The first image in this post is an HDR made from multiple exposures, since it would be impossible to get a single exposure with detail in the foreground and background here.
Nefertiti Crown, Bisti, June 6, 2021, AM
My son called this the Michelin Tire Hoodoo, but one of my Flickr friends and former work colleague said this looked like Nefertiti’s crown and I like that description. We referred to the flat wing like hoodoo in the background as either a shark or a surf board.
Shark Hoodoo, Bisti, June 6, 2021, AM
The shark hoodoo was difficult to photograph and it was always partially in the shadow of the Nefertiti Crown Hoodoo.
Lumpy Hoodoo, Bisti, June 6, 2021, AM
From a distance, seeing this hoodoo for the first time, I named it Lumpy, but a closer view makes it look more like some big mouth creature and it is actually the same as Nefertiti’s Crown from a different side. The features here can take on very different aspects, depending upon the view point.
Bisti, June 7, 2021, AM
A group of distinct hoodoos in pre-sunrise light (above). The feature on the far right looks like an alien creature and near the middle are those we called the Triplets. We photographed around this location multiple times from various view points at different time of the day.
Bisti, June 7, 2021, AMBisti, June 7, 2021, AM
Another view of the Alien and the Triplets. I like the foreground in this view.
The second bridge I visited in my second day of photographing Indiana covered bridges in October, 2019 was Houck Bridge. Although Houck Bridge seems to be in very good condition, it has been by passed and is now closed to traffic.
Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 400, edited in Adobe Lightroom and DxO Nik modules.
One can still walk through the bridge, but not drive through it. Access to the creek level is most easily gained from the west side. There is also a sizable parking lot on the west side of the bridge, so I am guessing that this bridge is now set up as a prime tourist attraction. A couple of people did come and go, while I was here.
The interior photograph is an HDR image made from multiple exposures.
Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules.Houck Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 640, edited in Adobe Lightroom and DxO Nik modules.
This bridge got its name from a large boulder in the creek that moved, when the current was strong. That boulder was destroyed, as it was deemed a threat to the bridge.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
Rolling Stone is a short, single span bridge in an attractive setting.
I shot multiple exposures of the inside, then combined those to create HDR images.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, Multiple Exposures, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
The engineering and construction of these bridges is remarkable. These were designed to last for many years, although these do require maintenance, mostly to the exterior, from time to time.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
I was able to get down to the creek and shoot from several viewpoints along the creek shoreline.
Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/200s, ISO 2000, edited in Adobe Lightroom and DxO Nik modules.Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/250s, ISO 3200, edited in Adobe Lightroom and DxO Nik modules.Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 21mm, f/11, 1/160s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.Rolling Stone Covered Bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 1/125s, ISO 800, edited in Adobe Lightroom and DxO Nik modules.
Prior to visiting Indiana in October, 2019, I had never realized that Indiana had so many covered bridges. I have seen numerous covered bridges in the New England states, which seem to get lots of attention, but I had never heard much about covered bridges anywhere else.
Part of the reason for our trip to Indiana was to attend a number of the Covered Bridge Festivals in an area west of Indianapolis. These are very popular events, drawing many locals and others from far away. Local organizers of these festivals provide maps with suggested routes to bridges nearby the festival sites.
I’ve always been intrigued by old covered, wood bridges, most of which were built in the 1800s to early 1900s, so I knew I wanted to try photographing as many as my time would allow. I was not at all sure about how or when to best photograph the local bridges, having never visited any of them and having no idea of the setting, nor the lighting at various times of the day.
So one afternoon, with one of the maps to a few bridges, I headed to the northern most bridge on the map, planning to work my way south from there, visiting as many bridges as possible before dark.
Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, edited in Adobe Lightroom and DxO Nik modules.Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.
Th first image is an HDR made from multiple exposures, while the second is a single exposure. The exterior is brightly lit by the sunlight, but the interior is in shadow, so no single exposure will capture details in both the interior and exterior. If the vegetation looks a bit blurred in the HDR, it is because it was a very windy day and anything moving between images complicates merging multiple exposures. I’ve tried to minimize this “ghosting” effect, but I’m sure some remains. These image look similar, but note that the interior is brighter in the HDR with more detail visible and the sky is not over exposed as it is in the single image. The colors are also a little different between the images and maybe I should have paid more attention to the HDR color editing. I think the single exposure colors are more accurate.
Shooting the dark interior with bright light coming through the top, side vents and from the opposite end of the bridge, also required resorting to HDR. Even so, the exterior is over exposed.
Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/13s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.
