After a sunrise shoot at Tunnel View, I stopped at the parking area for Bridal Veil Falls. The falls can be seen from the parking lot and there is a short trail that gets one much nearer the falls. The trail is easy, but is slightly uphill most of the way, so it does take a little effort to hike.
I switched back to my 24-70mm lens before hiking the trail, but soon realized that the 80-400mm lens would have allowed me to capture close up images of details in the tall, slender waterfall.
The image above gives an idea of how far away the end of the trail viewing area is from the falls. This view covers the entirety of the falls from top to the bottom most part that I could see, including small portions in the bottom left, but excluding the sky to avoid exposure difficulties. I could have gotten a little closer, as a few people do, by climbing beyond the viewing area border, but I elected not to do so. One can easily see how a big lens would be useful for isolating smaller portions of this waterfall.
Bridal Veil Falls
This long, slender waterfall does not fall straight down, but swings back and forth across the rock face. Maybe with a heavier water flow it might fall in a more linear fashion, but this meandering path creates more interesting features and that “veil” appearance.
Bridal Veil Falls – Wide 2
This wider angle view gives a better indication of the local environment.
After shooting from an elevated location here, my son and I drove to the parking lot at the official visitor area and hiked down the steep, icy path to the creek level.
There are signs posted at frequent intervals warning visitors of the scalding hot waters of the creek and to stay at least ten feet from the creek bank and from steam vents.
At about this point and westward, Hot Creek is fed by snow melt before the water enters into the portion fed by hot springs. Anglers fish the waters here and to the west. I’m guessing the fish are smart enough to turn around before getting into the scalding hot water area.
I stopped to photograph this lone, bent tree with the mist from the hot water behind it as I was hiking back up the trail to the parking lot. This image, which I almost neglected to even process, was chosen for Flickr’s Explore Page May 30, 2024.
At an earlier sunset shoot in Alabama Hills, we encountered another photographer who told us about Hot Creek Geothermal Area, showing us an alluring photo. Hot Creek Geothermal area was about an hour and a half drive north of our location. We decided to make the drive to scout the area. We were impressed with the scene, but thought it was maybe too much of a time consuming drive for the limited photographic possibilities. Yet, we did return early one morning to shoot at sunrise.
It was a cold morning with temperature at 23 DF, when we arrived at our destination. As is the usual case, the scene was magnificent, but compositions were still a challenge. How much to include, how much to exclude for the most impactful image?
Hot Creek Geothermal Area
Being the big picture person that I am, I nearly always begin with including as much as possible in an image. We were shooting from an overlook above the creek with lots of busy foreground and, if zoomed wide enough, one could include parking lots, restrooms and other structures in the area above the creek. Some of my initial images included too much of these distractions and I realized that I needed to simplify the images.
The mountain range extended to the south and to the north and it was temping to include much of that range, especially as the light changed along the range as the morning progressed.
I began to exclude some of the immediate foreground of the elevated location and the buildings to the south (left of the images), then I had to decide how much to include to the north (right side of images).
As the sun rose and the mountain peaks began to be illuminated, I adjusted my compositions to include more of the sunlit peaks.
I have numerous images from this location, some with more of the mountains to the south and/or north, some with more foreground, some with the creek positioned at various points in the foreground, but I think this last one might be the most impactful and most simplified capture, with the creek snaking through from the bottom towards the most prominent peak, sunlight reflected in the creek and mist rising from the hot water into the cold air. By the time this image was made, the sun was well up and the entire mountain in the background was illuminated by the early morning light.
My wife and I began a tradition of spending a couple of weeks in Indiana in the fall a few years ago. There are multiple reasons why we established this tradition. 1. My wife has relatives in the area, having lived in Indianapolis during her early childhood. 2. A relative allows us to stay in their weekend cabin that is very near Brown County State Park, which is a very popular place in the fall. 3. We both enjoy seeing fall color in the hardwood forests in this part of the U.S. 4. I get to photograph the fall color and write about it in this blog.
Timing our visit to see the best of the fall color is always hit or miss. Sometimes we are too early, sometimes too late and sometimes we see the peak fall color.
Photographing in the same location at the same time of the year is a challenge and I often worry about my photographic images being too repetitive. After all, how many ways can one photograph trees, forests, barns and fall scenes? Lots, actually, but how many are unique? Trying to get unique and interesting images is a challenge. I can only hope that the scenery varies sufficiently, year by year that my images will not be too boring.
Fall Backroad
Driving the backroads of Indiana is a good way to appreciate the fall color and other rural fall country scenes.
Fall MedleyIndiana Barn
The barn in this image sits far back from a roadway on private property. I shot it with a telephoto lens from the edge of the roadway, hand holding the camera. I shot from different perspectives trying to get shots with the least amount of that pile of debris in front of it in the image. However, this image may be the best overall, even with that unsightly mess in front of the barn.
Fall ProgressionBramble Morning
I was a little late for the actual sunrise at this location in Brown County Park, so I walked down a slope into the briars, weeds, grasses and brushy growth, thinking a shot from within all that foreground clutter might at least be different than that of the early photographers that were wrapping up their sunrise shoot from the top of the slope and there was no way to avoid getting that messy foreground in a shot from anywhere here.
