Yankee Boy Basin, Colorado, July 2020, Part 2

This is a continuation of my photography effort in Yankee Boy Basin near Ouray, Colorado in July, 2020.

On a couple of our visits to this area, we drove past the waterfalls to try our luck with photographing variations in the local landscape.  The images in this post are all from one morning’s shoot.

Pre-Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 13s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

This first image is a long exposure made before sunrise, but it is evident that the mountain peaks are already getting some early morning light.  Even though it was a calm morning, there may be some foliage motion apparent in the long exposure.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.8s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

As the sun began to come up, I made a series of images, capturing the early morning golden light on the mountaintops, using the deep canyon, created by the many years of the stream flowing down the mountain side, with accompanying erosion, as a leading line into the image.

One of the subtle details that I like in these images is the shadow of another mountain peak that is superimposed upon the prominent, highlighted peak.  I wish that I could say that I planned for this, but it was just an unexpected bonus.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

I experimented with variations on this general composition, trying to determine the most satisfying one.  For the one above, I moved past the tree that was on my left and rotated to the right to include the single tree on the right and more of the area along the right of the canyon.  For the one below, I included a clump of rocks in the lower right and rotated to the left a little.  I like this composition better than any of the previous ones.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.8s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

The image below is a variation of the one above.  I like this composition, too, but I still like the one above more, perhaps because the left side of the canyon stands out better in that image, as does the mountain peak at the top right, and the stream and canyon are leading more directly to that peak.

One might note that I edited out that dead tree limb in the lower left in the very first image in this post.  I do not like that element in the other images, but removing it leaves some traces of the edit that might not be apparent to others that do not know that something was removed, but I know that the edit artifacts are there.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

I moved back near my initial position to include the tree on the left in the image below.  One can see a hint of the golden hour glow on the far left peak coming through the top of that tree.  That effect looked better in real life than it does in this image.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

I’ve highlighted the rapids in the stream a little in the editing process to emphasis its function as a leading line.  I could probably improve the canyon’s and stream’s leading line function by a little more lightening along those, but I think the dark red rock along the canyon wall is sufficient and I do not want to take too much of the viewers eye off of that highlighted mountain peak.

Moving even more downstream along the canyon, I used a large boulder as a foreground object.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 2.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

To me, that boulder looks too close to the far wall of the canyon to be pleasing. I may take another look at the edit of this photo to see if I can create more separation here.  The leading line of the far canyon wall with the trees along the top edge is still effective in this image, leading the eye to the highlighted peak at the top left.  There is an additional leading line behind the trees, formed by another drainage, leading the eye up towards the highlighted peak near the center of the image.  Maybe the greenery in that leading line could be lightened a little more to improve its function.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

My initial impression as I composed the above image was that it was not very interesting.  But now that I’ve had more time to think about why I selected this composition, I like it more and maybe even more than any of the other compositions from this shoot.  I like the light and color variation across the image and the leading line of the stream at the bottom left, intersecting with the drainage that goes diagonally across the image to the highlighted peaks at the top right.  Maybe a little more editing might emphasize the leading lines better and maybe I could create more depth to separate that boulder in the right corner from the canyon wall.

The sky is rather dull in all of the images from this shoot.  Clouds might have made all of these images more striking, but we have to work with what we have, when we only get to visit such beautiful places infrequently.

Higher resolution images can be viewed on my Flickr page by clicking upon the images.  The images also look much better, when viewed on a computer screen, rather than the tiny screen of a phone.

Thanks for following, stay well and safe,

Ken

 

 

Yankee Boy Basin, Colorado, July 2020, Part 1

I photographed a number of times in Yankee Boy Basin, near Ouray, Colorado during my July, 2020 summer visit to Colorado.  The main reason for returning to this area several times, is a simple one.  It just happened to be the closest, most easily accessible place for scenic landscape photography from the state park where my son, his wife, and I were staying.

Late day in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/22, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

Navigating rocky, bouncy 4WD roads is required for access to many of the best places for landscape photography in this area and Yankee Boy Basin is one that my son felt most confident in being able to get to safely, early in the morning, then have time for other daytime exploration.  In the evening, it was possible to photograph here at sunset and get back down the 4WD road before total darkness set in and we would get back to our campsites in time to get a reasonably good night’s sleep before getting up again in the early morning hours for a sunrise shoot.

There is a mountain stream with a number of waterfalls along it here.  The middle two falls seem to be the most photogenic, so we spent much of our time in that area.

Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

To get the image above, I stood right up against the closest part of the waterfall on the right side of the photo, backing into a bush, shooting downstream at 14mm to get the waterfall on my right into the shot.

Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

There were wildflowers growing along the stream and I often included those in my images.  The image above is made looking upstream at this waterfall, while standing in the edge of the stream bed.  Even at 14mm from my position, I could only get a small portion of the waterfall in the photograph, while also including the wildflowers along the stream edge.

Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

Standing a bit further back from the falls, on a rock ledge at the edge of the stream, I could get the entire waterfall in the image, while including the wildflowers and the rock outcrop on the right.

Late day in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

Since I’ve photographed in this area a number of times, I tried not to duplicate compositions from other shoots, which is not easily avoided.  It takes some work to avoid the most common compositions here.  I had some reservations about the composition in the above image, thinking it is too complex, but I have gotten some positive feedback on it, so I guess it worked better than I anticipated.

Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/3s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

Readers will note the heavily overcast sky in most of these images.  I always like to have clouds to give the sky more interest, but heavy overcast can limit or eliminate the “golden” hour light at sunrise and/or sunset.

Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

The image above is taken a few yards downstream from a waterfall, looking downstream at the mountainside in the distance.  During one similar photo shoot one afternoon, there was a family of three or four (man, wife and one or two young boys) in the area.  I kept trying to avoid them and had to wait several times as they walked into and out of my compositions.  If you are a purist landscape photographer, you know we try to avoid people in our shots most of the time.  Some tourists know this and try to minimize their interference with photographers, while others are totally unconcerned about walking directly in front of a photographer.  While composing an image similar to the one above, something hit the graduated neutral density filter mounted on the front of my lens, startling me, and I immediately heard the father, standing above me on the stream’s bank,  scolding one of the boys.  It turned out that the boy was throwing rocks in an indiscriminate manner and it was one of those rocks that struck my camera.  If not for the flexibility of the filter, it would have shattered rather than just get scratched.  If not for the filter, the lens would have most likely had significant damage.  Neither of the parents said a word to me about this event.  I had expected one would have at least inquired about damage and apologized for the kid’s action, which might have resulted in an injury and/or significant camera gear damage.  The scratches on the filter sometimes result in light streaks in my images.  Fortunately, I had the filter and much of my more expensive camera gear insured via scheduled property on my homeowner’s insurance policy, so I recuperated much of the replacement cost of the filter.

Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.  Looking downstream at the base of a waterfall.

Yankee Boy Basin is popular with hikers and a good campsite for those that want to get the necessary early morning start on a hike up Mount Sneffels.  Still we saw only a few people during our early morning and late day visits here.

It is common to get afternoon thunderstorms in the upper elevations of the Rocky Mountains, but during the time we were here, there were more than the usual storms.  Some days were rainy for much of the day, which limited the time interval with our favorite light at sunrise and/or sunset.  We had to sometimes cut short our photography time to avoid the rain and get back down the mountainside before getting caught in a storm.

Of all the photos that I shot here, the one below is my favorite.

Sunset light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

This image has so much of what landscape photographers look for in an image, late day sunlight highlighting the mountain tops, light beams in the clouds, silky smooth, flowing water and a sinuous stream leading the eye from the waterfall into the image.  More prominent wildflowers would have made this even better.

Since we visited here multiple times, there will be at least one more post of photos from this area.  Please click on the images to view them in higher resolution on my Flickr page.

Thanks for following,

Ken

Porphyry Basin, Colorado

Porphyry Basin, Colorado is accessed via a narrow, steep 4WD road off of US550 between Ouray and Silverton.

My oldest son drove us up the road to the basin in July, 2020.  On the way up the mountainside, we passed a canvas tent with a stove pipe jutting from the top.  It was obvious that someone had set up that tent for a long term camp.  Upon arriving at the end of the 4WD road at an old mine site, it became apparent who was living in that heavy duty tent.  First we saw a large flock of sheep spread across the high mountain meadow, then a horse staked out nearby the roadway, two sheep dogs, and a lone shepherd watching over the sheep.

Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 50mm (before crop), f/11, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/160s, ISO 200. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/80s, ISO 250. Edited in Adobe Lightroom and Nik Color Effects Pro 4.

We wandered around the old mine site with its collapsed wooden structure and other scattered debris, being careful to not step on old rusty nails or other potentially harmful items lying around on the ground.

K Marks The Spot, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.

The basin is beautiful with an abundance of wildflowers, a mountain stream and a waterfall.  It was bright daylight so I hand held my Nikon D850, shooting with a fast shutter speed to freeze the motion of the flowers.  It was too bright to get a long exposure of the waterfall for that silky, flowing water effect.

