After one of our morning photo shoots in Yankee Boy Basin, we decided to check out Governor Basin, which is accessed via a 4WD road off of the road to Yankee Boy Basin.
We only planned to spend a few minutes in the basin, since we wanted to get back down before the morning traffic, typically tour groups or people in rented jeeps traveling the 4WD roads in this area, complicated the drive back down the narrow roadway on the mountainside.
Consequently, I did not get out my DSLR and other camera gear. I walked around with my iPhone getting images of the general area and the many wildflowers in the meadow here.
A panoramic view in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.
There is an old mine site in this basin, along with a currently operating mine. The mine is on private property and off limits for visitors.
An old mine site in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.
I was not initially aware of the profusion of wildflowers here, until I walked away from our parking location on the roadway.
Columbines in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.
Initially, I only saw a few batches of wildflowers among the large boulders scattered around near our vehicle.
Western Yellow Paintbrush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Chiming Bells in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Western Yellow Paintbrush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.
As I walked further along the roadway, over a slight rise, I began to see large batches of wildflowers.
Wildflower Meadow in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Wildflowers in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Governor Basin Wildflower Meadow. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.
I’m not a wildflower expert, so I cannot guarantee that I’ve got the names of the wildflowers correct. In trying to identify the flowers via online information, I find that many of the sources have inadequate photos (small, too far away, low resolution), making it difficult to have complete confidence in the identification. There also appear to be hybrids of some of the flowers with variations in colors. I suppose I will have to acquire wildflower books to do a better job with this task. If readers note misidentified flowers, please let me know.
Rosy Paint Brush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Rosy Paintbrush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Wildflowers in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Paintbrush variations? Governor Basin Wildflowers. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Paintbrush variations? Governor Basin Wildflowers. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Wildflowers in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.
I got down low with my iPhone to get close ups of some of the wildflowers with the mountains in the background, focusing on the nearby flowers with the background out of focus. Since I only used my iPhone, I could squat down among the flowers and avoid trampling them, which I might have done had I used a tripod and DSLR.
Wildflowers in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Rosy Paintbrush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.
Since the background was already blurry and not the focus of my images, I used a vignette blur or a lens vignette on some of the images to aid in directing the eye onto the subject matter.
Western Yellow Paintbrush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Wildflowers in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Wildflowers in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Western Yellow Paintbrush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Rosy Paintbrush in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Rosy Paintbrush and Chiming Bells in Governor Basin, Colorado. iPhone photo, edited in Adobe Lightroom and/or DxO Nik software.Rosy Paint Brush and Chiming Bell Flowers in Governor Basin, Colorado.
I have used artistic license in the shooting and editing of these photos in an attempt to get striking images. I hope that I have not over done the editing and that viewers will enjoy these images.
I did not plan to have a part 4 in this series of posts on photography in Yankee Boy Basin. However, one of my photos that I posted to Flickr was selected for Flickr’s Explore page. Consequently, that photo got lots of attention with over 4600 views and 160+ favorites within a very short time interval.
Screen shot of my Flickr image that was selected for Flickr’s Explore Page, showing stats as of Aug. 23, 2020.
I do not pretend to know how Flickr chooses photos for its Explore page. I know many of the photos on the Explore pages are very good photos, while many others that I see there have little interest for me; but I suppose that is just a matter of individual preference and one’s most preferred photographic genre. In my case, I prefer landscape photography, while others may prefer people, animals, insects, macro, etc.
I do not think that this image is the best one that I made in Yankee Boy Basin, during this visit. As I pointed out in an earlier post, I think this image is the best of all the photographs that I made here in July, 2020:
Sunset light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Yet, this image has received much less attention than the one chosen for the Explore Page. This is understandable. While it is good to get the attention that a photo selected for Explore gets, I am concerned that there are so many other better photos that get less attention and that Flickr’s Explore photos might bias viewers opinion of such photos and the artistry of the photographers whose photos are selected. I also know that it is not possible for Flickr to add all of the great photos on Flickr to its Explore page nor it is it possible for a viewer to look through all of the photos posted to Flickr and select favorites from all of those. In the end, I hope that the photos chosen for the Explore page result in viewers deciding for themselves how well they like such images and whether the photographer is one that one wishes to follow and learn from.
