There was a brief sleet storm just after I went to bed the second night of our stay near the Great Sand Dunes National Park. It was going to be a very cold night, so I wondered how the sleet and cold would impact our morning photography.
We arose before daybreak to get into the dunes before sunrise. It was 17 degF, the coldest morning we had experienced during this trip.
Great Sand Dunes, Colorado, March 2021
The dunes were dusted by the overnight sleet. This added interest to the landscape, but the sleet and cold temperatures preserved footprints from the previous day.
Great Sand Dunes, Colorado, March 2021
At least the footprints were somewhat muted, but there seemed no way to avoid getting footprints into photographs. I might have removed these in Lightroom, but I’m sure the results would not have been satisfactory.
Great Sand Dunes, Colorado, March 2021
In a valley between dunes, I found interesting patterns, where there either were no footprints or I could easily exclude those from my photos.
Great Sand Dunes, Colorado, March 2021
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
The sleet dusted, frosty sand dunes with snow covered mountains and clouds over them were good for making black and white images.
Snow and Sleet on the Great Sand Dunes, Colorado, March 2021
This wraps up the highlights of my March 2021 photography in the Great Sand Dunes.
We returned to the dunes in the early evening for sunset photography and I struggled to find satisfying compositions. Maybe we were not in the optimal location for this shoot. There were low clouds on the western horizon, which also blocked the sunset light.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
As we were giving up and beginning to hike back towards the parking lot, there was a sudden and brief break through of light. My son, being much younger and more fit than I, ran to the west to catch the fleeting light, while I walked as fast as I could, hoping to get to a good vantage point before the light was gone.
Great Sand Dunes, Colorado, March 2021
I think the image above is the best one the I got during this outing. I was still far from the best vantage point for the best light, but I knew the light was fading fast and I had to stop and shoot now. I got low to catch the dim light in this grassy patch of sand with the fading light on the dune in the background and the interesting clouds over the dune.
Great Sand Dunes, Colorado, March 2021
After the light faded from that dune and illuminated the mountainside to the east, I pointed my camera in that direction to get this final shot.
As promised in the last post, I want to elaborate upon the making of this image:
Great Sand Dunes, Colorado, March 2021
More precisely, I want to talk about a few of the many possible compositional variations around this scene.
Firstly, I spotted this feature from a distance and I wanted to be careful in approaching it. If I got too close and then decided to back off, I would already have ruined the scene with my footprints in the sand.
So I began to photograph from a distance and slowly worked my way closer to the “driftwood”. I also had some zoom capability with my 14-24mm wide angle lens.
Great Sand Dunes, Colorado, March 2021. Driftwood 1.Great Sand Dunes, Colorado, March 2021. Driftwood 2.Great Sand Dunes, Colorado, March 2021. Driftwood 3.
The light changed as I approached and I tried including more sky in my compositions.
Great Sand Dunes, Colorado, March 2021. Driftwood 4.Great Sand Dunes, Colorado, March 2021. Driftwood 5Great Sand Dunes, Colorado, March 2021. Driftwood 6.
I think I’m much too far away in Driftwood 1. So I worked my way closer.
I think I’m still too far away in Driftwood 3 and it’s a little dark. I like the sky in this image and the lack of features at the interface between the sand and sky, giving this image a clean, simple look. Maybe this makes it more dramatic?
I like the closeness and the angle of view in Driftwood 4, but I cut off a small portion of the driftwood’s shadow in this image. Cutting off shadows is something that I try to avoid, whenever possible. So I zoomed out a little and made Driftwood 5. Zooming out here got more sky in the image, which I like.
I got much closer for Driftwood 6, but I do not think this is an optimal angle of view.
I lean towards Driftwood 2 and 5 as my favorites. I’m not sure which is best, but I lean towards 5. I think that I could have made a better image than either of these two. Maybe it is good to never be quite satisfied with our photographs, so that we continue to strive to get better images.
