The square shape of the head on this hoodoo looks as if it could have been purposely shaped. Getting this image with that georgeous sky behind it was a bonus.
Square Head from another view point
Maybe those rocks in the foreground are from previous hoodoos here?
This post is a continuation of photography in an area of Southern Utah that is commonly referred to as “White Rocks”. There are many interesting rock features in this area.
I have to admit to cheating a little in the editing of this first image. In the original image there was a big rock where the two in the foreground are now. I found that single, large rock distracting, so I used Lightroom’s AI tool to break that rock into smaller rocks. This tool is often used to remove objects, but it can also modify objects. the tool creates three choices from which to choose at each activation and one can repeat the activation, if none of the choices are desirable. I could have completely removed that big rock, but that did not seem appropriate, so I chose this broken rock alternative, which I think fits better with the other rocks in the “Broken Circle”. Some will object to this blatant modification of a landscape, but I’ve finally gotten to the point of seeing such photography as much as art as in faithfully copying what nature provides. So I’m ok with modifications, within reasonable limits and we have to use our own judgment as to what is “reasonable”.
Geologist refer to these rock features as “hoodoos” or “toadstools”. To me the rock atop the pedestal in the foreground here looks like a toad. So Maybe this is a “Toad’s Stool”.
I titled this “Parent and Child”, but I can also see it as a dog with its tail sticking up. Some people’s pareiodlia may see it otherwise, but in the end it is another of natures marvelous creations, no matter how we perceive it.
I made this second image of “Parent and Child” a few minutes after the first, composing from a different angle. Within those few minutes, the sky in the background had changed significantly due to the windy conditions, illustrating how a minor change in view point and changing environmently conditions can affect a photograph.
A close up of the hoodoo with the pink bonnet in the previous image and a conversion to monochrome, give a completly different interpretation to this scene.
Getting into a position to make this image was not easy. Steep slopes with gravel size rock chips and thin layers of sand over the hard rock surface and other obstacles, made moving around treacherous and positioning awkward.
These hoodoos are the same one presented in individual photos. Grouping these into one shot, I’m imagining a father, child and mother in these rock shapes, all peering down into the valley below.
Another group of hoodoos that look like a family unit. Dad in the background, mom on the right, casting a sideways look at the child in a curious manner.
That’s it for now. Stay tuned for more Southern Utah landscapes,
The numerous rocks strewn over the canyon floor in Buckskin Gulch give evidence of the violence of currents that periodically rage through this canyon.
The sky and canyon walls are reflected in this muddy puddle, including the upper portion of the wall with the glow of midmorning light. We were able to pass this puddle by using the rocks on the left as stepping stones, then making a big step to the right onto a large boulder at the far end of the puddle.
Beyond the First Puddle
More pebbles and boulder in the pathway. This seems typical of Buckskin Gulch. Evidently, more water flows through this canyon than through Wire Pass.
No Dry Way Forward
The next puddle we came to was deeper and had no convenient stepping stones in it to facilitate passing without wading in the very cold water. This was an obvious turn around point for us, as we were not prepared to wade through the cold water. A small tour group turned around here, too; but one intrepid old fellow stripped down to his underwear and waded through. He moaned and groaned all the way through, then again as he apparently had to repeat the process at another puddle that we could not see around the bend here.
I made a number of images at this turn around puddle to capture the details in the canyon wall, the red, golden glow ahead and the reflections in the puddle.
It was a bit more awkward making that first step back across this first puddle, because of the location of the first boulder on the far side. I had to think about how to approach that first step, since a poor choice of step would put me into the cold water and maybe an unplanned cold bath. Once back on this side, I turned to get a parting shot with more of the canyon walls in this one. The dynamic range of light in these canyons creates a challenge getting a good exposure, so I bracketed several shots with different exposure settings, then combined those images into this one High Dynamic Range processed image.
After our shortened hike into Buckskin Gulch to the south of the Wire Pass exit, we hiked into the northern portion, which tends to be wider than the part to the south.
