I hope these post on photography in Yankee Boy Basin are not getting boring. Initially, I had only planned for two posts, but those got longer than I expected. This will be a short post with only a couple of photos to review.
These two images are from our last evening to shoot here. The weather report indicated a smallish chance for rain, so we thought we would get lucky and have a tremendously beautiful sky at sunset. It did not turn out that way. The sky was heavily overcast all around and it began to rain shortly after we got into position to shoot, so we cut our outing short.
An overcast evening in Yankee Boy Basin, Colorado.
The composition above, I thought at the time, was just a desperate attempt to get something, as it began to sprinkle, before we had to retreat. I had reservations about even spending time editing this image or showing it to anyone. After letting this one sit for awhile before editing it, I remembered why I made this image.
The tops of the yellowish-green vegetation, running diagonally from the bottom left corner, leads the eye to the dead, leaning tree trunk, which in turn points to the overcast, threatening sky, as if to say, “you better hurry and shoot now”. So, I think, this composition worked better than I expected, when I was hastily making this image.
Wildflowers, Mountains and Sky in an overcast evening in Yankee Boy Basin, Colorado.
This final image is again one that I still have reservations about. I’m trying to show the drama in the sky and soften it with the wildflowers in the foreground set below the rugged mountain peaks. The softness of the wildflowers is enhanced by motion, created by the wind and a slow shutter speed. This is usually not the kind of image I prefer. Often I would increase the ISO under these conditions to get a fast shutter speed to freeze the motion in the vegetation and in the clouds. If there had been some side lighting on the wildflowers this would have been a much more impactful image.
Please feel free to critique my images. Your feedback is always welcome.
I photographed a number of times in Yankee Boy Basin, near Ouray, Colorado during my July, 2020 summer visit to Colorado. The main reason for returning to this area several times, is a simple one. It just happened to be the closest, most easily accessible place for scenic landscape photography from the state park where my son, his wife, and I were staying.
Late day in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/22, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Navigating rocky, bouncy 4WD roads is required for access to many of the best places for landscape photography in this area and Yankee Boy Basin is one that my son felt most confident in being able to get to safely, early in the morning, then have time for other daytime exploration. In the evening, it was possible to photograph here at sunset and get back down the 4WD road before total darkness set in and we would get back to our campsites in time to get a reasonably good night’s sleep before getting up again in the early morning hours for a sunrise shoot.
There is a mountain stream with a number of waterfalls along it here. The middle two falls seem to be the most photogenic, so we spent much of our time in that area.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
To get the image above, I stood right up against the closest part of the waterfall on the right side of the photo, backing into a bush, shooting downstream at 14mm to get the waterfall on my right into the shot.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
There were wildflowers growing along the stream and I often included those in my images. The image above is made looking upstream at this waterfall, while standing in the edge of the stream bed. Even at 14mm from my position, I could only get a small portion of the waterfall in the photograph, while also including the wildflowers along the stream edge.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Standing a bit further back from the falls, on a rock ledge at the edge of the stream, I could get the entire waterfall in the image, while including the wildflowers and the rock outcrop on the right.
Late day in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Since I’ve photographed in this area a number of times, I tried not to duplicate compositions from other shoots, which is not easily avoided. It takes some work to avoid the most common compositions here. I had some reservations about the composition in the above image, thinking it is too complex, but I have gotten some positive feedback on it, so I guess it worked better than I anticipated.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/3s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Readers will note the heavily overcast sky in most of these images. I always like to have clouds to give the sky more interest, but heavy overcast can limit or eliminate the “golden” hour light at sunrise and/or sunset.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
The image above is taken a few yards downstream from a waterfall, looking downstream at the mountainside in the distance. During one similar photo shoot one afternoon, there was a family of three or four (man, wife and one or two young boys) in the area. I kept trying to avoid them and had to wait several times as they walked into and out of my compositions. If you are a purist landscape photographer, you know we try to avoid people in our shots most of the time. Some tourists know this and try to minimize their interference with photographers, while others are totally unconcerned about walking directly in front of a photographer. While composing an image similar to the one above, something hit the graduated neutral density filter mounted on the front of my lens, startling me, and I immediately heard the father, standing above me on the stream’s bank, scolding one of the boys. It turned out that the boy was throwing rocks in an indiscriminate manner and it was one of those rocks that struck my camera. If not for the flexibility of the filter, it would have shattered rather than just get scratched. If not for the filter, the lens would have most likely had significant damage. Neither of the parents said a word to me about this event. I had expected one would have at least inquired about damage and apologized for the kid’s action, which might have resulted in an injury and/or significant camera gear damage. The scratches on the filter sometimes result in light streaks in my images. Fortunately, I had the filter and much of my more expensive camera gear insured via scheduled property on my homeowner’s insurance policy, so I recuperated much of the replacement cost of the filter.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2. Looking downstream at the base of a waterfall.
