Spring 2019 Road Trip – Sunrise – Day 5

We returned to the area just outside the Bisti Wilderness on the north end of Bisti for sunrise photography on day 5 of our stay in Bisti.

Sunrise Day 5 March 2019
Accidental Sunrise Abstract. Nikon D850, Nikon 14-24mm at 19mm, f/11, 1/10s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

I use a remote shutter release to avoid camera shake that results when physically pressing the on camera shutter button.  Sometimes the remote shutter release button gets pressed accidentally, especially when moving the camera, maybe when walking with the camera on a tripod with the remote dangling from the camera.  I usually just delete such accidental shots and that was my inclination for the image above.  However, the colors and patterns looked intriguing to me, so I kept this image, pushing the texture and colors in Adobe Lightroom with additional editing in Dxo Nik Color Efex Pro 4 to get this “abstract” image.  I wish I could say that I shot this one purposely, since I like it; but I doubt that I could duplicate this image, even if I tried.  Maybe my most interesting shots are totally accidental!

Sunrise Day 5 March 2019
Sunrise light on rock forms near Bisti North. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/30s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

Fortunately, there were some clouds in the sky this morning to add some interest to the sky.  The early morning light brings out the structure and color of the rocks here, which are otherwise not very colorful.

Sunrise Day 5 March 2019
Sunrise light in an area near Bisti North. Nikon D850, Nikon 14-24mm at 18mm, f/11, 1/40s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

The two images above are mostly of the same subject, but it is obvious that moving around getting a different point of view can yield very different photos.  I call the rock feature in the center of the one above “Satellite Dish Rock”, since the pointy rock just right of top center looks a lot like a satellite dish from a rear view point.  I have another photo from the rear taken on another day, but I’m not sure that it is good enough to post.

Sunrise Day 5 March 2019
Sunrise light on rock forms in an area near north Bisti. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/40s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

I like the way the early morning light highlights the rocks in a diagonal pattern in this photo (best viewed large on Flickr).  There are many interesting rock features in the background that may not be obvious, unless this image is viewed large.

Sunrise Day 5 March 2019
Sunrise light in the BLM area near north Bisti. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/50s, ISO 64, edited in Adobe Lightroom and DxO Nik color Efex Pro 4.

I’m using the rock and its shadow on the bottom left to anchor the foreground and the drainage pattern beside it to lead the eye up the hill to the rock outcrops and the small window rock in the upper left.

It occurs to me, when looking at these photos, that some may think these just depict dirt and rocks.  So why spend so much time and energy photographing such objects?  As always, beauty is in the eye of the beholder.  Not all of us will have an appreciation of the natural beauty of the land.  Indeed, in midday light, much of this area is just bland dirt and rocks.  But add golden hour light and a few clouds in the sky and I think it is beautiful, at least if captured in a well composed image.  Whether or not I manage to capture an interesting image is always a matter of creative vision and I know that I do not always succeed in that endeavor.  So your critiques are always welcome and may help me to improve my photography.

Thanks for following,

Ken

P.S.  I will be traveling for a few days and posts may be irregular, since I may not have internet connectivity.

Spring 2019 Trip – Monahans Sandhills SP, Texas – Abstract Photos

Sand dunes provide great opportunities for abstract photography.  I hope that the few such photographs shared in this post will illustrate such possibilities.

This image is created via focus stacking 4 images in Adobe Photoshop, with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 70mm, f/11, 1/50s, ISO 64.

Wind creates large expanses of ripples and repeating patterns in sand dunes, such as those shown above.  These can be rendered effectively in color, if the light is favorable.  I like monochrome for such photos, since one only needs the light to provide shadows and highlights, meaning one can shoot at times other than just the “golden” hours.

By excluding moving objects, one can use focus stacking quite effectively in such images, getting sharp images over a large depth range.

Sandhills Abstract. Nikon d850, Nikon 24-70mm at 55mm, f/11, 1/50s, ISO 200. Edited in Adobe Lightroom and DXO Nik software.

I really like this photo with the diagonal ripples superimposed on the orthogonal wave in the dune.  Obviously, the shadows in the troughs, alternating with the highlights on the crests of the ripples, produces these interesting features.

A composite of three images focus stacked in Adobe Photoshop with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 46mm, f/11, 1/40s, ISO 200.

This is another of my favorite abstracts from the sandhills.  In this case, I like the highlight in the depression near the top right of the image and the way the ripples flow into and around the depression.

A composite of three images, focus stacked in Adobe Photoshop, with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 40mm, f/11, 1/60s, ISO 200.

Another image with interesting, bifurcating, ripple patterns with faint wisps of plant matter (look closely to see these) across the ripples.

This is a composite of 6 images focus stacked in Adobe Photoshop with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 48mm, f/11, 1/125s, ISO 200.

The animal track across these subdued ripples adds interest to the pattern.  The original color version also shows variations in the color of the sand, producing streaks of color crossing the ripples.

Natural artwork in the sandhills. Nikon D850, Nikon 24-70mm at 70mm (before crop), f/11, 1/15s, ISO 200. Edited in Adobe Lightroom and DXO Nik software.

I’m sure some of you have seen images of circles swept into sand by plant fronds or limbs.  Here is a variation on that with the lower frond producing long streaks across the sand ripples and the upper frond pecking out an intricate, dimpled pattern along the direction of the sand ripples.  To me such natural art work is fascinating.  These are also short lived, since the next wind will probably erase these or maybe produce a variation.  So, if you see an interesting one, photograph it before it is gone!

Ken