Rio Grande National Forest, Colorado, September 23, 2020, Part 2

Driving westerly along FSR 380, I came to a vacant campsite just off of the roadway.  This was a site that I had noted, when passing by on my trip into Del Norte earlier in the week.  The forested area around this campsite looked promising for photography, so I pulled into the site.

Rio Grande National Forest Campsite. iPhone photograph.
Forest Campsite. Nikon D850, Nikon 24-70mm @ 24mm, 1/60s, f/11, ISO 200.

As I was walking around the camping area, I heard a loud, raucous bird, that seemed angry about something.  Thinking that I might be in danger of being attacked by an irate bird, I turned to look for the bird, catching a brief glimpse of it as it flew past me.  It crashed hard into the side of my vehicle and fell to the ground.  It was a beautifully colored woodpecker, which moved a little as I kneeled to inspect it.  I hoped it was just dazed and would recover consciousness and be ok, so I gently picked it up and placed it in the wooded area nearby the campsite.

Kamikaze Woodpecker. iPhone photograph.

Unfortunately, it did not recover.  I can only surmise that it objected to the red color of my vehicle or saw its reflection in the vehicle and thought it was another bird intruding upon its territory, or it was giving me a warning buzz that ended tragically.

Such events always make me wonder about the uncertainties of life and the random convergence of events leading to such tragedies.  Would this have happened, if I had not parked here at this specific time or had I slightly modified my parking spot or backed into the campsite rather than pulling forward into it?

I just hope that I am not the cause of any other tragic events.

Ken

Rio Grande National Forest, Colorado, September 23, 2020, Part 1

As I walked towards a valley overview for early morning photography, I went past my neighbor campers, a middle age couple, that I had correctly assumed to be hunters, as they prepared to head out on their morning hunt.  We chatted briefly, before I continued on my short hike over the open, frosty, grassy area.

Frosty Morning View. Nikon D850, Nikon 24-70mm @ 50mm, 0.4s, f/11, ISO 64.
Meadow Grass Morning. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 3200.

It was also a little breezy, so I had to use higher ISO than desirable (noise increases with increasing ISO) to get a sufficiently fast shutter speed to freeze the motion of the grass and/or other vegetation in the images.

After the golden morning light was gone from the distant mountain tops, I continued to shoot as the shadows retreated from the broad meadow.

Cold Ground. Nikon D850, Nikon 24-70mm @ 28mm, 1/125s, f/11, ISO 1600.

I began working my way down into the meadow towards the sinuous drainages running running across it, with the intent of using the drainage as leading lines,  stopping along the way to shoot a few images of the sunlight sparkling in the morning frost.  I was largely unsuccessful at capturing the sparkle with my lens of choice this morning, although I did not try to get really up close with the lens, so maybe I should not put the failure on the lens.

Frosty Meadow. Nikon D850, Nikon 24-70mm @ 24mm, 1/200s, f/11, ISO 800.
Frosty Meadow. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 250.

I found thin ice on small pools of water in the drainage, so it apparently got below freezing last night, at least in the low areas in the valley.

Cold Meadow. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 320.

The beetle killed evergreens on the mountainsides made for much unattractiveness in the scenes here and I’ve tried to minimize that impact in my images.

Sinuous. Nikon D850, Nikon 24-70mm @ 56mm, 1/125s, f/11, ISO 200.

Eventually satisfied that I had achieved as much as I could this morning, I headed back to my vehicle for coffee and a light breakfast, before heading on along FSR 380 looking for my next campsite.

Thanks for following,

Ken

Rio Grande National Forest, September 22, 2020, Part 2

After the creek and waterfall trek, I drove along FSR 243 towards FSR 380.  There are several places that I had noted, via Google Earth, along FSR 243 as places of possible interest and possible campsites.  When passing these locations previously, I was not impressed by the view that I had from the roadway.  There had always been a number of campers in these areas and I had seen fly fishermen in the creek.  As I passed by the primary location of interest today, there were no others anywhere around, so I decided to check it out.

A dirt road departed FSR 243 at a sharp angle and moderately downhill into a broad, open flat area with plenty of space for multiple unrestricted campsites.  I drove to the end of the dirt road and got out to have a look around.  Walking to the creek, I immediately saw a number of trout in the shallow water.  The bank along the creek was mostly steep with loose soil, but I found a place to safely get down to the edge of the creek and then stepped over to the other side at a narrow place in the creek.