Yankee Boy Basin is popular with hikers and a good campsite for those that want to get the necessary early morning start on a hike up Mount Sneffels. Still we saw only a few people during our early morning and late day visits here.
It is common to get afternoon thunderstorms in the upper elevations of the Rocky Mountains, but during the time we were here, there were more than the usual storms. Some days were rainy for much of the day, which limited the time interval with our favorite light at sunrise and/or sunset. We had to sometimes cut short our photography time to avoid the rain and get back down the mountainside before getting caught in a storm.
Of all the photos that I shot here, the one below is my favorite.
Sunset light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
This image has so much of what landscape photographers look for in an image, late day sunlight highlighting the mountain tops, light beams in the clouds, silky smooth, flowing water and a sinuous stream leading the eye from the waterfall into the image. More prominent wildflowers would have made this even better.
Since we visited here multiple times, there will be at least one more post of photos from this area. Please click on the images to view them in higher resolution on my Flickr page.
Porphyry Basin, Colorado is accessed via a narrow, steep 4WD road off of US550 between Ouray and Silverton.
My oldest son drove us up the road to the basin in July, 2020. On the way up the mountainside, we passed a canvas tent with a stove pipe jutting from the top. It was obvious that someone had set up that tent for a long term camp. Upon arriving at the end of the 4WD road at an old mine site, it became apparent who was living in that heavy duty tent. First we saw a large flock of sheep spread across the high mountain meadow, then a horse staked out nearby the roadway, two sheep dogs, and a lone shepherd watching over the sheep.
Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 50mm (before crop), f/11, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/160s, ISO 200. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/80s, ISO 250. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
We wandered around the old mine site with its collapsed wooden structure and other scattered debris, being careful to not step on old rusty nails or other potentially harmful items lying around on the ground.
K Marks The Spot, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
The basin is beautiful with an abundance of wildflowers, a mountain stream and a waterfall. It was bright daylight so I hand held my Nikon D850, shooting with a fast shutter speed to freeze the motion of the flowers. It was too bright to get a long exposure of the waterfall for that silky, flowing water effect.
Wildflowers and Waterfall, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall, Stream and Sheep in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall and Stream, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall and Stream in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/250s, ISO 500. Edited in Adobe Lightroom and Nik Color Effects Pro 4.An iPhone image of wildflowers in Porphyry Basin, Colorado. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Higher resolution images can be viewed on my Flickr page by clicking on the images in this post.
I did not have to get up very early for a sunrise shoot at Vaughan Lake, since I only had to walk a short distance downhill towards the reservoir from our campsite.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 0.4s, ISO 64.
As the early morning light turned the trees a glowing red color, I used this narrow channel as a leading line through the marsh grass towards the hillside.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/3s, ISO 64.
I continued to work around the channel in the marsh grass, shooting as the light advanced down the hillside.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/3s, ISO 64.
The early morning sunlight really made the tops of the marsh grass stand out in these last two shots at the reservoir.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/8, 1/160s, ISO 1000.
As the sun went higher, I moved back towards the camping area to try a few shots across the wide swaths of grass and wildflowers between a roadway and the reservoir.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/160s, ISO 500.Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/250s, ISO 500.Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/160s, ISO 500.
I walked from the campsite down towards the lake for sunset photography. This was not a really easy place to shoot the landscape, since it was so wide open and I could see details in the far distance, which I knew would only be visible in the wide angle shots, when really zooming in on the image. A long zoom lens would be necessary to see the snow covered mountain to the south of the lake.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 17mm, f/11, 1/6s, ISO 64.
The snow covered peak is in the notch in the hillside in the upper center of these photographs.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 17mm, f/11, 1/10s, ISO 64.
Compositions here were challenging. I wanted to include foreground objects like the large, lichen covered rocks scattered about and the wildflowers. The wildflowers were so small compared to the grand scenic scale that they are almost not noticeable.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm (before crop), f/11, 1/10s, ISO 64.
The image above is a crop from a wider angle view, bringing out the reflection in the lake surface.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/10s, ISO 64.
One can see that there were many of the large rocks that can be included in the foreground of these wide angle views.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/8s, ISO 64.
Turning the camera to the left, one gets another view of the far side of the lake as the sun sinks lower in the west, extending shadows onto the hillside.
Vaughn Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/8s, ISO 64.
