Rio Grande National Forest, September 22, 2020, Part 2

After the creek and waterfall trek, I drove along FSR 243 towards FSR 380.  There are several places that I had noted, via Google Earth, along FSR 243 as places of possible interest and possible campsites.  When passing these locations previously, I was not impressed by the view that I had from the roadway.  There had always been a number of campers in these areas and I had seen fly fishermen in the creek.  As I passed by the primary location of interest today, there were no others anywhere around, so I decided to check it out.

A dirt road departed FSR 243 at a sharp angle and moderately downhill into a broad, open flat area with plenty of space for multiple unrestricted campsites.  I drove to the end of the dirt road and got out to have a look around.  Walking to the creek, I immediately saw a number of trout in the shallow water.  The bank along the creek was mostly steep with loose soil, but I found a place to safely get down to the edge of the creek and then stepped over to the other side at a narrow place in the creek.

I shot a number of iPhone photos and made a couple of videos of the flowing creek.

Treasure Creek. iPhone photograph.

One can see in the photo above that it is getting very cloudy again.

After awkwardly stepping back across the creek and making my way back to my vehicle, I continued on to FSR 380 and headed westerly.

I stopped along FSR 380 at a place that I had previously spotted and near where I had shot another late day image, when returning from Del Norte.

Approaching Storm. Nikon D850, Nikon 24-70mm @ 24mm, 1/13s, f/16, ISO 64.

It had sprinkled light rain sporadically and began again as I was shooting here. It was apparent from the heavy clouds that a storm was brewing over the mountains.

I continued along FSR 380 and it began to rain more heavily.  The rain soon turned to slushy ice, then to pellet like snow.  I was close to several campsites that I had been keeping an eye on.  My coveted location had always had a truck camper in it, whenever I had previously passed by.  Today I got lucky.  The spot I liked was empty.  There was an RV trailer nearby in the same camping area in a spot, which had always been available previously,  and I had resolved myself to maybe having to use that space, if it was available today and the truck camper was still here.

Snowy Campsite. iPhone photograph.

After parking in the campsite, I got out to take a photo with the snow coming down.  I then waited, hoping that the snow would end and I would be able to shoot photos from this location.

The snow continued long enough for the ground to be thinly covered, but it mostly melted away soon after the snow stopped.  As sunset time approached, I walked into an open area with a good view of the valley and the mountains to the southwest.

After the Storm. Nikon D850, Nikon 24-70mm @ 24mm, 1/25s, f/11, ISO 64.

With the cloud cover, I knew there was little chance of a golden hour sunset today.

Mountain Storm Clouds. Nikon D850, Nikon 24-70mm @ 24mm, 1/80s, f/11, ISO 64.

The storm clouds made up for the lack of a golden hour sunset.

Mountain Peaks and Meadow. Nikon D850, Nikon 24-70mm @ 26mm, 1/125s, f/16, ISO 640.

When I first saw this location, I thought it would be best for a sunset shoot; but as I looked around today, consulting my photo app on my iPhone, I realized that this location was better for sunrise than sunset.

Mountain Meadow. Nikon D850, Nikon 24-70mm @ 24mm, 1/80s, f/16, ISO 800.
Late Day Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/40s, f/16, ISO 800.

I hung out here shooting until just after sunset.

Cloudy Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.
Late Day Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.

I’m now looking forward to a sunrise shoot here.

More on that later,

Ken

Rio Grande National Forest, September 22, 2020, Part 1

I arose early in the morning, still not sure that I wanted to tackle the creek hike with my heavy camera gear.  I peeked outside to see what the weather and sky looked like, before deciding to prepare for the day.

The sky appeared to be mostly clear, so I had an herbal tea and a light snack, then gathered my gear for a morning shoot, having decided to have a go at getting to those two waterfalls.

I knew that I would need to be careful with the gear and with my footing and balance during this trek, so I brought along my hiking stick as an aid in balance and control.  I usually do not use the hiking stick, since it is just another item to keep up with and easily left somewhere.  I also tend to use my tripod as a hiking stick, whenever I carry it in my hands.

I also wanted to have both hands free when walking, so I fastened the tripod to the back of my Camelbak, slung a filter pouch over my head and shoulder and clipped the DSLR to the front of the Camelbak via carabiners and an old camera strap that I had cut and sewn to the pack years ago.  The camera can still swing away from my body, when I have to stoop over, so I still have to hold onto it sometimes to prevent it from bumping into something.

