Cold Springs Campground, Colorado – July 2019 – Day 2 Scouting

A previous post referred to the areas that we scouted during our second day at Cold Springs Campground, looking for potential places for more sunset and sunrise photo shoots.  This post will present a few of the iPhone shots taken during that scouting with some comments.

A dead tree near Smith Lake Trail, Routt National Forest, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

This striking looking dead tree trunk, spotted along the Smith Lake Trail, looks like a good photographic subject, but it was so tall one would have to have a really wide field of view of shoot upwards from near its base to fully capture it.  We never got around to trying to shoot this properly.

A wilderness boundary marker along Smith Lake Trail. iPhone photo with edits in Adobe Lightroom and DxO Nik Efex Pro 4.

This boundary marker has nothing to do with photography, I just thought it interesting to see this marker.  Someone, wondering around in the forest, not hiking along a trail,  would never know when entering or leaving a designated wilderness area.

Smith Lake in the Flat Tops Wilderness, Colorado. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

This view of a mountainside with Smith Lake in the foreground, suggested that early morning light would make this a good place for a sunrise shoot.

Smith Lake Panorama. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

A panoramic view of Smith Lake and the mountain in the background, suggests possible multiple compositional possibilities.

Columbines and fallen tree. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

I found this batch of Columbines down the slope from the roadway south of the campground.  (Click on the photo to view on Flickr).

Approaching storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Looking up the hillside south of the campground, it was apparent that it was time to return to the camp before getting caught in a storm.  However, after getting to the Sportsmobile, I did take a chance and try to shoot at a field of Columbines, but I had to beat a hasty retreat again as the storm came in.

Near the end of the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

As the storm began to subside, a double rainbow appeared to the east of the campsite.  The complete semicircle rainbow was visible at one time, but I could not get a shot of it with my iPhone.  One can see sunlight from the west striking the mountainside in the lower left, so as long as the storm clouds, which were moving westward, did not obscure the sunset, we would get good after the storm light.

Possible good indication for sunset light after the storm. iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

A fuller view of the sun lite mountainside south east of the campsite as the storm passed, gave us some hope of getting sunset light on the mountainside.

A subsequent post will cover the actual sunset shoot after the storm.

Ken

 

Bisti May 2019 – Day 1 Scouting – Part 2

I explored mostly along a route towards, around and past features known as the “Conversing Hoodoos” during my first scouting outing in the north portion of the Bisti Wilderness.  Note that a few of the features in the images here were first seen by my son and I during our March scouting of this area; but we had scouted in much less of an organized manner and I wanted to record more precisely the locations of places to which I would return to photograph in better light conditions.

Bisti_May25_2019_ScoutingPhoto
“Conversing Hoodoos” iPhone Photo with edits in Adobe Lightroom and Dxo Nik Color Efex Pro 4.

There are numerous canyons or washes throughout Bisti.  The Conversing Hoodoos are near a junction of a couple of these canyons.  These were to be my first features to photograph later and I wanted to check out various angles from which these might be photographed and whether they were best photographed at sunset or sunrise of if both sunrise and sunset would work well.  There are many other interesting features near these and in nearby canyons or along the canyon walls.

Bisti_May25_2019_ScoutingPhoto
A large batch of Bisti hoodoos near the Conversing Hoodoos.  iPhone photo, edited in Adobe Lightroom and Nik Color Efex Pro 4.
Bisti_May25_2019_ScoutingPhoto
“Jack Rabbit” hoodoo, iPhone photo, with edits in Adobe Lightroom and DxO Nik Software

I called the small hoodoo on the top of this hill “Jack Rabbit”, because it looks like a rabbit when viewed in a particular manner.  This feature is just a little past the Conversing Hoodoos.

Bisti_May25_2019_ScoutingPhoto
“Jack Rabbit” hoodoo close up.  iPhone Photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

The Jack Rabbit hoodoo is difficult to photograph due to its location.  A long zoom might be better for shooting this feature than either a wide angle or a moderate zoom.

Bisti_May25_2019_ScoutingPhoto
The Wizard Hat.  A headless hoodoo that looks like a wizard hat.  iPhone photo with edits in Adobe Lightroom and DxO Nik Color Efex Pro 4.

Near the entrance into a canyon just past the Conversing Hoodoos is this pointy feature that was obviously the base for a hoodoo at one time, but the cap or head has fallen off.

Bisti_May25_2019_ScoutingPhoto
Wing like hoodoos in a canyon wall.  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

There are many interesting features and emerging hoodoos in the Bisti canyon walls.  These can be difficult to isolate for interesting photographs and their locations often limit the golden hour light with many being in shadows, when the light would be good otherwise.

Bisti_May25_2019_ScoutingPhoto
Animal like shape hoodoo.  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

I continued walking through a canyon just to the east side of the Conversing Hoodoos, finding many interesting features both in the canyon and along the canyon walls.

Bisti_May25_2019_ScoutingPhoto
Animal like shape hoodoo.  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

I made a number of images of one particular hoodoo to illustrate how these can look so much different depending upon the angle of view.

Bisti_May25_2019_ScoutingPhoto
Animal like shape hoodoo.  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.
Bisti_May25_2019_ScoutingPhoto
Animal like shape hoodoo.  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

From these two perspectives, this looks like a gecko; but others might imagine something else.

Bisti_May25_2019_ScoutingPhoto
Animal like shape hoodoo. iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

Continuing along the canyon, I found a feature that I referred to as “Big Mouth”.

Bisti_May25_2019_ScoutingPhoto
Clam Hoodoo.  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

Later in the day, while having a conversation in the parking lot with a group from a local mission, one asked if I had seen the “Clam”.  I knew immediately that they were referring to this one that I had been calling “Big Mouth”.

Bisti_May25_2019_ScoutingPhoto
Clam Hoodoo.  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

Another view of the Clam and other nearby features in this canyon.

Bisti_May25_2019_ScoutingPhoto
How did these get here?  iPhone photo, edits in Adobe Lightroom and DxO Color Efex Pro 4.

I’m always amazed when I find man made objects such as these in places where one would not expect to see such thing.  These appear to be automotive engine parts, but there is not anything nearby to suggest how these arrived here. I assume these must have been dumped here many years ago before this area was designated a protected wilderness.

