Back on Colorado 149, after departing Thirty Mile Campground, I stopped for a snack and to stretch my legs at a pull out along the Rio Grande. I remember this spot from other visits. I think I probably stopped here many years ago on my first drive along this route.
Rio Grand River, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/250s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
There is a good view of a bend in the river and the cliffs along the river banks at this large pull out.
CO 149 intersects US 160 at South Fork. I headed west on US 160 towards Pagosa Springs. Along the way, I noted a viewpoint sign for Treasure Falls. There is a large parking lot for this attraction and there were many vehicles in the parking lot. It was a weekend day and maybe the crowd would be much smaller on a weekday. I actually drove a little past the official parking lot, pulling out at a wide pull out a little further down the highway. I walked back to the parking area to check out the area, taking a mask and just my camera with the 24-70mm lens.
There was no view of the falls from the parking area. There were information signs for the falls and two trails to the falls, the typical tourist type trail, which most of the folks were taking, and a primitive trail. Wanting to maintain a social distance from all those here, and because I wanted something more natural, I chose to take the primitive trail. I do not suggest this trail for anyone not in fairly good physical shape. It was, indeed primitive, steep with slippery muddy slopes, logs and rocks to scramble over; but there was not a crowd of people on it. However, I was behind a family that had to stop frequently to catch their breath (giving me a good excuse to stop for the same), so I waited at a distance for them to proceed. The primitive trail took longer than I had anticipated to get to the falls.
An information sign at the Treasure Falls parking lot.
Arriving at the falls, it took more effort to keep a distance from others and I made sure to wear my mask all the time in that area. There was a small viewing platform at the falls, which I avoided, electing to keep to the downstream area away from as many people as possible.
Since I did not bring a tripod on this hike, I hand held my camera, so I could not get a long exposure shot of the falls. I also did not have filters and the sky was bright and over exposed.
Treasure Falls, Colorado. Nikon D850, Nikon 24-70mm @ 24mm (before crop), f/8, 1/25s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
It was possible to hike to the base of the falls, but I decided not to try that on this visit.
Treasure Falls, Colorado. Nikon D850, Nikon 24-70mm @ 24mm (before crop), f/8, 1/60s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
I took the easy trail back to the parking lot. That trail was quite busy with folks coming up the trail, so I wore my mask and stepped away from those approaching. The trip on this trail back to the parking area only took a few minutes.
I went out just before sunrise to photograph along the Rio Grande in Thirty Mile Campground, getting wet by the early morning dew covered vegetation that I had to walk through to get to the river’s edge. It was a cool, but not really cold morning and it warmed up quickly, after the sun came up.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 0.8s, f/11, ISO 200, Nikon 12-24mm @ 18mm.
I found a spot with boulders along the river bank that looked favorable, so I began shooting prior to sunrise, making a few tentative exposures with longish shutter speeds in the still dim light.
Wanting an even longer exposure, I added a darker neutral density filter to my setup, getting a 30 second shutter speed to smooth the river current. The neutral density filter also increases the color saturation. I probably had a circular polarizer mounted, too; but I really do not recall for sure, since it has been a couple of months since I made these images.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 30s, f/11, ISO 200, Nikon 12-24mm @ 18mm.
Since I was in a valley, there was no golden hour light, as the sun had been up for a while before direct sun rays impinged upon the scene.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 0.6s, f/11, ISO 200, Nikon 12-24mm @ 12mmRio Grande in Thirty Mile Campground. Nikon D90, 0.5s, f/11, ISO 200, Nikon 12-24mm @ 12mm.
I think the image below may be the best one that I got during this morning’s shoot; although, I do like the earlier 30s shot, which has a more serene appearance, as compared to the more dynamic later photographs.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 1/10s, f/22, ISO100, Nikon 12-24mm at 12mm.
I favor the composition above, because it has more colorful vegetation, with wildflowers, along the river banks, prominent boulders, dynamic flow in the river current and those wonderful, early morning clouds in the sky and the river cutting diagonally across the image leading to the cloudy sky.
Having decided that there was not much variety to shoot at this location, I decided to move on to my next destination today, rather than trying to stay over another night here.
On my drive out of this area, I stopped along the river to shoot a few scenes, even though it was getting well into the morning with harsher light to deal with.
Adult and baby ducks swimming in the Rio Grand Reservoir, Colorado. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/8, 1/100s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
There were many ducks, adult and young ones, in the river. So I had to try to capture a few of those. Maybe I should have put on my 80-400mm lens to shoot the ducks, but I like to travel with the 24-70mm mounted on my camera, since it gives me more flexibility for wide to medium telephoto range landscape images.
