large toadstool feature:

A large north Bisti Toadstool. Nikon D850, Nikon 24-70mm at 55mm, f/16, 1/6s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.

And another view of the large toadstool with the vista stretching out behind it:

A large north Bisti Toadstool. Nikon D850, Nikon 24-70mm at 32mm, f/16, 1/8s, ISO 64. Helicon focus stack of 5 images. Edited in Adobe Lightroom and DxO Nik modules.

Down the hillside behind the large toadstool, I got down low behind one emerging toadstool to get this view of the sky and the vast desert vista:

A north Bisti Hoodoo’s view. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/10s, ISO 64. Helicon focus stack of 8 images. Edited in Adobe Lightroom and DxO Nik modules.

I was not satisfied with the sharpness in the first image in this post, so I made a series of images to focus stack:

North Bisti Toadstool Hoodoos. Nikon D850, Nikon 24-70mm at 40mm, f/16, 1/13s, ISO 64. Helicon focus stack of 7 images. Edited in Adobe Lightroom and DxO Nik modules.

{Note that a number of the previous images are created by focus stacking a number of images.  I finally have had enough of the problems with Photoshop focus stacking, so after some research, I’m trying Helicon software, which is designed specifically for this task.  So far, I’m really impressed with it.  Helicon produces more accurate results, much faster than Photoshop and has an easy to use retouching tool, that can fix things like artifacts produced by moving subjects (for example, the clouds in these images)}.

I do not recall seeing Bisti photographs such as those in this post.  I know others have hiked around this area, since I could see evidence of footprints which had been essentially removed by recent rains;  but such areas of Bisti are less popular with the typical visitors and do not have the striking rock shapes as the more popular areas.  Yet these photographs, when compared to those from the more popular areas, illustrate the geological variety and vastness of this striking desert wilderness.

This post is getting too long, so I will continue it in a follow up.

Thanks for following, remember that your critiques and comments are always welcome and that clicking on most of the photos will take you to the photograph on Flickr,

Ken

Bisti May 2019 – Day 2 – Interesting People – No Sunset Shoot

My plans for sunset on day 2 of my May visit to Bisti was to go back to the Conversing Hoodoos and shoot with my 24-70mm lens, since I was not completely satisfied with the wide angle 14-24mm shots the day prior.

However, it became increasingly windy and gusty as the day progressed into late afternoon.  I even put my penthouse top down due to the wind and rain concerns.  I could see rainfall in the distance, but it might have been evaporating before it got to the ground.  The rain was in the east and the wind from the west, so I was hopeful that the wind would at least keep the rain away from me.  The parking area is all clay soil and would be very slippery and messy, if wet.

As I was sitting in my vehicle, either reading or writing in my journal, a vehicle stopped nearby and a man got out, approaching my vehicle.  He had thought that I was someone he had seen earlier.  Anyway, he introduced himself as Yan or Jan (not sure of the spelling) from the Netherlands.  Since I had served in the U.S. Air Force in the Netherland, we had a bit in common to chat about.  He was very familiar with the area around the NATO base at which I had been assigned.

He informed me that he had researched this area via internet posts, at least one site was the same that I had used.  He introduced me to his wife, Alida (spelling is uncertain), who had remained in their vehicle.  They liked visiting the southwestern U.S and had been to the Valley of Dreams (VOD) in this area.  VOD is also known as Ah-She-Sie-Pah (various spellings) and is on Navaho land.  I was interested in going there on this visit, but overnight stays on Navaho land near there is not recommended and for my purposes, it works best if I can stay overnight.  The drive from Bisti to VOD requires a long drive along dirt roads, which means a slow commute, making it awkward for sunrise and/or sunset photography.  If it rains, those dirt roads are not passable and Jan related a story of one of his friends that got stuck on a muddy road and got one of the local Navaho to pull him out.

I’m thinking that, if I can find a local near VOD, I might get permission to stay overnight there in the future.  I have seen some amazing features in photographs from VOD.

Later in the day, another couple of guys (Tony and George) parked nearby and came over to chat.  They were both from California and Tony was apparently leading a group into Bisti for photography.  George was keenly interested in my Sportsmobile and walked around it looking underneath and all around it.

They had camped at the Cracked Eggs in the south portion of Bisti the night before, saying it got very cold and windy at night.  (It got down to about 44 degree F in my vehicle the night before).  Tony also told me about tent camping in very low temperatures at Yosemite on a recent visit.  Shooting at Yosemite in winter would by good, but tent camping there, especially in winter, does not appeal to me.

