Author: Ken

Covered Bridges of Indiana – October, 2019 – Cornstalk Covered Bridge

Prior to visiting Indiana in October, 2019, I had never realized that Indiana had so many covered bridges.  I have seen numerous covered bridges in the New England states, which seem to get lots of attention, but I had never heard much about covered bridges anywhere else.

Part of the reason for our trip to Indiana was to attend a number of the Covered Bridge Festivals in an area west of Indianapolis.  These are very popular events, drawing many locals and others from far away.  Local organizers of these festivals provide maps with suggested routes to bridges nearby the festival sites.

I’ve always been intrigued by old covered, wood bridges, most of which were built in the 1800s to early 1900s, so I knew I wanted to try photographing as many as my time would allow.  I was not at all sure about how or when to best photograph the local bridges, having never visited any of them and having no idea of the setting, nor the lighting at various times of the day.

So one afternoon, with one of the maps to a few bridges, I headed to the northern most bridge on the map, planning to work my way south from there, visiting as many bridges as possible before dark.

My first stop was Cornstalk Bridge in Putnam County.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, Multiple Exposures, edited in Adobe Lightroom and DxO Nik modules.
Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

Th first image is an HDR made from multiple exposures, while the second is a single exposure.  The exterior is brightly lit by the sunlight, but the interior is in shadow, so no single exposure will capture details in both the interior and exterior.  If the vegetation looks a bit blurred in the HDR, it is because it was a very windy day and anything moving between images complicates merging multiple exposures.  I’ve tried to minimize this “ghosting” effect, but I’m sure some remains.  These image look similar, but note that the interior is brighter in the HDR with more detail visible and the sky is not over exposed as it is in the single image.  The colors are also a little different between the images and maybe I should have paid more attention to the HDR color editing.  I think the single exposure colors are more accurate.

Cornstalk Interior HDR B&W. Nikon D850, Nikon 14-24mm @ 44mm, f/11, Multiple Exposures, edited in Adobe Lightroom and DxO Nik modules.

Shooting the dark interior with bright light coming through the top, side vents and from the opposite end of the bridge, also required resorting to HDR.  Even so, the exterior is over exposed.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 1/13s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

In the second interior image, I minimized the effect of the exterior overexposure problem by shooting at a different angle, which allowed for a more effective use of a graduated neutral density filter; but the shutter speed is slow, so the vegetation seen through the vents and at the end of the bridge is blurry due to motion.  An HDR might have been a better choice for this type image, but I wasn’t keen on shooting the interior and I had more ground to cover this afternoon, so I did not take a lot of time inside the bridge.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.

There was so much motion of the vegetation caused by the wind, that I had to use high ISO to get sufficiently fast shutter speed to freeze the motion.  The high ISO resulted in more noise, which I’ve tried to minimize in post processing.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/500s, ISO 2000, edited in Adobe Lightroom and DxO Nik modules.

The exterior of Cornstalk was not easy to shoot.  I found a way down into the dry portion of the creek channel, but I could not get to a good view point, without wading through water and mud and I was not prepared to do that.  So my side shots here are limited to views from the creek shore.

Cornstalk covered bridge, Putnam County, Indiana. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/200s, ISO 500, edited in Adobe Lightroom and DxO Nik modules.

The image above is from the opposite end of the bridge from the first image.  The lighting on this end was different than on the other end, making the colors darker.  Even though it was cloudy, the sky was still bright, so I used a graduated neutral density filter to help balance the exposure across the entire image.  There is no distinct line between the sky and the rest of the image, so I put the dark portion of the filter over the entire image, with the darkest portion over the upper part.  This increases the color saturation of the entire image.

More on Indiana’s covered bridges to come,

Ken

 

 

Bisti Wilderness, May 2019, Day 7 Sunset

The destination for a final sunset shoot on the last day of my May 2019 visit to the Bisti Wilderness was the same as yesterday’s, since yesterday’s sunset light was obscured by heavy clouds on the western horizon.  I really liked my chosen location and this was my last chance to shoot here on this visit.  There were some clouds today, but not so heavy as yesterday.

The light turned out to be good at sunset, but not great.  The clouds on the western horizon blocked the light until just a few minutes before sunset.  Even after the sun dropped below the denser clouds, there were still wispy clouds defusing the light.  However, I think I got a few good images.

