This monochrome version of an iPhone photo was chosen for Flickr’s Explore page July 25, 2024. The bright white clouds behind the arch draws the eye to the arch. Against a clear, bland sky, a photo of this arch would be much less interesting, maybe even boring.
I called this natural rock feature “The Head”, because it looks like a head on a neck looking across the broad valley into the Sierra Nevada Mountains, maybe thinking it would be cooler to be in those mountains, under a blanket of snow, rather than stuck down here forever.
As is my habit, I use my iPhone camera to make images while scouting photo locations and/or sometimes to record in route travel scenes. This Post and others to follow will feature some of the many such photos made during my March trip to California. Some of the photos in these post may be similar to those shot later with my DSLR.
I know there are many people that only use their cell phone cameras for photography, simply because it is convenient and nearly everyone always has a cell phone with a built in camera with them at all times. The cameras in the newer model cell phones are quite good, although there are still limitations. Nonetheless, it is possible to get good photographs with these convenient devices. There are also camera apps that may improve a phone camera’s ability to shoot better images and there are plenty of in phone edit apps to enhance the photos.
Sharing photos taken via a mobile phone is also very easy. It is no mystery why these small, pocketable devices have become so popular with those that just want to shoot a quick photo and share it to social media or via text message or via email.
A snow storm came across the western U.S. at the start of my trip, threatening to delay travel for a day at least; but as it turned out, we only had slow travel over the Rockies through the area that received significant snowfall, after I-70 was opened just before our scheduled road travel.
I awoke at about 3AM my first night in Colorado and peeked out my bedroom window to check the weather and this winter scene filled my view. So naturally, I grabbed my phone and captured a few images through the window.
It is easy to see in these two images how light sensitive the camera sensors in these phones can be. Of course, there was some light from street and house lights and the heavy cloud cover reflected the city light onto the snow, which bounced the light, too. The detail in these 3AM low light photos is still remarkable.
The passenger in a moving vehicle might be able to shoot while moving along at highway speeds with one of these devices. (The driver should pay attention to driving and not use the camera while moving).
This image was made somewhere in Utah, the morning of our second travel day, as the storm seemed to be clearing; although, we continued to see storm warnings along the highway and we had driven through some snow flurries the day before in some higher elevations.
My son and I ventured back north of Lone Pine, California to explore more natural sites along US Highway 395. Our first stop was Mono Lake.
I have seen photographs of the tufa in Mono Lake and looked forward to seeing these. While the history of this lake and the science behind the natural creation of the tufa deposits are interesting, we were a bit disappointed in the photogenic appeal of the area; but we were not there at the best time for photography, which might have been the primary reason for our disappointment.
We hiked the loop from the parking lot to the lake twice. I used my 24-70mm lens during the first round, then switched to my 80-400mm with a 1.4 extension for the second round. The photos included in my posts are a mix of images made with those two lenses.
Of course, I made a few shots during our little hike, scouting the area for possible sunrise or sunset shoots, but the two in this post are the only ones that I deemed presentable.
Shooting from another point of view, I thought it would make no difference which way one turned at the T, as either way would let one see more of the awesome geology of this area.
Standing in the shadow of the massive rocks behind me, I watched as the early morning sun began to highlight the top of the rock features in front of me.
I wandered back through and over rocks and boulders to the place of my initial shots this morning. I climbed onto a massive rock and made one last image, wrapping up this sunrise shoot.
After shooting from behind these rock features, I began to wander around the area, looking for other photo possibilities, but you will have to come back again to see how that search turned out.
After our morning shoot at the Hot Creek Geothermal Area, we returned to Alabama Hills, with no clue about where to shoot at sunset. So we drove around looking for someplace inspiring our imagination. We failed with the inspiration and finally settled upon the location for the movie Gunga Din, simply because we had no more time to scout around.
There are still a few remnants from the movie set, where a bridge had been constructed over a ravine.
Gear
I don’t know how these gears were used, but there were at least a couple of these embedded in or near the roadway.
Abutments?
There were some concrete items, which I assume were anchors for the bridge, in some of the rocks near the roadway.
I wandered around the area looking for potential sunset shots, finding little inspiration, but I did get a few images that I liked.