Thus I began the hike up the steep slope along the ridge above the creek.  I knew that I should have gotten out a little earlier, but my hesitation to even try this, resulted in a late start this morning. I also did not want to start this hike in the dark and I knew that the mountain to the south would shield the very early morning light until later, so the sun would already be fairly high in the sky before I saw it.

Waterfall and Stream. Nikon D850, Nikon 24-70mm @ 70mm, 1/6s, f/20, ISO 800.

I was glad to have the hiking stick this morning as it was a safety aid in going down and across steep slopes and helping my balance, when crossing the stream.

The photo set up procedure was a bit slow and awkward, whenever I stopped for a photograph.  I first released the carabiners holding the DSLR onto my backpack and put the camera in a secure place, then I removed the filter case from around my neck, then I removed the Camelbak, then I unstrapped the tripod from the Camelbak.  After shooting at a location, I reversed this procedure to put all items back into place before moving on to the next location.

Wispy Waterfall. Nikon D850, Nikon 24-70mm @ 42mm, 1/6s, f/22, ISO 800.
Mountain Stream. Nikon D850, Nikon 24-70mm @ 24mm, 1/6s, f/18, ISO 500.
Cascade and Mossy Rocks. Nikon D850, Nikon 24-70mm @ 24mm, 1/8s, f/11, ISO 800.

To get the shot above, I had to get into a tight place and crouch on my knees, being very careful not to drop something into the creek.  As I was preparing to get out of this uncomfortable position, I could not find the metal plate lens cover for the Progrey filter holder and I was afraid that it might have slide behind me into the creek.  I looked into the creek and did not see the cover from my vantage point.   A closer examination of the filter holder case revealed the cover hidden between the individual filter cases, where I tend to habitually put it, when it is not in use.

No Name Waterfall. Nikon D850, Nikon 24-70mm @ 42mm, 1/8s, f/11, ISO 40.

When I arrived at the second waterfall, I stood below an undercut cliff on the south side of the creek, where the 24-70mm lens let me isolate the waterfall, excluding all the unattractive and distracting clutter around it.

The last image here was selected for Flickr’s Explore page, where as of the date of this writing, it has received 4,213 views and 103 favorites.  This is not a record for me and far short of the number of views and favorites that others on Flickr have, but still nice for my level of activity on Flickr.  I’m pleased with these photos and glad that I made the effort to get them.  I might never have such an opportunity again.

Thanks for following,

Ken

Porphyry Basin, Colorado

Porphyry Basin, Colorado is accessed via a narrow, steep 4WD road off of US550 between Ouray and Silverton.

My oldest son drove us up the road to the basin in July, 2020.  On the way up the mountainside, we passed a canvas tent with a stove pipe jutting from the top.  It was obvious that someone had set up that tent for a long term camp.  Upon arriving at the end of the 4WD road at an old mine site, it became apparent who was living in that heavy duty tent.  First we saw a large flock of sheep spread across the high mountain meadow, then a horse staked out nearby the roadway, two sheep dogs, and a lone shepherd watching over the sheep.

Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 50mm (before crop), f/11, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/160s, ISO 200. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/80s, ISO 250. Edited in Adobe Lightroom and Nik Color Effects Pro 4.

We wandered around the old mine site with its collapsed wooden structure and other scattered debris, being careful to not step on old rusty nails or other potentially harmful items lying around on the ground.

K Marks The Spot, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.

The basin is beautiful with an abundance of wildflowers, a mountain stream and a waterfall.  It was bright daylight so I hand held my Nikon D850, shooting with a fast shutter speed to freeze the motion of the flowers.  It was too bright to get a long exposure of the waterfall for that silky, flowing water effect.

Wildflowers and Waterfall, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Waterfall, Stream and Sheep in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Waterfall and Stream, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Waterfall and Stream in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/250s, ISO 500. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
An iPhone image of wildflowers in Porphyry Basin, Colorado. Edited in Adobe Lightroom and Nik Color Effects Pro 4.

Higher resolution images can be viewed on my Flickr page by clicking on the images in this post.

Thanks for following,

Ken

 

Bisti Badlands Fall 2018, Day 2, Early Morning

I got up early Sunday morning, September 23, left the Bisti south parking area about 5AM and headed out into the dark wilderness area.  I started out with a headlamp, but soon switched to a brighter flashlight, as the normally bright headlamp just did not seem bright enough this morning.  It is one of those headlamps with multiple functions and it would not switch to the brightest mode.  This is a good reason to have backup light sources, when hiking in the dark.  I had another headlamp in my Camelbak, but the flashlight was easier to get to.