North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

As yesterday, I had to navigate carefully getting into position for various compositions, being careful about where and how I walked, where I stood near steep drop offs and using care in setting the tripod.  This was not a place in which to get careless or make sudden, unplanned moves.

North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 55mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
North Bisti hoodoos and vista at sunset. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

This post wraps up my May 2019 visit to the Bisti Wilderness.  There is still much that I have not seen or photographed here, so I expect that I will return sometime in the future.

I hope that my readers have enjoyed following along with my experiences and photography here.

Ken

Bisti Wilderness, May 2019, Day 7, Sunrise

I am reluctant to get out of my sleeping bag this morning.  I linger there for 10 more minutes after the alarm, considering whether to sleep in or go out for a morning shoot.  Eventually, I convince myself to face the morning.  After all, this is my last morning to shoot here.

This morning I will make up for yesterday’s mistake.  In route to my planned destination, I stop to shoot a blue hour silhouette.  One that caught my eye yesterday morning;  but I hastened by then, mistakenly thinking I did not have time to linger.  I am a little later at this location today.  The scene does not look as good as it did yesterday.  Mistake made and likely to be repeated, even though I am reminding myself to take the shot, whenever the opportunity presents itself.

Guardian of the Pass.  Large Bisti Hoodoo at blue hour. Nikon D850, Nikon 24-70mm @ 60mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After shooting the silhouette, I proceed towards my intended destination, the place high up on a hill at the end of a canyon, where I shot under a heavily overcast, morning sky early in the week.  I am anticipating excellent sunrise light at that location this morning.  As I hike, I become concerned about getting there sufficiently early and I am not enthusiastic about my choice of location today, either.  The Conversing Hoodoos are along my route, so I decide to check those for possible morning shots, since I am not satisfied with the results of my sunset shoots of those features.

Arriving at the Conversing Hoodoos and looking around, I conclude that there is a high probability of excellent golden hour morning light on the most interesting features, so I abandon my original plan in favor of shooting here.

I plan several compositions, shooting test shots in the pre-sunrise light as I await the sunrise.  The sky is clear with no obstructions.  There are hills to the east, which may limit some light on the lower portions of my compositions and maybe block the very first sunrise rays from my subjects.  As the sunrise light strikes the hoodoos, I am elated  that my change of plan is working out well.

Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 32mm, f/16, 1/6s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Conversing Hoodoos at sunrise. Nikon D850, Nikon 24-70mm @ 34mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.

After the golden sunrise light passes, I continue shooting with fully lit subjects for a few minutes.  I am not excited by any of the pre-sunrise nor post sunrise shots, so I am not sharing those.

Finishing my early morning shoot, I walk at a leisurely pace back towards the parking lot, looking for other places to shoot along the way.  Maybe I chose an uninteresting route to the parking lot.  I’m not finding interesting compositions in the later morning light; but I take time to make a few images anyway, hoping something jumps out at me.   I decide that none of these attempts produce any interesting results.  My lack of energy this morning might be relevant to my failure to get interesting shots in the post sunrise hour.  Frame of mind matters in artistic pursuits.

This is my last day here.  I have one more sunset shoot, weather permitting.    Until then,

Ken

Indiana Covered Bridges – October 2019 – Bakers Camp

The third bridge that I photographed in the afternoon of my first day of seeking covered bridges in Indiana was the Bakers Camp Bridge.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik modules.

I made use of a fairly new looking fence in a grassy area on one side of the bridge as a leading line to the bridge.

At the end of the fence line, near the bridge, I found a way down to the edge of the creek from which I made several photographs with reflections of the bridge in the creek, after removing some distracting litter along the near shore line.  It is not always possible to physically remove distracting objects, but whenever it is, I like to do so, since that is far easier than having to remove the objects later in post processing.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/125s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.

Walking back up to the front of the bridge, I made the usual frontal close up to get the bridge name and date into a photograph.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.

I then walked onto the bridge to attempt shooting inside.  I stood on one side in case of traffic, which is not usually heavy across these country bridges, but not unusual either.  In fact, one friendly lady, driving an SUV, stopped momentarily to ask if I was getting good photographs.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, multiple exposures, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.

