I continued my stroll through the Rio Grande National Forest just off of US 380, hoping to get interesting photographs within the forest.
Near and Far. Nikon D850, Nikon 24-70mm @ 40mm, 1/500s, f/11, ISO 640.
I shot the image above with the near trees on one side of FSR 380 and the far trees on the far side of the roadway. There was increasing cloudiness, which I hoped did not indicate a late day rain storm.
Aspen Trunks and Evergreens. Nikon D850, Nikon 24-70mm @ 70mm, 1/3s, f/11, ISO 64.
One can find an infinite number of ways to shoot the Aspen trunks, which is both good and bad. When is enough, enough? And when do these images become so repetitive as to be boring? Is there really anything unique in these images?
A few recently fallen trees broke up the vertical pattern of the tree trunks.
Bent and Broken. Nikon D850, Nikon 24-70mm @ 28mm, 1/125s, f/11, ISO 500.Diverse Forest. Nikon D850, Nikon 24-70mm @ 31mm, 1/125s, f/11, ISO 500.Trunk Line. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 1600.
Even within a dense forest, I noted that sometimes by standing in the right place, I could see an almost linear line of tree trunks. Of course, I had to crop the wide angle view to show what caught my eye.
Early Fall Aspen Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.
As I worked my way around the edge of a high ridge in the forest, I began to find more fallen trees, which made various geometric patterns on or near the forest floor.
Standing and Fallen. Nikon D850, Nikon 24-24mm @ 70mm, 1/160s, f/11, ISO 1600.Forest Floor. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 2000.
After few more minutes of walking from the end of the ridge I came to an opening in the forest along a steep slope with good views of forested mountainsides. I could tell that the sun would drop below a mountain side before the golden hour, but the moving clouds resulted in highlights of the distant fall color as the shadows moved across the mountainsides.
I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.
The first image here is a shot down FSR 380, just past my campsite. It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.
Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.
Aspen trunks have always fascinated me. They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.
A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting. A smaller aperture would have given a smaller, sharper starburst.
Leaves and Trunks. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 400.Signatures. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.
I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement. I posted this image on LinkedIn, where I knew others would see those traces as I did, and as of this writing it has received 15,275 views, 252 likes and 56 comments.
Under the Canopy. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.
The small Aspens in full color beneath the much taller ones were eye-catching.
Under and Over. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 800.Leaning into Fall. Nikon D850, Nikon 24-70mm @ 60mm, 1/200s, f/11, ISO 800.Aspen Sky. Nikon D850, Nikon 24-70mm @ 50mm, 1/500s, f/11, ISO 400.
A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky. There is a full range of color in the images here, since “peak” color is not yet here.
Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.
Continuing my morning photo shoot, I walked up FSR 250 towards my parking spot, using the roadway as a leading line.
The fall color development in the Aspens is not uniform. It can be spotty, with whole groves of changed trees within a forest of trees that have not changed at all. In the image above most of the trees on the right are well advanced in their fall foliage, while those on the left are just beginning to change.
Even though I did not walk very far through the forest to intersect the roadway below my parking place, the roadway went much farther through the forest to get to the same point downhill of here.
Concluding my morning shoot along FSR 250, I drove westward, stopping at a pullout, that I had made note of my second day here, shortly before getting to the junction with FSR 380.
I walked past a metal gate into an open area scouting for a good vantage point from which to shoot a red top mountain with the forest in the foreground. I had brought out my wide angle lens, but I soon decided that I needed to use a long lens to get the photo that I wanted. Leaving my tripod on top of a flat top boulder in the open area, I retrieved my 80-400mm lens and walked back to the the tripod.
This photo is the final result:
Red Mountain and Red Aspens. Nikon D850, Nikon 80-400mm @ 80mm, 1/200s, f/16, ISO 800.
It was not the best time of the day for the typical light that landscape photographers prefer, but it was overcast and the mountain top was occasionally highlighted in sunlight when there was a break in the clouds and I like the color layers in this image.
I continued to FSR 380 then to FSR 243 and to its end. There were a couple of vehicles and a horse trailer already here, but no one around.
I was waffling about what to do this afternoon, but I was not very energetic. After a light lunch, I read via my Kindle, then took a nap on the bench seat.
The morning had begun sunny and partly cloudy, but the afternoon became heavily overcast with intermittent light rain.
I heard another vehicle pull up, then I saw someone in hunting gear walking around looking at my vehicle. I moved to the front driver’s seat, opened the door and chatted with one of the two hunters. One remained in their truck, sheltered from the light rain.
They were from upstate New York and had been coming here for years during hunting season. It seemed a long way to drive for a hunt, but I was told that there were no similar places for hunting in upstate New York.