Wildflowers and Waterfall, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Waterfall, Stream and Sheep in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Waterfall and Stream, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Waterfall and Stream in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/250s, ISO 500. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
An iPhone image of wildflowers in Porphyry Basin, Colorado. Edited in Adobe Lightroom and Nik Color Effects Pro 4.

Higher resolution images can be viewed on my Flickr page by clicking on the images in this post.

Thanks for following,

Ken

 

Indiana Covered Bridges – October 2019 – Dick Huffman Bridge

The third stop on day two of photographing Indiana covered bridges was the Dick Huffman Bridge.  I’m including a link to another bloggers site for his coverage of this bridge, rather than my usual links to an official government site.

Dick Huffman Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/160s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.

As I was making my first shots of this bridge a number of vehicles crossed at intermittent intervals, stirring up dust, which I had to wait to clear.  One pickup truck stopped just passed the bridge.  The driver got out and walked towards the bridge.  As he passed, he said he was going to check the water flow.  I thought maybe he was doing some sort of official survey.  As I walked back through the bridge and was passing him, he explained that the following day was the youth duck hunting season opening and that he was taking his son duck hunting by putting a boat in at another location and floating down the creek.  He had hopped to not have to paddle the boat, but the flow looked very minimal, so he was going to have to paddle down the creek.

Dick Huffman Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 250, edited in Adobe Lightroom and DxO Nik modules.

The bridge is not really leaning as much as it appears in the above photograph.  Shooting from this angle the wide angle distortion accentuates the tilt and I could not remove it without tilting the roadway in the process.

Back on the other side of the bridge, I walked through the wooded area bordering the creek and found a way to get down into the creek.  It was a little muddy along the creek edge, but I managed to avoid the worst of the mud.  However, I had a limited area in which I could move around in the muddy channel, unless I wanted to get really muddy.

Dick Huffman Covered Bridge. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1/125s, ISO 250, edited in Adobe Lightroom and DxO Nik modules.

The log makes a good leading line object, but I wish I could have gotten closer to the bridge.

Until next time,

Ken

Indiana Covered Bridges – October 2019 – Houck Bridge

The second bridge I visited in my second day of photographing Indiana covered bridges in October, 2019 was Houck Bridge.  Although Houck Bridge seems to be in very good condition, it has been by passed and is now closed to traffic.

Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 400, edited in Adobe Lightroom and DxO Nik modules.

One can still walk through the bridge, but not drive through it.  Access to the creek level is most easily gained from the west side.  There is also a sizable parking lot on the west side of the bridge, so I am guessing that this bridge is now set up as a prime tourist attraction.  A couple of people did come and go, while I was here.

The interior photograph is an HDR image made from multiple exposures.

Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.

Next up: Dick Huffman Bridge.

Ken

Indiana Covered Bridges – October 2019 – Oakalla Covered Bridge

After a day of other activities, I took another afternoon to visit more covered bridges in an area east of Indianapolis, Indiana.  I started at Oakalla Bridge, just south of the last bridge (Dunbar) that I had visited during my first day of shooting covered bridges.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/160s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I think most of the covered bridges have some graffiti on or around them and Oakalla Bridge seems to be popular with those who like to mark things with graffiti.  I saw some evidence of graffiti being painted over on the exterior of the bridge and other graffiti in the interior.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 1/60s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

It is also easy to get down into the creek channel from one side of the bridge.  The long log in the creek below the bridge even has graffiti on it.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 250, edited in Adobe Lightroom and DxO Nik modules.

There was plenty of room to move around on the wide sandy bank on one side of the bridge.  I made numerous images from this area, but in the end, I only chose a couple of those as most representative of the bridge and its setting to include in this post.

Oakalla Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/80s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.

More on Indiana covered bridges to come,

Ken

Indiana Covered Bridges – October 2019 – Rolling Stone

My third stop during my first day of photographing Putnam County covered bridges was the Rolling Stone Bridge.

This bridge got its name from a large boulder in the creek that moved, when the current was strong.  That boulder was destroyed, as it was deemed a threat to the bridge.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

Rolling Stone is a short, single span bridge in an attractive setting.

I shot multiple exposures of the inside, then combined those to  create HDR images.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, Multiple Exposures, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

The engineering and construction of these bridges is remarkable.  These were designed to last for many years, although these do require maintenance, mostly to the exterior, from time to time.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

I was able to get down to the creek and shoot from several viewpoints along the creek shoreline.

Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/200s, ISO 2000, edited in Adobe Lightroom and DxO Nik modules.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/250s, ISO 3200, edited in Adobe Lightroom and DxO Nik modules.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 21mm, f/11, 1/160s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

More on Indiana covered bridges later,

Ken

Indiana Covered Bridges – October 2019 – Pine Bluff

The second stop during my first day of photographing covered bridges in Putnam County, Indiana was at the Pine Bluff Bridge.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

The setting around Pine Bluff is more attractive than that around Cornstalk (see previous post) and this will be a great place to shoot, when the fall colors peak.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/30s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Interior HDR.  Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I found a way to get down to the creek, where I could walk along the edge of the creek and beneath the bridge to shoot it from both sides.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.

I experimented with the DxO Nik Selective Colorization of a monochrome image with a couple of the photographs taken of this bridge, bringing out the red color of the bridge after converting the images to monochrome.

Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/8, 1/400s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/8, 1/400s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/1
80s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.

The photo above is my favorite of this bridge with the curved road leading to it.

A country road leading to Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/3.5, 1/125s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

The final image here is looking back from near the bridge down the roadway leading to the bridge.  I know this will be a great place to try to return to another time, when the fall colors are at their peak.

More on Indiana covered bridges to come,

Ken

Bisti Wilderness, May 2019, Day 7 Sunset

The destination for a final sunset shoot on the last day of my May 2019 visit to the Bisti Wilderness was the same as yesterday’s, since yesterday’s sunset light was obscured by heavy clouds on the western horizon.  I really liked my chosen location and this was my last chance to shoot here on this visit.  There were some clouds today, but not so heavy as yesterday.

The light turned out to be good at sunset, but not great.  The clouds on the western horizon blocked the light until just a few minutes before sunset.  Even after the sun dropped below the denser clouds, there were still wispy clouds defusing the light.  However, I think I got a few good images.

North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

As yesterday, I had to navigate carefully getting into position for various compositions, being careful about where and how I walked, where I stood near steep drop offs and using care in setting the tripod.  This was not a place in which to get careless or make sudden, unplanned moves.

North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 55mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

This post wraps up my May 2019 visit to the Bisti Wilderness.  There is still much that I have not seen or photographed here, so I expect that I will return sometime in the future.

I hope that my readers have enjoyed following along with my experiences and photography here.

Ken

Bisti Wilderness, May 2019, Day 7, Sunrise

I am reluctant to get out of my sleeping bag this morning.  I linger there for 10 more minutes after the alarm, considering whether to sleep in or go out for a morning shoot.  Eventually, I convince myself to face the morning.  After all, this is my last morning to shoot here.

This morning I will make up for yesterday’s mistake.  In route to my planned destination, I stop to shoot a blue hour silhouette.  One that caught my eye yesterday morning;  but I hastened by then, mistakenly thinking I did not have time to linger.  I am a little later at this location today.  The scene does not look as good as it did yesterday.  Mistake made and likely to be repeated, even though I am reminding myself to take the shot, whenever the opportunity presents itself.

Guardian of the Pass.  Large Bisti Hoodoo at blue hour. Nikon D850, Nikon 24-70mm @ 60mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After shooting the silhouette, I proceed towards my intended destination, the place high up on a hill at the end of a canyon, where I shot under a heavily overcast, morning sky early in the week.  I am anticipating excellent sunrise light at that location this morning.  As I hike, I become concerned about getting there sufficiently early and I am not enthusiastic about my choice of location today, either.  The Conversing Hoodoos are along my route, so I decide to check those for possible morning shots, since I am not satisfied with the results of my sunset shoots of those features.

Arriving at the Conversing Hoodoos and looking around, I conclude that there is a high probability of excellent golden hour morning light on the most interesting features, so I abandon my original plan in favor of shooting here.

I plan several compositions, shooting test shots in the pre-sunrise light as I await the sunrise.  The sky is clear with no obstructions.  There are hills to the east, which may limit some light on the lower portions of my compositions and maybe block the very first sunrise rays from my subjects.  As the sunrise light strikes the hoodoos, I am elated  that my change of plan is working out well.

Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 32mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 34mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After the golden sunrise light passes, I continue shooting with fully lit subjects for a few minutes.  I am not excited by any of the pre-sunrise nor post sunrise shots, so I am not sharing those.

Finishing my early morning shoot, I walk at a leisurely pace back towards the parking lot, looking for other places to shoot along the way.  Maybe I chose an uninteresting route to the parking lot.  I’m not finding interesting compositions in the later morning light; but I take time to make a few images anyway, hoping something jumps out at me.   I decide that none of these attempts produce any interesting results.  My lack of energy this morning might be relevant to my failure to get interesting shots in the post sunrise hour.  Frame of mind matters in artistic pursuits.

This is my last day here.  I have one more sunset shoot, weather permitting.    Until then,

Ken