Since it is dark inside these bridges, I used a high ISO and, due to the bright light at the end and from the top side vents, I made multiple exposures, combining them into an HDR image in post processing.

I walked on through and made other images from the opposite end.

Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.

More on Indiana covered bridges later,

Ken

 

 

Abandoned Farm Structures on the Colorado Plains

In the spring of 2019, returning to Texas from Colorado, I spotted a group of abandoned farm buildings near an exit from I-70 on the high plains of eastern Colorado.  I immediately wanted to photograph those old farm structures, but I had already passed the exit and I did not want to take the time required to backtrack, so I just made a mental note of the location in case I passed that way again.

In July of 2019 I was on that route again, returning from another trip to Colorado.  I remembered the exit number from the earlier trip and this time I did not pass up an opportunity to stop and photograph those old buildings.

Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

It was late morning, the sun was high, the light harsh, but it was unlikely that I would ever be here at a better time, so I did the best that I could with what I had.  I decided not to get out the DSLR equipment and just stroll around shooting with my iPhone.

Old Farm House on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

I decided that the best post processing for these images would be a conversion to monochrome, given the light conditions and the subject matter.

Old Farm House on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.
Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

I was lucky to catch a bird flying out of the old barn.

Old Farm Building on the Colorado Plains. iPhone photograph, edited in Adobe Lightroom and DxO Nik modules.

I’m glad that I took a few minutes to stop here.  There have been so many times that I’ve passed up opportunities to shoot places such as this, because I was on a time schedule for getting to some destination.  I hope that I will have more time, during future road trips, to photograph a few more of the old and abandoned building that are scattered across our country.

Thanks for following and best wishes,

Ken

Echo Park, Dinosaur National Monument, Colorado, July 2019, Day 3 Sunrise

On the morning of our third day in Echo Park, Dinosaur National Monument, Colorado, my oldest son and I returned to the Yampa River and the nearby grassy meadow for our final photography shoot before packing up and heading back to Denver.

Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 0.8s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.

We again went onto the bar in the river channel just east of the confluence of the Green and Yampa Rivers to shoot in the pre-sunrise and sunrise light.

Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.5s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.

I made compositions similar to those of the previous day’s sunset shoot, capturing the morning sky, the canyon walls and reflections of those in the river.

Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1/8s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.

Clouds moved across the sky as the light changed.  I shot towards the east and the rising sun, then made a few images toward the west.

Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1/6s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 8s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.

I turned again to the east and north as the sky and clouds became brighter, which created more contrast in the images and brighter reflections in the river.

Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 15mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.

As the sun rose behind the canyon walls, the clouds became brighter and more colorful.

Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 1/4s, edited in Adobe Lightroom and DxO Nik Modules.

After shooting in the river channel, we climbed back onto the meadow and made more images as the morning light advanced across the sky.  The moon transited across the sky to the south as we shot.

Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.

Today, rather than using rocks in the meadow as foreground objects, I put tall clumps of grass in the foreground.

Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.

Shooting with the wide angle lens results in distortion, some of which can be taken out, but not all of it.  Note how the rock outcrop on the right side of this image appears to be tilted in towards the middle of the image.  Trying to take out this tilt with the tools in Adobe Lightroom will affect the rest of the image in an undesirable manner.

Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.

There were a few scattered thistles in this meadow and I used one as a foreground object.

Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.

The first of the sunrise rays began to show up on the top of the large rock outcrop on the east side of the meadow

Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.

and a little later on the rock outcrop on the west side.

Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.

We were fortunate to have scattered clouds this morning to add interest to the sky.

Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.

This wraps up the highlights of my July 2019 Colorado road trip,

Ken

Bisti Wilderness, May 2019, Day 6 Sunset

As usual, I was all alone in the north Bisti parking area overnight.  After returning from my early morning shoot, a few people came and went during the mid-day hours.

A young German couple, Tobias and Daniela, parked next to me and we chatted for a few minutes before they headed out into the wilderness area.  They were in the US for 4 weeks, traveling via automobile from Phoenix to Pittsburg, seeing sites along the way.  The couple returned before 6PM, stopping by to show me a few photos of various places that they had visited so far on their current trip to the US, giving me ideas of other places to visit.  Daniela’s blog site is Daniela’s Urlaubs Blog.

