Early Morning Calm, Ogle Lake, Brown County State Park, Indiana, October 28, 2023
I went into Brown County State Park again early on the morning of October 28, 2023, first stopping at Ogle Lake. It was a bland sky morning, heavily overcast and no sunrise sky color. I made the image above, which is similar to ones made a couple of days earlier, except for the sky, then the blandness of the sky prompted me to leave the lake and wander through the park looking for better fall images.
BCSP Winding Road 6, Brown County State Park, Indiana, October 28, 2023BCSP Winding Road 7, Brown County State Park, Indiana, October 28, 2023BCSP Winding Road 8, Brown County State Park, Indiana, October 28, 2023Tall Fall 12, Brown County State Park, Indiana, October 28, 2023Gateway, Brown County State Park, Indiana, October 28, 2023Brown County State Park 6, Indiana, October 28, 2023BCSP Winding Road 9, Brown County State Park, Indiana, October 28, 2023BCSP Winding Road 10, Brown County State Park, Indiana, October 28, 2023BCSP Winding Road 11, Brown County State Park, Indiana, October 28, 2023Brown County State Park10, Indiana, October 28, 2023
Do you think I got enough leaf strewn roadway as leading lines in these images?
It seems suitable, at this time of the day, that the clouds in the sky and the geology in Valley of Fire, Nevada came together to create an hourglass shape, if one has the imagination to see it.
Light before the Storm
Another late day storm was brewing over the desert, which resulted in dramatic sky for background.
The Light and the Storm
I composed this image to have the rocks along the diagonal pointing towards the distant storm.
Then I thought maybe I had too much in this image, so I moved in close to the end portion of the foreground rock, keeping a portion of the little bush at the edge of the rock.
The Light and the Storm 2
This emphasized the foreground rock, but reduced the background and the stormy, cloudy sky, which I think is not an improvement. The wider angle view is better, I think.
The Light and the Storm 3
I like the way the rock texture looks, even on its own, but with the late day light and a stormy sky background it seems to really pop.
The Light and the Storm 4
In this image I like the foreground shadows that contrast with the late day light on the middle ground and the background sky and the rugged geology.
Skyway – Walk this way to reach the clouds.Symmetric Reflection – Earth and Sky Symmetry
Maybe the correct word is “symmetrical”, but the image is not exactly symmetrical, so I will stick with the “Symmetric” label.
Storm Reveal
I used the many linear features in the rock as leading lines in this photo, which is a cropped version of the original. The original included much more of the foreground, as I like those linear features, but upon reviewing, I thought maybe I over did it with the foreground.
Rain Wish
To be continued with much more of that late day desert storm,
As I walked towards a valley overview for early morning photography, I went past my neighbor campers, a middle age couple, that I had correctly assumed to be hunters, as they prepared to head out on their morning hunt. We chatted briefly, before I continued on my short hike over the open, frosty, grassy area.
It was also a little breezy, so I had to use higher ISO than desirable (noise increases with increasing ISO) to get a sufficiently fast shutter speed to freeze the motion of the grass and/or other vegetation in the images.
After the golden morning light was gone from the distant mountain tops, I continued to shoot as the shadows retreated from the broad meadow.
I began working my way down into the meadow towards the sinuous drainages running running across it, with the intent of using the drainage as leading lines, stopping along the way to shoot a few images of the sunlight sparkling in the morning frost. I was largely unsuccessful at capturing the sparkle with my lens of choice this morning, although I did not try to get really up close with the lens, so maybe I should not put the failure on the lens.
The beetle killed evergreens on the mountainsides made for much unattractiveness in the scenes here and I’ve tried to minimize that impact in my images.
Eventually satisfied that I had achieved as much as I could this morning, I headed back to my vehicle for coffee and a light breakfast, before heading on along FSR 380 looking for my next campsite.
Continuing my morning photo shoot, I walked up FSR 250 towards my parking spot, using the roadway as a leading line.
The fall color development in the Aspens is not uniform. It can be spotty, with whole groves of changed trees within a forest of trees that have not changed at all. In the image above most of the trees on the right are well advanced in their fall foliage, while those on the left are just beginning to change.
Even though I did not walk very far through the forest to intersect the roadway below my parking place, the roadway went much farther through the forest to get to the same point downhill of here.
Concluding my morning shoot along FSR 250, I drove westward, stopping at a pullout, that I had made note of my second day here, shortly before getting to the junction with FSR 380.
I walked past a metal gate into an open area scouting for a good vantage point from which to shoot a red top mountain with the forest in the foreground. I had brought out my wide angle lens, but I soon decided that I needed to use a long lens to get the photo that I wanted. Leaving my tripod on top of a flat top boulder in the open area, I retrieved my 80-400mm lens and walked back to the the tripod.