To be continued…

Ken

Bisti – May 2019 – Arrival and Day 1 Scouting – Part 1

After having scouted some of the northern part of the Bisti Wilderness in New Mexico during my March 2019 visit, but not having time during that visit to photograph in that portion of Bisti, I wanted to go back and spend more time on the north end and I wanted to go before the hot weather of summer set in.  For various reasons, I had delayed going back, but I finally set out in late May.  Since I was eager to get there, knowing that leaving on a Friday would maybe present problems with finding a suitable and available stop over place and staying over on a Friday would result in arriving on a weekend, which tends to be a busy time for visitors, I decided to drive straight through (about a 12.5 hour drive, according to mapping software).  With stops for fuel, food and to take time to walk around at rest breaks, I figured it would take 14-15 hours to get to Bisti.  I had intended to leave home around 7AM and anticipated arriving at Bisti around 9-10PM and with total darkness not arriving before about 9PM, I would not have to drive for very long in the dark.  However, as usual, I got away from home a little latter than the plan, so I arrived closer to 10PM than 9PM and it was already totally dark, when I arrived at the dirt road entry to the unofficial North Bisti parking area.

As I pulled off of NM 371 in total darkness, the dirt road looked different than I remembered.  I had not been there in total darkness previously.  Thinking more light would let me verify my location, I switched on both the upper and lower LED light bars, which are really bright.  Even with that much light, initially I could not be sure that I was in the right place and I did not want to drive into the wrong area, so I consulted my iPhone map, which seemed to confirm that I was in the correct location.  Nevertheless, I proceeded with caution.  As I drove along, I began to feel more confident, as I recognized features from the March visit here.

As I turned past the bluff behind which was the large, open parking area, I saw a truck and an RV trailer in the distance.  Not wanting to be a nuisance with my bright lights, I stopped at the edge of the parking area and switched off the LED light bars, made sure the regular vehicle lights were in low beam, then parked a respectable distance from the RV and truck.  (For some reason, people coming into such areas like to park adjacent to others, even when there is much space available).

I walked around my vehicle with a flashlight to verify that there was no problem with my parking area.  I noted how dark it was there and I marveled at the infinitely many stars in the sky.  Seeing a campfire near the RV, I walked over to say hello and to be sure whoever were there were satisfied that I had not parked too close to their camp.  (I must have been about 30 or so yards away, but I had plenty of space to move away more).  As I approached their campfire, hailing whoever was there, and I got close enough, I saw one person sitting by the campfire, then another came out of the truck or trailer.  The one by the campfire was a youngish man from Denver and the other an older man from Oregon.  They confirmed that they had no problem with where I parked, then the older one said, “That is quite the light arrangement you have”.  To which the younger one added, “I thought I was being abducted by aliens”.  So it is good that I turned the lights off, when I did, rather than leaving them on until I parked!

I saw them again from a distance in the morning, but I never visited with them again, since they left sometime the next day, while I was out in the Wilderness.

My original plan for the first morning was to go out for sunrise photos, but since I was getting to bed after 11PM, had slept only 5-6 hours the night before, I would not get more than 5 hours sleep this night, if I got up early for sunrise and I had no definite route planned to get to a destination for sunrise, I decided it best to sleep in and scout the area first, rather than wander around in the early morning darkness.

So the first morning, after coffee and breakfast, I installed the solar panels, then went scouting, adding more GPS waypoints and shooting iPhone scouting photos. This is a really remarkable place to explore.  There seems to be no end to interesting features, geology and photographic opportunities.

Sportsmobile in the Bisti North Parking Lot
The “unofficial” north Bisti parking area.  iPhone photo.

As I was installing the solar panels, a passenger type van with a sign on the side that I could not make out, passed by and parked near the corner of the fence line at the border of the Bisti wilderness area.  A number of young people got out and I assumed it might be a geological field trip, maybe from a university.  I anticipated encountering that group later, during my scouting of the area, but I never saw them again and the van was gone when I returned from my scouting walk about.

Twin Peaks
Petrified tree stump with twin peaks landmark in the background. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.

As I returned from scouting the area, I frequently stopped to look around and behind me to get a feel of the area and to make mental notes of landmarks.  I did not encounter anyone during my walk about, but at one point, I saw a group of people on an elevated area in the distance.  I assumed that they must have come from the official south parking area, which is the most popular place for visitors.

Bisti_May25_2019_ScoutingPhoto
Rock Ridge Landmark. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.

This rock ridge image illustrates the “leading line” technique in photography, with the line of rocks leading the eye through the photograph.  (Click on the photo to view on Flickr).

Bisti_May25_2019_ScoutingPhoto
Some of numerous hoodoos that are found along Bisti canyon walls. iPhone photo.
Bisti_May25_2019_ScoutingPhoto
A wing shaped hoodoo along a Bisti canyon wall. iPhone photo.
Bisti_May25_2019_ScoutingPhoto
An interesting turtle like hoodoo in a Bisti Canyon.  iPhone photo.
Bisti_May25_2019_ScoutingPhoto
A finger like hoodoo along a Bisti canyon wall.  iPhone photo.
Bisti_May25_2019_ScoutingPhoto
Odd shape ( a bird like one?) hoodoos along a Bisti canyon wall.  iPhone photo.
Headless Hoodoos with a Native American house in far background. The house makes a good navigation landmark, which can be seen from far away.  iPhone photo.

I was alone in the parking area, much of the day, but others began to arrive in the afternoon, going out and returning well before sunset.  I noted some were crossing the fence line near the corner and walking directly into the wilderness, rather than going to the south end of the parking area, where there was no fence at a drainage crossing, which I had been using.  When I saw one such group returning to their vehicle in the afternoon, I approached them and asked about the route they were taking into Bisti.  They assured me it was a good direct route with easy crossings of the deep drainage.  They were all from a local mission and offered much advise on the area, including where to get water locally, rather than driving 45 miles into Farmington.  One of them was a Navaho, but he did not look like a Native American, and he had lived in the area for 37+ years.

Bisti_May25_2019_ScoutingPhoto
Wing like Bisti hoodoos, iPhone photo.

Crossing the fence line near where I parked would save a quarter mile (one way) walk across the parking area and maybe another 1/4 to 1/2 mile (one way) of walking otherwise.  I found that walking directly east along the fence line led to a very easy place to get into the drainage, then I only had to walk a few yards along the drainage to an easy exit.  So I am very glad that I watched and learned from other local visitors.

Bisti_May25_2019_ScoutingPhoto
Large Bisti wing like Hoodoos.  iPhone photo.
Bisti_May25_2019_ScoutingPhoto
Bisti hoodoo with a multi-colored layered base.  (Click on the photo to view on Flickr).

I shot so many photos during this scouting session that I will break this post into multiples with more frequent posts.  Hopefully, the frequency of these posts will not be too much for you.

Ken

Cold Springs Campground – Day 2 – Sunrise Photography

In the morning of July 13 we shot sunrise photos just east of the lake at Cold Springs Campground in Routt National Forest. We began shooting from a hillside just east of the lake.

Coldsprings Camping Area, Routt NF, CO
An area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISO
Coldsprings Camping Area, Routt NF, CO
An area adjacent to the Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 2s, ISO 64.