I had to spend a considerable amount of time picking the stick tights from my clothing after this mornings’ shoot.
Crooked Tree FallPuddle FallExposedUp a Fall CreekFall Tease
I continued to work my way along Treasure Creek towards the first significant waterfall I had seen from a distance.
Cascading Creek, just below a waterfall.. iPhone photograph.Wispy Waterfall. iPhone photograph.
After reaching the base of this waterfall, I retraced my steps a little to find a way to get above the falls.
Waterfall from above. iPhone photograph.
I then continued up the creek hoping to see an even bigger falls, stopping to photograph other scenes along the way.
Creek undercutting a tree. iPhone photograph.Cascade and Mossy Rocks and Log. iPhone photograph.
I’m calling the many little waterfalls “cascades”, since I expect these to disappear, when the water in the creek is deeper and there are cascading rapids in their place.
Cascade and Mossy Rocks. iPhone photograph.Cascade. iPhone photograph.
I made a number of various compositions of some of the cascades as the sunlight changed with intermittent cloud cover.
A little farther up the stream from this cascade a second significant water fall is visible.
Small Waterfall. iPhone photograph.
Working my way upstream towards the second waterfall, I had to cross the stream first, making the image above looking down on the cascade shown in the previous images.
No Name Waterfall and Treasure Creek. iPhone photograph.
The photo above shows the steepness of the gulley in which this stream runs.
No Name Waterfall. iPhone photograph.
Getting closer to the base of the greater drop waterfall, it became apparent that the clutter around the falls and the beetle killed trees are going to be a distraction to deal with in getting a good photo here.
Creek Debris, after recent storm. iPhone photograph.
The fallen and splintered trees along and in the creek bed beneath the waterfall reveal the force of a recent heavy water flow here, which I’m sure was an aftermath of the early snow storm a few weeks ago.
No Name Waterfall. iPhone photograph. iPhone photograph.
In this final photograph of this waterfall, I excluded some of the clutter on the edges and at the bottom, but still have portions of the unattractive, beetle killed trees along the top edge.
This concludes this portion of today’s exploration, as I feel great disappointment that I will probably not get back here with my DSLR.
I photographed a number of times in Yankee Boy Basin, near Ouray, Colorado during my July, 2020 summer visit to Colorado. The main reason for returning to this area several times, is a simple one. It just happened to be the closest, most easily accessible place for scenic landscape photography from the state park where my son, his wife, and I were staying.
Late day in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/22, 1.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Navigating rocky, bouncy 4WD roads is required for access to many of the best places for landscape photography in this area and Yankee Boy Basin is one that my son felt most confident in being able to get to safely, early in the morning, then have time for other daytime exploration. In the evening, it was possible to photograph here at sunset and get back down the 4WD road before total darkness set in and we would get back to our campsites in time to get a reasonably good night’s sleep before getting up again in the early morning hours for a sunrise shoot.
There is a mountain stream with a number of waterfalls along it here. The middle two falls seem to be the most photogenic, so we spent much of our time in that area.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
To get the image above, I stood right up against the closest part of the waterfall on the right side of the photo, backing into a bush, shooting downstream at 14mm to get the waterfall on my right into the shot.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
There were wildflowers growing along the stream and I often included those in my images. The image above is made looking upstream at this waterfall, while standing in the edge of the stream bed. Even at 14mm from my position, I could only get a small portion of the waterfall in the photograph, while also including the wildflowers along the stream edge.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Standing a bit further back from the falls, on a rock ledge at the edge of the stream, I could get the entire waterfall in the image, while including the wildflowers and the rock outcrop on the right.
Late day in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Since I’ve photographed in this area a number of times, I tried not to duplicate compositions from other shoots, which is not easily avoided. It takes some work to avoid the most common compositions here. I had some reservations about the composition in the above image, thinking it is too complex, but I have gotten some positive feedback on it, so I guess it worked better than I anticipated.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/3s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
Readers will note the heavily overcast sky in most of these images. I always like to have clouds to give the sky more interest, but heavy overcast can limit or eliminate the “golden” hour light at sunrise and/or sunset.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
The image above is taken a few yards downstream from a waterfall, looking downstream at the mountainside in the distance. During one similar photo shoot one afternoon, there was a family of three or four (man, wife and one or two young boys) in the area. I kept trying to avoid them and had to wait several times as they walked into and out of my compositions. If you are a purist landscape photographer, you know we try to avoid people in our shots most of the time. Some tourists know this and try to minimize their interference with photographers, while others are totally unconcerned about walking directly in front of a photographer. While composing an image similar to the one above, something hit the graduated neutral density filter mounted on the front of my lens, startling me, and I immediately heard the father, standing above me on the stream’s bank, scolding one of the boys. It turned out that the boy was throwing rocks in an indiscriminate manner and it was one of those rocks that struck my camera. If not for the flexibility of the filter, it would have shattered rather than just get scratched. If not for the filter, the lens would have most likely had significant damage. Neither of the parents said a word to me about this event. I had expected one would have at least inquired about damage and apologized for the kid’s action, which might have resulted in an injury and/or significant camera gear damage. The scratches on the filter sometimes result in light streaks in my images. Fortunately, I had the filter and much of my more expensive camera gear insured via scheduled property on my homeowner’s insurance policy, so I recuperated much of the replacement cost of the filter.
