I had seen a number of abandoned houses and/or ranch/farm structures along my route home on previous trips this way. I decided that I would take time to photograph a few of these on my way home.
Roof Collapsing.
Abandoned House and Sheds
A closer look at the sheds
A closer look at the house
Abandoned House
All of the structures in the photos above are in close proximity to each other and on private property. I’m sure all of these were part of one settlement, ranch or other operation at one time. These are just off of a major highway, so they are easily observed by anyone traveling that highway.
The abandoned house in the following photos is not very near a highway, but it can be spotted from a major highway by a careful observer.
That’s all for this portion of my homeward journey,
There was a brief sleet storm just after I went to bed the second night of our stay near the Great Sand Dunes National Park. It was going to be a very cold night, so I wondered how the sleet and cold would impact our morning photography.
We arose before daybreak to get into the dunes before sunrise. It was 17 degF, the coldest morning we had experienced during this trip.
Great Sand Dunes, Colorado, March 2021
The dunes were dusted by the overnight sleet. This added interest to the landscape, but the sleet and cold temperatures preserved footprints from the previous day.
Great Sand Dunes, Colorado, March 2021
At least the footprints were somewhat muted, but there seemed no way to avoid getting footprints into photographs. I might have removed these in Lightroom, but I’m sure the results would not have been satisfactory.
Great Sand Dunes, Colorado, March 2021
In a valley between dunes, I found interesting patterns, where there either were no footprints or I could easily exclude those from my photos.
Great Sand Dunes, Colorado, March 2021
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
The sleet dusted, frosty sand dunes with snow covered mountains and clouds over them were good for making black and white images.
Snow and Sleet on the Great Sand Dunes, Colorado, March 2021
This wraps up the highlights of my March 2021 photography in the Great Sand Dunes.
We returned to the dunes in the early evening for sunset photography and I struggled to find satisfying compositions. Maybe we were not in the optimal location for this shoot. There were low clouds on the western horizon, which also blocked the sunset light.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
As we were giving up and beginning to hike back towards the parking lot, there was a sudden and brief break through of light. My son, being much younger and more fit than I, ran to the west to catch the fleeting light, while I walked as fast as I could, hoping to get to a good vantage point before the light was gone.
Great Sand Dunes, Colorado, March 2021
I think the image above is the best one the I got during this outing. I was still far from the best vantage point for the best light, but I knew the light was fading fast and I had to stop and shoot now. I got low to catch the dim light in this grassy patch of sand with the fading light on the dune in the background and the interesting clouds over the dune.
Great Sand Dunes, Colorado, March 2021
After the light faded from that dune and illuminated the mountainside to the east, I pointed my camera in that direction to get this final shot.
As promised in the last post, I want to elaborate upon the making of this image:
Great Sand Dunes, Colorado, March 2021
More precisely, I want to talk about a few of the many possible compositional variations around this scene.
Firstly, I spotted this feature from a distance and I wanted to be careful in approaching it. If I got too close and then decided to back off, I would already have ruined the scene with my footprints in the sand.
So I began to photograph from a distance and slowly worked my way closer to the “driftwood”. I also had some zoom capability with my 14-24mm wide angle lens.
Great Sand Dunes, Colorado, March 2021. Driftwood 1.Great Sand Dunes, Colorado, March 2021. Driftwood 2.Great Sand Dunes, Colorado, March 2021. Driftwood 3.
The light changed as I approached and I tried including more sky in my compositions.
Great Sand Dunes, Colorado, March 2021. Driftwood 4.Great Sand Dunes, Colorado, March 2021. Driftwood 5Great Sand Dunes, Colorado, March 2021. Driftwood 6.
I think I’m much too far away in Driftwood 1. So I worked my way closer.
I think I’m still too far away in Driftwood 3 and it’s a little dark. I like the sky in this image and the lack of features at the interface between the sand and sky, giving this image a clean, simple look. Maybe this makes it more dramatic?
I like the closeness and the angle of view in Driftwood 4, but I cut off a small portion of the driftwood’s shadow in this image. Cutting off shadows is something that I try to avoid, whenever possible. So I zoomed out a little and made Driftwood 5. Zooming out here got more sky in the image, which I like.