Around 3:30Pm the wind was very strong with sand and dust reducing the visibility to zero on occasion.  It sprinkled rain a little and as a precaution, I moved the van to an area near the parking area exit, where I could quickly exit, if it began to rain in earnest.

The forecast, obtained via my InReach Explorer GPS, showed windy conditions until 9PM – not looking good for sunset photography.  The wind subsided around 5PM and I began to think a sunset shoot would be possible.  Several car loads of people came into the parking area.  They all got out with camera gear and headed into Bisti.  From a distance, I thought that I recognized the vehicle that I had seen Tony and George driving.

The wind soon picked up again and it became much cloudier.  The clouds could add drama, but too many on the western horizon, of which there were many, will not allow good light for sunset.

Around 6:15PM, I walked up a hill, where I could get a couple of bars of cell service, to make a phone call.  Standing there in the gusty, dusty wind convinced me to abort a sunset shoot today.

Later, the sunlight did look good near sunset, but it was still very gusty. which can make shooting difficult and blowing dust and sand is not good for the gear.  I had no regrets about not going out.

When the group that had gone out earlier returned, one walked towards my vehicle.  It turned out to be Tony.  He said the light was great and he liked this area better than the south area.  He said that if I came to Southern California he could fix me up with great beaches at which to shoot.

So to wrap up this day, I met some interesting people, had a few interesting conversations, but did not get to shoot at sunset.

Maybe tomorrow will work out better,

Ken

Vaughan Lake Sunrise – July 2019

I did not have to get up very early for a sunrise shoot at Vaughan Lake, since I only had to walk a short distance downhill towards the reservoir from our campsite.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 0.4s, ISO 64.

As the early morning light turned the trees a glowing red color, I used this narrow channel as a leading line through the marsh grass towards the hillside.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/3s, ISO 64.

I continued to work around the channel in the marsh grass, shooting as the light advanced down the hillside.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/3s, ISO 64.

The early morning sunlight really made the tops of the marsh grass stand out in these last two shots at the reservoir.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/8, 1/160s, ISO 1000.

As the sun went higher, I moved back towards the camping area to try a few shots across the wide swaths of grass and wildflowers between a roadway and the reservoir.

Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/160s, ISO 500.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/250s, ISO 500.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/160s, ISO 500.

Next stop on this trip will be Irish Canyon.

Until then,

Ken

 

July 2019 – Colorado – Vaughan Lake Columbines

As I promised in an earlier blog, I am devoting this post entirely to Columbines, my favorite Colorado Wildflower.

Please note that all of these photos are made hand holding the camera with a large lens, which makes it more difficult to get sharp images.  The reader will note the high ISOs used to get sufficiently fast shutter speed to freeze the wind and camera motion.

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 240mm (before crop), f/8, 1/2000s, ISO 1600.

There were many of these adjacent to our campsite, so it was very convenient to photograph these.

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 250mm (before crop), f/8, 1/2000s, ISO 1600.

All of these images are cropped from larger images.

A single Columbine and yet to open buds:

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/1600s, ISO 1600.

The back sides of Columbines are also attractive:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/11, 1/1000s, ISO 1600.

A group of Columbines:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 370mm (before crop), f/16, 1/1000s, ISO 1600.

A single Columbine with two buds:

Columbine and Buds at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/1600s, ISO 1600.

A group of Columbines:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 160mm (before crop), f/8, 1/2500s, ISO 1600.

Cropped from a group of Columbines:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 160mm (before crop), f/8, 1/2500s, ISO 1600.

The group from which the above image is cropped:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 160mm (before crop), f/8, 1/2500s, ISO 1600.

Another crop from a group of Columbines:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 165mm (before crop), f/8, 1/1250s, ISO 400.

And a larger crop from the same group:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 175mm (before crop), f/11, 1/640s, ISO 400.

A single Columbine with a bud below and behind it:

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 200mm (before crop), f/16, 1/320s, ISO 400.

A single Columbine with backlight:

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 210mm (before crop), f/5.3, 1/5000s, ISO 400.

Columbines with backlight:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/800s, ISO 200.

Columbine with backlight:

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/1250s, ISO 200.

Columbine and bud with backlight:

A Columbine and Bud at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/1250s, ISO 200.

Backlit Columbine:

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/800s, ISO 200.

Columbine and buds with backlight:

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/1000s, ISO 200.

A crop, removing a distracting portion on the left (note the seed pod with its sail on the upper petal):

A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/800s, ISO 200.

More Columbines with backlight:

Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/640s, ISO 200.

And that is all for this post, mostly photos with few boring words.