We soon came to another big, muddy puddle, at which we elected to turn around. Footprints in the mud attest to others wading on through the cold water. There was not as much water in this canyon the first time we visited here years ago and we were able to easily hike further into each of these portions back then.
After turning around here, we went back through Wire Pass, returning to the parking lot and then back to our campsite to plan the rest of the day.
We returned to the southern portion of Capitol Reef National Park to photograph Strike Valley in the late afternoon with the intention of photographing from somewhere along the switchbacks (numerous sharp turns on the roadway as it climbs steeply from the valley). There were no safe and suitable places to park along the switchbacks, so we settled for shooting from an area above the switchbacks.
Strike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, UtahStrike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, UtahStrike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, UtahStrike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, UtahStrike Valley and BeyondStrike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, UtahStrike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, UtahTwisted 1Twisted 2
In viewing some of these photographs now, I’m thinking some could benefit from cropping portions of the sky, but when I edited these, I was wanting to show the big open sky. Maybe that was a mistake, but I’m not going to change these now.
Abandoned Church Exterior, Front and East Side, New Mexico
After photographing the exterior of this old, abandoned church at the outskirts of a small New Mexico town, I ventured through the open doorway (there was no door) to check out the interior.
Abandoned Church, Interior Graffiti, Just inside the doorway
I had noted much graffiti just looking through the doorway and windows. Judging by the dates and graffiti messages, it looks like this place is popular with teenagers, presumably local ones, since this is a long way from any other towns or cities.
Abandoned Church, Interior and Graffiti
Shooting handheld in the dim light inside the church required high ISO to get sufficiently high shutter speeds to avoid fuzzy images. Shooting through windows from inside resulted in blowing out the exterior portions of the images.
Abandoned Church, Interior and Graffiti, Pulpit
I’ve brought out some of the exterior details in the editing process in the image above just to avoid having a white blur in the windows. The exterior details through the windows are very low quality as a result. If I had not been shooting handheld, I could have acquired images to create HDR images.
The floor boards were still sound, so maybe the missing boards are a result of someone looking for hidden treasure.
Abandoned Church, Interior, Ceiling
The ceiling bead board had a nice patina and mostly appeared to be in good condition. The covers to the ceiling light fixtures were all missing, presumably broken or maybe stolen. There were remnants of broken light bulbs in the fixtures.
There were no window panes so a breeze through the windows made the hanging light fixtures sway. I had to increase the ISO even more to freeze the motion of these.
Obviously some electrical item had been removed from the central portion of the ceiling. I’m guessing a ceiling fan had been here and has been stolen, if not removed legally, since those early day fans might be valuable antiques.
As I traveled towards my second overnight destination in route to the Grand Canyon North Rim in July 2021, I spotted an abandoned church about a block north of the highway at the edge of a small New Mexico town. I had to stop to check out this old church.
The roadway from the highway to the church was gravel, but in good condition. There were other homes or building visible from the church site, but none were very close to the church, making it stand out from its surroundings.
I walked around the exterior photographing the church from various angles and capturing some of the exterior details, before I ventured through the front doorway.
Abandoned Church Exterior, Weathered and Scared SidingAbandoned Church Exterior, Weathered Siding
This post is dedicated to the exterior views. It was afternoon and the lighting was not great for capturing this weathered old church, but I knew I might not pass by again for a long time, if ever, so I had to make the best of the photographic conditions.
Abandoned Church Exterior, East SideAbandoned Church Exterior, Window and Interior ViewAbandoned Church Exterior, Back and East SideAbandoned Church Exterior, Window and Interior ViewAbandoned Church Exterior, Back and West SideAbandoned Church Exterior, Window and Interior ViewAbandoned Church Exterior, Front and West Side, New MexicoAbandoned Church Exterior, Window and View to Interior CeilingAbandoned Church Exterior, Front and West Side, New MexicoAbandoned Church Exterior, Window and Interior View