As always, readers’ opinions and critiques are welcome,
I continued to wander around in the Great Sand Dunes early the first morning of our March 2021 visit, looking for good compositions.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
The icy rim along the ridge in this dune caught my eye. I like the way that icy ridge leads the eye from the left corner of the frame to the long ridge, which in turn leads the eye into the upper part of the image.
Great Sand Dunes, Colorado, March 2021Great Sand Dunes, Colorado, March 2021
I’m always looking for objects with distinct shadows and these chunks of frozen sand, that lie along the edge of a dune, add interest to this image. The edge of the dune acts as a leading line from the lower right towards the upper left. This line is more brightly lighted than other portions of the image and acts as a diagonal dividing line in the image. Notice how the sand details, visible texture and light change as the eye crosses this diagonal. The darkness in the clouds and the shadowy, distant mountains create a strong contrast with the sunlit sand.
Great Sand Dunes, Colorado, March 2021
A series of circular features breaking the ripple patterns in the sand made me stop to take this photo. I’ve converted the original color image to monochrome, since I think this image with these features is more dramatic in black and white.
Great Sand Dunes, Colorado, March 2021
This small piece of “driftwood” breaks up and modifies the wind created ripples in a dune. I put quotes on “driftwood”, since I’m not sure that this is the proper term for how this chunk of a tree got here. Maybe it blew in via wind or maybe it was washed here by water?
I’ll have more to say about making this image in a subsequent post.
We were in the sand dunes before sunrise of the first morning of our March 2021 visit. Hiking in sand requires some effort, but at least during the winter, some of the sand is frozen on the surface, making it a little easier to walk on.
Photographing the dunes in the early morning has the advantage of overnight winds wiping away or muting the footprints of the previous days’ visitors. Still one might have to hunt for places to avoid remaining footprints. Caution is also required in approaching an area to photograph, so one’s own footprints are not ruining the scene.
Great Sand Dunes, Colorado, March 2021
Those lumpy looking features in the left center of the image above are frozen parts of the sand dunes and make good foreground objects in the vastness of the dunes.
Great Sand Dunes, Colorado, March 2021
These dunes cover a vast area and we are barely in the edge of the dunes and well below the highest peak.
Great Sand Dunes, Colorado, March 2021
It was good to have early morning clouds over the mountains to the east of the dunes.
Great Sand Dunes, Colorado, March 2021
I varied my compositions by moving around slightly or carefully approaching foreground objects, so as not to trample the natural patterns in the sand as the sunrise light progressed over the dunes.
Great Sand Dunes, Colorado, March 2021
The photo above is nearly the same composition as the first image of this post, but the light has changed with the rising sun and the shadows are longer and more pronounced.
Great Sand Dunes, Colorado, March 2021
Moving just a few feet can make a dramatic difference in an image in the dunes, as does the changing light conditions.
We woke up to a heavy snow cover in our campground the second morning of our visit here. We had been watching the weather forecast and expected snow over a large area, we just could not judge how much would fall at our location, which was a higher elevation than that used in the weather forecasts .
Snow in Bandelier Campground, March 2021, iPhone PhotoSnow in Bandelier Campground, March 2021, iPhone Photo
Judging by the depth of snow on the flat surfaces, it looks like 6-8 inches of cover.
After making a few early morning iPhone photos and taking care of a few housekeeping chores, I began to walk around the campground area with my DSLR.
I managed to isolate a few individual, snow covered trees against the overcast sky.
Snow covers Bandelier Campground, March 2021. Tree and Clouds 1.Snow covers Bandelier Campground, March 2021. Tree and Clouds 2.Snow covers Bandelier Campground, March 2021. Monochrome Tree and Snow.Snow covers Bandelier Campground, March 2021. Skeleton Tree in Snow.Snow covers Bandelier Campground, March 2021. Towering Tree in Snow.
As I walked around, I tried to capture a few small features in the snow covered landscape.
Snow covers Bandelier Campground, March 2021. Grass in Snow 1.Snow covers Bandelier Campground, March 2021. Grass in Snow, Monochrome.