In the second interior image, I minimized the effect of the exterior overexposure problem by shooting at a different angle, which allowed for a more effective use of a graduated neutral density filter; but the shutter speed is slow, so the vegetation seen through the vents and at the end of the bridge is blurry due to motion. An HDR might have been a better choice for this type image, but I wasn’t keen on shooting the interior and I had more ground to cover this afternoon, so I did not take a lot of time inside the bridge.
Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.
There was so much motion of the vegetation caused by the wind, that I had to use high ISO to get sufficiently fast shutter speed to freeze the motion. The high ISO resulted in more noise, which I’ve tried to minimize in post processing.
Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/500s, ISO 2000, edited in Adobe Lightroom and DxO Nik modules.
The exterior of Cornstalk was not easy to shoot. I found a way down into the dry portion of the creek channel, but I could not get to a good view point, without wading through water and mud and I was not prepared to do that. So my side shots here are limited to views from the creek shore.
Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/200s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.
The image above is from the opposite end of the bridge from the first image. The lighting on this end was different than on the other end, making the colors darker. Even though it was cloudy, the sky was still bright, so I used a graduated neutral density filter to help balance the exposure across the entire image. There is no distinct line between the sky and the rest of the image, so I put the dark portion of the filter over the entire image, with the darkest portion over the upper part. This increases the color saturation of the entire image.
The third bridge that I photographed in the afternoon of my first day of seeking covered bridges in Indiana was the Bakers Camp Bridge.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik modules.
I made use of a fairly new looking fence in a grassy area on one side of the bridge as a leading line to the bridge.
At the end of the fence line, near the bridge, I found a way down to the edge of the creek from which I made several photographs with reflections of the bridge in the creek, after removing some distracting litter along the near shore line. It is not always possible to physically remove distracting objects, but whenever it is, I like to do so, since that is far easier than having to remove the objects later in post processing.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/125s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
Walking back up to the front of the bridge, I made the usual frontal close up to get the bridge name and date into a photograph.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
I then walked onto the bridge to attempt shooting inside. I stood on one side in case of traffic, which is not usually heavy across these country bridges, but not unusual either. In fact, one friendly lady, driving an SUV, stopped momentarily to ask if I was getting good photographs.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, multiple exposures, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.
Since it is dark inside these bridges, I used a high ISO and, due to the bright light at the end and from the top side vents, I made multiple exposures, combining them into an HDR image in post processing.
I walked on through and made other images from the opposite end.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.
I am feeling the effects of insufficient sleep, after yesterday’s early and late day shoots with an extended hike sandwiched into the mid day hours, followed by today’s early morning sunrise shoot. I try to nap for awhile, after Daniel’s departure, but a strong wind discourages sleep. Looking out the Penthouse window, I see dark clouds to the west. Fearing a rain will turn the clay surface parking lot into a muddy mess, I put the Sportsmobile top down and drive to a less clayey area near the parking area entrance, from which I can quickly exit the parking area in case of a downpour. I see rain falling in the distance in several directions. Walking up a hill to get a cell signal, I check the weather report, which does not mention rain at the two closest weather stations available. I then check the weather forecast for my specific location via my GPS unit, which shows only 10% probability of rain in the area.
After lunch, the weather and clouds approaching from the west do not look as threatening, so I drive back to my favored parking spot, adjacent to the barbed wire fence at the boundary of the Bisti Wilderness area.
I am hesitant go out at sunset, seeing heavy clouds covering the western horizon and a half dozen distant rain showers in various directions. I decide to go anyway, hoping to get some good sunset light and not get rained on.
I target the plateau area again, thinking that sunset light will be good there. Arriving early enough prior to sunset to wander around looking for interesting subjects, I make a few images in the late day light before choosing sunset compositions.
Small Bisti Arch and Shadow. Nikon D850, Nikon 24-70mm at 50mm, f/16, 1/25s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
I find this interestingly shaped, small, natural bridge, casting a long shadow, among the many rock features in the wash area adjacent to the plateau.
North Bisti Rocks and Hoodoos. Nikon D850, Nikon 24-70mm at 35mm, f/16, 1/5-1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 5 images.Hoodoo Wash_Shark Tank. Nikon D850, Nikon 24-70mm at 35mm, f/16, 1/6-1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 10 images.North Bisti Golden Hour Sunset Scene. Nikon D850, Nikon 24-70mm at 36mm, f/16, multiple exposures, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 10 images.
A number of these images are created via a technique called focus stacking, in which a number of images, focused at different distances from the camera, are combined into one image, creating better sharpness throughout the image. I tend to acquire more images than necessary for this method, but better too many than not enough. I’ve given up on using Photoshop for focus stacking, since the Photoshop processing is slow and not accurate. I’m testing Helicon software for this and I’m impressed with its speed, accuracy and editing feature.