The hunters eventually left and I lazed in my vehicle for the rest of the afternoon and camped here overnight, being greatly tempted to photograph the creek and waterfalls, that I had explored the previous day, the next morning.
After breakfast this morning, I decided to drive on FSR 250 back towards Platoro Reservoir. I found a convenient pull out and entered the forest on the south side of the roadway. I wandered around in the forest shooting photographs in the mid-morning light.
This unfortunate Aspen shows damage from the violent storm that blew through here in early September. Readers might also note many downed branches in some of my photographs in this area.
On Saturday, September 19, 2020 we photographed just off of a roadway not too far from Platoro Reservoir. I made a few shots with the reservoir and mountainside behind. This one is my favorite:
Aspen, Platoro Reservoir and Mountain. Nikon D850, Nikon 14-24mm @ 24mm, 1/400s, f/16, ISO 125.
It takes considerable thought making compositions within a forest. Even though there is natural beauty all around, it is not as easy as one might think to make an interesting photograph with so much around that can be distracting or unappealing in an image and, after a while, one begins to think that the compositions are too common and repetitive.
I found the contrast of the small evergreens among the tall, rugged Aspens interesting.
Fall Decor. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 800.Fall Forest. Nikon D850, Nikon 14-24mm @ 24mm, 1/400s, f/16, ISO 800.
And again I found boulders with fallen Aspen leaves decorating them in the forest.
Forest Boulders. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 100.Aspens and Boulder. Nikon D850, Nikon 14-24mm @ 24mm, 1/320s, f/11, ISO 800.
Near the roadway I found a number of Aspens that had started growing horizontally, maybe from some early life damage, but that had turned to grow upward toward the sky.
As I later discovered, it was not unusual to find such curved shapes in the Aspen trunks. I’m sure there must be a logical explanation for this unusual growth pattern.
I spotted a small shimmering Aspen tree that really stood out against the darker surroundings. I included the small tree as a highlight in a wide angle image. When reviewing that photograph, I decided to crop the image, making it more apparent that the small tree was the primary object of interest .
I made a few close up images of the yellow Aspen leaves late in the day. I had brought only a wide angle lens on this shoot. The wide angle close ups always include much more than I wanted in the images, so I cropped them during editing to pick out the portions that I was trying to capture.
It was late in the day and the sun was rapidly sinking in the sky, but I managed to get a few images with weak back light, then a few more with dispersed light. The three presented here are the ones that I like best.
Continuing to drive farther along FSR 250, checking out the scenery and possible campsites, I pulled off the road, when I saw this view of a red top mountain.
A Red Top Mountain. iPhone photograph.
I made a mental note of this location, hoping to return here again, when I had more time to shoot with my DSLR.
Shortly after taking this photo, I came to Stunner Campground at the intersection of FSR 250 and FSR 380. I was surprised to find that it was not only open, but free and no one else was there.
I pulled into the first campsite that just happened to be a level, pull through site that would be perfect for my son and DIL’s small camper trailer. This campsite came with a pair of hiking boots (image below). I then staked out the next campsite just a bit more down the loop for my vehicle.
Abandoned or Forgotten Boots. iPhone photograph.
Stunner Campground Campsite. iPhone photograph.
Just up the hillside, on one side of my campsite, were tailings from an old mine or exploratory mine.
A few other campers began to arrive in the campground a little later with a few staying and a few driving on.
Since I had plenty of time before my son arrived, I did a lot of walking in and around the campground, scouting for potential photographic opportunities.
Stunner Campground, Rio Grande National Forest, Colorado. iPhone photograph.
There were many large rocks and boulders scattered around the campground. The rocks usually had splotches of lichen growing on them in interesting patterns.
Lichen on Rock. iPhone photograph.Lichen on Rock. iPhone photograph.Lichen on Rock. iPhone photograph.
I worked my down towards the Alamosa River that ran beside the campground.
Mine Tailings and the Alamosa River at Stunner Campground. iPhone photograph.
The photo above was taken from atop mine tailings, looking down towards the river and across to a mountainside. Notice that there are patches of good fall color, but most of the trees are still green or just showing signs of changing.
The beetle killed evergreen trees really spoil the scenery now all around the Rocky Mountains, but there are trees that either are resistant or maybe just not yet attacked by the beetles.
The soil in this area is mineral rich, resulting in an orange-red color in the water, staining the rocks and anything else in the water. The water is acidic from the naturally occurring minerals and the mine tailing contribute even more to the natural elements in the water.
Mine Tailings above the Alamosa River. iPhone photograph.