I am always amazed at how much international travel the Europeans do.  I know traveling between countries in Europe is easy,  but many travel outside Europe on a regular basis.  I have met numerous Europeans who are on extended vacations, spanning weeks.  I know that their labor laws assure their citizens of liberal holiday time, but they must budget a lot for their travels, even if they take advantage of cheap airfare, motels, car rentals, etc.  Still, it makes sense to me that if one is traveling so far, taking a long vacation is justified.

During the afternoon, there were dark, heavy clouds all around the area and I could see distant rainfall in numerous directions.  Some  of those rainfall events seemed to be heading directly towards my location, but it did not rain on me.

Bisti Panorama with storm clouds. iPhone photograph with edits in Adobe Lightroom and DxO Nik modules.

I made the panoramic shot above with my iPhone from atop a hill just inside the Bisti Wilderness and just north of the parking area.  This hilltop is the nearest place, where I could get a weak cell signal for making calls, getting e-mails and checking the weather, if the weak, intermittent signal lasted long enough to do so.  This shot is to the south, showing the massive cloud cover, which might not bode well for a sunset shoot.  The Sportsmobile is just a little rectangular blob near the center left edge of this image.

I made preparations to go out for sunset photography, although it was very cloudy in the west and the wind was increasing in intensity.  I stuffed my rain shell into my backpack before heading out, just in case of rain.

I hiked to a place, which I had previously scouted for sunset photography, high up on a hard rock platform, overlooking a large array of hoodoos with a wide vista over the desert area.

North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.

I made a number of test shots with my iPhone and DSLR of several compositions about an hour before sunset, as I waited and prepared for the warm sunset light.  These shots and my observations of the light indicated that the golden sunset light would be very limited today.  With this in mind, I carefully walked around on top of my perch area to determine how and where to quickly set up the tripod and camera, during the brief time that I would have to shoot at sunset.  Some of my chosen setup locations required carefully planned steps to safely get into position and care in setting the tripod, so I wanted to practice my moves.

North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.
North Bisti Hoodoos. iPhone photo, edited in Adobe Lightroom and DxO Nik modules.
North Bisti Hoodoos. iPhone photo with edits in Adobe Lightroom and DxO Nik modules.

I was excited about the possibilities for shooting here.  Unfortunately, a large mass of clouds on the western horizon obscured the sun at sunset time.  This is such a great place to shoot sunset that I will have to try again tomorrow evening, which will be my final chance to shoot here on this trip.  At least I have a few iPhone and DSLR images, just in case tomorrow’s sunset light is no better.

North Bisti Scene near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
North Bisti Hoodoos and Valley near sunset. Nikon D850, Nikon 24-70mm @ 48mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO Nik modules. Helicon focus stack of 9 images.
North Bisti scene near sunset. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO modules.

At the time I made these shots, there would have been golden hour light on the two large features on the left of the above image and on the mass of hoodoos in the image below, if the clouds on the western horizon had not blocked the direct rays of sunlight.

North Bisti Scene. Nikon D850, Nikon 24-70mm @ 42mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO modules.
North Bisti Hoodoos near sunset. Nikon D850, Nikon 24-70mm @ 52mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 9 images.

The DSLR images in this post have embedded links to the photos on Flickr, where these can be viewed in higher resolution.

I like these compositions and views, but the light that I had anticipated was not realized.  Hopefully, tomorrow will be better.

Until then,

Ken

Bisti Wilderness, May 2019, Day 6 Sunrise

I hiked to The Seal to shoot pre-sunrise and sunrise shots at this large well known hoodoo in the northern portion of Bisti on the morning of my 6th day here in late May of 2019.  The sunrise light was not great, but it was still good.

The Seal, Bisti Wilderness, Pre-Sunrise. Nikon D850, Nikon 24-70mm @ 52mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.

I made a few exposures from below The Seal in the pre-sunrise light.  Then climbed further up the hillside to shoot from just below the hoodoos and from a location that gave me a view from just above The Seal and other adjacent features.  The pre-sunrise, dim light required long exposures.