Reflections in the Rio Grand Reservoir, Colorado. Nikon D850, Nikon 24-70mm @ 29mm, f/11, 1/250s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
My destination today is Teal Campground north of Pagosa Springs, Colorado.
An interim stopover on my journey from Ridgeway, Colorado to the southeastern corner of Colorado in July, 2020 was Thirty Mile Campground. It is a long, slow drive on rough county/forest service roads to the campground. This campground has sites that one can reserve and others that are on a first come first serve basis. There were only a few sites available, when I made my reservations prior to my trip to Colorado. I wanted to be sure that I had a place to stay at least one night, so reserving a site assured that I would not have to search for a free site in the forest. I thought I might be able to get one of the free sites, if I decided to stay a second night; but the campsites were all full or reserved on the day that I arrived and there were no reserve sites available for a second night. I would have to wait until the second day to find any available free sites, if I wanted to stay a second night.
My campsite in Thirty Mile Campground, Colorado, July 2020. iPhone Photograph.
Thirty Mile is a nice campground and my site was just inside the campground along the Rio Grande, where it was pleasant to hear the rushing water in the river. After checking into my campsite, I took a walk along the river to check out possible locations for photography late in the day and/or early in the morning.
The river is pretty, but there seemed to be limited possibilities for photographic variations along the river. This is a popular place for anglers and many of the people in the campground were there to fish for trout in the Rio Grande.
I watched a doe grazing on the opposite side of the river, shooting a number of photos and videos with my phone. The doe did not seem to care that I was watching it. One of the unedited videos can be seen here.
After my walk along the river, I drove along the road past the campground to check out the scenery along the Rio Grande Reservoir, which is a very long reservoir. The road beside the reservoir is mostly a narrow one lane road with periodic pullouts, where vehicles can pass each other. It was a rainy, overcast day, which created some photographic opportunities.
An iPhone shot through windshield on a rainy day along the Rio Grande Reservoir, Colorado. iPhone Photograph.
I drove almost to the very end of the reservoir before turning back. Near the end, the water shallowed, revealing the trace of the river going into the reservoir. In the upper end of the reservoir there was colorful vegetation and I got lucky when a break in the clouds allowed sunlight to highlight some of that vegetation.
Near the upper end of the Rio Grande Reservoir, Colorado. iPhone Photograph.
During my drive back towards the campground, I stopped to shoot with my iPhone at a few locations.
Wildflowers and Boulders beneath cloudy sky along the bank of the Rio Grande Reservoir, Colorado. iPhone Photograph.
There were a few scattered wildflowers and large colorful boulders, some covered with lichen, in various shapes between the roadway and the reservoir.
Boulders and a mountainside along side the Rio Grande Reservoir, Colorado. iPhone Photograph,Sportsmobile framed by boulders with a mountainside in the background, along the Rio Grande Reservoir, Colorado. iPhone Photograph.Pointy and flat top boulders along the bank of the Rio Grande Reservoir, Colorado. iPhone Photograph.Wildflowers sheltered against a large boulder along the banks of the Rio Grande Reservoir, Colorado. iPhone Photograph.
The next post will have DSLR photos taken along the river and along the reservoir.
One of my regrets, during my travels, is not taking enough time to stop and photograph interesting things along my route from point A to point B. My reasons for this neglect are primarily related to a time schedule and that the light conditions are usually not optimal for landscape photography. This no doubt results in passing up opportunities that I may never get again to photograph some scenes.
Yet sometimes I do force myself to stop and try to get photographs of scenes that catch my eye in passing, in spite of conditions being poor for getting really impactful photographs. This post is dedicated to such images.
I traveled along US 50 between Montrose and Gunnison, Colorado on my way to Thirty Mile Campground in the Rio Grande National Forest in July, 2020. It was a mostly overcast morning and the clouds and ground fog were compelling enough for me to stop to try to get a few images along this route. Most of the resulting photographs were not what I strove to get, but a few I liked. Making one panoramic image with my iPhone, I noted an interesting effect. Fast moving vehicles, combined with my panning of the camera, resulted in a compression of the vehicles. Looking closely at the photo below, one will note that the lead vehicle’s front end and back end are the only portions in the image, with the center completely missing.
An iPhone pano of fast moving vehicles along US 50 in Colorado.
I have driven past the Blue Mesa Reservoir and Curecanti National Recreation Area numerous times and I have never before taken time to get even one photograph in this area. On this trip, I almost passed by again without stopping. The photo below makes me glad that I took time to stop.
Blue Mesa Reservoir, Colorado. iPhone Photograph.
From US 50 I headed south along CO 149, which is a scenic drive along the Lake Fork of the Gunnison River between Gunnison and Lake City. There were a number of convenient pull outs just a little north of Lake City with scenic views of the river. I initially passed each one, looking for an ideal spot to stop, finally turning around to stop at several of those pull outs. Unfortunately, it was difficult to get clear shots of the river without much clutter in the shots at most of the stops and the light conditions were harsh; but knowing I might never pass here when the light was optimum, I made a few iPhone images, anyway.
