South of the Capitol Reef National Park Visitor Center at the end of the paved road is the Capitol Gorge Trailhead. We hiked a short distance down the canyon, then up a short, steep trail to check out natural water tanks formed in low places along a water drainage.
I captured a few images in the canyon in route.
Capitol Gorge and Hiker/PhotographerCapitol GorgeStanding Tall – Black and White with Selective ColorizationDefiance – Trees atop Canyon Walls – Black and White with Selective ColorizationReflection in a Natural Water Tank
The snow like blobs in these photos are foamy floaters in the water.
Water TankIcy Water Tank and ArchGreen Gold – Tree adjacent to the tanks – Black and White with Selective ColorizationArch below Tanks
Water flow has cut through rock forming a small arch along the occasional stream bed.
Old Visitor Register – Enhanced to bring out faded writing
Early visitors in this canyon left their names and dates high up on the canyon wall. These marking are much higher than anyone other than a giant can reach. Maybe some stood on horses or wagons to leave their mark here or maybe the canyon was not as deep many years ago?
Parched, Hopeful – Capitol Reef Desert Scene
I cannot recall where in the park this final photo was taken, but I think it was shot along the unimproved dirt road that continues past the end of the paved roadway from the Capitol Gorge Trailhead parking area.
We visited Tsankawi again one afternoon, but we never really got to be here at the very best time of the day for photography. Although, we did have some cloudy sky, which helped add a little interest at times.
Tsankawi is really an amazing place. I was most impressed by the paths created by Native Americans many years ago. Those ancient people walked the same paths so often as to wear deep trenches in the rock. Sometimes the trenches were only a few inches deep and sometimes several feet deep. Even though the rock may not be super hard here, it is not soft either, so it must have taken many walkers over many years to create such deep pathways in the stone.
Tsankawi, Bandelier NM, March 2021. Walking Through the Past 1, monochrome with selective colorization.Tsankawi, Bandelier NM, March 2021.Walking Through the Past 2, monochrome with selective colorization.Tsankawi, Bandelier NM, March 2021. Tsankawi Trail.Tsankawi, Bandelier NM, March 2021. Contemplation. Monochrome with selective colorization.Tsankawi, Bandelier NM, March 2021. Old Tree and Fractured Rock with Petroglyphs
One has to look closely to see the old, worn petroglyphs, of which there were many, in some of the rock faces.
Tsankawi, Bandelier NM, March 2021. Lone Tree.Tsankawi, Bandelier NM, March 2021. Tsankawi Petroglyphs.
Viewing a larger image on Flickr will allow for better resolution of the many petroglyphs on this rock face.
Tsankawi, Bandelier NM, March 2021. Small Evergreen Tree growing in a crack in the Tsankawi desert area. Monochrome with selective colorization.
Shelter. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 3200.Trunk Trio. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 3200.Hint of Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 400.Sanctuary. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.Forest Road and Barren Aspens, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 2000.Advanced Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Advanced Fall. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Hanging On, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 2000.Stump with moss and leaves. Nikon D850, Nikon 24-70mm @ 32mm, 1/320s, f/11, ISO 3200.
Just one comment to wrap up this post. Viewers will note that I’ve include color versions of a few images that were then converted to black and white with selective colorization to add emphasis.
Stay tuned for the wrap up for my September 2020 Rio Grande National Forest visit.
The second stop during my first day of photographing covered bridges in Putnam County, Indiana was at the Pine Bluff Bridge.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
The setting around Pine Bluff is more attractive than that around Cornstalk (see previous post) and this will be a great place to shoot, when the fall colors peak.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/30s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.Pine Bluff Interior HDR. Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
I found a way to get down to the creek, where I could walk along the edge of the creek and beneath the bridge to shoot it from both sides.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.
I experimented with the DxO Nik Selective Colorization of a monochrome image with a couple of the photographs taken of this bridge, bringing out the red color of the bridge after converting the images to monochrome.
Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/8, 1/400s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/8, 1/400s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/1 80s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
The photo above is my favorite of this bridge with the curved road leading to it.
A country road leading to Pine Bluff Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/3.5, 1/125s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.
The final image here is looking back from near the bridge down the roadway leading to the bridge. I know this will be a great place to try to return to another time, when the fall colors are at their peak.
I hiked to The Seal to shoot pre-sunrise and sunrise shots at this large well known hoodoo in the northern portion of Bisti on the morning of my 6th day here in late May of 2019. The sunrise light was not great, but it was still good.
The Seal, Bisti Wilderness, Pre-Sunrise. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
I made a few exposures from below The Seal in the pre-sunrise light. Then climbed further up the hillside to shoot from just below the hoodoos and from a location that gave me a view from just above The Seal and other adjacent features. The pre-sunrise, dim light required long exposures.
A large Bisti Hoodoo adjacent to The Seal. Nikon D850, Nikon 24-70mm @ 50mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.Large Bisti Hoodoo near The Seal. Nikon D850, Nikon 24-70mm @ 34mm, f/16, multiple long exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 5 images in Helicon software.
This iPhone shot shows the DSLR shooting location, overlooking The Seal and adjacent rock features and the westerly view with the first sunrise rays highlighting the features on the horizon:
Waiting for the light. iPhone photo edited in Adobe Lightroom and DxO Nik modules.
One of the long exposure pre-sunrise shots with the DSLR:
Eye Level with The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 6.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
I think most photographers shoot The Seal from below, since that is the view that lets one see the seal shape of the hoodoo cap. I’m sure others have walked around, viewing these in the same manner as shown above, but I do not recall having seen any photos from this viewpoint. I’m hoping that I captured images here that are less common, if not unique.
When the sun rose over the horizon, I began to see the highlights on my primary subjects.
Eye level at The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO modules.Large Bisti Hoodoo near The Seal. Sunrise light, Nikon D850, Nikon 24-70mm @ 24mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.
I then moved back down the slope to shoot The Seal from below in the early morning sunlight.
The Seal near sunrise. Nikon D850, Nikon 24-70mm @ 38mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO modules.
Finishing my shoot at The Seal, I went back down into the wash and proceeded to another nearby location that I had previously scouted.
North Bisti Hoodoos and Wings. Nikon D850, Nikon 24-70mm @ 35mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.North Bisti Rocks and Hoodoos. Nikon D850, Nikon 24-70mm @ 40mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images in Helicon software.
As is my normal practice, I continued to wander around after the golden hour, looking for other interesting features to shoot before the sun got too high in the sky. I climbed up out of the deep wash onto the high plateau in the area where I had shot on other occasions and found these two curious looking rocks and their shadows:
Kissing Bisti Rocks. Nikon D850, Nikon 24-70mm @ 56mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO modules.
The low angle sun cast interesting shadows from a number of small hoodoos.
North Bisti Small Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 60mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images.Long neck (bird like) hoodoo and shadow. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.Bisti Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 44mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.
The brighter sunlight and long shadows are good for obtaining monochrome images.
Bisti Wash and Hoodoos. Nikon D850, Nikon 24-70mm @ 70mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
Little hoodoo that appears to be looking up to a bigger one:
Bisti Hoodoos and Shadows. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
An array of short hoodoos with flat, elongated rock caps in monochrome:
Fading Away. Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 50mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 5 images.
These elongated, flat rocks are remnants of an originally continuous rock layer. Weathering and erosion has created these individual rock sections. In time these will disappear entirely.
A monochrome with selective colorization (bringing out some of the original color in a monochrome image):
Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 48mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.
I think the black and white version, which can be found on my Flickr page, of the above image is more appealing than the selectively colorized version.
Bisti Flat Rock Hoodoo Tops. Nikon D850, Nikon 24-70mm @ 28mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 8 images.
