A popular area for visitors to Bisti is called “The Nursery”, where there are unique rock shapes that are referred to as “Cracked Eggs”.
It was very overcast this evening in The Nursery, so there was very little golden hour light; but the heavy clouds were great for creating dramatic photographs.
More later,
Ken
It was frequently cloudy during the days spent at Bisti in early June of 2021, which is good for dramatic sky backgrounds, but it can be bad for golden hour photography.
I thought the rock (photo above) with the pointy feature looked like some sort of weird creature guarding an egg, others have suggested it looks like a baby elephant. I can see that, too.
There are many pieces of petrified wood, logs and trees scattered around in this area. The mineralization of these objects is not as colorful as that in the Petrified Forest National Park, but it is amazing how much of the original tree detail is retained in these rocks. Most of the petrified log sections are horizontal, but occasionally there are vertical ones, which I suppose tumbled into this position somewhere in the distant past.
The cap on the hoodoo in the photo above, looked like a turtle soaking up some sun, but there was no sun.
I made some photos just to capture geological features, even if the photos are not highly interesting in an artistic manner. Having worked with many geologists and as a petrophysicist, might make me more prone to see and marvel at the layering in rocks.
Weathering and erosion continue to create and modify the features found here. Some features might linger for many years and some might be changed quickly by a heavy rainfall.
The petrified log in the photo above, may be the longest exposed one that I’ve seen here. It was difficult to capture in a single photograph, so I shot it from multiple view points and on multiple occasions under different light conditions.
More later,
Ken
I know I’ve multiple posts from my visits to Bisti and I hope that readers do not get bored with these. The Bisti Wilderness, in a desert area of New Mexico, is a marvelous place and one of my favorite places for photography. Each visit reveals new areas and new features to photograph. Even revisiting the same areas within the wilderness can result in different photographs, since it is never possible to photograph everything within even a confined area during one visit and the scenes will continue to evolve with time, weather and lighting.
In early June, 2021, I met my oldest son here for several days of exploration and photography. We chose to visit the area known as The Nursery the evening of our arrival, since we knew we could get there easily before sunset.
This is a popular area with photographers, requiring working around each other and proper etiquette to avoid getting in each others way.
The photo above is an example with my son in a shot I wanted to set up. Of course, I made this shot just to capture him, but since we landscape purist try to avoid people in our shots, we sometimes have to modify our point of view. So I just turned a little to get this image:
This is a much better composition, anyway. Although, I regret clipping a little off the front and right edges of the foreground rock.
There are so many objects, arranged haphazardly by nature, that it is virtually impossible with a wide angle lens to avoid clipping some object at the edges of a shot.
As the light began to fade on the Cracked Eggs, I began to explore the nooks in the hillside area to the east, where I found this tall hoodoo with a pointy top and small cap that I could set against the sunset clouds.
Preparing to hike back to the parking lot, I got one last shot at the edge of the hillside with the sunset light fading from the clouds.
Stay tuned for more Bisti exploration,
Ken
I spotted old, abandoned ranch structures and a windmill set back some distance from a highway, as I was traveling through the high plains of New Mexico a year or two ago. I resolved to stop and photograph the ranch scene on my way back through, since I was on a travel schedule, when I first noted these old structures.
I watched for that old ranch and windmill on my way past the area a couple of times, but I did not spot it again during those trips. The mental picture I had made for the ranch location was not accurate or maybe as time went by my memory became fuzzy. However, on my way home from the Great Sand Dunes of Colorado, I passed this way again and I spotted the windmill.
Abandoned ranch structures and old windmill on the high plains of New Mexico.
The ranch was, indeed, miles from where I had thought it was. I had made a mental note of the next town I went through for location reference, after first discovering that ranch. That town was miles away, but over time I became convinced that the ranch was just on the outskirts of that town. Consequently, I only began to look for it as I approached that town.
Lesson learned: even though my mental recollection is usually good, I should make written or recorded notes and/or GPS locations for places that I want to get back to.
Abandoned ranch structures on the high plains of New Mexico.
This area was volcanically active in ancient times and I’m fairly sure that is an old volcano cone in the background.
I had to shoot from a fence line with the house far on the other side. I considered shooting with an 80-400mm for which I have a 1.4x extender to get close up shots, but I think the shots with a 24-70mm at 70mm give a much better indication of the setting in this wide open landscape.
More abandoned structures down the road from here will be in the next post,
Ken
We returned to the dunes in the early evening for sunset photography and I struggled to find satisfying compositions. Maybe we were not in the optimal location for this shoot. There were low clouds on the western horizon, which also blocked the sunset light.
As we were giving up and beginning to hike back towards the parking lot, there was a sudden and brief break through of light. My son, being much younger and more fit than I, ran to the west to catch the fleeting light, while I walked as fast as I could, hoping to get to a good vantage point before the light was gone.
I think the image above is the best one the I got during this outing. I was still far from the best vantage point for the best light, but I knew the light was fading fast and I had to stop and shoot now. I got low to catch the dim light in this grassy patch of sand with the fading light on the dune in the background and the interesting clouds over the dune.