Seeking more professional input on the image that I like best, I submitted it to a well known professional photographer, based in the northeast USA, who was offering a webinar for the purpose of suggesting compositional and editing advise on selected photos. He selected my photo along with a few others to critique. I had already recognized one of the items that he suggested, but for different reasons. He cropped the right hand side just to get the waterfall closer to the edge and remove some of the unnecessary portions of the image. I was concerned about the two little tree stumps on each side of the image, especially the one that protrudes from the lower right edge.
Additional editing notes.
I’ve cropped the re-edited image as shown by the outer blue rectangle. Initially, the critiquing photographer cropped the left edge similar to mine, but then restored that edge to its original, probably to keep more of the highlighted peaks and clouds on the left side.
The sky and the mountain peaks are the important items in this image. The professional photographer commented that the waterfall could not be seen completely. Unfortunately, there was no place that I could stand to get a full view of the waterfall without cutting out a significant portion of the stream, which is a critical leading line feature in my composition. The stream almost disappears between the bushes on the lower left and those on the opposite bank of the stream as it is. Tilting the camera down more would show more of the stream, where it runs off of the bottom edge, but would eliminate some of the sky, which I definitely wanted in the image. I was already at 14mm on my 14-24mm lens, so I had no more zoom out range to get a wider view.
He also lightened the stream and darkened the rocks and foliage along each side to make the stream more visible as a leading line. Additionally, he darkened the front most mountain side to emphasize the brightness of the upper part of the image. Then he reduced the temperature to cool the sky a little.
I’ve applied similar edits in my re-edited version, but I have been more conservative with my edits. So those edits may be so subtle as not to be readily noticeable, when comparing the two versions. In the end, I’m not sure that I see a significant difference, other than the cropping, between my initial edit and the re-edited image. I also tend to like warmer images over cooler images. Much in the editing of an image is based upon one’s preferences. I certainly see his point of bringing out the stream more. I have used that technique in edits to other images from this area, but maybe not to the extent that he might do.
Additionally, the professional photographer commented that making a grand scenic image presents problems of scale, which makes it difficult to simplify the image. He spent much less time critiquing my image and applying edits than he did for other images, which I take as an indication that my composition and initial editing was not too bad : >).
Here is my re-edited image:
I’ve cropped the original image and applied a few other subtle edits to this image.
Feedback from readers is always appreciated.
Best Wishes, Stay Well and Safe and Thanks for following,
I hope these post on photography in Yankee Boy Basin are not getting boring. Initially, I had only planned for two posts, but those got longer than I expected. This will be a short post with only a couple of photos to review.
These two images are from our last evening to shoot here. The weather report indicated a smallish chance for rain, so we thought we would get lucky and have a tremendously beautiful sky at sunset. It did not turn out that way. The sky was heavily overcast all around and it began to rain shortly after we got into position to shoot, so we cut our outing short.
An overcast evening in Yankee Boy Basin, Colorado.
The composition above, I thought at the time, was just a desperate attempt to get something, as it began to sprinkle, before we had to retreat. I had reservations about even spending time editing this image or showing it to anyone. After letting this one sit for awhile before editing it, I remembered why I made this image.
The tops of the yellowish-green vegetation, running diagonally from the bottom left corner, leads the eye to the dead, leaning tree trunk, which in turn points to the overcast, threatening sky, as if to say, “you better hurry and shoot now”. So, I think, this composition worked better than I expected, when I was hastily making this image.
Wildflowers, Mountains and Sky in an overcast evening in Yankee Boy Basin, Colorado.
This final image is again one that I still have reservations about. I’m trying to show the drama in the sky and soften it with the wildflowers in the foreground set below the rugged mountain peaks. The softness of the wildflowers is enhanced by motion, created by the wind and a slow shutter speed. This is usually not the kind of image I prefer. Often I would increase the ISO under these conditions to get a fast shutter speed to freeze the motion in the vegetation and in the clouds. If there had been some side lighting on the wildflowers this would have been a much more impactful image.
