This is a continuation of iPhone photos shot in and around Alabama Hills, California in March 2024.
More later,
Ken
March 2024 iPhone Photos – Part 3
Tag: Landscape Photography
March 2024 iPhone Photos – Part 2
More iPhone and scouting photos from my March 2024 travels.
To be continued,
Ken
March 2024 iPhone Photos – Part 1 – Republished to correct an image display problem on website
As is my habit, I use my iPhone camera to make images while scouting photo locations and/or sometimes to record in route travel scenes. This Post and others to follow will feature some of the many such photos made during my March trip to California. Some of the photos in these post may be similar to those shot later with my DSLR.
I know there are many people that only use their cell phone cameras for photography, simply because it is convenient and nearly everyone always has a cell phone with a built in camera with them at all times. The cameras in the newer model cell phones are quite good, although there are still limitations. Nonetheless, it is possible to get good photographs with these convenient devices. There are also camera apps that may improve a phone camera’s ability to shoot better images and there are plenty of in phone edit apps to enhance the photos.
Sharing photos taken via a mobile phone is also very easy. It is no mystery why these small, pocketable devices have become so popular with those that just want to shoot a quick photo and share it to social media or via text message or via email.
A snow storm came across the western U.S. at the start of my trip, threatening to delay travel for a day at least; but as it turned out, we only had slow travel over the Rockies through the area that received significant snowfall, after I-70 was opened just before our scheduled road travel.
I awoke at about 3AM my first night in Colorado and peeked out my bedroom window to check the weather and this winter scene filled my view. So naturally, I grabbed my phone and captured a few images through the window.
It is easy to see in these two images how light sensitive the camera sensors in these phones can be. Of course, there was some light from street and house lights and the heavy cloud cover reflected the city light onto the snow, which bounced the light, too. The detail in these 3AM low light photos is still remarkable.
The passenger in a moving vehicle might be able to shoot while moving along at highway speeds with one of these devices. (The driver should pay attention to driving and not use the camera while moving).
This image was made somewhere in Utah, the morning of our second travel day, as the storm seemed to be clearing; although, we continued to see storm warnings along the highway and we had driven through some snow flurries the day before in some higher elevations.
Until next time,
Ken
Mono Lake, California – Part 1 (Republished to correct an image display problem on website)
My son and I ventured back north of Lone Pine, California to explore more natural sites along US Highway 395. Our first stop was Mono Lake.
I have seen photographs of the tufa in Mono Lake and looked forward to seeing these. While the history of this lake and the science behind the natural creation of the tufa deposits are interesting, we were a bit disappointed in the photogenic appeal of the area; but we were not there at the best time for photography, which might have been the primary reason for our disappointment.
We hiked the loop from the parking lot to the lake twice. I used my 24-70mm lens during the first round, then switched to my 80-400mm with a 1.4 extension for the second round. The photos included in my posts are a mix of images made with those two lenses.
More Mono Lake next time,
Ken
Alabama Hills, March 21, 2024 – More Wandering
After our early morning sunrise shoot, my son and I went on another short scouting expedition.
Of course, I made a few shots during our little hike, scouting the area for possible sunrise or sunset shoots, but the two in this post are the only ones that I deemed presentable.
Until next time,
Ken
Alabama Hills, March 21, 2024 – Early Morning Photography – Part 2
After shooting at my preferred location this morning, I wandered around the area looking for other scenes to shoot.
I don’t think the many dirt, back roads here have names, but the early morning quiet led me to call this one Serenity Road.
Shooting from another point of view, I thought it would make no difference which way one turned at the T, as either way would let one see more of the awesome geology of this area.
Standing in the shadow of the massive rocks behind me, I watched as the early morning sun began to highlight the top of the rock features in front of me.
I wandered back through and over rocks and boulders to the place of my initial shots this morning. I climbed onto a massive rock and made one last image, wrapping up this sunrise shoot.
