A Saturday in London

A few years ago after a week of business in a London office, I stayed over the weekend to photograph a few of the city scenes.  London is a great city with much history, centuries old buildings and modern architecture.  There are wonderful museums, which take much time to completely enjoy.

I had no firm plans for what to see, but my wife and I had spent a week+ here a few years prior, so I had enough of a conception of the area to just wander about and I was familiar with the subway system.

I was there just a few days after a major riot in one area of the city.  So I knew an area to avoid, at least.  The taxi driver that brought me from the airport to my hotel was quiet talkative and condemning of the rioting.

As usual in a large city, there were lots of local people and tourist out and about on Saturday.  As I was photographing sights along the Thames, a couple of Japanese men stoped near me.  The older one had a Nikon camera, one of the newest D series professional models, and a bulbous, wide-angle prime lens.  I only had my consumer model Nikon D90.  The older man did not speak English, speaking to me in Japanese, emphasizing his camera and lens, via his motions.  The younger man, his son, translated for his dad.  I was complementary about his camera gear, asking humorously, if he wanted to trade with me, offering to include my tripod, since he did not have one with him.  Of course, he scoffed, in Japanese, at that notion.  Anyway, I guess that I did not look like a typical tourist to the older man, with my photo vest and tripod, and I think that impression led him to speak to me.  So if you want to attract attention while traveling, carry camera gear, not a just point and shoot or camera phone.

Earning a few hard earned coins in the sand along the Thames in London.

At one place along the Thames, where the river bank was very sandy, there were local artists creating sand sculptures with tip containers on prominent display. The observers showed their appreciation of the artists’ work by tossing coins at the tip containers.  It looks like very few tossed coins hit the intended target, but one artist had a good idea with a blanket or tarp under the target to make it easier to find the coins that missed the target.

I wanted to get down to the Thames bank to walk along it, but I was concerned about the local tides.  It appeared to be low tide now, but there were limited access points from the tidal wall along the bank and I did not want to get trapped by a rising tide.

At a quiet interval along the river walk, I found a young lady sitting on steps that went down to the river bank.  I stopped to ask her about the local tides.  She did not have any knowledge of the tide schedule, but she said her boyfriend probably knew, as she pointed out a young man walking along the bank.  She also told me that her boyfriend did volunteer archaeological work along the river bank and had found an old cannon and numerous minor objects.

I went down to the bank and approached the young man, explaining why I was there.  He did not know the tidal schedule, but he gave me a good reference that I could check online.  I asked what he was looking for and he pulled a few small objects from his pocket that he had picked up there.  The only one of those objects that I recall was a small button, that he said was from a sailors uniform.  He also showed me a few other items along the bank, broken china and clay tobacco pipes cemented together in the river sediment.  He said it was not uncommon to find an occasional Roman coin.

I thanked him for his information, decided to take a chance and continued walking along the bank.  More aware of the treasures that might be lying around, I scanned the bank as I walked along, not finding anything, other than broken recent China dishes, probably discarded from a local restaurant or dwelling.  As I came back this way, I looked for the clay pipes, thinking I should at least get a photo, but I could not find the pipes again.

Green algae growing on timbers and hardware along the Thames River, London.

Judging by the height of the walls along the river bank, the water level must get rather high at times.

A heavy duty chain on a bank of the Thames River in London.
The remnant of an old pier along the Thames River in London.

As I walked along, the scattered clouds became more organized, threatening rain, so I abandoned the river bank and began to look for a temporary shelter as a light rain began.  It was past normal lunch time and I need sustenance, so I found a restaurant to shelter in, hoping the rain would pass, as I enjoyed a meal.

A modern art sculpture of a knight adjacent to a London church.
London Bridge just after sunset.

After my late lunch, I continued exploring the local area along The Thames.  Near the Tower Bridge, a young man told me of a place on the opposite side of the river where I could get a different view of the bridge.  I walked across the bridge, following his directions, as well as I could remember them, finding a narrow passageway between buildings, going through an iron fence gate, that clanged shut behind me, into a large secluded plaza along the bank behind what appeared to be upscale apartments.  I was alone there in the early evening, with only one young couple coming into the area and they did not linger long.  Maybe I spooked them away.  It was eerie being alone there in the dark and I had seen almost nobody along the streets I had taken to find this plaza.  I could not help thinking this would be a good place for a mugging, dumping a body in the Thames, and I hastened away, perhaps not spending as much time as needed to get the best photo here.

