There is a hoodoo in Badlands National Park that is visible from the paved road through the park. Getting close to the hoodoo requires hiking down the steep slope from the roadway and a short hike.
I made numerous iPhone camera shots as I walked around the hoodoo to show how a hoodoo can look considerably different from different points of view.
After photographing wildflower scenes around my campsite, I left the campsite to travel into Badlands National Park to scout locations for golden hour photography. But first, I drove around a little in the large public land area, where I was camped to get a better feel for the area and scout other possible campsites, in case my prefered location was again taken or the site I occupied on my first night here was taken, when I returned in the evening.
There are numerous road trails through this area, which is popular with off-road vehicle riders, who create their own trails with their dirt bikes, 4 wheelers and other vehicles. I traveled into the area a bit, but did not take time to fully explore the area, after I was satisfied that it would be no problem to easily find numerous suitable places to overnight here.
I parked along one of the trails on my way out, hiked up to the top of one of the many hills in this area and captured this pano:
There is a gravel road that leads from the small town of Interior, SD into Badlands NP, which I take as a short cut into the park, rather than following the highway to a main entrance. There is a sign indicating when one is entering the park on this backroad, but no entry station. The sign does inform that a permit or fee is required to be in the park, so anyone in the park might be asked by a ranger to show proof of fee payment or other permit. I have a Senior Pass, one of the few benefits of old age, so I never worry about having to show proof that I can be in a National Park.
I stopped on this gravel backroad to shoot a few images of the Badland features in the distance that appear to “erupt” out of the flat land in the foreground.
It was a mostly heavily overcast day with periodic light rain. I stopped at a number of the overlooks to snap a few scouting photos with my iPhone. The dramatic clouds in the sky made for interesting photos and I probably should have taken more time to capture better quality images with my Nikon Z8 and wide angle Z14-24mm lens. The Z8 is sealed well, but keeping rain drops off of the big lens glass can be a problem and I wanted to be able to scurry about quickly, so I left the big camera and lens in my vehicle, while I scouted various locations for shooting later in the day.
With the heavy cloud cover, not much direct light fell upon the badlands features, but occasionally a little light broke through the clouds to highlight some of the rocks.
The shape of the mound of dry, cracked, gray earth in the foreground bears a similarity with the shape of the rain clouds in the sky, yet the dryness of that mound of clay contrasts with the wetness of the clouds.
Lushness and Barrenness
Lush green vegetation in the low areas contrasts with the almost barren rock in the background.
Meander
A meandering stream runs through the low area at the base of the badlands features.
More Badlands images later,
Ken
P.S. These images are best viewed on a large screen.
We returned to the area refered to as White Rocks in Southern Utah for an early morning shoot. I switched from the Nikon D850 and 24-70mm lens to the Nikon Z8 and Nikon Z14-24mm for this shoot.
After climbing out of the White Rocks canyon, which was already nearly all in shadow, I paused to capture a few shots over the canyon and the landscape around the canyon. The sun was low in the sky, not quite golden hour, but the lighting was good. We still had to hike back to our vehicle and make a slow drive out of this area, which is best done in daylight, so we never quite waited for sunset.
The square shape of the head on this hoodoo looks as if it could have been purposely shaped. Getting this image with that georgeous sky behind it was a bonus.
Square Head from another view point
Maybe those rocks in the foreground are from previous hoodoos here?
This post is a continuation of photography in an area of Southern Utah that is commonly referred to as “White Rocks”. There are many interesting rock features in this area.
I have to admit to cheating a little in the editing of this first image. In the original image there was a big rock where the two in the foreground are now. I found that single, large rock distracting, so I used Lightroom’s AI tool to break that rock into smaller rocks. This tool is often used to remove objects, but it can also modify objects. the tool creates three choices from which to choose at each activation and one can repeat the activation, if none of the choices are desirable. I could have completely removed that big rock, but that did not seem appropriate, so I chose this broken rock alternative, which I think fits better with the other rocks in the “Broken Circle”. Some will object to this blatant modification of a landscape, but I’ve finally gotten to the point of seeing such photography as much as art as in faithfully copying what nature provides. So I’m ok with modifications, within reasonable limits and we have to use our own judgment as to what is “reasonable”.
Geologist refer to these rock features as “hoodoos” or “toadstools”. To me the rock atop the pedestal in the foreground here looks like a toad. So Maybe this is a “Toad’s Stool”.
I titled this “Parent and Child”, but I can also see it as a dog with its tail sticking up. Some people’s pareiodlia may see it otherwise, but in the end it is another of natures marvelous creations, no matter how we perceive it.
I made this second image of “Parent and Child” a few minutes after the first, composing from a different angle. Within those few minutes, the sky in the background had changed significantly due to the windy conditions, illustrating how a minor change in view point and changing environmently conditions can affect a photograph.
A close up of the hoodoo with the pink bonnet in the previous image and a conversion to monochrome, give a completly different interpretation to this scene.
Getting into a position to make this image was not easy. Steep slopes with gravel size rock chips and thin layers of sand over the hard rock surface and other obstacles, made moving around treacherous and positioning awkward.
These hoodoos are the same one presented in individual photos. Grouping these into one shot, I’m imagining a father, child and mother in these rock shapes, all peering down into the valley below.
Another group of hoodoos that look like a family unit. Dad in the background, mom on the right, casting a sideways look at the child in a curious manner.
That’s it for now. Stay tuned for more Southern Utah landscapes,