A large Bisti Hoodoo adjacent to The Seal. Nikon D850, Nikon 24-70mm @ 50mm, f/16, 8.0s, ISO 64, edited in Adobe Lightroom and DxO modules.
Large Bisti Hoodoo near The Seal. Nikon D850, Nikon 24-70mm @ 34mm, f/16, multiple long exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 5 images in Helicon software.

This iPhone shot shows the DSLR shooting location, overlooking The Seal and adjacent rock features and the westerly view with the first sunrise rays highlighting the features on the horizon:

Waiting for the light. iPhone photo edited in Adobe Lightroom and DxO Nik modules.

One of the long exposure pre-sunrise shots with the DSLR:

Eye Level with The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 6.0s, ISO 64, edited in Adobe Lightroom and DxO modules.

I think most photographers shoot The Seal from below, since that is the view that lets one see the seal shape of the hoodoo cap.  I’m sure others have walked around, viewing these in the same manner as shown above, but I do not recall having seen any photos from this viewpoint.  I’m hoping that I captured images here that are less common, if not unique.

When the sun rose over the horizon, I began to see the highlights on my primary subjects.

Eye level at The Seal. Nikon D850, Nikon 24-70mm @ 45mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO modules.
Large Bisti Hoodoo near The Seal. Sunrise light, Nikon D850, Nikon 24-70mm @ 24mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.

I then moved back down the slope to shoot The Seal from below in the early morning sunlight.

The Seal near sunrise. Nikon D850, Nikon 24-70mm @ 38mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO modules.

Finishing my shoot at The Seal, I went back down into the wash and proceeded to another nearby location that I had previously scouted.

North Bisti Hoodoos and Wings. Nikon D850, Nikon 24-70mm @ 35mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 6 images in Helicon software.
North Bisti Rocks and Hoodoos. Nikon D850, Nikon 24-70mm @ 40mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images in Helicon software.

As is my normal practice, I continued to wander around after the golden hour, looking for other interesting features to shoot before the sun got too high in the sky.  I climbed up out of the deep wash onto the high plateau in the area where I had shot on other occasions and found these two curious looking rocks and their shadows:

Kissing Bisti Rocks. Nikon D850, Nikon 24-70mm @ 56mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO modules.

The low angle sun cast interesting shadows from a number of small hoodoos.

North Bisti Small Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 60mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Focus stack of 3 images.
Long neck (bird like) hoodoo and shadow. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.
Bisti Hoodoo and Shadow. Nikon D850, Nikon 24-70mm @ 44mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 6 images.

The brighter sunlight and long shadows are good for obtaining monochrome images.

Bisti Wash and Hoodoos. Nikon D850, Nikon 24-70mm @ 70mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.

Little hoodoo that appears to be looking up to a bigger one:

Bisti Hoodoos and Shadows. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.

An array of short hoodoos with flat, elongated rock caps in monochrome:

Fading Away. Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 50mm, f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 5 images.

These elongated, flat rocks are remnants of an originally continuous rock layer. Weathering and erosion has created these individual rock sections.  In time these will disappear entirely.

A monochrome with selective colorization (bringing out some of the original color in a monochrome image):

Bisti Short and Flat Top Hoodoos. Nikon D850, Nikon 24-70mm @ 48mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 7 images.

I think the black and white version, which can be found on my Flickr page,  of the above image is more appealing than the selectively colorized version.

Bisti Flat Rock Hoodoo Tops. Nikon D850, Nikon 24-70mm @ 28mm (before crop), f/16, multiple exposures, ISO 64, edited in Adobe Lightroom and DxO modules. Helicon focus stack of 8 images.