I thought that the weathered tree stump made an appropriate foreground object here.

Coldsprings Campground
Cold Springs Campground Scene. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 0.8s, ISO 64.

The lake made a great mirror, reflecting the clouds in the sky and the trees along the edge of the campground.  None of the other campers were up and about yet.  We tried to be as quiet as we could so as not to disturb them.

Coldsprings Camping Area, Routt NF, CO
A scene adjacent to the Cold Springs Campground in Routt National Forest, CO. Nikon D850, Nikon 14-24mm @24mm, f/16, 1.3s, ISO 64.

I put the weathered stump and a taller stump with slight side lighting at the edge of this photo.

After shooting on the hillside, we moved down into the meadow at the base of the cascade.  There were lots of white and blue wildflowers in the meadow, especially around the cascade and stream.  The area below the cascade was wet and marshy, which I had not anticipated and I was not wearing my water resistant hiking shoes.  My shoes, socks and feet got soaked with cold water.

Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1.6s, ISO 64.
Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.
Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.
Water Cascade, Coldsprings Campground, Routt NF, CO
A mountain stream cascade in the area adjacent to Cold Springs Campground in Routt National Forest, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.8s, ISO 64.

As you can see, I got multiple compositions of the cascade with varying amounts of the surroundings.  I used slow shutter speeds to get the silky effect of the flowing water.  There was not much wind, but there was enough motion in the vegetation to keep from getting really sharp images of the wildflowers.  I tried to make the images at times when the wind was most calm in hopes of getting sharper images.  This works with only limited success.

After breakfast, I hiked to the marshy area above the cascade, where there were many wildflowers in another meadow around the stream.  By the time I got there the clouds were mostly gone, the light harsh, still a little too much wind and many swarming mosquitoes.  I tried a few shots anyway, but those were not presentable.  Somewhere in there, I apparently lost my Rocket Blower, which I had just put into a pocket for convenience, rather than take it along in my backpack, which I left behind in the vehicle.  (For non-photographers, a Rocket Blower is a device for blowing dust off of lenses, filters and camera sensors.  This is an essential piece of gear, in my opinion, so I have since acquired another one.  For the rest of this trip, I had to borrow my son’s whenever I needed it).

Later in the morning we walked 10 minutes down the road to Smith Lake Trailhead.  Smith Lake Trail is only 0.7 miles, steep in a few places, mostly near the start, but mostly an easy trail.  We hiked to Smith Lake and decided to return the next morning for sunrise photography.

On the way to Smith Lake Trailhead, we noted a small field of Columbines, which would possibly be good for foreground shots at sunset, assuming the clouds cleared by that time, as it had gotten much cloudier and rained lightly off and on during the day.

We also walked back to the reservoir, hiking a short distance along one of the two trails starting at the reservoir.  We turned back as lightning and thunder got closer and more active.  It only sprinkled lightly and we took time to explore more in the area south of the roadway, along the stream from the reservoir.

That is it for this post.  Stay tuned for the sunset shoot results,

Ken

Hiking in Joshua Tree National Park – Part 2

In the spring of 2018, my oldest son and I visited Joshua Tree National Park in Southern California. We photographed in the park in the early morning, late afternoon and night. During the middle hours of the day we scouted for places to photograph and/or we hiked several of the easy to moderate trails within the park. This post is about the Lost Horse Mine Trail with illustrations via iPhone photos.

A view of a portion of Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

In the early history of this area there were numerous mining operations, which have since been abandoned. Remnants of equipment and/or facilities remain at some of the mine sites. Hiking trails to the abandoned mines often follow the original roads made to access the mines.

Some of the equipment remaining at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

Lost Horse Mine Trail is an easy trail about a 4 mile round trip and only 480 feet elevation gain from the parking lot to the mine site. One can do a longer version, resulting in about a 6 mile hike, climbing a steeper, narrower loop from the mine back to the parking area. A long interval of the trail is visible in the photo above.

A view of a portion of Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

The trail is through a desert area with wide views of the local area with typical desert vegetation.

A blooming Yucca along Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
A blooming Yucca along Lost Horse Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

Bees were swarming around the Yucca blooms. Looking closely (maybe zoom in on the above photo) and at least one bee is visible on the left hand side of the bloom about half way down the photo. Another photo had more obvious bees in it, but I did not like that photo.

The remains of a winch at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.

As in the first part about hiking in Joshua Tree NP, I’m including a couple of duplicate photos, except for the processing (color and monochrome). I like the monochrome treatment best here; but I would like to hear reader preferences.

The remains of a winch at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

The old mill is largely intact, but it is fenced off, so one cannot get close enough to get detailed photos of the milling machinery.

Remains of a mill at Lost Horse Mine, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
A view from Lost Horse Mine Trail near the mine area. iPhone photo edited in Adobe LR and Nik Color Efex Pro 4.

If one looks very closely, a hiker is visible on the trail in the above photo. The hiker is on the right at the jog in the trail, where it appears to go from the wider close up to the narrow looking distant part.

As a reminder, all the photos in this post are via an iPhone. We elected not to carry our heavy DSLR gear along, since the lighting was not optimal at the time of day that we hiked this trail.

Till next time,

Ken

Hiking In Joshua Tree National Park – Part 1

In the spring of 2018, my oldest son and I visited Joshua Tree National Park in Southern California. We photographed in the park in the early morning, late afternoon and night. During the middle hours of the day we scouted for places to photograph and/or we hiked several of the easy to moderate trails within the park. This post is about the Contact Mine Trail with illustrations via iPhone photos.

The Contact Mine Trail is an easy one, with a gentle slope, gaining only 700 feet in just under two miles. As we hiked along the trail we began to notice a barrel type cactus with red spines.

A colorful California Barrel Cactus along the Contact Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

Later research revealed that this cactus is referred to by its obvious common name “California Barrel Cactus”. As we hiked along, it became obvious that this area had many of these attractive red cactus, some with yellow blooms. My iPhone shots of blooms near the bottom of one such cactus did not turn out well, so none are posted here. I have seen other images with blooms on the top, but I do not recall seeing any with blooms on the top and most did not have blooms.

A close up of the spines on a California Barrel Cactus along the Contact Mine Trail, Joshua Tree NP. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

In the early history of this area there were numerous mining operations, which have since been abandoned. Remnants of equipment and or housing remain at some of the mine sites.

The Contact Mine Site has remains of old mining equipment, other rusty evidence of human activity and mine shafts that have been covered with steel cages to prevent people from entering.

The remains of an engine at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.

Neither of us carried our heavy camera gear on this hike and I shot a number of iPhone photos just to record the scenes and the experience. I’ve edited the iPhone (jpg) images with some minor adjustments in Adobe LR, followed by edits in Nik software.