I shot a number of iPhone photos and made a couple of videos of the flowing creek.

Treasure Creek. iPhone photograph.

One can see in the photo above that it is getting very cloudy again.

After awkwardly stepping back across the creek and making my way back to my vehicle, I continued on to FSR 380 and headed westerly.

I stopped along FSR 380 at a place that I had previously spotted and near where I had shot another late day image, when returning from Del Norte.

Approaching Storm. Nikon D850, Nikon 24-70mm @ 24mm, 1/13s, f/16, ISO 64.

It had sprinkled light rain sporadically and began again as I was shooting here. It was apparent from the heavy clouds that a storm was brewing over the mountains.

I continued along FSR 380 and it began to rain more heavily.  The rain soon turned to slushy ice, then to pellet like snow.  I was close to several campsites that I had been keeping an eye on.  My coveted location had always had a truck camper in it, whenever I had previously passed by.  Today I got lucky.  The spot I liked was empty.  There was an RV trailer nearby in the same camping area in a spot, which had always been available previously,  and I had resolved myself to maybe having to use that space, if it was available today and the truck camper was still here.

Snowy Campsite. iPhone photograph.

After parking in the campsite, I got out to take a photo with the snow coming down.  I then waited, hoping that the snow would end and I would be able to shoot photos from this location.

The snow continued long enough for the ground to be thinly covered, but it mostly melted away soon after the snow stopped.  As sunset time approached, I walked into an open area with a good view of the valley and the mountains to the southwest.

After the Storm. Nikon D850, Nikon 24-70mm @ 24mm, 1/25s, f/11, ISO 64.

With the cloud cover, I knew there was little chance of a golden hour sunset today.

Mountain Storm Clouds. Nikon D850, Nikon 24-70mm @ 24mm, 1/80s, f/11, ISO 64.

The storm clouds made up for the lack of a golden hour sunset.

Mountain Peaks and Meadow. Nikon D850, Nikon 24-70mm @ 26mm, 1/125s, f/16, ISO 640.

When I first saw this location, I thought it would be best for a sunset shoot; but as I looked around today, consulting my photo app on my iPhone, I realized that this location was better for sunrise than sunset.

Mountain Meadow. Nikon D850, Nikon 24-70mm @ 24mm, 1/80s, f/16, ISO 800.
Late Day Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/40s, f/16, ISO 800.

I hung out here shooting until just after sunset.

Cloudy Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.
Late Day Sky. Nikon D850, Nikon 24-70mm @ 55mm, 0.4s, f/11, ISO 64.

I’m now looking forward to a sunrise shoot here.

More on that later,

Ken

Rio Grande National Forest, September 22, 2020, Part 1

I arose early in the morning, still not sure that I wanted to tackle the creek hike with my heavy camera gear.  I peeked outside to see what the weather and sky looked like, before deciding to prepare for the day.

The sky appeared to be mostly clear, so I had an herbal tea and a light snack, then gathered my gear for a morning shoot, having decided to have a go at getting to those two waterfalls.

I knew that I would need to be careful with the gear and with my footing and balance during this trek, so I brought along my hiking stick as an aid in balance and control.  I usually do not use the hiking stick, since it is just another item to keep up with and easily left somewhere.  I also tend to use my tripod as a hiking stick, whenever I carry it in my hands.

I also wanted to have both hands free when walking, so I fastened the tripod to the back of my Camelbak, slung a filter pouch over my head and shoulder and clipped the DSLR to the front of the Camelbak via carabiners and an old camera strap that I had cut and sewn to the pack years ago.  The camera can still swing away from my body, when I have to stoop over, so I still have to hold onto it sometimes to prevent it from bumping into something.

Thus I began the hike up the steep slope along the ridge above the creek.  I knew that I should have gotten out a little earlier, but my hesitation to even try this, resulted in a late start this morning. I also did not want to start this hike in the dark and I knew that the mountain to the south would shield the very early morning light until later, so the sun would already be fairly high in the sky before I saw it.

Waterfall and Stream. Nikon D850, Nikon 24-70mm @ 70mm, 1/6s, f/20, ISO 800.

I was glad to have the hiking stick this morning as it was a safety aid in going down and across steep slopes and helping my balance, when crossing the stream.

The photo set up procedure was a bit slow and awkward, whenever I stopped for a photograph.  I first released the carabiners holding the DSLR onto my backpack and put the camera in a secure place, then I removed the filter case from around my neck, then I removed the Camelbak, then I unstrapped the tripod from the Camelbak.  After shooting at a location, I reversed this procedure to put all items back into place before moving on to the next location.