Moving a little closer to the lake, allows one to see more of the lake surface with reflections of the hillside. Note that I am still anchoring the foreground with one of the large rocks. Otherwise, I think the foreground in such a shot would be too monotonous.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 19mm, f/11, 1/6s, ISO 64.
By getting down into a marshy area very near this little channel through the grass around the lake, I got this view, which I really like. The channel acts as a diagonal leading line from the bottom right corner into the lake with a clear reflection of the far hillside on its surface and the eyes tend to move on through the image from there.
Vaughan Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/5s, ISO 64.
I worked around the shoreline, continuing to use leading line elements in the images.
Vaughn Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/4s, ISO 64.
The sun is now getting really low to the west, putting most of the images into shadow. Mountains to the west are blocking the sun light well before the sun actually sets.
The leading line in the photo above is subtle. There is a trail through the grass from the bottom right going diagonally towards the upper left.
Vaughn Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 15mm, f/11, 1/4, ISO 64.
There was a swimming animal, probably a beaver, that swam back and forth throughout my shots near the lake. If one looks very closely in the water just to the left of center in the image above, one can just make out a line in the water going towards the left. That is the v shaped wake left by the swimming animal.
Vaughn Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/4s, ISO 64.
I moved back close to the channel in the marshy area to get the shot above as the sunlight was fading fast from the scene. Looking closely at the notch in the hillside on the left of the image, one can just get a hint of the snow covered mountain peak in the far distance.
Vaughn Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/3s, ISO 64.
Turning the camera to the left, again using the leading line of the channel, one can see the clouds in the east beginning to acquire their sunset color. And again the beaver’s (or whatever’s) wake is just visible in the lake as a streak of light. Just follow the channel line out into the shadowy reflection to see the brighter line of light reflected from the wake near the center left of the image.
Vaughn Lake Campground Area, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/1s, ISO 64.
And the final scene of the day, above, with sunset colored clouds in the far distance.
The images in this post are all on Flickr, so just click on the images to view them there and, preferably on a large screen, where they will look much better.
As I promised in an earlier blog, I am devoting this post entirely to Columbines, my favorite Colorado Wildflower.
Please note that all of these photos are made hand holding the camera with a large lens, which makes it more difficult to get sharp images. The reader will note the high ISOs used to get sufficiently fast shutter speed to freeze the wind and camera motion.
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 240mm (before crop), f/8, 1/2000s, ISO 1600.
There were many of these adjacent to our campsite, so it was very convenient to photograph these.
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 250mm (before crop), f/8, 1/2000s, ISO 1600.
All of these images are cropped from larger images.
A single Columbine and yet to open buds:
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/1600s, ISO 1600.
The back sides of Columbines are also attractive:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/11, 1/1000s, ISO 1600.
A group of Columbines:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 370mm (before crop), f/16, 1/1000s, ISO 1600.
A single Columbine with two buds:
Columbine and Buds at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/1600s, ISO 1600.
A group of Columbines:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 160mm (before crop), f/8, 1/2500s, ISO 1600.
Cropped from a group of Columbines:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 160mm (before crop), f/8, 1/2500s, ISO 1600.
The group from which the above image is cropped:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 160mm (before crop), f/8, 1/2500s, ISO 1600.
Another crop from a group of Columbines:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 165mm (before crop), f/8, 1/1250s, ISO 400.
And a larger crop from the same group:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 175mm (before crop), f/11, 1/640s, ISO 400.
A single Columbine with a bud below and behind it:
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 200mm (before crop), f/16, 1/320s, ISO 400.
A single Columbine with backlight:
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 210mm (before crop), f/5.3, 1/5000s, ISO 400.
Columbines with backlight:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/800s, ISO 200.
Columbine with backlight:
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/1250s, ISO 200.
Columbine and bud with backlight:
A Columbine and Bud at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/1250s, ISO 200.
Backlit Columbine:
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/800s, ISO 200.
Columbine and buds with backlight:
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/1000s, ISO 200.
A crop, removing a distracting portion on the left (note the seed pod with its sail on the upper petal):
A Columbine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/800s, ISO 200.
More Columbines with backlight:
Columbines at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/640s, ISO 200.
And that is all for this post, mostly photos with few boring words.
After leaving Cold Sprints Campground in Routt National Forest we traveled to Vaughan Lake Campground.
Along the route we encountered a modern day cattle drive:
A modern day Cattle Drive. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
This is a through the windshield iPhone photo of one of the batches of cattle we drove by on our way to Vaughan Lake. There were cowboys and a very young cowgirl on horse back, loosely guiding the animals down the roadway. Mostly the cattle seemed to know where they were going. Occasionally, we saw a cowboy moving a wandering animal back onto the route. There are always a few independents in every herd!