Rusty engine at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

I’m including duplicates of some images to show the variations between color edits and monochrome edits.

Remains of machinery at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Rusty old mining equipment at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

Edits can bring out texture, contrasts and colors. I tend to like the monochrome versions better than the color versions. The monochrome versions depend mostly upon the composition, texture, contrast and shadows. While it is possible to manipulate the monochrome images in many ways to achieve artistic effects, these type edits just seem more appropriate to me, than the color software edits.

Mine equipment remains, Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Rusty engine components at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

Color editing software can allow one to emulate the effects of the “Golden Light Hours” in photos taken outside these magical times of the day; but the emulation is never quite the same as the real light effects, getting into the more artistic edits of the images, about which there can be much philosophical discussion.

Mine equipment remains, Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Rusty mine equipment at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

I’m not getting into the debate over photo editing, since that is a subjective matter. I used to be of the opinion that one could only get good images during the Golden Light Hours of sunrise or sunset and, while I prefer to photograph during those magic light hours, sometimes it is not possible to do so. Rather than pass up photographic opportunities in places, where I know I will never be during the golden light hours, I’ve reconciled to working with whatever light I have at the time, then editing to get an image that I find pleasing from an artistic point of view.

Mine equipment remains, Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Rusty gear at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

I do still feel that the color editing is more unreal than the monochrome edits; but maybe that is just because monochrome images have been in existence in photography for many more years and we study the works of the early pioneers in photography, whose work was entirely in monochrome.

Mine equipment remains, Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Rusty mine equipment at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

Anyway, the early photographers manipulated the monochrome images in the dark room, just as modern digital photographers manipulate the images via computer software.

Mine equipment remains, Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Rusty gear box at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

I would like to hear readers’ opinions on this matter as well as critiques of any of my images (composition and/or edits).

Beaver Tail Prickly Pear in bloom, Contact Mine Trail, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
Remains of a winch at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Remains of a winch at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
Equipment remains at the Contact Mine Site, Joshua Tree NP, California. iPhone Photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Contact Mine winch remains, Joshua Tree NP, California. iPhone Photo, edited in Adobe LR and Nik Silver Efex Pro 2.
Old mine cart rails at the Contact Mine Site, Joshua Tree NP, California. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

A final note:  I reverted to an older version of the WordPress editor for this post, since I could find no way to insert links into photos with the “improved” editor.  Verifying that the links were correct, even with the classic editor, proved more awkward than previously.  Please let me know if links do not work or are not correct.

Until next time,

Ken

Hiking & Photographing Slot Canyons near Escalante, Utah – Part 2

On day two in Escalante, my two sons and I went back to Peek-A-Boo Slot Canyon,  this time with several cargo tie down straps to use as aids, if necessary in getting into and out of the upper portion of the canyon.

The two sons with me had some experience with rock climbing.  The oldest dropped into the canyon via the steep slick rock at the upstream entrance point, leaving his backpack and camera behind on this test entrance into the canyon.  He was able to immediately climb out.  Now we knew that at least one of us could climb out unassisted and if necessary, he could assist the other two of us out.  So we all entered the canyon to begin our exploration and photography inside it.

This entrance point was in a wide, open portion of the canyon with the very narrow, short section at the beginning of the canyon on one end of the open area and the entrance to the main portion of the canyon on the opposite end.

We looked into the short beginning section first, one at a time, since it was too small for more than one person at a time to get into and out of.

Shadow Photographer. Nikon D90, Nikon 12-24mm DX at 12mm, f/11, 1/160s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

While waiting my turn to enter the first section of the slot, I killed some time shooting my shadow on the sunlit side of the canyon.

Shadow Photographer. Nikon D90, Nikon 12-24mm DX at 12mm, f/11, 1/160s, ISO 200, edited in Adobe LR and Nik Silver Efex Pro 2.

The upstream end of Peek-A-Boo Slot Canyon, Escalante, Utah. Nikon D90, Nikon 12-24mm DX at 12mm, f/11, 1/50s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

The upstream beginning of the slot is shown in the photo above.  It is clear from the photo how narrow the entrance is and one can only go a short distance into this section of the slot.

Peek-A-Boo Slot Canyon, Escalante, Utah. Nikon D90, Nikon 12-24mm at 12mm, f/11, (three shots HDR, 2.0s, 1.3s, 0.8s, ISO 200, edited in Adobe LR, Skylum Aurora 2019 and Color Efex Pro 4.

We worked our way through the slot, photographing as we went along.

Peek-A-Boo Slot Canyon, Escalante, Utah. Nikon D90, Nikon 12-24mm at 12mm, f/11, 0.4s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

I do not recall meeting anyone coming from the other end of the canyon on our way down towards the main entrance; but we did begin to meet a few others as we went back up to our drop in point.

Upstream side of a small arch in Peek-A-Boo Slot Canyon, Escalante, Utah. Nikon D90, Nikon 12-24mm at 12mm, f/11, 2.5s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

Not far from the downstream entry, there is a small arch cut into the rock, which one can see near the bottom center of the photo above.

Downstream end of a small arch in Peek-A-Boo Slot Canyon, Escalante, Utah. Nikon D90, Nikon 12-24mm at 12mm, f/11, 6.0s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

One has to crawl through the small arch to proceed.  The downstream view of the arch is the light area in the center of the photo above.  The opening is quite small, so only small people can fit through it.  There is some room around the side of the arch, which I recall being rather tight; but it might be possible to navigate around the arch, rather than through it.  Going through the arch was definitely more fun than trying to go around it, anyway.

Triple Arch in Peek-A-Boo slot canyon, Escalante, Utah. Nikon D90, Nikon 12-24mm at 24mm, f/11, (4 exposure HDR, 0,8s, 1.0s, 1.3s, 1.6s), ISO 200, edited in Adobe LR, Skylum Aurora 2019 and Nik Color Efex Pro 4.

Just prior to the downstream entrance there are three large arches, which can be seen in the photo above.  The large rocks in the foreground form one arch and the other two can be seen behind it.

Triple Arch in Peek-A-Boo Slot Canyon, Escalante, Utah. Nikon D90, Nikon 12-24mm at 15mm, f/13, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

Looking over the rock at the bottom of the first arch, we saw a hole with muddy water in it.  We could not tell how deep the hole and water were, so we did not attempt to go further, electing to back track up the canyon to our entrance point.  One can see the light at the end of the slot near the top center of the photo above.

Thinking back to the previous day here, even had we or the young Swiss man gotten up the sheer entrance wall at the main, downstream entrance, it is unlikely that any of us would have been able to continue past this point.