Wispy Waterfall. Nikon D850, Nikon 24-70mm @ 42mm, 1/6s, f/22, ISO 800.
Mountain Stream. Nikon D850, Nikon 24-70mm @ 24mm, 1/6s, f/18, ISO 500.
Cascade and Mossy Rocks. Nikon D850, Nikon 24-70mm @ 24mm, 1/8s, f/11, ISO 800.

To get the shot above, I had to get into a tight place and crouch on my knees, being very careful not to drop something into the creek.  As I was preparing to get out of this uncomfortable position, I could not find the metal plate lens cover for the Progrey filter holder and I was afraid that it might have slide behind me into the creek.  I looked into the creek and did not see the cover from my vantage point.   A closer examination of the filter holder case revealed the cover hidden between the individual filter cases, where I tend to habitually put it, when it is not in use.

No Name Waterfall. Nikon D850, Nikon 24-70mm @ 42mm, 1/8s, f/11, ISO 40.

When I arrived at the second waterfall, I stood below an undercut cliff on the south side of the creek, where the 24-70mm lens let me isolate the waterfall, excluding all the unattractive and distracting clutter around it.

The last image here was selected for Flickr’s Explore page, where as of the date of this writing, it has received 4,213 views and 103 favorites.  This is not a record for me and far short of the number of views and favorites that others on Flickr have, but still nice for my level of activity on Flickr.  I’m pleased with these photos and glad that I made the effort to get them.  I might never have such an opportunity again.

Thanks for following,

Ken

Rio Grande National Forest, September 21, 2020, Part 2

Demarcation. Nikon D850, Nikon 14-24mm @ 24mm, 1/250s, f/16, ISO 200.

Continuing my morning photo shoot, I walked up FSR 250 towards my parking spot, using the roadway as a leading line.

The fall color development in the Aspens is not uniform.  It can be spotty, with whole groves of changed trees within a forest of trees that have not changed at all.  In the image above most of the trees on the right are well advanced in their fall foliage, while those on the left are just beginning to change.

Forest Roadway. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/11, ISO 200.
Fall Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/160s, f/16, ISO 200.

The image above was selected for Flickr Explore and so far has received 234 faves out of 7124 views.

Aspen Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/16, ISO 200.
Aspen Fall. Nikon D850, Nikon 14-24mm @ 24mm, 1/250s, f/16, ISO 200.

The image above is not an inspiring one, but it is a realistic scene along the roadside.

After walking farther than I had anticipated, my vehicle came into view.

Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/16, ISO 200.

Even though I did not walk very far through the forest to intersect the roadway below my parking place, the roadway went much farther through the forest to get to the same point downhill of here.

Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 200.

Concluding my morning shoot along FSR 250, I drove westward, stopping at a pullout, that I had made note of my second day here, shortly before getting to the junction with FSR 380.

I walked past a metal gate into an open area scouting for a good vantage point from which to shoot a red top mountain with the forest in the foreground.  I had brought out my wide angle lens, but I soon decided that I needed to use a long lens to get the photo that I wanted.  Leaving my tripod on top of a flat top boulder in the open area, I retrieved my 80-400mm lens and walked back to the the tripod.

This photo is the final result:

Red Mountain and Red Aspens. Nikon D850, Nikon 80-400mm @ 80mm, 1/200s, f/16, ISO 800.

It was not the best time of the day for the typical light that landscape photographers prefer, but it was overcast and the mountain top was occasionally highlighted in sunlight when there was a break in the clouds and I like the color layers in this image.

I continued to FSR 380 then to FSR 243 and to its end.  There were a couple of vehicles and a horse trailer already here, but no one around.

I was waffling about what to do this afternoon, but I was not very energetic.  After a light lunch, I read via my Kindle, then took a nap on the bench seat.

The morning had begun sunny and partly cloudy, but the afternoon became heavily overcast with intermittent light rain.

I heard another vehicle pull up, then I saw someone in hunting gear walking around looking at my vehicle.  I moved to the front driver’s seat, opened the door and chatted with one of the two hunters.  One remained in their truck, sheltered from the light rain.

They were from upstate New York and had been coming here for years during hunting season.  It seemed a long way to drive for a hunt, but I was told that there were no similar places for hunting in upstate New York.

The hunters eventually left and I lazed in my vehicle for the rest of the afternoon and camped here overnight, being greatly tempted to photograph the creek and waterfalls, that I had explored the previous day, the next morning.