A night view of the Tower Bridge.

I did not like the construction cranes and other industrial features that were more visible near the bridge from this vantage point, but I managed to get a muted night shot of the bridge from a different point of view than the normal tourist would see.  I’m not happy with the exposure, which was difficult with this high contrast scene.  The long red line in the lower right of the photo is London Bridge.

As I retreated from the plaza and approached the bridge, I stopped below it to get this shot:

Tower Bridge from below

I like this image of a portion of the bridge, since it is from a perspective not often photographed.

I continued across the bridge to the opposite bank and began my walk back to my hotel.

London Bridge’s red light and reflections in the Thames River

Stay safe and well,

Ken

 

Echo Park, July 2019, Sunset Shoot in the Yampa River

My son and I return to the area near our sunrise shoot and go down a steep bank into the river channel, crossing a narrow, mucky interval near the bank, balancing on a narrow, short tree branch and rocks, avoiding as much mud and water as possible, trying not to fall, wading through shallow water on the edge of a broad bar, before getting onto the dry portion of the rocky bar in the river channel.  We are just east of the confluence of the Yampa and Green Rivers.  The river is broad and maybe not deep, but we do not test the waters; even though, there is a large driftwood tree on the bar on the opposite side that would make a great foreground object.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/13s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The river surface provides good reflections of the canyon walls, as we make numerous photos, while waiting for the sunset light.  The river and a good portion of the canyon walls are already in shadow.  A high wall to the west, will prevent full sunset light illumination of the entire canyon walls; but we expect golden light on the upper portion of these walls.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I experiment with different compositions with the 14-24mm lens at various focal lengths, while waiting for the golden hour.  I use a 3 stop, soft, graduated neutral density filter to balance the exposure of the sky and the river.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 17mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The first of the golden hour rays are apparent in the image below and the light is already far up the canyon walls.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I make a series of images as the light changes in its move up the walls.   Short, fractions of a second, shutter speeds make the river current ripples apparent in the images above.  The images below are made with long shutter speeds, using a 7 stop neutral density filter, smoothing out the ripples.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 30s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The light is going away faster on the north wall than on the south wall, creating an asymmetrically lit image.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Blurring of the reflections by the river current is more apparent in the longer exposures.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 15mm, f/16, 25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Finally, as the light disappears on the canyon walls to the east, I turn to check out possible compositions to the west.

Yampa River, Echo Park, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The sun is below the western rock face, the sky is bright and the river is in shadow, making it difficult to get a balanced exposure.  While this is not a great photograph, I still like the leading line of the river with its current ripples, reflected skylight, fuzzy reflections of the bordering walls, the bars on each side of the channel and the soft streaky clouds in the sky.  This view might be good in early morning sunrise light.

While waiting for the golden hour, I made a few iPhone images just to see what I can do with those and to show those who might use such a device to capture photographs, the possibilities for such images.

Yampa River at its confluence with the Green River. iPhone photograph edited in Adobe Lightroom and DxO modules.

I can brighten the lower portion of the image above, but I think this looks more natural.

The Yampa River and Canyon in Echo Park. iPhone photograph edited in Adobe Lightroom and DxO modules.
Yampa River and canyon walls near sunset. iPhone photograph edited in Adobe Lightroom and DxO modules.

That is it for this shoot.  We have one more sunrise in Echo Park before ending this trip.  Some of the images in this blog are posted to my Flickr page, where one can view them in higher resolution and viewing on a large screen will be best.

Until next time,

Ken

 

Echo Park, Dinosaur National Monument, July 2019, Day One Sunset

Mosquitoes swarm relentlessly around us as we walk the short distance through a forested area to the Yampa River behind our campsite.   We are covered in bug repellant.   Still the mosquitos buzzing around our heads are an unpleasant distraction.  We go down a steep bank with the aid of a rope tied to a tree, getting onto a sandbar in the river.  We are shooting sunset photographs at this location our first evening in Echo Park.

Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 500. Edited in Adobe Lightroom and DxO Nik modules.

As usual, when shooting in a canyon, the late day light illuminates only a portion of the canyon wall.

Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 17mm, f/11, 1/20s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

The light on the far canyon wall reflects into the river with just a sliver at the edge of the sandbar.

Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/20s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

The top edge of the cliff side to the right of Steamboat Rock gets only a small wedge of late day sunset light.

Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/10s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I make a number of shots, capturing the sunset highlights and the reflections in the river.

Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/16, 20s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

To smooth the ripples in the river, I use a seven stop neutral density filter and a long exposure.

Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

Each time I change the composition, I acquire a shot with a 3 stop soft graduated neutral density filter to balance the foreground and sky exposure, then add the seven stop ND for a long exposure.

Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

I like the way the long exposure shows the motion of the river current in the photo above.  By the time these last two images are made, the golden hour light is gone, so we call it a day.  We venture once again through the mosquito infested woods back to our campsite.

We are looking forward to a sunrise shoot tomorrow.

Until then,

Ken

 

Cumberland Falls, September 2019 – Scouting Photos

At the end of our stay in the Liberty, Kentucky area, we decided to modify our plans and make a stop over at Cumberland Falls State Resort, Kentucky.  We were only a couple of hours away and the online literature made this look like an interesting place to see.

It was much too early in the fall for the best fall color here, but our schedule dictated that we be here now.  I went out late in the day of our arrival, primarily to scout, but I put my camera in our vehicle trunk just in case I decided conditions merited DSLR photographs.

Scouting along the river just above the falls,  I noted a sign that prohibited one from going any further along the river above the falls, much to my dismay.  I knew I could safely get closer to the top of the falls, but I heeded the sign.  The top edge of falls are frequently not very interesting to photograph anyway.

Cumberland Falls. iPhone photograph with edits in Adobe Lightroom and DxO Nik modules.

This is a tourist attraction and there are railings set up at various view points with warnings not to cross the rails, which of course I really wanted to do, since I was sure I could get better compositions beyond the rails, exercising caution not to fall off of a cliff in the process.  Nevertheless, I heeded the prohibitions.

Cumberland Falls. iPhone photograph with edits in Adobe Lightroom and DxO Nik modules.

As usual in the afternoon hours, there were numerous visitors out and about, with one group being escorted by a young park ranger.  This time of the year there were not large crowds of visitors, as there are in the summer months.  In fact most of the visitors were older people with no children.  There were a few younger people, who either had no kids or only pre-school kids.

Cumberland Falls. iPhone photograph with edits in Adobe Lightroom and DxO Nik modules.

It was an overcast afternoon and, even though earlier than I would normally shoot at sunset, it was obvious that there would be no sunset light this day.  So I decided to go back to my vehicle, get my camera gear and shoot anyway.  As I began to get out the camera gear, rain began.  I initially sat in the vehicle for a while, then decided to give up for the day.  Of course, by the time I drove back to our cottage, the rain had stopped.  At least I got a few iPhone images, just in case something happened to prevent me from returning in the morning, when the rain was predicted to have passed by.

Tomorrow I will try to get some long exposures of the waterfall for that silky flowing water effect.

Until then,

Ken

Colorado 2019 – Gates of Lodore – Sunrise

Since the hike to the sunrise shooting location at the Gates of Lodore was not long, we did not have to get up excessively early, but we still began hiking in the dark this morning.

We were fortunate that we had the moon setting as the sun was rising today.  I made a series of images as the moon set behind the western canyon wall.

Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.8s, ISO 2000. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 1/6s, ISO 1600. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.8s, ISO 200. Edited in Adobe Lightroom and Dxo Nik modules.

The moon is so much brighter than the foreground that getting a really good moon exposure was difficult, so I did not get any detail in the moon with the long exposure times required for the foreground, even though I was using a graduated neutral density filter.  A combination of the moons movement and/or the wide angle distortion results in an oblong moon, too.  I could have tried to make multiple images with proper exposure for the moon, then for the foreground and merged those, but due to the rapidly changing morning light, I decided against this.  Plus, I am usually not really pleased with the results of such attempts.

I continued to shoot as the sunrise light progressed down the canyon wall and the clouds moved through the morning sky.

Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1.6s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 1.0s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunrise. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/6s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.

On the hike back towards the campsite, we made a detour down to the river to check out possible compositions closer to the river.

Green River near Gates of Lodore. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/13s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.

This image with the canyon wall reflection in the river is the only decent image I managed to get there.  If this image is viewed on Flickr, click on the Flickr image to see the spider on the grass frond on the right side of the image. (Not all of these images are posted to Flickr).