We encountered several people on our trip back up the canyon, having to wait at the wider places in the slot to pass each other.  As we got near the upstream entrance point, we found a 50-ish year old female hiker sitting on a ledge in the canyon wall.  She had injured her knee along the way.  Those that we passed in the canyon were her family members, whom she had told to go ahead and get her on the way out.  She had only a small, almost empty, water bottle, so we first filled her bottle with water from one of our water reservoirs.  Then, thinking it was not a good idea to leave her there by herself, we offered to help her get back to the entrance point, at least.  She could put weight on her knee, but had to be careful not to let it bend sideways, as it would give way.  I let her lean on me as we slowly worked our way back to the entrance.  I was a bit concerned about supporting her, as she was not a small (not obese, but hefty) woman.

Upon arriving at the entrance, we were considering how we could get her out of the canyon and were in the process of tying the cargo straps together, when another hiker came up from the main entrance direction.  He told us he had a friend, a medic with technical climbing gear, back down the canyon, if we wanted to ask him for help.  Of course, we did.  So the hiker went back into the slot and returned with his friend.  At some point the injured woman’s family members returned, as well.

The medic examined the knee and recognized the problem.  The injured woman was a large animal veterinarian from upstate New York and she knew quite a bit about anatomy and what was wrong with her knee, with which the medic agreed.  The medic also knew exactly how to rig up the ropes to make a sling for getting her out of the canyon.  He and others then worked the rope to pull her up the steep slope of the canyon, while others went along by her to help and make sure she did not slip back.

Once on the canyon bank, my oldest son used paracord from his emergency bracelet to tie a portion of a tripod leg to the side of the injured vet’s leg to help keep the knee from bending sideways.  She was able to use the remainder of the tripod as a walking stick.  She and her family began the hike out, while we stayed behind, having a snack before we started back.  We quickly caught up with the injured woman and her party, where they had stopped to rest for a few minutes.

We hiked ahead, thinking it was going to be a slow, arduous hike for the injured woman, especially when they got to the steep, sandy slope followed by the slick rock climb back to the parking area.

On our way back along Hole In The Rock Road, we passed an SUV that was upside down just off of the roadway.  There were young boys, maybe college age, standing around and a sheriff’s deputy in his vehicle.  Fortunately, no one seemed injured.  We speculate that they were driving too fast on the very washboarded road and lost control of their vehicle, sliding off to the side and flipping.  We had noted that one had to drive slowly or the bouncing caused by the washboarding would cause a vehicle to drift.

In the late afternoon, we returned along this roadway to an area called Devil’s Garden, where we would shoot at sunset and then star trail photos after dark.

Devil’s Garden Rocks, Escalante, Utah. Nikon D90, Nikon 24-70mm at 62mm, f/13, 1/25s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

As we were scouting around the area, I heard someone call, “Hey, guys”.  I initially thought I had walked into someone’s photo composition and looking around, I spotted the large animal veterinarian.  She was wearing a knee brace and walking with crutches.  We were happy to see that she had gotten back from her hike and surprised to see her out again.  She told us she had been telling everyone about how we came along and helped her out of the slot canyon.

Metate Arch, Devil’s Garden, Escalante, Utah. Nikon D90, Nikon 24-70mm at 32mm, f/11, 1/20s, edited in Adobe LR and Nik Color Efex Pro 4.

Escalante Devil’s Garden Rock Formations. Nikon D90, Nikon 12-24mm DX at 18mm (prior to crop), f/22, 1/8s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4

I know this has been a long post, but I hope that readers will glean some safety tips here, in addition to photographic tips for photographing in this area.

Metate Arch, Escalante, Utah. Nikon D90, Nikon 24-70mm at 60mm, f/13, 1/50s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

Metate Arch, Escalante, Utah. Nikon D90, Nikon 12-24mm DX at 12mm, f/11, 1/10s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4

Devil’s Garden Star Trails 2014. The foreground rock is light painted and captured with a Nikon D90, Nikon 24-70mm @ 31mm, f/8, 105s, ISO 200. The star trails are produced by stacking the foreground shot with 65 90s exposures shot with Nikon D90, Nikon 24-70mm at 31mm, f/2.8, ISO 200. Preliminary edits in Adobe LR, photos stacked in Adobe Photoshop.

There is much more to see in this area (we never got to Zebra Slot or to the end of Hole In The Rock Road), so I expect I will return one day.

On our last day near Escalante, as we were leaving, we hiked several miles along a sandy creek to a waterfall.  I’m including one photo of that fall here.

Lower Calf Creek Falls, Escalante, Utah. Nikon D90, Nikon 12-24mm at 12mm, f/22, 1/10s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

This will be the last post for this year.  I wish and hope that you all have a happy holiday season.

Ken

My First Big Bend National Park Visit – An Ill Fated Adventure

This post goes back a few years and some of you may have heard this story before.  My first visit to Big Bend National Park remains one of the most memorable, though unsuccessful, trips that I have taken, so I’m revisiting it here, since I will not have anything new to blog about for awhile.

Frosty Sotol and other vegetation along Basin Road in Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 24mm, f/11, 1/100s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

This trip to Big Bend was supposed to cover a total of 10 days (Dec 30 – Jan 8), two for travel and the rest in the park; but our plans went considerably awry due to circumstances beyond our control. It was a bit like those comedy vacation movies you have probably all seen.

Heavy frost on Big Bend NP vegetation along Basin Road. Nikon D90, Nikon 24-70mm at 32mm, f/11, 1/100s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

This is a bit of a long story, so I apologize in advance and will understand, if you elect not to read all the details.
When we (myself and three of my four sons) planned the trip, there were no available rooms in the lodge in the park until Jan 4; but we were able to get lodging in Terlinqua Dec. 30 to Jan 4 and the park lodge from Jan 4 until Jan 8.
A winter storm was forecast for the initial day of our trip and we drove through rain, freezing weather, sleet and snow showers on the way to Terlingua.  Ice accumulated on the vehicle and windshield, but the roadways did not ice over during our journey.  Fortunately, we got into Terlingua, prior to the really bad freezing rain and icy road conditions over most of southwest Texas that day and night.
For the best photography, we wanted good early morning and late day light.  Instead, we got heavily overcast skies for most of our useable time there. Consequently, we spent the first day Dec. 31, driving around the park and checking out the area in general.  We did hike about .8 miles into Santa Elena Canyon and hoped to come back when the weather cleared.  I made a few shots in the canyon, but they were just blah.
The evening of Dec. 31, we had dinner in a local restaurant/bar and watched a football bowl game (Oregon beat Florida State to our enjoyment).  When we got in our vehicle, after dinner, (a 2014 Nissan Rogue, that one of my sons, who was supposed to go with us, but backed out due to his business considerations, had let us use), we had low air pressure indications in one tire.  The tires were run flat, so there was no spare.  We had sufficient air to drive the short distance back to the motel.  The next morning (Jan 1) the tire was completely flat.  We were able to inflate the tire, using our little air compressor and we could drive the vehicle; but we were afraid to get far away from the motel for fear of getting stranded somewhere and no way to call for help (there is very scant and weak cell phone coverage in the area).  Being New Years Day, there was no way to get the tire repaired that day and there was only one place in Terlingua to fix the tire.  I was at that place before it opened the morning of Jan 2 and got the tire repaired; although they could not reset the low tire indicator.
While we were considering our options for that day, the power went out, due to a truck reportedly taking out numerous power poles somewhere to the north of us.  The local motel restaurant/gas station employed a large portable generator to continue operating, so we could at least eat; but since the roads were iced over north of us, no gasoline deliveries were being made.  The one and only gas station in Terlingua at our motel ran out of gas.  We were able to get gas at one of the two stations in the park that had a generator, shortly before it ran out of gas.   Some portions of the roads in the park were icy, requiring great care driving on them.