More on that later,

Ken

Rio Grande National Forest, September 21, 2020, Part 1

After breakfast this morning, I decided to drive on FSR 250 back towards Platoro Reservoir.  I found a convenient pull out and entered the forest on the south side of the roadway.  I wandered around in the forest shooting photographs in the mid-morning light.

Performance Bow. Nikon D850, Nikon 14-24mm @ 24mm, 1/250s, f/16, ISO 200.

The curved trunk Aspen in the photograph above appeared to be bowing to acknowledge its fall performance.

Forest Light. Nikon D850, Nikon 14-24mm @ 22mm, 1/250s, f/16, ISO 200.

Forest are always good places to get a starburst effect through the trees, so I had to capture a few of these with the fall color.

Split. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 400.

This unfortunate Aspen shows damage from the violent storm that blew through here in early September.  Readers might also note many downed branches in some of my photographs in this area.

Quartet. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/16, ISO 200.

The tall, slender Aspen trunks always make good subjects.  It is not unusual to find a group of Aspens growing in a clump.

As I worked my way downhill from my parking place, I came out of this Aspen grove at a portion of the same road that had switched back below the hill.

Mountain Fall. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 125.

There is a road sign in the bottom left of this image, indicating that I was very near the junction of two forest service roads.

At the edge of the forested area I found a large “hump back” Aspen.

Deformed Aspen. Nikon D850, Nikon 14-24mm @ 14mm, 1/250s, f/16, ISO 200.

Rather than walk back up the hill to my vehicle, I decided to walk along the roadway.

Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/16, ISO 200.

Trees near the roadways are susceptible to having graffiti carved into them.

Tree of Declaration. Nikon D850, Nikon 14-24mm @ 24mm, 1/80s, f/16, ISO 125.

The roadway made a great leading line, so I used that in a number of images as I worked my way back towards my vehicle.

Forest Road. Nikon D850, Nikon 14-24mm @ 14mm, 1/160s, f/16, ISO 125.

The rest of the story later,

Ken

Rio Grande National Forest, September 20, 2020, Part 5

After my trip into Del Norte, I returned to the Rio Grande National Forest via FSR 380, having still not settled upon a campsite for tonight.  I had noted a number of sites, but all were either occupied or otherwise not a good choice for tonight.

I had noted a place along FSR 380 that looked promising for late day photography, so I planned to stop there, since it looked like the timing would work for photographing there today.

I made a number of images at that location, shooting from the edge of the roadway, as the late day shadows moved across the meadow and up the mountainside.

Reclamation. Nikon D850, Nikon 14-24mm @ 24mm, 1/10s, f/11, ISO 64.

The image above is the one that I liked best.  It took me a while to realize that the terraced landscape below the mountain peak is artificial and a result of reclamation of a mine site.

I thought about shooting from the roof rack on my vehicle to get a better view of the ponds, which reflected the scene behind them.  I rejected that idea, since it would involve not only awkwardly climbing up and down my access ladder with camera and tripod, but maybe having to move the vehicle multiple times to get the best perspective and having to repeat going up and down the ladder with my gear.  In hindsight, I wish I had taken the time to do that, since even the elevated view from my driver’s seat in the van gave a better view of the ponds.

After shooting here, it was getting late in the day and I really needed to find an overnight place to stay.  I continued along FSR 380, driving slowly due to the washboarded road.  I eventually ended up back at Stunner Campground, having found no other available place to camp.  The first pull through campsite and others were vacant, so I claimed the pull through site for tonight.

I had no plans for the next day.

Stay tuned for more,

Ken

 

Rio Grande National Forest, September 19, 2020

On Saturday, September 19, 2020 we photographed just off of a roadway not too far from Platoro Reservoir. I made a few shots with the reservoir and mountainside behind.  This one is my favorite:

Aspen, Platoro Reservoir and Mountain. Nikon D850, Nikon 14-24mm @ 24mm, 1/400s, f/16, ISO 125.

It takes considerable thought making compositions within a forest.  Even though there is natural beauty all around, it is not as easy as one might think to make an interesting photograph with so much around that can be distracting or unappealing in an image and, after a while, one begins to think that the compositions are too common and repetitive.

Contrast. Nikon D850, Nikon 14-24mm @ 24mm, 1/60s, f/16, ISO 100.

I found the contrast of the small evergreens among the tall, rugged Aspens interesting.