There are landmarks that are an aid to navigation during the daylight hours, but in the dark it is not possible to see those landmarks from a distance.  Fortunately, my GPS device, linked to my iPhone via Bluetooth, with a preset route made it quite easy to navigate towards my destination in the dark.  Before I got to my destination, an area with many hoodoos of various sizes and wing like or fanciful shapes, it became light enough that I no longer needed the flashlight.

I scouted the area for awhile before it got very light, looking for a good place to begin the early morning shoot.  I made a number of photos prior to the sunrise.  Since the light was still dim, getting good images was a challenge and those images required more extreme editing to bring out the details and produce more attractive images.

Early dawn in Bisti. This is an HDR image created from 6 images in Skylum Aurora2019. Nikon D850, Nikon 24-70mm at 48mm, f/11 at various exposures.
Early dawn in Bisti. This is an HDR created from three images, using Skylum Aurora2019, with final edits in Nik Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 24mm, f/11, various exposures.
Pre-dawn in Bisti. Converted to monochrome in Nik Silver Efex Pro 2. Nikon D850, Nikon 24-70mm at 44mm, f/11, 1/5s, ISO 250.
Pre-dawn in Bisti. Nikon D850, Nikon 24-70mm at 31mm, f/11, 1/4s, ISO100. Edited in Adobe Lightroom and Nik Color Efex Pro4.

I am never really satisfied with these low light images in which the heavy handed editing often produces unnatural results and, even though, it is an artistic expression, being artistically handicapped, I’ve never felt completely comfortable with the results.

When the sun rose above the eastern horizon, there was magnificent light on many of the hoodoos.

Early morning light in Bisti. This is a composite of three images focus-stacked in Photoshop with edits in Adobe Lightroom and Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 65mm, f/11, 1/10s, ISO 64.
Early morning in Bisti. Nikon D850, Nikon 24-70mm at 40mm, f/11, 1/13s, ISO 64. Edited in Adobe Lightroom and Nik Color Efex Pro 4.
Early morning in Bisti. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/15s, ISO 64. Edited in Adobe Lightroom and Nik Color Efex Pro 4.
Early morning in Bisti. Nikon D850, Nikon 24-70mm at 70mm, f/11, 1/25s, ISO 64. Edited in Adobe Lightroom and Nik Color Efex Pro 4
Early morning in Bisti. Several images focus stacked in Adobe Photoshop with edits in Adobe Lightroom and Nik Color Efex Pro 4. Nikon D850, Nikon 24-70mm, at 62mm, f/11, 1/25s, ISO 64.

 

Early morning in Bisti. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Color Efex Pro 4.
Early morning in Bisti. Nikon D850, Nikon 24-70mm at 48mm, f/11, 1/40s, ISO 64. Edits in Adobe Lightroom and Nik Color Efex Pro 4.
Early morning in Bisti. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 45mm, f/11, 1/40s, ISO 64.

Note that I focus stacked images to extend the depth of field in many of my photos here.  This requires a bit more work in capturing sufficient images and much more time in the editing process, especially on my old, slow iMac.

I continued to shoot even after the “golden” hour, which is very limited in duration and I wanted to make the most of the limited time that I had for shooting here.  I felt that the contrast and shadows would still allow for the making of good images.

Early morning in Bisti. Nikon D850, Nikon 24-70mm at 70mm, f/11, 1/40s, ISO 64. Edits in Adobe Lightroom and Nik Silver Efex Pro 2.
Early morning in Bisti. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 70mm, f/11, 1/30s, ISO 64.
Early morning in Bisti. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Silver Efex Pro 2. Nikon D850, Nikon 24-70mm at 52mm, f/11, 1/30s, ISO 64.
A small Bisti Hoodoo and its shadow in early morning light. Focus Stack of two images in Adobe Photoshop with edits in Adobe Lightroom and Nik Silver Efex Pro 2.

I am becoming more interested in monochrome photography and this area is superb for this, since the colors are mostly muted, but the contrast, textures and shadows make for interesting monochrome compositions.

An unavoidable progression. Three small Bisti Hoodoos and their shadows in early morning. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nike Silver Efex Pro 2. Nikon D850, Nikon 24-70mm at 42mm, f/11, 1/40s, ISO 64.
Three small Bisti Hoodoos and early morning shadows. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Silver Efex Pro 2.
Bisti Hoodoos and early morning shadows. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Silver Efex Pro 2. Nikon D850, Nikon 24-70mm at 40mm, f/11, 1/40s, ISO 64.
Early morning in Bisti. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 46mm, f/11, 1/60s, ISO 64.
Small Bisti Hoodoos. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nike Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 62mm, f/11, 1/30s, ISO 64

As the morning wore on, I meandered around the area looking for additional subjects and for ideas for shooting at another more appropriate time of the day.

