Porphyry Basin, Colorado is accessed via a narrow, steep 4WD road off of US550 between Ouray and Silverton.
My oldest son drove us up the road to the basin in July, 2020. On the way up the mountainside, we passed a canvas tent with a stove pipe jutting from the top. It was obvious that someone had set up that tent for a long term camp. Upon arriving at the end of the 4WD road at an old mine site, it became apparent who was living in that heavy duty tent. First we saw a large flock of sheep spread across the high mountain meadow, then a horse staked out nearby the roadway, two sheep dogs, and a lone shepherd watching over the sheep.
Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 50mm (before crop), f/11, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/160s, ISO 200. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/80s, ISO 250. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
We wandered around the old mine site with its collapsed wooden structure and other scattered debris, being careful to not step on old rusty nails or other potentially harmful items lying around on the ground.
K Marks The Spot, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
The basin is beautiful with an abundance of wildflowers, a mountain stream and a waterfall. It was bright daylight so I hand held my Nikon D850, shooting with a fast shutter speed to freeze the motion of the flowers. It was too bright to get a long exposure of the waterfall for that silky, flowing water effect.
Wildflowers and Waterfall, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall, Stream and Sheep in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall and Stream, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall and Stream in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/250s, ISO 500. Edited in Adobe Lightroom and Nik Color Effects Pro 4.An iPhone image of wildflowers in Porphyry Basin, Colorado. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Higher resolution images can be viewed on my Flickr page by clicking on the images in this post.
Yellowstone National Park is a truly amazing and one of a kind natural wonder. I’ve only passed through it briefly on a couple of occasions, when the primary objective was Glacier National Park in Montana. Yellowstone and Grand Teton were in the road travel path, so passing through those, it made perfect sense to utilize a stop over at one or both of those parks on the way to Glacier and back.
Spending only a day or two in this very large park in no way allows one to see all that it has to offer; but it is possible to see most of the commonly visited sites. In addition to the really big features and geysers, there are small features that are interesting and hardly ever mentioned and I expect not observed closely by most visitors.
This post is about one of those minor features, which can be observed from the safety of board walks. There are areas where the hot water and steam escaping from underground creates mud puddles that are dynamically pulsing, but in a much smaller way than the eruptions of the major geysers.
It is fun to watch these tiny eruptions of mud spewing just a few inches into the air. The expelled mud takes on random, fleeting, geometric shapes. These shapes can be captured in photographs, if one has patience to spend a few minutes observing and learning how to time shots. I think the best approach is to watch and anticipate the eruptions and shoot in burst (continuous) mode with a fast shutter speed, capturing a quick series of images during the eruption. Thumbing through the images one may find really interesting and intriguing shapes.
Here are a couple of the best ones I managed to capture in the few minutes I had to observe and shoot.
Mud Geyser. This eruption produced a linear series of geometric shapes.Mud Alien. This small mud eruption took on this whimsical shape that appears to have an alien looking face.
These small features are so fleeting that one usually does not have time to mentally process the shapes as they appear and evolve so quickly, but photographs freeze the shapes, allowing for a greater appreciation of natures temporary artwork.
So, if you get a chance to visit Yellowstone, enjoy the big geysers and colorful pools, but don’t forget to observe the smaller events.
A few years ago, tired of the unending job of trimming large Ligustrum trees in a back corner of our yard, I decided to take out those trees and create a tropical landscape, that would look more appropriate behind our large pool.
I had already taken out a number of large Crepe Myrtles that were a year round nuisance, requiring severe pruning several times a year, clogging the pool skimmer with blooms, staining the pool apron, dropping leaves and seed pods, putting out shoots and trying to take over the neighborhood.
The Ligustrum trees were a similar maintenance problem. Knowing that birds frequently built their nest in these trees, I looked for nests before beginning the removal process, finding nothing but old, abandoned nests. So with my electric chain saw and pruning tools, I began removing limbs, working my way towards taking down the main trunks.
This process took some time, as I removed limbs, trimmed them to manageable size and dragged the trimmings to the front curb for pickup by our trash service. I was feeling quite satisfied, when I got to the point of removing the top of the last tree. My feeling of progress and accomplishment, as the tree top crashed to the ground, was quickly dampened, when I heard the frantic cries of baby birds and spotted their nest from which they had just been ejected. The babies were very young and did not yet have feathers. Feeling guilty and responsible for their plight, I gathered them and placed them back into the nest, while wondering how I was going to make amends.
There was a main trunk of one tree still standing with a stub of a branch, to which I managed to secure the nest. Realizing that the babies were totally exposed to the sun and elements with no tree foliage for protection, I retrieved an old umbrella and fastened it, with zip ties and twine, to the tree stub to provide some shade and protection of the nest.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.
I’m sure my neighbors, who could only see the top of the umbrella above the fence line, wondered what craziness I was up to, cutting off the top of a tree and replacing it with a dilapidated umbrella. Had the umbrella been visible from the street, I’m sure my aggressive HOA would have demanded that I take the umbrella down.
I waited and observed from a distance to see if the parents would return to the nest. The parents soon returned, but were very cautious, spending much time watching from a perch on the privacy fence near the tree stub, fluttering near the nest, but not landing. After an extended period of caution, the parents finally accepted the new location of the nest and resumed caring for the baby chicks.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.
As the chicks grew, I began to take a few photos, documenting their progress. The photos are not great, but serve to illustrate this event.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.
The chicks developed, growing feathers, becoming more vociferous in their demands for food and beginning to venture just outside the confines of the nest.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chick in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 220mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.
One day, I found one of the young birds on the ground. I could not leave it there for fear of neighbors’ cats, that frequented our yard, finding and making a meal of the young bird. I picked up the foundling, which complained loudly, as I tried to place it back into the nest, while being attacked by the parents, with all the baby birds screaming for help. While I managed to get the one bird back into the nest, another one was frightened out of the nest and onto the ground.
Bluejay Chick, prematurely out of its nest. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.
Realizing that any attempt to put the second baby bluejay back into the nest would probably result in another one jumping out, I decided that I had to put those that left the nest into something other than the nest, from which they could not easily escape and hope that the parents would still take care of them.
I had several plastic bins supplied by a recycling service, so I decided one of those would by suitable. I could not leave the bin on the ground, where the baby birds would be easily accessible to the neighbors’ cats, so I secured the bin to the tree trunk. This arrangement worked – for awhile.
Bluejay Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 145mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 130mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.
Eventually, all of the chicks ended up in the recycle bin.
We lived in an area subject to heavy rains and tropical storms. Late one night one of those strong thunderstorms blew in and I knew the baby birds were getting pounded by the rain. The next morning I went out to check on the birds. Much to my dismay, they had all perished in the storm. There was standing water in the recycle bin, which did not have drainage holes in the bottom. There was not much water, but apparently enough that the exposure was fatal for the young birds that could not escape from the death trap that I had unwittingly made.
This was a great disappointment. Those babies were so close to being ready to take flight on their own and my stupid mistakes had resulted in their deaths.
Such a simple experience, but it remains with me, in a Bluejay purgatory.
I am reminded of the words of the poet, Robert Burns:
“The best laid schemes of mice and men go often awry, and leave us nothing but grief and pain, for promised joy!”