There were numerous other indications of old mining operations around the campground and I even saw newish claim stakes in one location.
Stunner Campground View. iPhone photograph.
That little Aspen tree in the photo above really caught my eye, so I had to photograph it with a green evergreen tree as background. I tried other compositions and close up views, but this one is most pleasing to me.
Mineral stained driftwood along the Alamosa River. iPhone photograph.Alamosa River at Stunner Campground. iPhone photograph.
When my son arrived, he said the fall color in this area was the best he had seen on his trip from the Denver area and that there was much smoke from forest fires visible during most of the drive. There seemed to be little, if any indication of smoke in this area.
We drove around a little after they arrived to decide where to go for a morning shoot the next day.
This is open range country, so there were cows wandering around the forest. A small herd of cattle moved into the campground during the night, sleeping in the open, grassy meadow of the campground.
Early morning frost and curious cattle in Stunner Campground. iPhone photograph.
The darker spots in the grass of the photo above are places where the frost did not form, because an animal was laying there during the night.
At sometime during my second day in Colorado, my son and his wife decided that due to the smoke from numerous large forest fires in Colorado, it would be best to come south to meet me in the Rio Grande National Forest. So I needed to find a suitable campsite for all of us and scout the forest roads for potential photographic opportunities.
Thus Friday morning I continued to drive along Forest Service Road 250 and spurs off of FSR 250, looking for good campsites, stopping above Platoro Reservoir to shoot a few DSLR photos.
The last night camping along Owl Creek Pass Road was the coldest night I experienced on this trip. When I awoke in the pre-dawn hours the temperature inside the Sportsmobile was 45 degrees F. I turned on the furnace to bring the temperature up to a more pleasant 55 degF, as I dressed and prepared coffee. As I was preparing to leave the campsite for the final day of photography, I noted a patch of frost on the inside of the windshield and a bit of frost on the exterior. The frost quickly disappeared after starting the van and putting the heater setting on defrost.
I drove on Owl Creek Pass Road towards Silver Jack Reservoir and pulled into a wide pull out just before a cattle guard just south of an access road to Silver Jack Reservoir. This area was a mile or so further north of the area where I had shot the morning before. I gathered my gear, including knit hat and gloves, since it was still a bit frosty prior to sunrise. I walked down a slope in a pasture towards the broad drainage into Silver Jack Reservoir, looking for a good vantage point from which to shoot the mountainside to the west, dodging cow patties as I went along.
A frosty cow pie. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
I set up the tripod and camera in a place where I thought the view was best and one that allowed me to move around a bit, if necessary, then waited for the sunrise, choosing initial compositions and taking a few test shots.
The sky was clear, much different than the previous morning. I made a number of photos, as the morning light moved from the top of the mountainside downward towards the drainage, from a couple of slightly different vantage points.
A fall scene off of Owl Creek Pass Road near Silver Jack Reservoir, Colorado. Nikon D850, Nikon 24-70mm at 32mm, f/11, 1/6s, ISO 64, edited in Adobe LR and Skylum Luminar 2018.An early morning fall scene near Silver Jack Reservoir, Owl Creek Pass Road, Colorado. Nikon D850, Nikon 24-70mm at 32mm, f/11, 1/5s, ISO 64, edited in Adobe LR and Nik Color Efex Pro 4.
The compositions from my chosen location were a bit limited. It was difficult to avoid the foreground clutter, with the 24-70mm lens that I had elected to use this morning, and many of the shots looked so similar or otherwise just did not turn out as I wanted, that I am posting only a couple that I liked best. I chose to shoot with the 24-70mm, since I was rather sure that the 14-24mm wide angle lens, that I had used the previous morning, would be too wide for what I wanted to shoot today. It is possible that the 80-400mm lens might have been a better choice in this location for shooting beyond the foreground clutter and I certainly could have gotten some good shots of the mountain peaks with that big lens.
Finished shooting here, I drove north on Owl Creek Pass Road, exploring the area and looking for favorable places to maybe get mid-morning shots of the colorful Aspens. I walked around in an Aspen forest, shooting with the wide angle 14-24mm, which I found to be a bit difficult to work with in the woods. Nearly all of the shots that I had high hopes for, turned out poorly, but I do like the one below with the long shadows cast by the trees.
Fall forest shadows. Nikon D850, Nikon 14-24mm at 15mm, f/11, 1/100s, ISO 64, edited in Adobe LR and Nik Color Efex Pro 4.
After shooting in the forest, I continued driving along Owl Creek Road, enjoying the great fall day and the scenery, stopping occasionally to shoot with my iPhone.