I got much closer for Driftwood 6, but I do not think this is an optimal angle of view.
I lean towards Driftwood 2 and 5 as my favorites. I’m not sure which is best, but I lean towards 5. I think that I could have made a better image than either of these two. Maybe it is good to never be quite satisfied with our photographs, so that we continue to strive to get better images.
As always, readers’ opinions and critiques are welcome,
I continued to wander around in the Great Sand Dunes early the first morning of our March 2021 visit, looking for good compositions.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
The icy rim along the ridge in this dune caught my eye. I like the way that icy ridge leads the eye from the left corner of the frame to the long ridge, which in turn leads the eye into the upper part of the image.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
I’m always looking for objects with distinct shadows and these chunks of frozen sand, that lie along the edge of a dune, add interest to this image. The edge of the dune acts as a leading line from the lower right towards the upper left. This line is more brightly lighted than other portions of the image and acts as a diagonal dividing line in the image. Notice how the sand details, visible texture and light change as the eye crosses this diagonal. The darkness in the clouds and the shadowy, distant mountains create a strong contrast with the sunlit sand.
Great Sand Dunes, Colorado, March 2021
A series of circular features breaking the ripple patterns in the sand made me stop to take this photo. I’ve converted the original color image to monochrome, since I think this image with these features is more dramatic in black and white.
Great Sand Dunes, Colorado, March 2021
This small piece of “driftwood” breaks up and modifies the wind created ripples in a dune. I put quotes on “driftwood”, since I’m not sure that this is the proper term for how this chunk of a tree got here. Maybe it blew in via wind or maybe it was washed here by water?
I’ll have more to say about making this image in a subsequent post.
We were in the sand dunes before sunrise of the first morning of our March 2021 visit. Hiking in sand requires some effort, but at least during the winter, some of the sand is frozen on the surface, making it a little easier to walk on.
Photographing the dunes in the early morning has the advantage of overnight winds wiping away or muting the footprints of the previous days’ visitors. Still one might have to hunt for places to avoid remaining footprints. Caution is also required in approaching an area to photograph, so one’s own footprints are not ruining the scene.
Great Sand Dunes, Colorado, March 2021
Those lumpy looking features in the left center of the image above are frozen parts of the sand dunes and make good foreground objects in the vastness of the dunes.
Great Sand Dunes, Colorado, March 2021
These dunes cover a vast area and we are barely in the edge of the dunes and well below the highest peak.
Great Sand Dunes, Colorado, March 2021
It was good to have early morning clouds over the mountains to the east of the dunes.
Great Sand Dunes, Colorado, March 2021
I varied my compositions by moving around slightly or carefully approaching foreground objects, so as not to trample the natural patterns in the sand as the sunrise light progressed over the dunes.
Great Sand Dunes, Colorado, March 2021
The photo above is nearly the same composition as the first image of this post, but the light has changed with the rising sun and the shadows are longer and more pronounced.
Great Sand Dunes, Colorado, March 2021
Moving just a few feet can make a dramatic difference in an image in the dunes, as does the changing light conditions.
Even though we had reserved our Bandelier campsites for a couple of more days, we decided to journey north to the Great Sand Dunes of Colorado, since we were not satisfied with the photographic opportunities in Bandelier at this time.
The campground in the Great Sand Dunes National Park is not open in the winter, but there is a decommissioned Colorado State Park about 20-30 minutes west of the Great Sand Dunes. At the time we were here, this decommissioned park was managed by Colorado’s Game and Fishing agency. To stay in the park, one had to have a Colorado fishing license. So we each purchased a two day fishing license at a local convenience store, which allowed us to stay two nights. Other than the cost of the license, which for an out of stater was still less than the typical fee to enter and stay at a Colorado State Park, there was no other fee to stay in this facility and there were still electric hook ups. Having external electric power was great, since the night time temperatures were in the teens (degF).
The requirement to have a fishing license to stay in these wildlife and fishing areas were already set to change in May. Now one can purchase an inexpensive yearly pass that will allow one to stay in such places.
Our first outing, the afternoon of our arrival, in this area was to Zapata Falls, which is a few miles outside the National Park. We had visited these falls last summer, but it was crowded and many visitors were not wearing masks in close proximity to each other in the confined area near the falls. So we were not able to get close to the falls, which are not visible from a distance.