Frosty Sotol and other vegetation along the icy Basin Road in Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 24mm, f/10, 1/250s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

Heavy frost on Big Bend NP vegetation along Basin Road. Nikon D90, Nikon 24-70mm at 70mm, f/11, 1/80s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

It is a long drive into and out of the park, so by the time we got back to our lodging in Terlingua, our gas level was down a bit.  We heard there was gas at a small store in Lajitas, 17 miles from Terlingua, so we drove over there to top off our tank, arriving there just before the store closed.  They were also running out of gas; but we were able to top off our tank.

Frosty vegetation along Basin Road in Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 24mm, f/11, 1/160s, ISO 200, edited in Adobe LR and Nike Color Efex Pro 4.

Heavy frost on Big Bend NP vegetation along Basin Road. Nikon D90, Nikon 24-70mm at 38mm, f/11, 1/100s, ISO 200, edited in Adobe LR and Nike Color Efex Pro 4.

With gasoline in short supply and uncertainty on when delivery of additional supplies would resume, we were reluctant to get out and about.  So we hung around our lodging, hoping to get updates on road conditions, fuel deliveries and weighing our options.
{I had purchased the last 8-D cell Coleman lantern with detachable, rechargeable lights on it and batteries in the motel store, so we had light for our room.  The detachable LED lights’ batteries were charged via the 8 D cell batteries, so we could detach one of those smaller lights to take into the bathroom.  I now take this lantern with me in the Sportsmobile, just in case I need it, and maintain its batteries here in case of a power outage in our home}.
On Saturday, Jan 3, our motel was running out of water, due to no power for the well pump.  The motel managers were asking all that had enough gas to get to Alpine to leave.  The local cell phone tower was out and the local phone lines did not work, so no one  could call anywhere to check on anything.  We decided to go to the park lodge and check on conditions there.  We had already been there on our trip into the park to get gas and knew they had no power; but we did not know what their water situation was.  The park lodge had rooms available, due to cancellations, and they had water (and hot water), so we decided to stay there.

Frosty vegetation along icy Basin Road in Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 24mm, f/11, 1/80s, ISO 64, edited in Adobe LR and Nik Color Efex Pro 4.

{An aside about the hot water system in the park lodge:  Before we decided to stay, I asked at the lodge check in desk about hot water for showers.  No one there had any idea about what kind of water heating system they had or whether they even had hot water.  They said they would find out, but we decided to stay anyway, not having any other good choice, other than to drive somewhere else.  We never got an answer to our question from the front desk, but we had hot water, so apparently they had gas water heaters}.
The lodge restaurant had no power, were not getting food deliveries due to road conditions, but they were operating with a reduced menu, so we were able to eat.
There is a trail from the lodge area that follows a drainage down to a place referred to as “The Window”, where there is a drop off into the valley below and a view through the canyon window of the valley.  We only ventured a short distance along that trail, shooting a few moon light photos that night.

A moon light shot from the upper portion of The Window Trail, Chisos Mountains, Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 24mm, f/11, 377s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

Sunset silhouette in the Chios Mountains, Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 70mm, f/11, 1/25s, ISO 200, edited in Adobe LR and Nike Color Efex Pro 4.

The next day, Sunday, Jan. 4, the report had not changed. No one really knew when gasoline would arrive and power was not expected to be restored until Tuesday.  We might have been able to do a bit in a limited area around the lodge; but we were reluctant to use our gasoline to get around in the park, so we decided that since we had more than enough gas to get to Fort Stockton, that it was worth the risk to try to make it there.  We did not really know what the conditions were in Fort Stockton.  We had heard mixed reports about power,  gasoline availability and road conditions.

Heavy frost on Big Bend National Park vegetation along the Basin Road. Nikon D90, Nikon 24-70mm @ 38mm, f/11, 1/160s, ISO 200, edited in Adobe LR and Nike Silver Efex Pro 2.