Please feel free to critique my images. Your feedback is always welcome.
As the title implies, this is a continuation of the previous post. The photos in this post are a combination of iPhone and DSLR photos and were taken while traversing these 4 wheel drive roads: Imogene Pass, Engineer Pass, California Pass and maybe others. (I neglected to take notes of where we were each day and I can’t positively identify the location of some of the photos that I acquired and I am not using a GPS device on my current camera. This is an issue that I must address in the future).
A typical view that one sees along these roads in the higher elevations is as shown here:
A typical mountain view from a high mountain pass road (iPhone)
We traveled Imogene Pass Road from the Ouray side, accessing it from US 550, splitting off from the road that goes to Yankee Boy Basin (covered in a previous post). Imogen Pass is the second highest mountain pass in Colorado at 13, 114 feet. It is rated as moderate, which means that only suitably equipped 4 wheel drive vehicles should attempt this road. There are Jeep rentals in the local area and we saw many of the rental vehicles on this road, as well as some specialized tour vehicles with seating for passengers in a flat bed area. Those tour vehicles looked a bit large for these type roads, but apparently their drivers are experienced in driving these roads. The seating in the tour vehicles appeared to all be in the open, meaning one might get wet and cold, when caught in one of the frequent mountain showers, if not properly prepared for the weather. Views along the road can be spectacular. These two photos show the view looking back down the road that we traveled up to the pass:
A view from Imogene Pass Summit (Nikon D850, Nikkor 14-24mm, handheld)A view from Imogene Pass summit (Nikon D850, Nikkor 14-24mm, handheld) (More zoomed in than the previous photo).
A view in the opposite direction, in which we would continue is shown in this photo:
As along most of these roads, there are numerous abandoned mine sites. The Imogene Pass road goes through the large Tomboy mine site, which was a really large operation, before it was abandoned in 1928. The remains of the buildings cover a rather large area and one could spend quite a bit of time wandering around the site. However, these abandoned mining areas can be dangerous and nearly all are on private property with warning signs not to enter old mines or buildings. Tomboy is one of the highest ghost towns in the US. There was a store, school, living quarters for miners and even a YMCA.
A few of the many ruins at the Tomboy Mine townsite (Nikon D850, Nikkor 14-24mm, handheld)
One can often see views of other mountain roads from these high mountain roadways. One of the famously difficult 4 wheel drive roads is Black Bear, which has numerous sharp switchbacks, that typically require at least two point turns, even for short wheel base vehicles. We got a glimpse of Black Bear as we neared Telluride on the way down from Imogene Pass.
A view of the sharp switch backs on the difficult Black Bear 4 wheel drive (Nikon D850, Nikkor 14-24mm, handheld)
This is not a great photo, a big zoom would have worked better for showing the details of the switchbacks, but I only had a wide angle with me. Look closely in the green area just below the peak about one third across the photo from the left and you can see the trace of the roadway down the steep mountainside. There is also a long waterfall almost in the center of the photo in the cliff face. One has to look very closely to see the waterfall in this photo.
To drive Engineer Pass, we began just off of US 550 between Ouray and Silverton. This road is rated as moderate and I think most of the difficult part is near the starting point off of US 550. After passing through that portion, much of the road is fairly easy (easy for me, since I was not driving). We did not continue the road down into Lake City, electing to go to the ghost town of Animas Forks and continuing along other roads from Animas Forks, over California Pass, down Corkscrew Gulch and arriving back at US 550.
An abandoned mine site as seen from Engineer Pass road (iPhone)Odom Point along the Engineer Pass road route (iPhone)Engineer Pass Road (iPhone)An old mine line shack on the road between Engineer Pass and Animas Forks (iPhone)Animas Forks Ghost Town near Silverton, Colorado (iPhone)
Animas Forks is a mining ghost town near Silverton, Colorado. It can be accessed by a passenger vehicle in the summer months along County Road 2 from Silverton or via a number of other 4 wheel drive roads. There are a number of fairly well preserved building at this site and, as you will see in these photos, is a popular site to visit.