That’s it for now,

Ken

Echo Park, July 2019, Sunset Shoot in the Yampa River

My son and I return to the area near our sunrise shoot and go down a steep bank into the river channel, crossing a narrow, mucky interval near the bank, balancing on a narrow, short tree branch and rocks, avoiding as much mud and water as possible, trying not to fall, wading through shallow water on the edge of a broad bar, before getting onto the dry portion of the rocky bar in the river channel.  We are just east of the confluence of the Yampa and Green Rivers.  The river is broad and maybe not deep, but we do not test the waters; even though, there is a large driftwood tree on the bar on the opposite side that would make a great foreground object.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/13s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The river surface provides good reflections of the canyon walls, as we make numerous photos, while waiting for the sunset light.  The river and a good portion of the canyon walls are already in shadow.  A high wall to the west, will prevent full sunset light illumination of the entire canyon walls; but we expect golden light on the upper portion of these walls.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I experiment with different compositions with the 14-24mm lens at various focal lengths, while waiting for the golden hour.  I use a 3 stop, soft, graduated neutral density filter to balance the exposure of the sky and the river.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 17mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The first of the golden hour rays are apparent in the image below and the light is already far up the canyon walls.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I make a series of images as the light changes in its move up the walls.   Short, fractions of a second, shutter speeds make the river current ripples apparent in the images above.  The images below are made with long shutter speeds, using a 7 stop neutral density filter, smoothing out the ripples.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 30s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The light is going away faster on the north wall than on the south wall, creating an asymmetrically lit image.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Blurring of the reflections by the river current is more apparent in the longer exposures.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 15mm, f/16, 25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Finally, as the light disappears on the canyon walls to the east, I turn to check out possible compositions to the west.

Yampa River, Echo Park, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The sun is below the western rock face, the sky is bright and the river is in shadow, making it difficult to get a balanced exposure.  While this is not a great photograph, I still like the leading line of the river with its current ripples, reflected skylight, fuzzy reflections of the bordering walls, the bars on each side of the channel and the soft streaky clouds in the sky.  This view might be good in early morning sunrise light.

While waiting for the golden hour, I made a few iPhone images just to see what I can do with those and to show those who might use such a device to capture photographs, the possibilities for such images.

Yampa River at its confluence with the Green River. iPhone photograph edited in Adobe Lightroom and DxO modules.

I can brighten the lower portion of the image above, but I think this looks more natural.

The Yampa River and Canyon in Echo Park. iPhone photograph edited in Adobe Lightroom and DxO modules.
Yampa River and canyon walls near sunset. iPhone photograph edited in Adobe Lightroom and DxO modules.

That is it for this shoot.  We have one more sunrise in Echo Park before ending this trip.  Some of the images in this blog are posted to my Flickr page, where one can view them in higher resolution and viewing on a large screen will be best.

Until next time,

Ken

 

First Sunrise Shoot In Echo Park

My son and I  are in an open grassy area near the confluence of the Yampa and Green Rivers in Dinosaur National Monument for our first sunrise shoot in Echo Park.  The grassy area has a number of large rocks scattered around, which we think will be good foreground objects with the canyon walls in the background.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 30s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

As we wait for the sunrise light to illuminate the cliff faces, I am surprised to see how the pre-sunrise, indirect light gives such a warm red glow to the rocks.  In fact, that indirect light might be best for photography here.  I note that the foreground rocks receive reflected light from the high rock walls, taking on a pinkish red color.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 4s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.

I make numerous images with various exposures, while waiting for the direct light.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1.6s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 6s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.

These images do not adequately convey the unspoiled beauty of this location.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 4s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 3s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1.6s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1.6s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1s, ISO 100, edited in Adobe Lightroom and DxO Nik modules.

Just as the first rays of direct sunrise light touch the top of the canyon wall to the west, the setting moon appears in my compositions.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 1/4s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.

Shooting with the wide angle lens, the moon barely shows up in these images, but it is more apparent in the higher resolution images posted to my Flickr page.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 17mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Soon the first rays of direct light begin to light up the canyon wall at the confluence of the rivers.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 17mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Turning around, I see the light on the large cliff face just east of my position.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 17mm, f/16, 0.5s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/6s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Looking back to the west, the sunrise light is advancing quickly down and across the canyon wall and the moon is still in the gap between the two large rock faces.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I continue to capture images from various view points as the sunlight advances on the western rock face.

Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 16mm, f/16, 1/6s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Comparing the first image in this post to the last ones, it is my opinion that the pre-direct, diffused light gives a more pleasing color to the rock than the direct sunrise light here.  The sun is already fairly high in the sky before the rock face to the west receives the direct light, so the sunrise golden light is not seen on the west canyon wall.

Be sure to check out the higher resolution images on my Flickr page.

I’m hoping that someday I will visit Echo Park in the early fall to see trees with fall foliage.

Until next time,

Ken