Early morning in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 200. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2. Looking downstream at the base of a waterfall.
Yankee Boy Basin is popular with hikers and a good campsite for those that want to get the necessary early morning start on a hike up Mount Sneffels. Still we saw only a few people during our early morning and late day visits here.
It is common to get afternoon thunderstorms in the upper elevations of the Rocky Mountains, but during the time we were here, there were more than the usual storms. Some days were rainy for much of the day, which limited the time interval with our favorite light at sunrise and/or sunset. We had to sometimes cut short our photography time to avoid the rain and get back down the mountainside before getting caught in a storm.
Of all the photos that I shot here, the one below is my favorite.
Sunset light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.
This image has so much of what landscape photographers look for in an image, late day sunlight highlighting the mountain tops, light beams in the clouds, silky smooth, flowing water and a sinuous stream leading the eye from the waterfall into the image. More prominent wildflowers would have made this even better.
Since we visited here multiple times, there will be at least one more post of photos from this area. Please click on the images to view them in higher resolution on my Flickr page.
After the previous post, I realized that I had forgotten to include a few iPhone photos of my final campsite along Owl Creek Pass Road. So this is just a brief post to add those photos. Thanks for your indulgence.
The final campsite along Owl Creek Pass Road, Colorado. Fall 2018, iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.A panorama at the last campsite along Owl Creek Pass Road, Colorado. Fall 2018, iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.Panorama of last campsite along Owl Creek Pass Road, Colorado, Fall 2018. iPhone Photo, edited in Adobe LR and Nik Color Efex Pro 4.
Yankee Boy Basin, located in the Colorado Rocky Mountains near Ouray, Colorado, is accessible via a 4 wheel drive road. My oldest son, who provided the 4×4 Jeep, and I spent several early morning and evenings in the basin, since it was a relatively easy place for us to get to and there were multiple photography opportunities in the area.
Yankee Boy Basin
It is best to have a high clearance vehicle with skid plates and good off road tires before attempting to travel this road. If the road is not wet, it might be possible for a high clearance vehicle equipped with only stock tires and an experienced driver to make it up the road. On one of our outings there, a thunderstorm came up at our destination, so we went back down to a safer place to wait out the storm. We encountered a young man in a Subaru Outback, who was planning to make the trip up the 4×4 road. His vehicle had stock tires and no skid plates. My son, who has some 4 wheel drive road experience and has been up this road a number of times, advised him not to try the road with his vehicle; however, he told him that he could follow us, if he liked, and at least he would have someone nearby in case he had difficulty. He tried to follow us up the road, but very soon got to a point where his tires could not get sufficient traction on the wet rocks and he turned around.
We ended up aborting one of our planned evening shoots due to a continuing storm. We had hoped to get gorgeous views with clouds and mountainsides illuminated with the late evening light as often happens after a storm; but the storm and sky showed no signs of clearing, so we retreated to our campsites, where we were treated to sky, clouds and a double rainbow; but I only had time to shoot a few iPhone photos before these all faded away.
A view from Ridgeway State Park, Colorado, after an early evening rain.This is the kind of sky we had hoped to see during our aborted Yankee Boy Basin evening photo shoot.
Yankee Boy Basin is a picturesque setting and can be covered with wildflowers in the early summer months. There were some wildflowers remaining during our visit in late July, but they were mostly past their peak bloom.
Early morning view in Yankee Boy Basin
The 4 wheel drive road follows a stream much of the way and there are a number of waterfalls and lovely cascades along the way.
Early morning light above Sneffles CreekEarly morning in Yankee Boy BasinSneffels Creek WaterfallEarly morning light in Yankee Boy Basin along Sneffels CreekYankee Boy Basin WaterfallYankee Boy Basin WaterfallEarly morning in Yankee Boy BasinSneffels Creek CascadeSneffels Creek Waterfall/CascadeClose up view of a portion of a waterfall on Sneffels CreekClose up view of one of the Yankee Boy Basin waterfalls
At the end of the 4 wheel drive road is a small lake surrounded by mountain peaks. A popular hiking trail begins at the end of the 4 wheel road that takes one to Mount Sneffels, 14,158 feet high mountain, which many hikers like to bag.
The elevation everywhere in this area is high enough that one not used to it might have some difficulty with the thin air. As I’ve gotten older, I’ve noted that higher elevations are more of a problem, but so far I’ve not had altitude sickness. I can move around quite well at altitude, as long as I am not carrying a load; but as soon as I pick up a loaded day pack and camera gear, the effort to walk up an incline becomes noticeable, requiring frequent stops to catch my breath. I’m sure that my normal sea level life adds to the altitude effect.
One of the fun things about such outings as this is meeting other people with similar interest. On our first morning in the basin, we chatted with the only other person there, who was also into photography and from the same metropolitan area as me.
I hope that you enjoy this post and I welcome your comments and suggestions.