A few of the four wheel drive vehicles in the parking area at Animas Forks ghost town (Nikon D850, Nikkor 14-24mm, handheld)Old mine building foundation at Animas Forks ghost town (Nikon D850, Nikkor 14-24mm, handheld)One of the better preserved buildings in Animas Forks ghost town (Nikon D850, Nikkor 14-24mm, handheld)
From Animas Forks, we proceeded along another 4 wheel drive road to California Pass.
A view from California Pass Summit (iPhone)California Pass Summit (iPhone)The Jeep at California Pass Summit (iPhone) (Note the GoPro on the driver side front fender).Long winding 4 wheel drive roads just below California Pass summit (iPhone)
We continued along the road that passes to the left of the lake in the above photo. The road to the right of the lake goes to another much more difficult 4 wheel drive road.
A lake just below California Pass summit (iPhone) (A closer view of the lake seen in the previous photo)An abandoned mine sluice along the California Pass Road (iPhone)Clouds gathering over the aptly named Red Mountains, California Pass Road (iPhone)
We continued back to US 550 on Corkscrew 4 wheel drive, but I did not get any interesting photos along that route.
This marks the end of my July trip to Colorado. The following photos are a few iPhone shots that I took on the route back home.
The Sportsmobile at Lake Meredith National Recreation Area, Texas (iPhone)A panorama of a portion of Lake Meredith (iPhone)A warning sign at a Texas Panhandle Rest Stop (iPhone)
In late July, 2018 my oldest son and I traveled a number of four wheel drive roads over high mountain passes in Colorado near the towns of Ouray, Silverton and Telluride. My son did the driving, I just hung on for dear life.
All of the photos in this post (part 1) were shot with an iPhone with some editing in Lightroom.
My son used a GoPro attached to the driver’s side front fender of his Jeep to capture video along some of the drives. Edited versions of those videos are posted on U-Tube:
The videos may make the rides look fairly smooth and fast. Trust me the roads could not be traversed very quickly and the ride was very bouncy.
In a previous post I shared photos taken in Yankee Boy Basin. Continuing up the 4 wheel road past those photo areas, the road leads to a lake and a trail head popular with hardy, mountain hikers.
A small lake at the end of the Yankee Boy Basin 4 wheel drive road near Ouray, Colorado (iPhone photo)A portion of the lake at the end of the Yankee Boy Basin 4 wheel drive road and a mountain peak in the background. (iPhone photo)
Many, maybe all, of the 4 wheel drive roads over these mountain passes were made by miners, during the exploration phase and production phase of mining operations. There are remains of many abandoned mines visible from these roadways and there are some active mines, as well.
An abandoned mine along the Yankee Boy Basin 4 wheel drive road (iPhone photo)
One may encounter much wildlife along these roadways and almost anywhere in this area. We saw numerous deer and many marmots. Marmots are usually rather shy and run away as anyone approaches them either on foot or in a vehicle. But one little marmot only gave up its ground hesitantly, moving only a short distance away several times as I intruded into its space, while trying to get a shot of a really long water fall.
A not so shy marmot. The depth of field in this shot is very shallow. The rock just above the marmot is actually across a deep ravine, through which a stream flows down the mountainside. (iPhone photo)
The marmot was lounging near a very scenic waterfall and cascade with a great view across a valley and mountain tops. Maybe that is why it was so reluctant to move away as I approached.
Low water flow in this really long waterfall and cascade along which the marmot was lounging. (iPhone photo)The marmot’s view into the valley and across the mountain peaks (iPhone photo)
There are many small lakes in the mountains that are popular with fishermen and popular places to camp, although the mosquitoes can be quite a bother.
Clear Lake and Fishermen at the end of Clear Lake 4 wheel drive road near Silverton, Colorado (iPhone photo)
The mountains at these elevations are rugged and continually eroding.
Rugged, eroding mountainside above Clear Lake (iPhone)
Wildflowers were past their peak, but there were still quite a few scattered around.
Wildflowers in the meadow around Clear Lake (iPhone)Wildflower and a busy bumble bee near Clear Lake (iPhone)A few of the remaining wild flowers near Clear Lake (iPhone)
