Sedona, Arizona – Part 1

Sedona, Arizona is in a picturesque setting with massive, colorful rock formations all around.  It is also a popular tourist city with all the trappings of such a city, many shops, restaurants and art galleries.

In the outlying areas there are many popular hiking trails, scenic destinations and places popular with rock climbers.

My wife and I drove around the local area around the city to check out the scenery.  I made mental notes about possible places to return to at sunrise or sunset to engage in my photography hobby.

My first chosen destination, Bell Rock, for a sunset shoot is just off of a major road and is a popular tourist draw.  As I left our motel in Sedona, an afternoon thunderstorm erupted with lots of lightening and heavy rain.  The local rock features that are visible from the city streets were surrounded by clouds with intermittent breaks in the clouds allowing sunlight to illuminate those features for a short while.  There would have been great photographic opportunities during the storm, if only there had been a place to safely pull over out of the heavy late day traffic and not be exposed to the heavy rain and possible lightening.  I could only observe and admire the views, wishing I were able to photograph the storm.

I hoped that there would still be some of the storm around when I arrived at the Bell Rock parking area, but the storm had moved on into the far distance by the time that I arrived.  The nearby sky was mostly clear, but the distant storm clouds were still visible.

There are a number of hiking trails around and near Bell Rock.  Most tourists opt to hike up the slope towards Bell Rock.  I decided to hike the less popular trail that went around behind Bell Rock towards other rock features nearby.  I only recall encountering two or three others on this trail.  The parking lot was not nearly as full, this late in the day, as it had been during my scouting pass through it earlier in the day.

Red Rocks against a Dark Sky
Red Rocks against a Dark Sky 2

As these first two images reveal, the distant clouds caused the light to constantly vary from entire shade to partial shade and the sky to vary from dark to light.

The Gold at Rainbow End

I made numerous, not so interesting, photographs of the distant rock outcrops as the late day light changed.  While the distant storm clouds added interest, it was not until I noted a faint rainbow appear that I began to hope for something more interesting.  Indeed, as I watched the scene that rainbow became brighter and a double rainbow appeared, seemingly terminating on the rocks with a golden glow from the late day sunlight.

Veneration

As I prepared to photograph this old, majestic tree skeleton (old trees like this are one of my favorite subjects), the clouds in the sky began to glow with the golden color of sunset light.  The golden cloud was perfectly positioned above the tree, as if forming a crown of honor and remembrance for the old tree.

Veneration 2

This is not the same tree as in Veneration, but it is nearby, with more of the local environment in the background.

Arizona Sunset Sky

As I walked the trail back towards the parking lot, after my late day shoot, I had to stop to capture these colorful, post sunset clouds with the silhouette of rock formations in the foreground.

After Sunset

When I turned to look back at this rock feature, I noted that the color was a deeper red just after sunset.  In researching this area, I had seen information that said these rocks looked best for photography just after sunset sunset.  My observation confirms that statement.

Until next time,

Ken

Valley of Fire State Park, Nevada – March 2023 – Part 27 – Final Sunset Shoot (Continued)

This is the final post for my March 2023 visit to Valley of Fire State Park in Nevada.

Desert Gold
The Midas Effect

Sunset light turns these desert rock features into gold.

Gold Veins
Transformation 11
Fringe Light
Fringe Light 2

Sunset light fades away on the peaks.  I’m so grateful for the natural lines and textures in the amazing geology and natural sculpture here, without which the photographs would not be nearly so interesting.

Peak Gold 2

With a cache of fallen rocks in the eroded portion below the peak.

Getting the Shot

I could have yelled at this photographer for intruding into my composition, but I think he adds to the theme of photographing the geology here, as well as giving a human scale for reference.

Regular followers of this blog might recall that in an earlier post about this final sunset shoot I made a statement about thinking that there must be a better composition in the area where I made an early shot before sunset.  Well, there was. I came back to that area, as the sun was very low in the sky, where I shot some of the images above.  As I moved around the area, I found rocks that made very interesting foreground  objects.  These last three images are my best (I think) images from that location.

The Cast 1

The rocks of Valley of Fire are the stars of this series, so it seem appropriate to name these last photos for those rocks.

The Cast 2
The Cast – Final Bow

Thanks for following this long series of blogs with photos from Valley of Fire State Park, Nevada.