And anything else that looked unique or interesting.
Snow covers Bandelier Campground, March 2021. Crawling Snow Covered Tree Creature.
A distant mountainside was visible through the forest and I tried to frame that in a few photographs, but the 24-70mm lens did not allow for close ups of the distant mountains tops.
Snow covers Bandelier Campground, March 2021. Distant Mountains 1.Snow covers Bandelier Campground, March 2021. Distant Mountains 2.
I think the individual trees are the best images that I captured here; but here are a few miscellaneous other images to give a feel for the general look of the snow covered forest area around the campground.
Snow covers Bandelier Campground, March 2021. Snow Forest 1.Snow covers Bandelier Campground, March 2021. Snow Forest 2.Snow covers Bandelier Campground, March 2021. Snow Forest 3.Snow covers Bandelier Campground, March 2021. Snow Forest 4.Snow covers Bandelier Campground, March 2021. Snow Forest 5.Snow covers Bandelier Campground, March 2021. Snow Forest 6.Snow covers Bandelier Campground, March 2021. Old and Fallen, Old and Standing.
It is good that I got out early to capture the snow, since it began to melt away even as I made my way back to my van. It was essentially all gone by late morning.
In an opening in the forest on a steep slope, I photographed the distant mountainsides below clouds that provided shadows and moving spotlights on the massive forest.
Much of the mountainsides were covered with beetle killed evergreens. A scattering of color within the mass of dead, grey trees caught my eye as they were highlighted by light breaking through the cloud cover.
There are a few green evergreens and a scattering of Aspens within the mass of dead trees. I wonder how this will evolve with time. Will Aspens replace the evergreens or will the evergreens somehow evolve to resist the beetles?
It was getting late in the day, there would be no golden hour light here due to mountains blocking the late day light and in any case I did not want to try to find my way through the forest in the dark, hiking back to my campsite. So I began to work my way back up the slope. Taking my time and stopping whenever I thought I might get an interest photo.
I continued my stroll through the Rio Grande National Forest just off of US 380, hoping to get interesting photographs within the forest.
Near and Far. Nikon D850, Nikon 24-70mm @ 40mm, 1/500s, f/11, ISO 640.
I shot the image above with the near trees on one side of FSR 380 and the far trees on the far side of the roadway. There was increasing cloudiness, which I hoped did not indicate a late day rain storm.
Aspen Trunks and Evergreens. Nikon D850, Nikon 24-70mm @ 70mm, 1/3s, f/11, ISO 64.
One can find an infinite number of ways to shoot the Aspen trunks, which is both good and bad. When is enough, enough? And when do these images become so repetitive as to be boring? Is there really anything unique in these images?
A few recently fallen trees broke up the vertical pattern of the tree trunks.
Bent and Broken. Nikon D850, Nikon 24-70mm @ 28mm, 1/125s, f/11, ISO 500.Diverse Forest. Nikon D850, Nikon 24-70mm @ 31mm, 1/125s, f/11, ISO 500.Trunk Line. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 1600.
Even within a dense forest, I noted that sometimes by standing in the right place, I could see an almost linear line of tree trunks. Of course, I had to crop the wide angle view to show what caught my eye.
Early Fall Aspen Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.
As I worked my way around the edge of a high ridge in the forest, I began to find more fallen trees, which made various geometric patterns on or near the forest floor.
Standing and Fallen. Nikon D850, Nikon 24-24mm @ 70mm, 1/160s, f/11, ISO 1600.Forest Floor. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 2000.
After few more minutes of walking from the end of the ridge I came to an opening in the forest along a steep slope with good views of forested mountainsides. I could tell that the sun would drop below a mountain side before the golden hour, but the moving clouds resulted in highlights of the distant fall color as the shadows moved across the mountainsides.
As I walked towards a valley overview for early morning photography, I went past my neighbor campers, a middle age couple, that I had correctly assumed to be hunters, as they prepared to head out on their morning hunt. We chatted briefly, before I continued on my short hike over the open, frosty, grassy area.
