Arriving at the area above the Burr Trail Road Switchbacks, overlooking Strike Valley, we hastened to find quick compositions before the late day light disappeared.
We were fortunate to get golden hour sunset light on portions of the foreground rocks for a brief interval, before the foreground went entirely into shadow.
The repeating Vs in the image above remind me of themes or patterns often seen in Georgia O’Keeffe’s artwork that she did in in the New Mexico area near her home. The Vs begin in the old dead tree, continue with the intersection of the rock formations behind it and at the notch in the opposite valley wall in the background.
The gnarly, fallen old tree in the foreground seems to mimic the rock layers behind it.
I made a number of images with these rocks in the foreground. I’ve only included a couple of those in this post.
Likewise, I captured a number of images similar to these two, getting a portion of the Burr Trail Road, going down into the valley. As a reminder, clicking on the photos with embedded links will take you to the photo on Flickr and viewing on a large screen will better show the details in the images.
After shooting at the Strike Valley Overlook, we retreated back to the intersection of the the 4 wheel drive road and Burr Trail Road to shoot a window in a rock near that intersection.
I hiked along a stream bed to get better views of the window.
The window is so far away from this shooting area that it appears to be much smaller than it actually is, so the foreground scene dominates these wide angle shots.
I scrambled up a very steep slick rock slope to get the photo above and a few of the others here.
The canyon walls along the stream had some interesting texture and features.
Back at the open area around a parking area just off of Burr Trail Road, I looked for foreground objects to include in front of the distant window.
None of these shots turned out to be outstanding (although, I do like the vertical composition that I had to work hardest to get, climbing a steep slope), so we abandoned this area and headed towards an area overlooking Strike Valley above the Burr Trail Switchbacks, hoping to get there before the sunlight disappeared.
This is a continuation of a late afternoon shoot at Strike Valley Overlook in Capitol Reef National Park.
This old tree skeleton provided a number of compositional possibilities. I think this one is the best photo I got here. If there were only a few clouds in the sky…
I had hoped to get some of these compositions with sunset light on the foreground, but this area very quickly went into shadow before the best of the late day light.
The trail head for Upper Muley Twist Canyon and the Strike Valley Overlook both begin at the end of a three mile, rugged, high clearance, 4 wheel drive road.
There are at least four arches in Upper Muley Twist Canyon in the southern portion of Capitol Reef. The full loop hike of this canyon is a nine mile round trip. Today, our primary destination was the Strike Valley Overlook, which we had scouted earlier in our visit. We had just enough time before sunset to hike to the first arch, which is about a mile from the trailhead.
The first arch is easily missed. It is high up on the canyon wall, does not stand out sharply from the surroundings, and it is obscured by rocks and vegetation along the stream bed. We spotted the arch, though it was not easily accessible and we had no time today to try to find a route to a good vantage point for getting the best photos. The shot above is taken from a sandy bank surrounded by trees and brush just above the stream bed. We resolved to save any more exploration in this canyon for another day and hiked back towards the trailhead and the Strike Valley Overlook trail.
There are high rock outcrops to the west of this overlook area, so the late day shadows encroach rapidly, putting much of the area and the valley in shadow well before the best of golden hour.
This overlook area sits atop the geological feature called the Waterpocket Fold, which runs for miles in the park.
This natural, linear, geological feature looks like a shrub lined walkway.
This old tree remnant, resting at the base of a small rock drop off, reminded me of a line from a German poem that I had to memorize in college. Amazingly, I can still remember the complete poem decades later. The last line translated from the original German: Just wait, soon you too will rest.
An old, dead tree and its shadow were good foreground objects, so this appears in a number of my compositions here.
Late one day we decided to shoot from one of the overlook areas near the visitors’ center. I shot from a little before golden hour until only the clouds on the distant horizon were illuminated and the color faded away. These are the best of the photos I obtained.
We returned to the southern portion of Capitol Reef National Park to photograph Strike Valley in the late afternoon with the intention of photographing from somewhere along the switchbacks (numerous sharp turns on the roadway as it climbs steeply from the valley). There were no safe and suitable places to park along the switchbacks, so we settled for shooting from an area above the switchbacks.
In viewing some of these photographs now, I’m thinking some could benefit from cropping portions of the sky, but when I edited these, I was wanting to show the big open sky. Maybe that was a mistake, but I’m not going to change these now.
I will continue to test my readers patience with even more photos from Capitol Reef National Park’s Cathedral Valley.
The photographs in this post are all taken around the features called “Temple of the Sun” and “Temple of the Moon”.
These photos were all taken late in the afternoon. The high ridge to the west of these features blocked much of the golden hour light, so essentially all of the foreground objects were already in shadows by the time the best golden hour light illuminated the large monoliths.
I know these photos are similar, but those clouds that seem to be emanating from the monolithic rock, emphasizing its powerful magic had to be captured in numerous compositions (I have even more, that I will not impose upon the reader).