A scene in one of the Silver Jack camp grounds that are run by the forest service. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.A side road off of Owl Creek Pass Road, Colorado. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.A mid-morning fall scene along Owl Creek Pass Road, Colorado. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
Along the roadway, I encountered a lone cow that stood in the middle of the road, staring at me. I stopped to wait for it to move along. As it continued to look at me, I picked up the iPhone with the intention of getting a photo of it. As soon as I did this, it turned and started to walk away down the road. I followed, slowly. Eventually, it moved to the edge of the roadway and I pulled up beside it, stopped and it stared up at me. Again I picked up the iPhone, aimed it at the cow and it immediately turned and walked away. Again it stopped in the middle of the road to stare back at me. Again I started to shoot it with the iPhone and again it began to walk away. I can only surmise that it was a camera shy cow. I really wanted a shot into its eyes as it stared, but I only got shots of it walking away.
The camera shy cow. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.Owl Creek Pass Road near Silver Jack Reservoir, Colorado. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.Aspens in fall color and evergreens along Owl Creek Pass Road, Colorado. iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.
I began to make my way along Owl Creek Pass Road towards highway 550 and Ridgway, where I would spend the night in Ridgway State Park before heading to Bisti in New Mexico the following morning.
Along the way, I was hailed by someone driving a jeep coming up the road in the opposite direction. I stopped to see what was going on, thinking that they might be wanting to warn me about road conditions ahead. It turned out to be the couple that had visited my first campsite (the ones that wanted to use my campsite the following day). They easily recognized my vehicle since it was the only one like it in the area and they just wanted to chat. We only had time for a brief conversation, since other vehicles began to accumulate behind them. I also had conversations with others (campers, tourist, photographers, hunters) that I encountered at various locations in this area. It is always interesting to learn about others and their backgrounds, experiences, etc. and surprising how many times we find people with similar backgrounds, who are familiar with seemingly unusual places we or our family members have lived.
Future posts will cover the couple of days that I spent shooting in the Bisti Wilderness area in New Mexico, which is becoming one of my favorite places for photography.
After the previous post, I realized that I had forgotten to include a few iPhone photos of my final campsite along Owl Creek Pass Road. So this is just a brief post to add those photos. Thanks for your indulgence.
The final campsite along Owl Creek Pass Road, Colorado. Fall 2018, iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.A panorama at the last campsite along Owl Creek Pass Road, Colorado. Fall 2018, iPhone photo, edited in Adobe LR and Nik Color Efex Pro 4.Panorama of last campsite along Owl Creek Pass Road, Colorado, Fall 2018. iPhone Photo, edited in Adobe LR and Nik Color Efex Pro 4.
After the early morning photo shoot, I continued along Owl Creek Pass Road, enjoying the fall scenery and looking for a place for mid-morning photography and some experimentation with PC (Perspective Control in Nikon terms) lenses, commonly referred to as tilt/shift lenses.
Tilt/Shift lenses are typically used in product and architectural photography. The shift allows one to make vertical objects, like buildings, look vertical, rather than tilted, as they do with ordinary lenses. The tilt function of the lenses allows one to get a deeper depth of field with a large aperture, rather than having to go to a small aperture for a deep DOF.
Within the past twelve months I purchased a couple of used PC lenses from local photographers. The lenses are quite expensive, if purchased new and not cheap, when a good used one is found. The first one that I purchased was a Nikon PC-E 24mm. The photographer that I acquired it from had used it for wedding photography, a surprising use of this lens, I thought; but one can get some special effects with it that makes for unique photographs.
The second tilt/shift lens that I acquired was an older Nikon PC85mm. The photographer from which I purchased it had used it for product photography. I had seen some interesting landscape photos taken with such a lens, so I wanted to experiment with one and not wanting to spend a fortune on a lens that I might not use often, I knew it would be more economical and practical to get a good used lens.
These lenses are all manual focus, which can be a challenge for us older folks as our eye sight becomes less sharp. The metering is also manual with PC lenses. The PC-E (E designating electronic) will meter with the lens in the non-tilt, non-shift mode, so the exposure needs to be determined prior to shifting or tilting or one might shoot test shots and adjust the exposure by trial and error. I found it best to estimate the exposure prior to tilting, shoot a test shot after tilting and tweak the exposure as appropriate.
Thinking that a forest might be a suitable place for experimentation, I found a couple of places near Silver Jack Reservoir where I could walk into an Aspen forest just off of a roadway. A few of the test shots are posted below.
Experimenting with a tilt-shift lens, Nikon PC85mm. Note the line of focus in the upper third horizontal portion of the image with blurring to either side. Nikon D850, Nikon PC85mm, f5.6, 1/125s, ISO 64. Note the large aperture. It is possible to get a large depth of field with large apertures with tilt-shift lenses.