We expected there to be many wildflowers in the Vaughan Lake camping area and we were not disappointed, although some were not yet in bloom, due to a late season following a very snowy winter.
There were many Columbines, my favorite Colorado wildflower, near our campsite. Consequently, I have many photographs of Columbines to share and I will devote another blog post entirely to Columbines.
A Columbine at Vaughan Lake Campground. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/5.6, 1/2000s, ISO 400.Fendler’s Waterleaf at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 220mm (before crop), f/11, 1/500s, ISO 1600.
I’ve tentatively identified the wildflower in the above image via an online wildflower site, but there is some uncertainty. If any reader can dispute this identification, please let me know.
An unidentified wildflower at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/16, 1/500s, ISO 2000.
I could not determine the identity of the above wildflower. It might by American Vetch.
Dandelion at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/1250s, ISO 800.
There were numerous dandelions in the area. I recall picking these as a child and blowing on the seed pods, dispersing the seeds. This is a crop from a larger image, as are all of the wildflower photos posted here.
Silvery Lupine at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 400mm (before crop), f/8, 1/500s, ISO 800.
I think this is Silvery Lupine, but there seem to be a number of variations and hybrids of this flower, so I can’t be sure of this identification.
A seed pod and sail at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 310mm (before crop), f/11, 1/800s, ISO 1600.
I was actually trying to get a shot of the orange bell like flower seen in the lower left of the above image; but I did not succeed in getting that flower in focus. However, I did note that this leaf with what appears to be a seed hanging onto its sail was in focus, so I cropped this portion of the image.
I should add that I was hand holding my camera with the big 80-400mm lens, so it was a bit difficult to maintain focus on the intended subject. Keep in mind that there was some wind motion in the flowers, a shallow depth of field in these shots and much unsteadiness of the camera and lens in my hands. Readers might note the high ISO values that I had to use to get sufficiently high shutter speeds to freeze the motion.
An unidentified wildflower at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 360mm (before crop), f/8, 1/800s, ISO 1600.
Here is the orange flower that I was trying to shoot in the previous photo. Here I managed to get the bottom bloom in focus.
Fendler’s Waterleaf at Vaughan Lake Campground, Colorado. Nikon D850, Nikon 80-400mm at 135mm (before crop), f/8, 1/640s, ISO 1600.
And finally, another Fendler’s Waterleaf.
I will have more on this area in subsequent blogs. Until then,
There were scattered thunderstorms in the afternoon and more storm clouds were approaching well prior to the normal time we would go out for sunset shots, so we decided to go out early and try to get some shots before the storm arrived.
I went down the road to the small field of Columbines we had seen earlier in the day, arriving there shortly before the storm blew in. There had been sunlight, but by the time I arrive at my destination, clouds obscured the sun. I only had time to get a couple of shots before the wind and thunder convinced me that I should hasten back to the campground for cover from the storm.
Storm Clouds over Routt NF, CO Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 640.
Not long after getting back into the vehicle and zipping up the penthouse window covers, it began to rain, followed quickly by pebble size hail. As the rain and hail stopped, a double rainbow appeared to the east of the campground and there was light on the mountainsides to the east and south. It was still far from certain that the storm was completely past, so we hung around the vehicle until we were fairly sure the storm was over before going out again.
My son shot via his drone, launching it from the campground, while I went back to the field of Columbines. There were clouds and good sunset light with a beautiful sky, as there often is just after a storm.
After the Storm, Flattop Mountain, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/8, 1/125s, ISO 2500.
It was still windy and I was trying to get the Columbines in the foreground, so I went to high ISO in the dimming light to get a high enough shutter speed to freeze the motion of the flowers. The high ISO shots in the dim light were noisy and I was not able to filter out the noise enough to make most of them presentable.
Flattop Mountains, Columbine Meadow, Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/10, 1/125s, ISO 320.
I was disappointed with many of my shots, which I think were good compositions, but those with Columbines in the near foreground were mostly too fuzzy due to wind induced motion of the wildflowers or noisy due to high ISO and/or failure to chose a better focus point. On the other hand, focusing on the close up wildflowers would have resulted in fuzzy distant objects. I only have three shots from this shoot that I thought presentable.
A previous post referred to the areas that we scouted during our second day at Cold Springs Campground, looking for potential places for more sunset and sunrise photo shoots. This post will present a few of the iPhone shots taken during that scouting with some comments.