Fall Decor. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 800.
Fall Forest. Nikon D850, Nikon 14-24mm @ 24mm, 1/400s, f/16, ISO 800.

And again I found boulders with fallen Aspen leaves decorating them in the forest.

Forest Boulders. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 100.
Aspens and Boulder. Nikon D850, Nikon 14-24mm @ 24mm, 1/320s, f/11, ISO 800.

Near the roadway I found a number of Aspens that had started growing horizontally, maybe from some early life damage, but that had turned to grow upward toward the sky.

Directional Correction. Nikon D850, Nikon 14-24mm @ 24mm, 1/160s, f/16, ISO 400.

As I later discovered, it was not unusual to find such curved shapes in the Aspen trunks.  I’m sure there must be a logical explanation for this unusual growth pattern.

I spotted a small shimmering Aspen tree that really stood out against the darker surroundings.  I included the small tree as a highlight in a wide angle image.  When reviewing that photograph, I decided to crop the image, making it more apparent that the small tree was the primary object of interest .

Shimmering Aspen. Nikon D850, Nikon 14-24mm @ 24mm, 1/500s, f/11, ISO 400.

I made a few close up images of the yellow Aspen leaves late in the day.  I had brought only a wide angle lens on this shoot.  The wide angle close ups always include much more than I wanted in the images, so I cropped them during editing to pick out the portions that I was trying to capture.

Aspen Leaves. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/4, ISO 400.
Aspen Leaves. Nikon D850, Nikon 14-24mm @ 24mm, 1/320s, f/2.8, ISO 400.

It was late in the day and the sun was rapidly sinking in the sky, but I managed to get a few images with weak back light, then a few more with dispersed light. The three presented here are the ones that I like best.

Aspen Leaves. Nikon D850, Nikon 14-24mm @ 24mm, 1/640s, f/2.8, ISO 400.

More later,

Ken

Rio Grande National Forest, Colorado, September 18, 2020, Part 1

At sometime during my second day in Colorado, my son and his wife decided that due to the smoke from numerous large forest fires in Colorado, it would be best to come south to meet me in the Rio Grande National Forest.  So I needed to find a suitable campsite for all of us and scout the forest roads for potential photographic opportunities.

Thus Friday morning I continued to drive along Forest Service Road 250 and spurs off of FSR 250, looking for good campsites, stopping above Platoro Reservoir to shoot a few DSLR photos.

Platoro Reservoir. Nikon D850, Nikon 14-24mm @ 24mm, 1/8s, f/11, ISO 64.

Much snow fell in this area during the early fall storm with much remaining on the mountain peaks and a few patches in shady, lower elevations.

Fall Rocks. Nikon D850, Nikon 14-24mm @ 14mm, 1/15s, f/16, ISO 64.

Walking up a hillside, I found large boulders with colorful lichen interspersed with the Aspens.

Scared. Nikon D850, Nikon 14-24mm @ 24mm, 1/3s, f/16, ISO 64.

Aspen tree trunks often have interesting features, but this one, adjacent to one group of boulders, had a major scar.

Forest Boulders. Nikon D850, Nikon 14-24mm @ 24mm, 1/3s, f/16, ISO 64.

Another view of two large, lichen covered boulders in the Aspen grove is above.

My main task today was to find another campsite, so I soon moved on to continue that search.

More later,

Ken

 

 

English Valley, Colorado, Aug 1, 2020

After retrieving our cameras from the night shoot location, we drove back to the previous mornings location, hoping to be there a little earlier this morning to take advantage of the golden hour sunrise light.

Boulders and Volcanic Dike. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/3s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I hiked back up the slope to the same place I had initially set up the previous morning, using large boulders as foreground for my first composition.  This morning I was here before the sunrise light illuminated the volcanic ridge at the crest of the slope.

As the light moved down the slope, I moved around seeking other compositions.

Morning Shadow. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 1/8s, ISO 64, edited in Adobe LR and DxO Nik modules.

This morning I was able to get good light on the boulders and across the slope below the ridge and across the valley with long, early morning shadows.

English Valley Sunrise Scene. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/6s, ISO 64, edited in Adobe LR and DxO Nik modules.

These three shots were the best of the morning and I was much more satisfied with this mornings final shoot in this location, before getting on the road for the long drive home.

This wraps up the highlights of my July 2020 visit to Colorado.  Stay tuned for my September visit to the Rio Grande National Forest for fall photography.

Stay well and safe,

Ken