It was also a little breezy, so I had to use higher ISO than desirable (noise increases with increasing ISO) to get a sufficiently fast shutter speed to freeze the motion of the grass and/or other vegetation in the images.
After the golden morning light was gone from the distant mountain tops, I continued to shoot as the shadows retreated from the broad meadow.
I began working my way down into the meadow towards the sinuous drainages running running across it, with the intent of using the drainage as leading lines, stopping along the way to shoot a few images of the sunlight sparkling in the morning frost. I was largely unsuccessful at capturing the sparkle with my lens of choice this morning, although I did not try to get really up close with the lens, so maybe I should not put the failure on the lens.
The beetle killed evergreens on the mountainsides made for much unattractiveness in the scenes here and I’ve tried to minimize that impact in my images.
Eventually satisfied that I had achieved as much as I could this morning, I headed back to my vehicle for coffee and a light breakfast, before heading on along FSR 380 looking for my next campsite.
After the creek and waterfall trek, I drove along FSR 243 towards FSR 380. There are several places that I had noted, via Google Earth, along FSR 243 as places of possible interest and possible campsites. When passing these locations previously, I was not impressed by the view that I had from the roadway. There had always been a number of campers in these areas and I had seen fly fishermen in the creek. As I passed by the primary location of interest today, there were no others anywhere around, so I decided to check it out.
A dirt road departed FSR 243 at a sharp angle and moderately downhill into a broad, open flat area with plenty of space for multiple unrestricted campsites. I drove to the end of the dirt road and got out to have a look around. Walking to the creek, I immediately saw a number of trout in the shallow water. The bank along the creek was mostly steep with loose soil, but I found a place to safely get down to the edge of the creek and then stepped over to the other side at a narrow place in the creek.
I shot a number of iPhone photos and made a couple of videos of the flowing creek.
Treasure Creek. iPhone photograph.
One can see in the photo above that it is getting very cloudy again.
After awkwardly stepping back across the creek and making my way back to my vehicle, I continued on to FSR 380 and headed westerly.
I stopped along FSR 380 at a place that I had previously spotted and near where I had shot another late day image, when returning from Del Norte.
It had sprinkled light rain sporadically and began again as I was shooting here. It was apparent from the heavy clouds that a storm was brewing over the mountains.
I continued along FSR 380 and it began to rain more heavily. The rain soon turned to slushy ice, then to pellet like snow. I was close to several campsites that I had been keeping an eye on. My coveted location had always had a truck camper in it, whenever I had previously passed by. Today I got lucky. The spot I liked was empty. There was an RV trailer nearby in the same camping area in a spot, which had always been available previously, and I had resolved myself to maybe having to use that space, if it was available today and the truck camper was still here.
Snowy Campsite. iPhone photograph.
After parking in the campsite, I got out to take a photo with the snow coming down. I then waited, hoping that the snow would end and I would be able to shoot photos from this location.
The snow continued long enough for the ground to be thinly covered, but it mostly melted away soon after the snow stopped. As sunset time approached, I walked into an open area with a good view of the valley and the mountains to the southwest.
After the Storm. Nikon D850, Nikon 24-70mm @ 24mm, 1/25s, f/11, ISO 64.
With the cloud cover, I knew there was little chance of a golden hour sunset today.
The storm clouds made up for the lack of a golden hour sunset.
Mountain Peaks and Meadow. Nikon D850, Nikon 24-70mm @ 26mm, 1/125s, f/16, ISO 640.
When I first saw this location, I thought it would be best for a sunset shoot; but as I looked around today, consulting my photo app on my iPhone, I realized that this location was better for sunrise than sunset.
Mountain Meadow. Nikon D850, Nikon 24-70mm @ 24mm, 1/80s, f/16, ISO 800.Late Day Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/40s, f/16, ISO 800.
I hung out here shooting until just after sunset.
Cloudy Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.Late Day Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.