Until next time,

Ken

 

Bisti – May 2019 – Day 2 – Early to Mid-Morning Photography

After the best early morning golden light was gone, I continued to move around the nearby area looking for interesting compositions in the early morning light and evaluating the best time for shooting whatever I found nearby.

A north Bisti petrified tree stump casting an early morning long shadow. Nikon D850, Nikon 24-70mm at 38mm, f/16, 1/15s, ISO 64.

There are a number of petrified tree stumps in this area, so I made

North Bisti Petrified Tree Stumps casting long shadows in early morning light. Nikon D850, Nikon 24-70mm at 30mm, f/16, 1/30s, ISO 64.

a few images of those.

North Bisti Petrified Tree Stumps in early morning light. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/20s, ISO 64.

There are many rocks in various shapes scattered around the desert here.  Some are short hoodoo or toadstool like features.

North Bisti rocks casting long shadows on the desert floor in early morning light. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/25s, ISO 64.

I converted a number of my shots from this shoot to monochrome, since I think this time of the morning with long shadows is really good for monochrome.

The rock in the top right of this photo maybe should have an xxx rating:

An apparently virile male Bisti rock. Nikon D850, Nikon 24-70mm at 46mm, f/16, 1/25s, ISO 64.
An early morning scene in north Bisti. Nikon D850, Nikon 24-70mm at 34mm, f/16, 1/40s, ISO 64.

I like the diagonal line of rocks and their shadows set against the wide open desert in the above photo.

Bisti Toadstool Rocks and Shadows. Nikon D850, Nikon 24-70mm at 40mm, f/16, 1/25s, ISO 64.

These short toadstool like rock features cast interestingly shaped shadows and I like the little rock with a sliver of light highlighting it in the shadow in the foreground in the above image.

A north Bisti wilderness scene in early morning. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/25s, ISO 64.

A stark image of the Bisti desert environment is presented in the above image.

North Bisti Rocks in early morning. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/50s, ISO 64.

As the sediment in the desert here erodes, linear features are often revealed, hinting at the original geological deposition.  Fortunately, all of the rock does not weather at the same rate.  Otherwise, there might only be a flat desert with no interesting features.

Scouting photos from this day will be posted soon.

As a reminder, most of my blog photos are posted to my Flickr page and one can click on any photo that your cursor indicates has an embedded link to view the photo on Flickr, where it will look better than in the blog.

Thanks for following,

Ken

 

 

July 2019 – Colorado – Vaughan Lake

After leaving Cold Sprints Campground in Routt National Forest we traveled to Vaughan Lake Campground.

Along the route we encountered a modern day cattle drive:

A modern day Cattle Drive. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

This is a through the windshield iPhone photo of one of the batches of cattle we drove by on our way to Vaughan Lake.  There were cowboys and a very young cowgirl on horse back, loosely guiding the animals down the roadway.  Mostly the cattle seemed to know where they were going.  Occasionally, we saw a cowboy moving a wandering animal back onto the route.  There are always a few independents in every herd!

We expected there to be many wildflowers in the Vaughan Lake camping area and we were not disappointed, although some were not yet in bloom, due to a late season following a very snowy winter.

There were many Columbines, my favorite Colorado wildflower, near our campsite.  Consequently, I have many photographs of Columbines to share and I will devote another blog post entirely to Columbines.

A Columbine at Vaughan Lake Campground. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/2000s, ISO 400.
Fendler’s Waterleaf at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 220mm (before crop), f/11, 1/500s, ISO 1600.

I’ve tentatively identified the wildflower in the above image via an online wildflower site, but there is some uncertainty.  If any reader can dispute this identification, please let me know.

An unidentified wildflower at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/16, 1/500s, ISO 2000.

I could not determine the identity of the above wildflower.  It might by American Vetch.

Dandelion at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/1250s, ISO 800.

There were numerous dandelions in the area.  I recall picking these as a child and blowing on the seed pods, dispersing the seeds.  This is a crop from a larger image, as are all of the wildflower photos posted here.

Silvery Lupine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/500s, ISO 800.

I think this is Silvery Lupine, but there seem to be a number of variations and hybrids of this flower, so I can’t be sure of this identification.

A seed pod and sail at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 310mm (before crop), f/11, 1/800s, ISO 1600.

I was actually trying to get a shot of the orange bell like flower seen in the lower left of the above image; but I did not succeed in getting that flower in focus.  However, I did note that this leaf with what appears to be a seed hanging onto its sail was in focus, so I cropped this portion of the image.