After the light faded from that dune and illuminated the mountainside to the east, I pointed my camera in that direction to get this final shot.
Stay tuned for our final morning in the dunes,
Ken
I continued to wander around in the Great Sand Dunes early the first morning of our March 2021 visit, looking for good compositions.
The icy rim along the ridge in this dune caught my eye. I like the way that icy ridge leads the eye from the left corner of the frame to the long ridge, which in turn leads the eye into the upper part of the image.
I’m always looking for objects with distinct shadows and these chunks of frozen sand, that lie along the edge of a dune, add interest to this image. The edge of the dune acts as a leading line from the lower right towards the upper left. This line is more brightly lighted than other portions of the image and acts as a diagonal dividing line in the image. Notice how the sand details, visible texture and light change as the eye crosses this diagonal. The darkness in the clouds and the shadowy, distant mountains create a strong contrast with the sunlit sand.
A series of circular features breaking the ripple patterns in the sand made me stop to take this photo. I’ve converted the original color image to monochrome, since I think this image with these features is more dramatic in black and white.
This small piece of “driftwood” breaks up and modifies the wind created ripples in a dune. I put quotes on “driftwood”, since I’m not sure that this is the proper term for how this chunk of a tree got here. Maybe it blew in via wind or maybe it was washed here by water?
I’ll have more to say about making this image in a subsequent post.
Until then stay well and safe,
Ken
We were in the sand dunes before sunrise of the first morning of our March 2021 visit. Hiking in sand requires some effort, but at least during the winter, some of the sand is frozen on the surface, making it a little easier to walk on.
Photographing the dunes in the early morning has the advantage of overnight winds wiping away or muting the footprints of the previous days’ visitors. Still one might have to hunt for places to avoid remaining footprints. Caution is also required in approaching an area to photograph, so one’s own footprints are not ruining the scene.
Those lumpy looking features in the left center of the image above are frozen parts of the sand dunes and make good foreground objects in the vastness of the dunes.
These dunes cover a vast area and we are barely in the edge of the dunes and well below the highest peak.
It was good to have early morning clouds over the mountains to the east of the dunes.
I varied my compositions by moving around slightly or carefully approaching foreground objects, so as not to trample the natural patterns in the sand as the sunrise light progressed over the dunes.
The photo above is nearly the same composition as the first image of this post, but the light has changed with the rising sun and the shadows are longer and more pronounced.
Moving just a few feet can make a dramatic difference in an image in the dunes, as does the changing light conditions.
More from the dunes in the next post,
Ken
This is a continuation of a previous post with photographs from the ancient Native American site, Tsankawi, a part of the Bandelier National Monument, New Mexico.
Up above the main continuous trail through Tsankawi, I spotted a portion of a trail that was obviously out of place. This part apparently broke away from its original location and lodged here many years ago.
The depth of this portion of the trail is impressive. The pathways are narrow, which suggests that the people that made these were not large people.
It took a little effort to navigate some portions of these ancient paths, especially when carrying a daypack and DSLR.
Interestingly, this portion of the trail had dual pathways, but one was a dead end. Was this two lane path created by having one foot on one side and the other foot on the other side of the trail? Each side is too narrow for having both feet within the narrow channel.
There were numerous indications of dwellings, shelters or storage areas along the pathways of Tsankawi. Some areas were off limits for visitors, so we did not get to see everything here.
The entrance to this cave (above) seems to have a torso with head shape.
There were numerous caves in some areas. Notice the foot and/or hand holds in the rocks around these caves.
A desert view from the main trail around the Tsankawi area.
This wraps up the best photos that I managed to get in this amazing place. Perhaps someday I will get back again, when conditions are more favorable for photography.
Until next time,
Ken
We visited Tsankawi again one afternoon, but we never really got to be here at the very best time of the day for photography. Although, we did have some cloudy sky, which helped add a little interest at times.
Tsankawi is really an amazing place. I was most impressed by the paths created by Native Americans many years ago. Those ancient people walked the same paths so often as to wear deep trenches in the rock. Sometimes the trenches were only a few inches deep and sometimes several feet deep. Even though the rock may not be super hard here, it is not soft either, so it must have taken many walkers over many years to create such deep pathways in the stone.
One has to look closely to see the old, worn petroglyphs, of which there were many, in some of the rock faces.
Viewing a larger image on Flickr will allow for better resolution of the many petroglyphs on this rock face.
To be continued,
Ken
I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.
The first image here is a shot down FSR 380, just past my campsite. It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.
Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.
Aspen trunks have always fascinated me. They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.
A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting. A smaller aperture would have given a smaller, sharper starburst.
I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement. I posted this image on LinkedIn, where I knew others would see those traces as I did, and as of this writing it has received 15,275 views, 252 likes and 56 comments.
The small Aspens in full color beneath the much taller ones were eye-catching.
A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky. There is a full range of color in the images here, since “peak” color is not yet here.
Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.
To be continued,
Ken
