After our early morning sunrise shoot, my son and I went on another short scouting expedition.
Of course, I made a few shots during our little hike, scouting the area for possible sunrise or sunset shoots, but the two in this post are the only ones that I deemed presentable.
Until next time,
Ken
After shooting at my preferred location this morning, I wandered around the area looking for other scenes to shoot.
I don’t think the many dirt, back roads here have names, but the early morning quiet led me to call this one Serenity Road.
Shooting from another point of view, I thought it would make no difference which way one turned at the T, as either way would let one see more of the awesome geology of this area.
Standing in the shadow of the massive rocks behind me, I watched as the early morning sun began to highlight the top of the rock features in front of me.
I wandered back through and over rocks and boulders to the place of my initial shots this morning. I climbed onto a massive rock and made one last image, wrapping up this sunrise shoot.
Until next time,
Ken
Early this morning we were at a location that we had previously scouted near some interesting pointy rocks for sunrise photography.
The first images here are pre-sunrise and a few minutes later the light is totally different.
These are the pointy rocks that look like guardians over the valley, standing at attention for the coming sunrise.
After shooting from behind these rock features, I began to wander around the area, looking for other photo possibilities, but you will have to come back again to see how that search turned out.
Until then,
Ken
After our morning shoot at the Hot Creek Geothermal Area, we returned to Alabama Hills, with no clue about where to shoot at sunset. So we drove around looking for someplace inspiring our imagination. We failed with the inspiration and finally settled upon the location for the movie Gunga Din, simply because we had no more time to scout around.
There are still a few remnants from the movie set, where a bridge had been constructed over a ravine.
I don’t know how these gears were used, but there were at least a couple of these embedded in or near the roadway.
There were some concrete items, which I assume were anchors for the bridge, in some of the rocks near the roadway.
I wandered around the area looking for potential sunset shots, finding little inspiration, but I did get a few images that I liked.
And that’s it for this shoot. We have a plan for tomorrow morning, so stay tuned to see how that works out.
Ken
After shooting from an elevated location here, my son and I drove to the parking lot at the official visitor area and hiked down the steep, icy path to the creek level.
There are signs posted at frequent intervals warning visitors of the scalding hot waters of the creek and to stay at least ten feet from the creek bank and from steam vents.
At about this point and westward, Hot Creek is fed by snow melt before the water enters into the portion fed by hot springs. Anglers fish the waters here and to the west. I’m guessing the fish are smart enough to turn around before getting into the scalding hot water area.
As one of my Flickr contacts pointed out, the hot water was providing clouds for the otherwise clear sky this cold morning.
I stopped to photograph this lone, bent tree with the mist from the hot water behind it as I was hiking back up the trail to the parking lot. This image, which I almost neglected to even process, was chosen for Flickr’s Explore Page May 30, 2024.
That is all for this area. Until next time,
Ken
At an earlier sunset shoot in Alabama Hills, we encountered another photographer who told us about Hot Creek Geothermal Area, showing us an alluring photo. Hot Creek Geothermal area was about an hour and a half drive north of our location. We decided to make the drive to scout the area. We were impressed with the scene, but thought it was maybe too much of a time consuming drive for the limited photographic possibilities. Yet, we did return early one morning to shoot at sunrise.
It was a cold morning with temperature at 23 DF, when we arrived at our destination. As is the usual case, the scene was magnificent, but compositions were still a challenge. How much to include, how much to exclude for the most impactful image?
Being the big picture person that I am, I nearly always begin with including as much as possible in an image. We were shooting from an overlook above the creek with lots of busy foreground and, if zoomed wide enough, one could include parking lots, restrooms and other structures in the area above the creek. Some of my initial images included too much of these distractions and I realized that I needed to simplify the images.
The mountain range extended to the south and to the north and it was temping to include much of that range, especially as the light changed along the range as the morning progressed.
I began to exclude some of the immediate foreground of the elevated location and the buildings to the south (left of the images), then I had to decide how much to include to the north (right side of images).
As the sun rose and the mountain peaks began to be illuminated, I adjusted my compositions to include more of the sunlit peaks.
I still tended to get too much of the immediate foreground in some shots and cropped the images in post processing.
I have numerous images from this location, some with more of the mountains to the south and/or north, some with more foreground, some with the creek positioned at various points in the foreground, but I think this last one might be the most impactful and most simplified capture, with the creek snaking through from the bottom towards the most prominent peak, sunlight reflected in the creek and mist rising from the hot water into the cold air. By the time this image was made, the sun was well up and the entire mountain in the background was illuminated by the early morning light.
More from this area next,
Ken