I should add that I was hand holding my camera with the big 80-400mm lens, so it was a bit difficult to maintain focus on the intended subject.  Keep in mind that there was some wind motion in the flowers, a shallow depth of field in these shots and much unsteadiness of the camera and lens in my hands.  Readers might note the high ISO values that I had to use to get sufficiently high shutter speeds to freeze the motion.

An unidentified wildflower at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 360mm (before crop), f/8, 1/800s, ISO 1600.

Here is the orange flower that I was trying to shoot in the previous photo.  Here I managed to get the bottom bloom in focus.

Fendler’s Waterleaf at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 135mm (before crop), f/8, 1/640s, ISO 1600.

And finally, another Fendler’s Waterleaf.

I will have more on this area in subsequent blogs.  Until then,

Ken

 

 

Bisti – May 2019 – Day 2 Sunrise

Saturday night, I was completely alone in the parking area and I did not encounter anyone else during my Sunday morning sunrise shoot.  I had expected more visitors, since it was a weekend.  I’m guessing there were visitors and campers in the official south parking area.

I went to the area east of the big, prominent hoodoo that is immediately visible in the distance as one begins the hike into the northern portion of Bisti from the north parking area for sunrise photography the second morning of my May visit to Bisti.  This large hoodoo on a hilltop is visible from a long distance and is useful as a navigation aid.

Pre-sunrise at one of the north Bisti predominate hoodoo landmarks. Nikon D850, Nikon 24-70mm at 55mm, f/16, 6.0s, ISO 64.

There was good light this morning, as I shot with my 24-70mm lens.

North Bisti Wilderness Sunrise Silhouette. Nikon D850, Nikon 24-70mm at 32mm, f/16, 0.5s, ISO 64.
One of the predominate north Bisti landmarks at sunrise. Nikon D850, Nikon 24-70mm at 30mm, f/16, 0.5s, ISO 64.

A shot a sequence of these features as the sun rose, progressively illuminating the hillside.

One of the predominate north Bisti Hoodoos and hillside at sunrise. Nikon D850, Nikon 24-70mm at 28mm, f/16, 1/4s, ISO 64.
A predominate north Bisti Hoodoo and hillside at sunrise. Nikon D850, Nikon 24-70mm at 28mm, f/16, 1/4s, ISO 64.

Note that the bottom photo is from a slightly different angle, as I had moved around shooting other features as the sun rose higher in the sky, and I did not get back to exactly the same composition.

A view towards the west between two tall features. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/3s, ISO 64.
A north Bisti bluff at sunrise. Nikon D850, Nikon 24-70mm at 70mm, f/16, 1/4s, ISO 64.
North Bisti rock features and sky at sunrise. Nikon D850, Nikon 24-70mm at 24mm, f/16, 1/25s, ISO 64.

The laminar clouds added considerable interest to the sky as the sun rose.

North Bisti features and sunrise sky. Nikon D850, Nikon 24-70mm at 32mm, f/16, 1/15s, ISO 64.
A north Bisti bluff with pedestal and sky at sunrise. Nikon D850, Nikon 24-70mm at 60mm, f/16, 1/4s, ISO 64.
A north Bisti Pedestal and Bluff at Sunrise. Nikon D850, Nikon 24-70mm at 60mm, f/16, 1/25s, ISO 64.

After the best early morning light, I explored around this area looking for interesting features to shoot in the early morning light before it got too harsh.  A few photos from that time will be included in a subsequent post.

Until next time,

Ken

Bisti – May 2019 – Day 1 Sunset

As I was leaving the north Bisti parking area, taking the short route just over and along the north fence line, and passing a young couple with two very young kids, the young man approached me, saying that I looked like I might know the area and asking if they could follow me.  Of course, I agreed, being happy to help anyone in that situation.  I had to walk much slower than I normally would, since the kids could not keep up, otherwise.  The young man soon put the smaller, pre-school child in a carrier on his back.  That young man was not very big, yet he must have been strong and in good physical shape, to carry even a small child like that.  As we walked along, I learned that the young man and his wife were from South Korea, he was working on an MBA at Illinois University and they would return to South Korea, when he finished his degree.

I was heading out much earlier than required, had plenty of time to get to my destination, the “Conversing Hoodoos”, well before sunset,  so I guided them on a longer route than necessary, taking them past other interesting features on the way.  The young man stopped to take snapshots along the way and I encouraged him to take as much time as he needed, since I had no need to hurry.

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Conversing Hoodoos and background at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/15s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

We arrived at the conversing hoodoos with plenty of time to spare prior to sunset.  The young couple insisted on taking a family photo with me and thanked me profusely for guiding them into Bisti.  After explaining and pointing out the more direct and easy route back to the parking area, I left them alone, wandering down a canyon to get a few shots before it was time to get back to my primary subjects.