Until next time,
Ken
Alabama Hills, March 21, 2024 – Early Morning Photography
Early this morning we were at a location that we had previously scouted near some interesting pointy rocks for sunrise photography.
The first images here are pre-sunrise and a few minutes later the light is totally different.
These are the pointy rocks that look like guardians over the valley, standing at attention for the coming sunrise.
After shooting from behind these rock features, I began to wander around the area, looking for other photo possibilities, but you will have to come back again to see how that search turned out.
Until then,
Ken
Back at Alabama Hills, March 20, 2024
After our morning shoot at the Hot Creek Geothermal Area, we returned to Alabama Hills, with no clue about where to shoot at sunset. So we drove around looking for someplace inspiring our imagination. We failed with the inspiration and finally settled upon the location for the movie Gunga Din, simply because we had no more time to scout around.
There are still a few remnants from the movie set, where a bridge had been constructed over a ravine.
I don’t know how these gears were used, but there were at least a couple of these embedded in or near the roadway.
There were some concrete items, which I assume were anchors for the bridge, in some of the rocks near the roadway.
I wandered around the area looking for potential sunset shots, finding little inspiration, but I did get a few images that I liked.
And that’s it for this shoot. We have a plan for tomorrow morning, so stay tuned to see how that works out.
Ken
Hot Creek Geothermal Area, California – Part 2
After shooting from an elevated location here, my son and I drove to the parking lot at the official visitor area and hiked down the steep, icy path to the creek level.
There are signs posted at frequent intervals warning visitors of the scalding hot waters of the creek and to stay at least ten feet from the creek bank and from steam vents.
At about this point and westward, Hot Creek is fed by snow melt before the water enters into the portion fed by hot springs. Anglers fish the waters here and to the west. I’m guessing the fish are smart enough to turn around before getting into the scalding hot water area.
As one of my Flickr contacts pointed out, the hot water was providing clouds for the otherwise clear sky this cold morning.
I stopped to photograph this lone, bent tree with the mist from the hot water behind it as I was hiking back up the trail to the parking lot. This image, which I almost neglected to even process, was chosen for Flickr’s Explore Page May 30, 2024.
That is all for this area. Until next time,
Ken
Hot Creek Geothermal Area, California
At an earlier sunset shoot in Alabama Hills, we encountered another photographer who told us about Hot Creek Geothermal Area, showing us an alluring photo. Hot Creek Geothermal area was about an hour and a half drive north of our location. We decided to make the drive to scout the area. We were impressed with the scene, but thought it was maybe too much of a time consuming drive for the limited photographic possibilities. Yet, we did return early one morning to shoot at sunrise.
It was a cold morning with temperature at 23 DF, when we arrived at our destination. As is the usual case, the scene was magnificent, but compositions were still a challenge. How much to include, how much to exclude for the most impactful image?
Being the big picture person that I am, I nearly always begin with including as much as possible in an image. We were shooting from an overlook above the creek with lots of busy foreground and, if zoomed wide enough, one could include parking lots, restrooms and other structures in the area above the creek. Some of my initial images included too much of these distractions and I realized that I needed to simplify the images.
The mountain range extended to the south and to the north and it was temping to include much of that range, especially as the light changed along the range as the morning progressed.
I began to exclude some of the immediate foreground of the elevated location and the buildings to the south (left of the images), then I had to decide how much to include to the north (right side of images).
As the sun rose and the mountain peaks began to be illuminated, I adjusted my compositions to include more of the sunlit peaks.
I still tended to get too much of the immediate foreground in some shots and cropped the images in post processing.
I have numerous images from this location, some with more of the mountains to the south and/or north, some with more foreground, some with the creek positioned at various points in the foreground, but I think this last one might be the most impactful and most simplified capture, with the creek snaking through from the bottom towards the most prominent peak, sunlight reflected in the creek and mist rising from the hot water into the cold air. By the time this image was made, the sun was well up and the entire mountain in the background was illuminated by the early morning light.
More from this area next,
Ken