Buckskin Gulch

This is a continuation of hiking and photography in Wire Pass and Buckskin Gulch slot canyons in Southern Utah in March 2025.

Upon exiting Wire Pass Slot Canyon, we turned right, proceeding into Buckskin Gulch.

Hard Evidence

The numerous rocks strewn over the canyon floor in Buckskin Gulch give evidence of the violence of currents that periodically rage through this canyon.

Sky Reflection

The sky and canyon walls are reflected in this muddy puddle, including the upper portion of the wall with the glow of midmorning light. We were able to pass this puddle by using the rocks on the left as stepping stones, then making a big step to the right onto a large boulder at the far end of the puddle.

Beyond the First Puddle

More pebbles and boulder in the pathway. This seems typical of Buckskin Gulch. Evidently, more water flows through this canyon than through Wire Pass.

No Dry Way Forward

The next puddle we came to was deeper and had no convenient stepping stones in it to facilitate passing without wading in the very cold water. This was an obvious turn around point for us, as we were not prepared to wade through the cold water. A small tour group turned around here, too; but one intrepid old fellow stripped down to his underwear and waded through. He moaned and groaned all the way through, then again as he apparently had to repeat the process at another puddle that we could not see around the bend here.

Turn Around Puddle

I made a number of images at this turn around puddle to capture the details in the canyon wall, the red, golden glow ahead and the reflections in the puddle.

First Puddle Again – HDR Image

It was a bit more awkward making that first step back across this first puddle, because of the location of the first boulder on the far side. I had to think about how to approach that first step, since a poor choice of step would put me into the cold water and maybe an unplanned cold bath. Once back on this side, I turned to get a parting shot with more of the canyon walls in this one. The dynamic range of light in these canyons creates a challenge getting a good exposure, so I bracketed several shots with different exposure settings, then combined those images into this one High Dynamic Range processed image.

Buckskin Gulch – HDR 2

After our shortened hike into Buckskin Gulch to the south of the Wire Pass exit, we hiked into the northern portion, which tends to be wider than the part to the south.

Turn Around Point 2 – HDR

We soon came to another big, muddy puddle, at which we elected to turn around. Footprints in the mud attest to others wading on through the cold water. There was not as much water in this canyon the first time we visited here years ago and we were able to easily hike further into each of these portions back then.

After turning around here, we went back through Wire Pass, returning to the parking lot and then back to our campsite to plan the rest of the day.

Until next time,

Ken

Capitol Reef National Park, Utah, March 2022, Part 11 – Strike Valley

We returned to the southern portion of Capitol Reef National Park to photograph Strike Valley in the late afternoon with the intention of photographing from somewhere along the switchbacks (numerous sharp turns on the roadway as it climbs steeply from the valley).  There were no safe and suitable places to park along the switchbacks, so we settled for shooting from an area above the switchbacks.

Strike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, Utah
Strike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, Utah
Strike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, Utah
Strike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, Utah
Strike Valley and Beyond
Strike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, Utah
Strike Valley View, above the Burr Trail Road Switchbacks, Capitol Reef National Park, Utah
Twisted 1
Twisted 2

In viewing some of these photographs now, I’m thinking some could benefit from cropping portions of the sky, but when I edited these, I was wanting to show the big open sky.  Maybe that was a mistake, but I’m not going to change these now.

More later,

Ken

Capitol Reef National Park, Utah, March 2022, Part 10 – Cathedral Valley

I will continue to test my readers patience with even more photos from Capitol Reef National Park’s Cathedral Valley.

The photographs in this post are all taken around the features called “Temple of the Sun” and “Temple of the Moon”.

Monoliths, Cathedral Valley, Capitol Reef National Park, Utah
Monoliths, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Sun (in right background), Cathedral Valley, Capitol Reef National Park, Utah
Downcast
Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Sun framed by smaller rocks, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Sun, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Sun, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Sun, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Sun, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah

These photos were all taken late in the afternoon.  The high ridge to the west of these features blocked much of the golden hour light, so essentially all of the foreground objects were already in shadows by the time the best golden hour light illuminated the large monoliths.

Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah
Temple of the Moon, Cathedral Valley, Capitol Reef National Park, Utah
Temples of the Sun and Moon, Cathedral Valley, Capitol Reef National Park, Utah

Until next time,

Ken