During the winter, there are still visitors, but many fewer. The drive from the paved road is rocky and rough and there was construction work along this route, when we were there.
At the end of the access road, one has to hike about 3/4 mile to the falls. The trail is wide and rocky and slightly uphill most of the way. It is much more pleasant hiking this trail in cold weather than in the heat of summer. There were patches of icy snow pack on the trail, so it was occasionally slippery, requiring prudent care while walking.
The falls are contained in a narrow canyon and one has to walk in the stream to view the falls. The stream is usually shallow, so even in the summer it is not to difficult to walk, but the rocks can be slippery.
In the winter the stream and fall freeze over on the surface, requiring one to walk on very slippery ice. As it turns out I had ice cleats for my hiking shoes, that I had purchased a couple of years ago for a winter visit to Bandelier National Monument, where I was expecting icy trails; but there was no ice there and I had never used the cleats. Today I got to use them and they really made it much easier to walk on the ice. While others were slipping and sliding on the ice, we were nonchalantly walking around on the ice. My son, being from snowy and icy Colorado, had ice cleats, too.
Setting up.
One can see how narrow the canyon is in the photo above. The main portion of the falls are actually around the bend. In the summer one might get a little closer to the falls, getting wet with the spray. With the ice cover on the stream, it was not possible to safely get much closer and still be able to stand on the ice with a tripod and camera.
Getting the shot. Frozen Zapata Falls and Stream.A downstream view from Zapata Falls.
A view downstream from near the falls, shows an exaggerated narrowness of the canyon from my point of view. There were thinner icy covered areas of the stream, requiring care in where one stepped. Wet feet here would be uncomfortably cold.
By the time this final post, covering my fall visit to the Rio Grande National Forest, is published it will be late spring of 2021. It would have been good to have been able to publish all of the fall photographs in the fall, but it takes time to review and edit so many photographs and there are always other trips, events and personal matters that delay getting posts prepared.
Maybe I should take fewer photographs? But photography of natural places is my hobby and I get to do too little of it as is, so I will continue to make as many photos like these as often as I can get away to do so.
Fall Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 3200.Red and Green Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.
Dark Red. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.Fall Forest Roadway. Nikon D850, Nikon 24-70mm @ 24mm, 1/500s, f/11, ISO 3200.Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 3200.Leaves and Moss on Stump. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 3200.Leaves and Stump. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 3200.Trapped. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 6400.
I’ll finish with a final photograph that I think is appropriate for wrapping up this trip.
The heart shaped scar on this tree appears to be natural and not one of the many carved ones that I encountered.
As soon as I publish this, I will begin preparations for another trip to begin in a few days. I have much to do and still have to select a primary destination. Maybe by next year, I will even be posting photos from that trip. (I still have other events in the queue to work through before getting to anything new)!
Shelter. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 3200.Trunk Trio. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 3200.Hint of Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 400.Sanctuary. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.Forest Road and Barren Aspens, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 2000.Advanced Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Advanced Fall. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Hanging On, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 2000.Stump with moss and leaves. Nikon D850, Nikon 24-70mm @ 32mm, 1/320s, f/11, ISO 3200.
Just one comment to wrap up this post. Viewers will note that I’ve include color versions of a few images that were then converted to black and white with selective colorization to add emphasis.
Stay tuned for the wrap up for my September 2020 Rio Grande National Forest visit.
For our late day shoot, we decided to drive back into a higher elevation portion of the forest. I’ll refrain from using too many words to wrap up the final shoot of my last day here, so these last several posts will consist of mostly photographs.
Aspen Fall. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2500.Aspen Leaf and Evergreen. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1600.Leaf and Bark. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 320.Fall Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.Leaf Hoard. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 2000.Leaf and Bough. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.Golden Forest Floor. Nikon D850, Nikon 24-70mm @ 26mm, 1/250s, f/11, ISO 2000.Gnarly. Nikon D850, Nikon 24-70mm @ 32mm, 1/250s, f/11, ISO 2000.Soft Landing. Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 3200.
Roof Collapsing.
Abandoned House and Sheds
A closer look at the sheds
A closer look at the house
Abandoned House