This photo is the final result:
Red Mountain and Red Aspens. Nikon D850, Nikon 80-400mm @ 80mm, 1/200s, f/16, ISO 800.
It was not the best time of the day for the typical light that landscape photographers prefer, but it was overcast and the mountain top was occasionally highlighted in sunlight when there was a break in the clouds and I like the color layers in this image.
I continued to FSR 380 then to FSR 243 and to its end. There were a couple of vehicles and a horse trailer already here, but no one around.
I was waffling about what to do this afternoon, but I was not very energetic. After a light lunch, I read via my Kindle, then took a nap on the bench seat.
The morning had begun sunny and partly cloudy, but the afternoon became heavily overcast with intermittent light rain.
I heard another vehicle pull up, then I saw someone in hunting gear walking around looking at my vehicle. I moved to the front driver’s seat, opened the door and chatted with one of the two hunters. One remained in their truck, sheltered from the light rain.
They were from upstate New York and had been coming here for years during hunting season. It seemed a long way to drive for a hunt, but I was told that there were no similar places for hunting in upstate New York.
The hunters eventually left and I lazed in my vehicle for the rest of the afternoon and camped here overnight, being greatly tempted to photograph the creek and waterfalls, that I had explored the previous day, the next morning.
After scouting around some of the BLM land and the Rio Grande National Forest in southeastern Colorado, we returned to our campsite near a large volcanic ridge for sunset photography.
It just happened that this road led directly towards a golden hour illuminated hill in the distance. There were nice clouds in the distance and thin, wispy clouds above those. Those wispy clouds added interest with the low angle sunset rays accentuating them.
English Valley Sunset, Nikon D850, Nikon 14-24mm @ 19mm, f/11, 1/125s, ISO 3200
To the north of the road there is another eroded portion of a volcanic dike. That feature did not get much late day light, since it was in the shadow of hills to the west well before the golden hour. From the view point above that outcrop looks like a pinnacle.
English Valley Sunset, Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/250s, ISO 4000
Walking to the east, this same outcrop looks completely different. Although, this feature did not get golden hour light, there were illuminated clouds in the sky behind it, making these last three images more interesting.
English Valley Sunset, Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/320s, ISO 4000
The third bridge that I photographed in the afternoon of my first day of seeking covered bridges in Indiana was the Bakers Camp Bridge.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik modules.
I made use of a fairly new looking fence in a grassy area on one side of the bridge as a leading line to the bridge.
At the end of the fence line, near the bridge, I found a way down to the edge of the creek from which I made several photographs with reflections of the bridge in the creek, after removing some distracting litter along the near shore line. It is not always possible to physically remove distracting objects, but whenever it is, I like to do so, since that is far easier than having to remove the objects later in post processing.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/125s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
Walking back up to the front of the bridge, I made the usual frontal close up to get the bridge name and date into a photograph.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
I then walked onto the bridge to attempt shooting inside. I stood on one side in case of traffic, which is not usually heavy across these country bridges, but not unusual either. In fact, one friendly lady, driving an SUV, stopped momentarily to ask if I was getting good photographs.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, multiple exposures, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.
Since it is dark inside these bridges, I used a high ISO and, due to the bright light at the end and from the top side vents, I made multiple exposures, combining them into an HDR image in post processing.
I walked on through and made other images from the opposite end.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.
Before I continue with photography within this park, I will offer a brief review of the park and facilities. There was some work being done at the visitor center at the entrance, when I was there. This required one to go into the center to confirm one’s arrival and pay any fees that were due, rather than pay in the typical way at a reception window. However, I was a bit confused by the signage at the entrance, thinking that I needed to drive on into the park to find the place to check in. So I continued, following the signs to the camping area. Upon getting to the RV area, I found a ranger helping another RVer with a big rig get into his assigned spot. He came over to chat with me for awhile and told me how to best get to my reserved spot and told me I had a good spot adjacent to a sand dune on one side. He also told me that he could come by, when he made his early morning rounds, and take me back to the visitor center to check in. I informed him that I would probably be in the dunes in the early morning hours and late day hours. I did not tell him why and he did not ask, but he looked a bit confused, since apparently few visitors get out that early into the dunes. Anyway, even though I saw him passing by my place during my subsequent stay, he never stopped by and I never got any note on my vehicle, even though I did not have the typical sticker or receipt that the parks require on vehicles within the park. I did stop by the visitor center as I was leaving the park to be sure all was ok and I was informed that all my fees were paid by the online reservation and I was all set to go. I knew that I had paid the campsite fee, but I still thought that I had to pay the entrance fee, since my annual membership card was expired.
This is an old park and the facilities need some refurbishing, especially the restrooms and showers. The showers are open with no privacy doors. The shower water valves do not operate the way I expected and I initially thought there was no hot water. This is a sandy place and visitors using the showers naturally leave much sand in the shower area.