Until the next journey,

Ken

 

Valley of Fire State Park, Nevada – March 2023 – Part 27 – Final Sunset Shoot (Continued)

Transformation 4

The natural features in the foreground rocks made great leading lines into the desert background for this image and the muted color of the rocks in the shadows contrasted with the sunset light enhanced color of the background rocks.

Crease Life

I know, this is not a wonderful photo, but as I sat in the shadows on the rock ledge on this image’s right side, I noted (again) how desert life tends to accumulate in the creases between rock units. And the ledge, which is not as wide as it looks near the camera lens, seems to be disappearing into the distance.

Transformation 5

I kept with the “Transformation” theme for a number of photos, shooting from the shadows into the sunset light on the background.  In this one, I liked the fracture leading upward toward the cylindrical rock feature, then the rock/skyline edge merging with the shadow line leading down into the sunlit valley.

Transformation 8

For Transformation 8, I was inspired by the foreground rock layer that appears to be flowing downhill.

Complex

The title “Complex” is in honor of the complexity of the geology and rock details throughout this image.

Open Heart

My first inclination was to title this image “Let Sleeping Rocks Lie”, as I think the rock with the sunset light on it looks much like a resting puppy and that rock opening behind the head looks like a floppy ear.  Then I noted that that opening was heart shaped.  This detail might be more clear, if viewed on a large screen.  Clicking on the image will take one to my Flickr page with this image.

Peak Gold

The rocks here have some incredible detail and textures that can best be seen on a large screen, too.

To be continued,

Ken

Badlands National Park, September 2022 – Final Afternoon and Sunset

On the final day of my visit to Badlands National Park, South Dakota, I drove to the Visitors’ Center, where I would usually stop early in a visit to such a place; but so far I had ignored the Visitors’ Center, perhaps because it had been so far from my base of activity in the park and it is a large park to explore.

Somewhat past the Visitors’ Center there is a parking lot and walkways that let one get a wide view of some of the Badland features.

Badlands NP, Near Visitors Center, September 19, 2022, PM, iPhone Photo
Walkway, Badlands NP, Near Visitor Center, September 19, 2022, PM, iPhone Photo

Continuing past the Visitors’ Center there are other areas of this park that I had not yet seen on this trip.  Although, I recall being in this area the first time I came here years ago.  There are hiking trails, long and short, in this area.  Now that my time here is ending, I’m wishing that I had come this way earlier and hiked some of these trails.

Badlands NP, September 19, 2022, PM, iPhone Photo

The image above was taken after hiking a short trail from a parking lot.

I had picked out a place from which to shoot at sunset today.  Yet on the way to that destination, I saw the distant features that I had planned to shoot were visible from a view point.  On a spur of the moment, I decided to change my plans and shoot from this viewing area.  I hiked out onto some features down from the viewing area in an effort to get better vantage points.

Shadows Grow, Badlands NP, South Dakota, September 19, 2022, PM

I quickly realized that those distant features I had planned to shoot were too far away, but I did not think I had time now to revert to my original plans, so I stuck it out here and tried to make the best of shooting at this location.

Deepening Shadows, Badlands NP, South Dakota, September 19, 2022, PM
Ridge Light, Badlands NP, South Dakota, September 19, 2022, PM

The nearby feature quickly began to fall into shadow, even though the sun was still relatively high in the sky.

Golden Hour, Badlands NP, South Dakota, September 19, 2022, PM
Receding Light, Badlands NP, South Dakota, September 19, 2022, PM

As I noted how the light changed and how those distant features were getting the best of the golden hour light, I realized how bad my spur of the moment decision to shoot here was.  I would have been much closer to those distant features at my initially chosen location.

As the shadows began to quickly progress across the landscape, I began to retreat towards the parking lot.  In that retreat, I noted that I could navigate around some of the nearby features to the east and get better views than from where I had been shooting.

Badlands NP, South Dakota, September 19, 2022, PM

The image above shows an area into which I could have hiked and gotten much better golden hour images, but it was too late now.  Live and learn.  If I’m here again, I will know how to get here and when to be here.

Sunset Scene, Badlands NP, September 19, 2022, PM, iPhone Photo

I shot this final image of the sunset sky with my iPhone as I was making my way back to the parking lot.

This wraps up my 2022 photography in Badlands National park.  I will begin the multiple day journey home tomorrow morning.