Alien Woman? Nikon D850, Nikon 24-70mm at 56mm (prior to crop), f/11, 1/10s, ISO 64. Edited in Adobe Lightroom and Nik Color Efex Pro 4.

I had spotted the above hoodoo on the previous day’s scouting.  I think it may be one that I saw referred to as an “alien woman” in someone else’s post, but the GPS coordinates of that post do not coincide with this hoodoo.  So either there are  more than one of these or the coordinates in the other’s post were incorrect, which I think may be the case, since in that post the photographer commented that he could not find the “alien woman” in a subsequent visit to Bisti.  Of course, these hoodoos are temporary and one of this sort might disappear over a relatively short time interval.

This “alien woman” hoodoo is in a difficult place to photograph at anytime of the day, but it is probably best shot in the afternoon, rather than the morning.  I did not think I would get back here again on this trip, so I shot it anyway, if for nothing more than a record of it’s existence and location, recording its GPS coordinates on my InReach Explorer.

Bisti Hoodoos. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 38mm, f/11, 1/50s, ISO 64.

The above hoodoos are in the vicinity of the “alien woman”, just a bit more to the east.  These are moderately sized ones and would probably be best photographed earlier in the morning.  One can see that these are fragile and easily damaged.  I have seen photographs of people standing on some of the larger hoodoos in Bisti, which is not a good thing to do, it is not only dangerous, but could result in injury to oneself and possibly destroy or damage the hoodoos.

Hoodoo Window. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Silver Efex Pro 2. Nikon D850, Nikon 24-70mm at 48mm, f/11, 1/60s, ISO 64.

The “elephant head” like hoodoo above bridges a gap in the supporting structure, making a window in the rock.

The Seal Hoodoo? Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Silver Efex Pro 2. Nikon D850, Nikon 24-70mm at 56mm, f/11, 1/50s, ISO 64.

The smaller hoodoo in the background (above) looks like one that I have seen referred to as “The Seal”; although, I thought “The Seal” was located more to the west, so maybe this is not “The Seal”.

The aquarium/fish face hoodoos. Focus stack of several images in Adobe Photoshop with edits in Adobe Lightroom and Nik Color Efex Pro 4. Nikon D850, Nikon 24-70mm at 58mm, f/11, 1/60s, ISO 64.

I can imagine that the caps on these hoodoos look like fish faces, so I am calling this the “Aquarium” or “Fish Face Hoodoos”.

Dark Tower. Nikon D850, Nikon 24-70mm at 26mm (prior to crop), f/11, 1/30s, ISO 64. Edited in Adobe Lightroom and Nik Silver Efex Pro 2.

I made numerous images of the features above with the intention of focus stacking them; but when I looked at those photos, they just did not measure up to what I thought I saw when making them.  Consequently, I cropped one image to include the major features on top of this hill.  Since the back side of the tallest feature is in shadow, converting to black and white, makes it look like a “dark tower”, surrounded by guardian hoodoos.  (The one on the far left looks somewhat like a shark).  This image contains a view of “The Seal” from another angle, just to the left of the dark tower.

Finally realizing that the best of the morning light was gone, I headed back to the parking lot.  Just as I approached my vehicle, the photographer, whom I had met at The Nursery the previous afternoon, came out from his RV to greet me, saying “I knew when I saw you leaving at 5AM that you were serious about photography”.  Standing in the parking lot between our vehicles, we chatted for quite a while.  I was entranced as he talked much about his background and experiences as a photographer and as he offered suggestions on photographic topics that I questioned him about.  Near the end of this impromptu discussion, he said, “If you don’t mind, I have copies of a book that I offer to those I find with a serious interest in photography and I would like to give you one”.  Of course, I accepted and he autographed the book for me.  The book, The Ancient Shape of Man, is filled with beautiful, very sharp, large format monochrome images.

The gift from John Eric Hawkins, whom I chanced upon in Bisti.

Meeting and conversing with John Eric Hawkins and receiving his book as a gift was the highlight of this trip.  I found his website listed in the book, which he told me he has not updated for awhile;  nevertheless, his website has beautiful images and more information about John Eric.  His website is worth a visit for those of you interested in fine art photography.

Be sure to check out the images in this post on Flickr, where these appear in higher resolution and in a larger size.

Thanks for following and please feel free to offer comments, suggestions and critiques of the images and the writing within this blog.