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Near sunset light on hoodoos along a Bisti canyon wall. Nikon D850, Nikon 14-24mm at 21mm, 1/50s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

I find that late day light, within an hour of sunset, is a good time to get shots that look good, when converted to monochrome.  The late day light creates shadows and depth within the landscape image.  While such photos can also look good in the original color version, I think the monochrome is more appealing.

A bit later from a distance, I saw the young man high up on a hill among some of the large hoodoos, shouting and waving.  He seemed to be having a good time.  He had told me they were going to the south area the following day and asked, if I would be there, as he was thinking that I could guide them around there, as well.  Even though, I would have enjoyed that, I had no plans to go to the south area on this trip.  They did have some information about the south area and I told them that that area was usually busy on weekends and that they could probably find others to at least point them in the right direction to see the things that they were interested in.

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Near sunset light illuminates rock forms on a Bisti canyon wall. Nikon D850, Nikon 14-24mm at 16mm, 1/25s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.
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Near sunset light illuminates a Bisti canyon wall. Nikon D850, Nikon 14-24mm at 24mm, 1/50s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.

I was using my wide angle 14-24mm lens during this outing and I was not really pleased with most of my compositions with that lens at the Conversing Hoodoos.  I decided that I needed to return on another day of my visit with my 24-70mm lens so that I could more easily get the compositions that I wanted.

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Conversing Hoodoos at Sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/20s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
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A jack rabbit shaped hoodoo in Bisti. Nikon D850, Nikon 14-24mm at 24mm, 1/40s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

The “Jack Rabbit” (my name) hoodoo on top of this hillside, is difficult to photograph with a wide angle lens, since it is not easily accessible and shooting from below just does not get one close enough and one needs to get a close up view to see the “Jack Rabbit” shape.  This feature  is seen in a canyon near the “Conversing Hoodoos”.

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Bisti Conversing Hoodoos at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/20s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
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Bisti Conversing Hoodoos at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/25s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
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Bisti Conversing Hoodoos at sunset. Nikon D850, Nikon 14-24mm at 24mm, 1/25s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
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Bisti canyon wall features in near sunset light. Nikon D850, Nikon 14-24mm at 24mm, 1/60s, f/16, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.

The features in the image above are along a canyon wall near the “Conversing Hoodoos”.  The little hoodoo in the middle looks like a bird in a nest, stretching its head out to survey the area.

The sky was mostly very clear with only a few distant clouds, which were not visible in most of my compositions.  I am hoping that there will be a more interesting sky the next time I shoot here.

Until next time,

Ken

July 2019 – Colorado – Cold Springs – Routt National Forest – Day 2 Sunset

There were scattered thunderstorms in the afternoon and more storm clouds were approaching well prior to the normal time we would go out for sunset shots, so we decided to go out early and try to get some shots before the storm arrived.

I went down the road to the small field of Columbines we had seen earlier in the day, arriving there shortly before the storm blew in.  There had been sunlight, but by the time I arrive at my destination, clouds obscured the sun.  I only had time to get a couple of shots before the wind and thunder convinced me that I should hasten back to the campground for cover from the storm.

Storm Clouds over Routt NF, CO
Storm Clouds over Routt NF, CO Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 640.

Not long after getting back into the vehicle and zipping up the penthouse window covers, it began to rain, followed quickly by pebble size hail.  As the rain and hail stopped, a double rainbow appeared to the east of the campground and there was light on the mountainsides to the east and south.  It was still far from certain that the storm was completely past, so we hung around the vehicle until we were fairly sure the storm was over before going out again.

My son shot via his drone, launching it from the campground, while I went back to the field of Columbines.  There were clouds and good sunset light with a beautiful sky, as there often is just after a storm.

After the Storm
After the Storm, Flattop Mountain, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/8, 1/125s, ISO 2500.

It was still windy and I was trying to get the Columbines in the foreground, so I went to high ISO in the dimming light to get a high enough shutter speed to freeze the motion of the flowers.  The high ISO shots in the dim light were noisy and I was not able to filter out the noise enough to make most of them presentable.

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Flattop Mountains, Columbine Meadow, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/10, 1/125s, ISO 320.

I was disappointed with many of my shots, which I think were good compositions, but those with Columbines in the near foreground were mostly too fuzzy due to wind induced motion of the wildflowers or noisy due to high ISO and/or failure to chose a better focus point.  On the other hand, focusing on the close up wildflowers would have resulted in fuzzy distant objects.  I only have three shots from this shoot that I thought presentable.

Until next time,

Ken