The park is just north of I-20 and a railway that parallels I-20. Being in the heart of the Permian Basin, there is much oil field truck traffic on I-20 and there were numerous trains passing by through out the night, so it can be rather noisy at night. I must admit that the train whistle sound during the night was a bit nostalgic, since I recall hearing these during the night in my childhood home.
The days were mostly pleasantly cool during my visit, but the late night and early mornings were cold. Even with chemical hand warmers in my fleece mittens, that opened to fingerless mode so that I could operate the camera controls, my finger tips got numb, especially just before sunrise, when I need them to not be so numb.
This is an Adobe Photoshop focus stack of 5 images, edited in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 31mm, f/11, 1/30s, ISO 64.
Apparently, there is much night life activity in the sand dunes, too. The evidence of such is reflected by the many animal tracks in the sand, especially in the early morning hours before people walk through the dunes, disturbing the surface.
This image is created via focus stacking 5 images in Adobe Photoshop with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 48mm, f/11, 1.6s – 2.0s, ISO 64.An early morning photo of multiple animal tracks across sand dune ripples. Nikon D850, Nikon 24-70mm at 42mm, ISO 64, f/11, 1/30s. Two images focus stacked in Adobe Photoshop, edited in Lightroom and DXO Nik software.This is a composite of 5 images, edited in Adobe Lightroom, Photoshop and DXO Nik software. Nikon D850, Nikon 24-70mm at 29mm, f/11, 1/40s, ISO 64.
In the late day excursions into the sandhills, I could hear coyotes yelping and they did not seem very far away. I saw numerous coyote tracks in the dunes, so I’m sure they were hunting prey in the night time hours within the dunes.
You might note that all of the images above are created by focus stacking a number of images in Photoshop. I like doing this to get sharpness through out an image, but there can be problems with doing this. In particular, if there is motion, such as movement of vegetation or clouds, while taking a series of shots, the focus stacking might not work out well. Since I knew I had this taking place in many of my shots, I inspected the results of each focus stacked image. If there were movement effects noted, I would either abandon the focus stack method or try again with different photos. If the movement effects were far in the background, where the image is not extremely sharp, anyway, I might ignore that and keep the resultant image. This is ok as long as the image is not enlarged to such an extent that the movement or misalignment is apparent. This is just a judgement call one has to make for such shots. I’ve also noted that Photoshop sometimes selects the portions of images that it uses in the focus stack in what appears to be a non logical way, with blobs of images included within an area where most of a separate image is selected. I’m sure that this is just a limitation of the software’s ability to distinguish sharpness for some portions of an image. This might be corrected by manually stacking the images, but that gets into a lot more work in the editing process.
In a couple of my initial focus stacked images, I noted glaring misalignments that could not be attributed to motion. Upon inspecting the original images, I noted that even though I typically sync adjustments across the images to be used in the focus stack process, the lens profile correction did not get applied to all images. This might have been my error, not the software’s problem. Upon correcting this, the focus stack misalignment issue went away. So just something else to be aware of when using this technique.
Early morning in Monahans Sandhills SP. This is a composite of 5 photos, edited in Adobe LR, Photoshop and DXO Nik software. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/60s, ISO 64.Coyote footprints in Monahans Sandhills SP, Texas. Nikon D850, Nikon 14-24mm at 22mm, f/11, 1/200s, ISO 64. Edited in Adobe Lightroom and DXO Nik software.
Readers might note that this is a great place to use the “leading lines” technique in photography. There are very evident lines of multiple kinds in most of these photographs that serve to lead the eye through the photos.
Early morning light and shadows in the sandhills. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/10s, ISO 64.
I like the long shadows streaking through the late day sunlit highlights on the dunes and the numerous animal tracks in the sands in this shot.
Early Morning in Monahans Sandhills SP, Texas. Nikon D850, Nikon 24-70mm at 24mm, f/11, 1/13s, ISO 64.
In the photo above, I am not pleased with he sky. Note that it is very blue on the right and much too bright on the left. I first considered cropping to remove the sky, but I did not think I could get a pleasing crop. Subsequently, I considered deleting this photo due to its obvious defect, but then I thought that this can be an example from which to learn. The dark blue is probably due to the effect of the polarizing filter in a wide angle shot. I usually try to minimize this effect, but I apparently neglected to do so in this shot. I do not specifically remember using a graduated neutral density filter in this shot, but I think it most probable that I did. I tried to edit the sky color to even it out a bit, but I did not like the results, so I just left it as it was. Someone with great patience and skill in Photoshop could probably fix the sky, but I’m not so inclined.
I still have a few images from this park to share, so it looks like I will need to continue this in a separate post or two.
Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 200.