We passed through Marathon, which had no power and hence no gasoline.  We passed several stations in Fort Stockton that had no gas, began to worry,  but we found a convenience store station with gas. We filled up and were on our way, thinking we would be back in Rockwall that day.
A few miles (about 30, I think) north of Fort Stockton on route 18, as I was driving, the auto engine died.  I coasted off of the roadway and tried to restart the engine with no success.  My older son, who had pumped the gas, began to worry that he might have put the wrong gasoline or even diesel in the engine.  Fortunately, we had cell service (earlier portions of this road did not) so I called AAA and learned that the nearest place they could find that had an auto shop that could service our vehicle was in Midland/Odessa, 60+ miles away and the nearest tow services they had were also in Midland/Odessa.  Since there was a Nissan dealer in Odessa, I arranged to have the vehicle towed there.  I was also able to find a motel a couple of blocks down the street from the dealer and was able to get a room reserved there.  There were three of us and normally, the tow trucks have room for only two passengers; but AAA checked with the tow service and they said they could accommodate all of us, since we did not have a child seat to deal with.
The tow truck arrived a couple of hours after the initial call to AAA.  Needless, to say the front seat of the tow truck was a bit crowded with the driver plus the three of us.   I let the kids use the two available passenger seat belts and I sat forward on the edge of the seat with no seat belt, leaning on the dash.  The driver told us to not bother with the seat belts, saying “We never use those”, and he was not using one.  He was also doing paper work, texting and other things while driving.  My older son later told me he was sure we were going to die in that truck.
As we neared Odessa, my phone buzzed.  I check it and had a recorded message from the reservation system for the lodge in Big Bend, informing me they were canceling my reservation due to weather conditions, lack of power, etc.  No doubt that message had gone out to my phone, when I had no service and I was receiving it much too late, when it no longer mattered.
The tow truck driver stopped by the motel and let us unload our luggage, then I rode with the driver to the dealership.  Due to ice on the drive in front of the service entrance, it was a chore to unload the vehicle and I had to help the driver work the vehicle off of the flatbed.  Of course, being Sunday the dealership was not open.  I filled out the drop off form, etc.  I had planned to walk back to the motel; but the tow truck driver was going back that way, so he dropped me off.
We walked a few blocks from the motel to a bar/restaurant, had a late lunch and watched an NFL playoff game.  Back at the motel, we settled in for the night.  I began to have the initial indications of getting a cold that Sunday afternoon; but I initially though it was just a dry cough from the cold weather.  The cough and sinus drainage was enough that I had considerable trouble sleeping.  My two kids like it quite, when they sleep and were using ear plugs.   My older son likes it dark, so he was wearing an eye mask, too.
Sometime between 11:00PM and midnight, the room entry way light came on.  Turning over,  I saw someone in a dark coat leaving the room.  I could see one son still in bed, so I though my older son might have gone to the lobby for a snack or something to drink.  I lay in bed for a few minutes, but being a little concerned, I got up, went to the bathroom and sipped warm water to sooth my throat.  When I came out, I saw that both of my sons were still sleeping.  I thought maybe the older one had come back, while I was in the bathroom.  I noted that the safety latch on the door was not closed, so I closed it.  Just to be sure, I looked around and did not see anything missing (we had a considerable quantity of camera gear about the room).  I turned out the light and went back to bed.  Shortly afterwards the room phone rang, waking the two kids.  I fumbled in the dark for the phone; but did not get to it in time.  Since the kids were awake, I told them what I had seen.  They were sure that I had dreamed it and were sure the light had not come on, until I turned it on after the phone range.  The phone rang again as we were talking and it was the front desk, apologizing for calling, but asking if there were any belonging in the room when we moved in.  I told them there weren’t anyone else’s belonging in the room and I reported that someone had just been in my room.  They confirmed that, telling me that someone from the electric power transmission repair company had been checked into our room.  I did not really understand how this was possible and did not get more details until the next morning.
I stopped at the front desk before I went out to the Nissan dealership early Monday morning.  The night person who had called in the middle of the night was still there and was briefing the day shift about what had happened.  Apparently, the Oncor repair person had a room there with his belonging in it and was being reassigned to another room, where his belongings were to be moved.  Apparently, he had been given our room number by the crew changing his room assignment, then we were given that room, when we checked in.  The day shift did not pass the correct information to the night shift, which had no clue into which room his belonging had been moved and apparently took his word for the room that he was to be assigned to, not checking to see that that room was already taken.  When the Oncor person came in, he was given new key cards to our room, which wiped out our key cards.  I got new keys while at the desk.  I, also, explained our situation to the front desk people, telling them that we might need the room for a few days.  I was assured that that was not a problem.
I walked to the Nissan dealership to be there at opening time, to find that it was still locked up and no one around.  I stood outside in the cold, until someone finally showed up late to open the dealership.   I got to, at least, talk to the master technician, who opened the place, about the vehicle symptoms and, explaining our situation, asked that he expedite the repair, if possible.  I asked that he call me as soon as possible after the diagnosis, since we needed to make a decision about our motel situation.  Getting no call prior to the motel check out time,  I called and was informed that the fuel pump was the culprit and they would have to order it; but at least the part was covered under the warranty.  They thought they might get it on Tuesday; but were not sure, because of the weather issues.  At least we had a place to stay that night.
An hour before check out time on Tuesday morning, I began calling the Nissan dealership to get an update.  I had to leave a message with the phone receptionist, who promised a call back.  Thirty minutes later, having received no return call, I called again, was put on hold and after more than 10 minutes on hold, I hung up and called again. It took several renditions to finally get to talk to someone, who knew anything.  The fuel pump had arrived and the best we could get out of them was that the repair would be completed by 6pm.  Just to be sure, that we would still have a room that night, I called the front desk to make sure our stay was still extended.  The very same person who told me that he would extend the room for three days, told me they had no capacity for extending our stay.  They, at least, agreed to call around to help us find another room.  There were other motels very nearby, but none of those had rooms available.  We walked to the dealership to try to get a better idea of when the vehicle would actually be ready and learned it would be ready around 3pm.  So we decided that was early enough to safely (we were still concerned about road icing late at night) drive home that day.
To end of a long story, we made it back home safely around 9:45PM.
We did see much of the park from the roadways.  There was one stretch of the basin road with heavy frost cover, from the mist hanging over it, that was absolutely beautiful.

Frosty Sotol and other vegetation along Basin Road in Big Bend NP, Texas. Nikon D90, Nikon 24-70 at 24mm, f/10, 1/250s, ISO 200, edited in Adobe LR and Nik Silver Efex Pro 2.

Frosty vegetation along Basin Road in Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 24mm, f/11, 1/160s, ISO 200, edited in Adobe LR and Nik Silver Efex Pro 2.

Frosty vegetation along Basin Road in Big Bend NP, Texas. Nikon D90, Nikon 24-70mm at 60mm, f/11, 1/160s, ISO 200, edited in Adobe LR and Nik Color Efex Pro 4.

Please remember to always fasten the safety latch on your public lodging room.
But wait, there is more.  Some weeks later, prior to going on another trip, I could not find my Nikon 24-70mm lens.  I knew I had loaned it to one of my sons and I knew he had returned it.  I thought maybe I had loaned it to another one, but they all confirmed that they did not have the lens.  I thought that it might turn up somewhere.  Months went by and I had not found it.  Finally, resolved to having lost the lens, I purchased the newer version of that lens, which cost $1000 more than the one that I lost and which I had only purchased less than two year prior.  A few weeks later, I was informed by the son whose vehicle we had used for the Big Bend trip, that he had found my lens in an inconspicuous place in his vehicle!  (He had checked his vehicle for the lens, after I reported it missing and not found it).  Now having two Nikon 24-70mm lens, I gifted the older one to one of my sons, who also shoots with Nikon cameras.  So at least he got a positive outcome to this trip.  (His manager, overhearing him tell a colleague about this trip, told him “I’m giving you your vacation days back”).

Bisti Wilderness Area – Fall 2018 – Afternoon Day 2

I rested during the day, after my early morning shoot, and spent some time studying the photographs in the book gifted to me by John Eric Hawkins.  John Eric went out a bit earlier than I did that afternoon and I headed out again around 5PM.

My destination for sunset photos was again The Nursery, where I would shoot with my Nikon 24mm PC-E lens.  I do not have much experience with this lens, but I thought this would be a good place to use it.  In my morning conversation with John Eric Hawkins, I asked him what he thought of my idea of using the tilt/shift lens in The Nursery.  He agreed that would be a good place to make use of this type lens.