Ken

 

Colorado Mountains at Sunset

Dinner plans were complicated by a number of our choice restaurants being closed for various reasons, requiring some driving about looking for alternatives. As we drove between two local towns, I made mental notes of possible locations for sunset photography.  After dinner in Hotchkiss, I returned to one of those location for sunset photography.

Mountains and Clouds
Clouds, Mountains and Valley
Mountain Peaks at Sunset
The Cloud
Colorado Sunset Clouds

As I returned to Hotchkiss, I noted an almost full, silvery moon rising above the clouds.  The moonrise was hidden by the clouds, when I was shooting.  It was too late to find a good vantage point from which to include the moon in my late day images.  That was disappointing.  If I had hung out at my sunset shooting location a few more minutes, maybe I would have had an opportunity to get the moon in my images.  Never the less, I thought I had a good sunset photo session.

Ken

The Importance of Light Quality in Landscape Photography

I’ve just returned from a two weeks road trip and, as usual, after such trips there is much to do before I can get around to reviewing the photos taken during such trips.  Added onto the usual catching up with items around the house, I’ve had to work to correct some software issues, at least some of which I created myself due to the way I decided to use a portable hard drive for Lightroom photos and the Lightroom catalog, so that I can work from both laptop and desktop computers.

In addition, I decided to upgrade my old Nik software, which has not been supported for some time now, to the new DXO Nik version.  The software installed and ran on my MacBook Pro, but it did not want to run properly on my iMac.  It took quite a bit of work over a couple of days to sort this out.  In the end, I’m not sure what action(s) actually cured the problem, but at least now it is operational.  In the process I learned how to remove the links to the old Nik versions from Lightroom.  One would think this would be an easy, straight forward task, but no search of Adobe’s Help yielded any results on this topic, nor was DXO support completely helpful.  Finally, I got suggestions from the Adobe community forum, none of which related directly to my installation, but at least got me onto the right track, allowing me to find and remove the problem files.

So now back to the subject of this post.  Experienced landscape photographers need not read any more of this post, since I’m not revealing anything new here.  However, beginners or novice landscape photographers might benefit from information shared here.

Light is the essence of photography.  It is light that allows one to make photographs and the properties of light affect the resulting photographs.  Readers may have heard the term “Golden Hour Light”, used by landscape photographers. This term refers to natural light just as the sun is rising or setting.  At these times, when the sun is low in the sky, sunlight has to travel through more of the earth’s atmosphere, which favors the transmission of the warmer colors, filtering out the cooler colors.  It is the “warmer light” that really bring to life objects illuminated by such light.

In this post I am showing an example of a scene shot with only the beginnings of this light and one with much more of this golden hour light.

A shot with just a hint of golden hour light peeking through the clouds.

The photo above, while lacking in great depth of field, shows the effect of muted late day light.  It was a cloudy day and only a little golden hour light is getting through the cloud cover.  This photo is taken looking north with the sunlight coming from the west.  This is referred to as sidelight and is good for casting shadows, adding depth to a 2 dimensional photo.  Note that there is only a sliver of brighter light going diagonally from the lower left corner towards the upper right and there are minimal shadows, but at least the light alternates in a repeating cycle from dark to light across the photograph.  The overall tone is dark.  Compare this to the photo below, taken just moments later.

A shot with almost full golden hour light.

The cloud cover is still muting the light in the second photo, but it is obviously much brighter and warmer with stronger shadows.  The original image files for each of these final images are raw camera files with adjustments in Adobe Lightroom and Nik software.  I’ve applied essentially the same edits to both photos.  The difference the light properties make in these images is obvious.  The second image “pops” much more than the first image.

As a side note, there is a photo shoot within these photos, which I did not fully realize, until enlarging these images during the processing.  In the first photo, near the upper center in the sand just below the sky there are three figures, one female on the left in a red dress and two males to her right.  At the time I took the photo, I just noted that there were three people walking in the background.  While processing the second photo, I noted these same three people now grouped together just below the skyline on the left side of the photo.  The enlargement shows a lighting umbrella device on a tripod, hence the conclusion that this is a photo shoot of the female in the red dress.  These figures are only clearly visible (but not in sharp focus), if one enlarges the photo.

That is all for this post.  I will have much more to share from this trip in subsequent posts.

Until then,

Ken