The next stop on this trip is Echo Park, also in Dinosaur National Monument.

Until then,

Ken

Colorado – July 2019 – Gates of Lodore in Dinosaur National Monument – Scouting & Sunset Shoot

From Irish Canyon, we traveled to the Gates of Lodore campsite in Dinosaur National Monument, checking out Browns Park National Wildlife Refuge first.  We decided that Browns Park would not be an easy place to photograph without having a second vehicle, since it was too far from the campsites to the most photogenic scenes.  This is one downside to traveling in a camper type vehicle, as it takes a while to prepare the vehicle for travel after camping in it.

When we arrived at the Gates of Lodore campground, there were plenty of available campsites, but the one nearest the trailhead to the Gates of Lodore and with good shade (it was hot) had a car parked in it, even though the site did not have a reserved tag on it.  We thought it possible that the car’s occupants had walked to the kiosk to fill out the reservation form, so we chose the next closest site that also had good shade.  We were not initially sure that we would stay in that site, so we were just sitting around discussing options, when a volunteer park ranger stopped by and provided much useful information about the park.  One of our concerns was the bear activity sign warning posted at each campsite.  There were bear vaults provided for storing food and anything with an odor that might attract bears.  We had lots of such items and it would be much trouble to move everything into a bear vault and retrieve it as we needed it.  The ranger assured us that there had not been any recent bear activity, so we did not need to bother with the vaults.  We also asked about mountain lion activity, but there had not been any sighting anywhere nearby, even though they are known to be around somewhere.  Mountain lions and bears are always a concern when hiking trails in their territory.

At least a half hour went by and no one returned to the vehicle in our preferred campsite, so we assumed hikers were parked there, where they should not be, if they were not camping.  So we paid for the site we were in and shortly afterwards the car’s occupants returned and departed.  Other campers soon came along and claimed that campsite.

After setting up the Sportsmobile for camping, we applied sunscreen over our insect repellant or vice versa and hiked to the Gates of Lodore.

Bleached animal bones along the Gates of Lodore trail. iPhone photo, with edits in Adobe Lightroom and DxO Nik modules.

Along the trail we spotted a number of bleached animal bones, possibly remnants of a wild animal’s meal.

The trail we were on went far into the back country, but we only checked out view points for photographing the Gates of Lodore, which is a canyon through which the Green River flows.

Gates of Lodore, Dinosaur National Monument, Colorado. iPhone photo with edits in Adobe Lightroom and Dxo Nik modules.

The first few overlooks we checked out had much distracting vegetation in the foreground.  My son found a very nice place off of the trail from which to photograph.

We returned to camp, had a meal and returned to the trail prior to sunset.  I initially tried to shoot near the view point in the scouting photo above, but I soon abandoned that, since I was not pleased with any composition I could make there.  I went back along the trail and set up near my son, so I’m sure we ended up with very similar photos, although he somehow manages to get more appealing compositions than I, even in the same location.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/13s, ISO 64. Edited in Adobe Lightroom and Dxo Nik modules.

I made numerous shots as the sun went lower into the sky, varying my compositions a little.  Shooting down river into the canyon at this location presents the frequent lighting restrictions as most canyons.  The canyon walls go into shadow well before sunset, so the typical golden hour light is not really attained.  There was some good light on the foreground vegetation from time to time and there was some colorful vegetation mixed with various shades of green.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/125s, ISO 640. Edited in Adobe Lightroom and Dxo Nik modules.

Even though these first two images are the same composition, the light on the foreground is different in each.

One can see the shadow moving quickly up the canyon wall on the left of these next two photos.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/250s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.

I alternated from landscape to vertical trying to get some variation in the compositions.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/160s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.

One can see how the light is changing on the foreground and the canyon walls.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/160s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.

I varied the composition to get either more or less of the foreground boulders and/or the rock outcrop along the near canyon edge.

Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 800. Edited in Adobe Lightroom and Dxo Nik modules.
Gates of Lodore at sunset. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/125s, ISO 1000. Edited in Adobe Lightroom and Dxo Nik modules.

Soon the light on the canyon wall was totally gone and only the clouds in the sky were varying in the images.

After this shoot we thought maybe sunrise would be a better time to shoot here.  So we will come back in the morning.

Until then,

Ken