Many of the Aspen trees along the roadway into a parking area at Silver Jack Reservoir had initials or names, etc. carved into the trunks. I happened to note that the tree on the left of the above image had my initials on it. (No, I did not put them there). Your eyes are ok, the image is blurry except along a horizontal band in the upper 1/3 of the photo. The technique for getting such an image is to focus on a nearby subject, then tilt the lens to bring more distant subjects into focus. You will notice that the large f/5.6 aperture gives a good depth of field through a portion of the image.
Experimenting with a tilt-shift lens. Nikon D850, Nikon PC 85mm, f/8, 1/125s, ISO 64. Moving to smaller apertures gives a broader area of focus through the central portion of images.
The photo above is also taken with the PC 85mm, but with an f/8 aperture. Moving to a smaller apertures seems to widen the area of focus, as it increases the DOF.
A PC-E 24mm image in an Aspen forest. Nikon D850, Nikon PC-E 24mm, f/8, 1/125s, ISO 64.
The 24mm PC-E is a bit easier to work with than the PC 85mm. It seems to give more leeway in acquiring focus while tilting than does the PC85mm. In the above photo, I first focused on the rough bark on the tree on the left, then tilted the lens to increase the DOF. Tilting the lens also affects the near focus a bit, so that a portion of the near object goes out of focus as the more distant objects come into focus.
Nikon D850, PC-E 24mm, f/6.7, 1/125s, ISO 64.
The lower photo above is the same composition as the previous one, but with a larger aperture.
Nikon D850, Nikon PC-E 24mm, f/11, 1/125s, ISO 64.
The same composition as previously, but at f/11. I think the wider focus area is apparent. The lighting changed, as well as the aperture, so the exposure is a bit different.
Perhaps these are not the best images for illustrating the effects obtained by these lenses, but I’m thinking the tilt function can be useful for emphasizing certain aspects in an image, perhaps with a “tunnel” vision effect.
These lenses also rotate, so one can put the tilt and shift at various angles. So far, I’ve only experimented with vertical tilts; but I think tilting at various angles to the camera will be appropriate in some situations.
These lenses all are configured by the manufacturer with the tilt and shift at 90 degrees to each other; but, as I have learned in my research on these lenses, these can be easily reconfigured to have the tilt and shift aligned in the same direction, making it possible to keep vertical objects vertical, while also increasing the DOF with the tilt function. I have not yet tried this, but I am thinking that I might. One might pay Nikon or a professional camera shop to reconfigure a lens, but it is an easy do-it-yourself operation, just be careful with the E versions, since there is wiring within these lenses and one cannot rotate the lens parts more than 90 degrees or damage to the wiring is probable. Information on how to modify these lenses (Nikon and Canon) can be found via an online search. Here is one link that describes the procedure for Nikon PC lenses http://www.achim-sieger.de/en/axis-change-pc-e-nikkor-24mm/
The 24mm PC-E is a very sharp lens and can be used in a non-tilt, non-shift mode as an ordinary 24mm prime. While shooting with no tilt and no shift, I noted that occasional breezes shook loose leaves and I thought shooting them as they fell might make interesting photos and maybe brief time lapse videos. I could not use the built in time lapse function of the D850 very easily, since the breezes were not predictable, so I elected to just shoot a series of shots using the remote release, whenever the leaves began to fall. I did not even take time to set the camera to continuous mode, I just used the remote release to shoot as quickly as I could press the shutter release button. It is best to view the following photos and time lapse videos on a large screen, otherwise the falling leaves are not easily observed, in this very brief video. To make a longer video, would have taken much more time and many more shots and I did not think it worthwhile to expend that much effort to do so. (This video is also posted to my Flickr page).
The falling leaves are fairly easily seen in this cropped version (just above) of one of my images.
Look for very brief yellow spots within the video to see the falling leaves. If nothing else were moving, I might have made gotten leaf trail type images (similar to star trails); but if nothing else were moving, there would be no falling leaves, either.
I got feedback from one of my blog followers regarding the video format (mp4). Apparently, not everyone can view these formats. While I can convert an mp4 to an avi and other video formats, I cannot view an avi on my MAC computer, so I have no idea how the avi looks or even if it will work in this post. I tried to insert an avi into this post, but I’m rather sure that it would not be visible, so I removed it. At this time I have no solution for this problem.
I later used the PC-E 24mm to photograph at Bisti in New Mexico and I will post photos from that shoot in a later post. I’ve not yet had time to review those photos in detail, so I hope I have suitable ones to share from that shoot.
Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 200.