The late day light is good, but I am concerned about the clouds low on the western horizon. I get lucky as the sun drops below the cloud cover just before setting, briefly providing warm light.
North Bisti Plateau Sunset Golden Hour. Nikon D850, Nikon 24-70mm at 65mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 6 images.
I make a number of images of this composition as the sunset light, limited by cloud cover and shadows, moves down the rock features.
North Bisti Plateau Sunset Golden Hour. Nikon D850, Nikon 24-70mm at 64mm, f/16, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 7 images.
And finally, I take a few shots of the sunset with rock features in the foreground.
Sunset scene on a North Bisti plateau. Nikon D850, Nikon 24-70mm at 44mm, f/16, multiple exposures, ISO 64. HDR image created in DxO Nik HDR Pro.North Bisti Plateau Sunset Scene. Nikon D850, Nikon 24-70mm at 46mm, f/16, multiple exposures, ISO 64. HDR image created in DxO Nik HDR Pro.
These last two are HDR images, created from multiple exposures, using DxO Nik HDR Pro. Such processing is required, when shooting a scene with strong light contrast, since camera sensors do not have a sufficiently wide dynamic range to capture the entire light range in one exposure.
I hope you enjoy this post. Click on the photographs to view higher resolution images on my Flickr page.
My son and I went back to the “Scalloped Rocks” area for sunset photos on our last evening in Bisti. This area works for both sunrise and sunset photography.
Scalloped Rocks Area, Nikon D850, Nikon 24-70mm at 30mm, f/11, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik Silver Efex Pro 2.
In this photo I have used the row of rocks on the right side to create a leading line into the image. I also think the empty space at the lower left visually counter balances the weighty rocks on the right and upper portion of the image.
Pre-sunset light on Bisti Rocks, Scalloped Rocks Area, Nikon D850, Nikon 24-70mm at 30mm, f/11, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
The two images above were made before the best light at sunset, as is apparent in the bottom photo. For photos taken at this time, monochrome version are sometimes best, but I still like the color version, too.
Sculpture Garden. Pre-sunset light on Bisti Rocks, Scalloped Rocks Area, Nikon D850, Nikon 24-70mm at 34mm, f/16, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
Some of the rocks in this area look like modern art sculptures.
Sunset light on Bisti Rocks, Scalloped Rocks Area, Nikon D850, Nikon 24-70mm at 70mm, f/16, 1/4s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
The photo above illustrates how saturated the colors become right at sunset. Otherwise, most of the rocks in this area have rather dull colors.
The Gathering. Sunset light on Bisti Rocks, Scalloped Rocks Area, Nikon D850, Nikon 24-70mm at 38mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 4.
I am always amazed at how much difference the “magic” light at sunset makes in a photograph. View this photo on Flickr by clicking on it and the details will be much more vivid. I call this “The Gathering”, since there is a circle of rocks around a much smaller hoodoo near the center.
Ready to launch into battle. Two image Luminar Aurora 2019 HDR, Nikon D850, Nikon 24-70mm at 55mm, f/16, 1s and 2s exposures, ISO 64.
The photo above is an HDR created via two exposures of 1 and 2 seconds, so that both the sky and the foreground objects are properly exposed. This is a moderate HDR, which looks more realistic than many of the HDR effect that one can create. I can imagine a creature in battle gear in the rock feature on the left. Maybe a turtle like alien from another universe or a video game creature?
Conversing Rocks. Two shots Luminar Aurora 2019 HDR, Nikon D850, Nikon 24-70mm @ 44mm, f/16, 13s and 2s exposures, ISO 64.
These two last images are also HDRs. The one above is created via two images with exposures of 2 seconds and 13 seconds. I call these rock formations, “Conversing Rocks”, since I can imagine animal like faces in the upper portion of the features, with the two facing each other with the one on the right appearing to be saying something to the one on the left, who is smiling about whatever is being said.
A two image Luminar Aurora 2019 HDR. Nikon D850, Nikon 24-70mm at 50mm, f/16, 6s and 20s exposures, ISO 64.
I moved in and a little to the right to get the bottom composition, making a 6 second and a 20 second exposure, then combining these in Luminar Aurora 2019 HDR software. Can you see the animal like shapes in the rocks?
The difficulty that I have with making photos with these high contrasts is getting a good depth of field, since the light is low and focusing can be difficult. One might note that the rock in the bottom right of the second image is fuzzy, so I failed to get the desired depth of field in this image.
This post wraps up this trip. I spent a week on the north side of Bisti the last week of May, so I will be posting photos and blogging about my experiences on that side of Bisti, but to add variety, I will begin to mix in post from other places. This means that I will have to get some items out of chronological order, which I hope does not create confusion.