As I neared my destination, I saw John Eric shooting in an area with small features, that I had scouted the previous day.  I recognized that area as a good place to shoot and I had thought that I might get back there at some point during my visit, so I was intrigued that John Eric was shooting there.  We chatted for brief while.  He really liked that little area for shooting and contrasted it to The Nursery.  As we were chatting, he told me that the 85mm 1.8 lens was a good one for shooting here.  I had recently seen other landscape photos taken with that lens and I could easily see that he was correct in his assertion.  I had a Nikon 85mm 1.8 lens back in my vehicle and I had hoped to get a chance to try it out for landscape shots somewhere on this particular trip, but I never had time to do so. Not wanting to distract John Eric for very long from his shoot, I continued on to The Nursery, which John Eric pointed to from our location, indicating that I could walk more directly to it than the route that I had set up on my GPS via a satellite map view.

Arriving in The Nursery, there was no one else around and I had the place completely to myself for the duration of my shoot.  Again the late day light was very good.

I began experimenting with the PC lens before the golden hour, just to get comfortable with the technique of using this unique lens.  I’ve blogged about this lens and technique previously, but here is a brief description of how to use this type lens.  The general procedure that I use, after setting my composition and determining a starting point for an exposure,  is to focus on the nearest object in the composition, using a large aperture, then tilt the lens to bring distant objects in the composition into focus.  At least with large apertures, the focus on the very nearest point in the composition tends to fall out of focus as those in the distance come into focus.  Decreasing the aperture a little helps with this problem.

I found shooting with the PC lens was a challenge, especially determining when I had proper focus on distant objects, as I tilted the lens.  It appeared that only a very small tilt on the order of 1-2 degrees was required to bring distant objects into focus and it was very difficult to determine when the focus was optimum. The PC-E 24mm is an entirely manual lens, with the exception of metering prior to tilting or shifting the lens.  I was also trying to use large apertures with the tilt and still get good depth of field, since this is one of the capabilities with this lens.

I had what I considered good compositions, with the “cracked eggs” in the foreground and the hillsides in the background or an array of the “cracked eggs” and the focus looked good to me in the field.  However, after reviewing my photos on a large screen, I was very disappointed.  Nearly all of the images were poorly focused or had very shallow DOF.

So what went wrong on this shoot?  There may be several possibilities.  Firstly, the very slight tilt range with very slight changes affecting the focus made it difficult to fine tune the focus.  It is also possible that the tilt might have moved slightly after it was set, even if I locked down the tilt mechanism or maybe locking the mechanism might have resulted in a slight tilt.  Secondly, maybe my eyes can no longer properly detect sharp focus.  Thirdly, maybe I expected too much DOF from this lens with large apertures in landscape photos with lots of depth and maybe I should have shot f/11 to f/16.  In hindsight, I certainly should have made each image with a range of apertures, since I had so little experience with this lens.

On the positive side, this was an experiment, which even though, it was mostly a failure, I can at least learn from the poor results and hopefully get better results with the next trial with this lens and I must practice more with the lens before depending upon it in a shoot of this type.

If any readers have experience with using the PC-E 24mm (or any other tilt/shift lens) for landscape photography, I would appreciate your feedback on this topic.

I only deemed 4 (or parts of 4, cropping some of the images to remove out of focus portions) of the 70+ images that I made on this shoot to be presentable and those are included here.

Bisti “Cracked Eggs”. Nikon D850, Nikon PC-E 24mm, f/8, 1/125s, ISO 64, edited in Adobe LR and Nik Silver Efex Pro 2.

Bisti “Cracked Eggs” in “The Nursery”. Nikon D850, Nikon PC-E 24mm, f/8, 1/160s, ISO 64. Edited in Adobe LR and Nik Silver Efex Pro 2.

Bisti “Cracked Egg” Texture. Nikon D850, Nikon PC-E 24mm (severe crop), f/3.5, 1/500s, ISO 64. Edited in Adobe LR and Nik Silver Efex Pro 2.

Bisti “Cracked Eggs” in “The Nursery”. Nikon D850, Nikon PC-E 24mm, f/3.5, 1/50s, ISO 64. Edited in Adobe LR and Nik Color Efex Pro 4.

Bisti “Cracked Eggs” in “The Nursery”. Nikon D850, Nikon PC-E 24mm, f/3.5, 1/50s, ISO 64. Edited in Adobe LR and Nik Silver Efex Pro 2.

As usual, these images are posted to my Flickr page, where they may be more easily viewed.

I had planned to get up early the next morning and shoot again at sunrise in the area with the many wing like hoodoos with the Nikon 14-24mm wide angle, which is easier to get more DOF with than the 24-70mm; however, as I walked back to the parking area with the desert rapidly going into darkness, feeling the tiredness setting in, I realized that with a long drive ahead the next day, that it would not be a good idea to start that drive after a short night of sleep and after hiking into and out of Bisti again.  A morning shoot would have resulted in a late start on my long drive, so I slept in until just prior to sunrise Monday morning.  When I peeked out the window, just after awaking, I saw that it was going to be a glorious sunrise with colorful clouds in the eastern sky and I immediately regretted my decision not to do the early morning shoot.

After getting everything packed away and ready for the road trip, I wrote a note to John Eric, since I had not seen any activity from his RV.  As I was about to leave the note on the driver’s side door of John’s RV, he called to me from inside, telling me to come around to the sliding door side.  He and Jean were just finishing breakfast and they were planning to leave that morning, too.  He commented that I must have had a very good morning for shooting and I had to inform him that I had not gone out.  I thanked John again for the book and we chatted for a few minutes before I got underway.

It was only late in the day, as I approached Amarillo, that I realized that my decision not to shoot that morning was for the best.  Otherwise, I would have probably been driving after dark, tired, and less alert, resulting in less safe driving.

There may be only one more minor post related to this fall trip.  I do not know when I will get time for another photo trip.  I expect it will be in the New Year before I get time for another trip, so either there will be an extended break in these posts or, maybe, I might blog about much earlier trips, as I do have several interesting stories and photos that I could share from past years.

Here’s hoping and wishing that you all have a happy end of the year holiday season!

Ken

2018 Colorado Fall Color Road Trip – Day 3 – Sunset – Supplement

After the previous post, I realized that I had forgotten to include a few iPhone photos of my final campsite along Owl Creek Pass Road.  So this is just a brief post to add those photos.  Thanks for your indulgence.

The final campsite along Owl Creek Pass Road, Colorado. Fall 2018, iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

A panorama at the last campsite along Owl Creek Pass Road, Colorado. Fall 2018, iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.

Panorama of last campsite along Owl Creek Pass Road, Colorado, Fall 2018. iPhone Photo, edited in Adobe LR and Nik Color Efex Pro 4.