A dead tree near Smith Lake Trail, Routt National Forest, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
This striking looking dead tree trunk, spotted along the Smith Lake Trail, looks like a good photographic subject, but it was so tall one would have to have a really wide field of view of shoot upwards from near its base to fully capture it. We never got around to trying to shoot this properly.
A wilderness boundary marker along Smith Lake Trail. iPhone photo with edits in Adobe Lightroom and DxO Nik Efex Pro 4.
This boundary marker has nothing to do with photography, I just thought it interesting to see this marker. Someone, wondering around in the forest, not hiking along a trail, would never know when entering or leaving a designated wilderness area.
Smith Lake in the Flat Tops Wilderness, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
This view of a mountainside with Smith Lake in the foreground, suggested that early morning light would make this a good place for a sunrise shoot.
Smith Lake Panorama. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
A panoramic view of Smith Lake and the mountain in the background, suggests possible multiple compositional possibilities.
Columbines and fallen tree. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
I found this batch of Columbines down the slope from the roadway south of the campground. (Click on the photo to view on Flickr).
Approaching storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
Looking up the hillside south of the campground, it was apparent that it was time to return to the camp before getting caught in a storm. However, after getting to the Sportsmobile, I did take a chance and try to shoot at a field of Columbines, but I had to beat a hasty retreat again as the storm came in.
Near the end of the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
As the storm began to subside, a double rainbow appeared to the east of the campsite. The complete semicircle rainbow was visible at one time, but I could not get a shot of it with my iPhone. One can see sunlight from the west striking the mountainside in the lower left, so as long as the storm clouds, which were moving westward, did not obscure the sunset, we would get good after the storm light.
Possible good indication for sunset light after the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.
A fuller view of the sun lite mountainside south east of the campsite as the storm passed, gave us some hope of getting sunset light on the mountainside.
A subsequent post will cover the actual sunset shoot after the storm.
In the morning of July 13 we shot sunrise photos just east of the lake at Cold Springs Campground in Routt National Forest. We began shooting from a hillside just east of the lake.
An area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISOAn area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISO 64.
I thought that the weathered tree stump made an appropriate foreground object here.
The lake made a great mirror, reflecting the clouds in the sky and the trees along the edge of the campground. None of the other campers were up and about yet. We tried to be as quiet as we could so as not to disturb them.
A scene adjacent to the Cold Springs Campground in Routt National Forest, CO. Nikon D850, Nikon 14-24mm @24mm, f/16, 1.3s, ISO 64.
I put the weathered stump and a taller stump with slight side lighting at the edge of this photo.
After shooting on the hillside, we moved down into the meadow at the base of the cascade. There were lots of white and blue wildflowers in the meadow, especially around the cascade and stream. The area below the cascade was wet and marshy, which I had not anticipated and I was not wearing my water resistant hiking shoes. My shoes, socks and feet got soaked with cold water.
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1.6s, ISO 64.A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.
As you can see, I got multiple compositions of the cascade with varying amounts of the surroundings. I used slow shutter speeds to get the silky effect of the flowing water. There was not much wind, but there was enough motion in the vegetation to keep from getting really sharp images of the wildflowers. I tried to make the images at times when the wind was most calm in hopes of getting sharper images. This works with only limited success.
After breakfast, I hiked to the marshy area above the cascade, where there were many wildflowers in another meadow around the stream. By the time I got there the clouds were mostly gone, the light harsh, still a little too much wind and many swarming mosquitoes. I tried a few shots anyway, but those were not presentable. Somewhere in there, I apparently lost my Rocket Blower, which I had just put into a pocket for convenience, rather than take it along in my backpack, which I left behind in the vehicle. (For non-photographers, a Rocket Blower is a device for blowing dust off of lenses, filters and camera sensors. This is an essential piece of gear, in my opinion, so I have since acquired another one. For the rest of this trip, I had to borrow my son’s whenever I needed it).
Later in the morning we walked 10 minutes down the road to Smith Lake Trailhead. Smith Lake Trail is only 0.7 miles, steep in a few places, mostly near the start, but mostly an easy trail. We hiked to Smith Lake and decided to return the next morning for sunrise photography.
On the way to Smith Lake Trailhead, we noted a small field of Columbines, which would possibly be good for foreground shots at sunset, assuming the clouds cleared by that time, as it had gotten much cloudier and rained lightly off and on during the day.
We also walked back to the reservoir, hiking a short distance along one of the two trails starting at the reservoir. We turned back as lightning and thunder got closer and more active. It only sprinkled lightly and we took time to explore more in the area south of the roadway, along the stream from the reservoir.
That is it for this post. Stay tuned for the sunset shoot results,