A view along the Lake Fork of the Gunnison River, Colorado. iPhone Photograph.
At one pull out there was a really large tree root running across the ground. I photographed that root from a number of view points, but none worked out well. However, I did find one feature on the root that made a nice close up image.
A large eye like feature on a large exposed tree root. iPhone Photograph.
At another stop there was a good view of the river framed by weathered and lichen covered rocks along the river bank. This location might be a good place for a sunset shot, if I ever have an opportunity to be here as such a time.
A portion of the Lake Fork of the Gunnison River. iPhone Photograph.
The last full day of our stay at Ridgway State Park, the weather report predicted a high chance of rain, so we decided it best to avoid the dirt 4WD roads and stick mostly to paved and/or well maintained gravel roads.
So from the city of Ridgeway, Colorado, we traveled CO 62 to CO 145 to CO 141, making a big loop back to US 50 near Delta, CO and back to US 550 at Montrose.
This route took us through some beautiful canyons along the San Miguel and Dolores Rivers.
We stopped for a picnic lunch at a newly made overlook of the Dolores River.
A lunch break overlooking the Dolores River, Colorado. iPhone photo, edited in Adobe Lightroom and DxO Nik Modules.A dizzying view down onto the Dolores River. iPhone photo, edited in Adobe Lightroom and DxO Nik Modules.An overlook view of the Dolores River along CO 141. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/400s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.An overlook along the Delores River, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/500s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.Colorado Wildlife. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/250s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
I spotted a number of small lizards scampering around the rocks along the overlook. One even got aggressive with my son, charging at him as he briefly looked away. I guess that lizard thought his personal space was being violated.
A small Colorado inhabitant. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/320s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.A piece of weathered wood in a rock niche. iPhone photo, edited in Adobe Lightroom and DxO Nik Modules.
I’m always drawn to the twisted, weathered evergreen type trees that grow in these arid environments.
A weathered and twisted evergreen tree along CO 141. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/250s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
A close up of the lower trunk details of the tree above:
A weathered and twisted evergreen tree along CO 141. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/160s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
Below our lunch site we could see a marker type sign beside the dirt road on the opposite side of the river. After lunch, we decided to backtrack to find that dirt road and check it out.
During one of our drives on US 550 between Ouray and Silverton, we noted an unmarked gravel road heading towards a mountainside, but it appeared to end after a short distance, so we initially ignored it. On a subsequent trip past it, we decided to check it out.
After driving a short distance, not being able to see the road ahead and concerned there might not be a place to turn around on the narrow road, we decide it might be best to park at a wider spot in the road and walk ahead. We did not have to walk far to the end of this road, but it was mostly uphill. Fortunately, it was not very steep.
We passed a small, cascading mountain stream, which crossed the roadway.
A small waterfall just off of US 550 in Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/160s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
Even though this was not a big stream, it was attractive and captivating as most such streams tend to be.
The road ended at what appeared to be a minor mine exploratory site. A mountain stream with a long section of it visible going up the mountain side ran past the site. I made a number of images shooting down onto the stream nearest the roadway, but I could not get any attractive compositions that way.
Scrambling down rocky ledges away from the roadway and up the stream, gave better views of the stream and the wildflowers along the stream edge.
Mountain stream cascades and wildflowers. Nikon D850, Nikon 24-70mm @ 70mm, f/11, 1/60s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
The photo above is an example of including too much in an image. The stream acts as a leading line, but there is no center of interest in this photo. My eye goes to the most prominent part of the cascade in the lower left; but when my eye follows the stream towards the upper right, I do not see anything of great impact. I was zoomed in as much as possible with the 24-70mm lens, so I could not isolate anything any better from my view point. I could try cropping this image on portions of the image and maybe make a more interesting one; but the composition cannot be changed via cropping. Getting closer to a portion of the stream might have been the only way to get an impactful image here.
In the distance I could see a waterfall. I think the image below is better, but the waterfall in the upper right is maybe too distant to have real weight. Still I think this image has some intrigue, making one want to know more about what is in the distance down the stream.
A mountain stream with cascades and waterfalls. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/25s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
It was beginning to rain lightly and we were not wearing rain gear, so we decided to head back to the vehicle and save exploring along this stream up to the waterfall for another time. It began raining harder as we walked along. I put my hat over my camera to protect it, which resulted in my getting more wet. Fortunately, it was not a Texas type rainstorm.
I hope these post on photography in Yankee Boy Basin are not getting boring. Initially, I had only planned for two posts, but those got longer than I expected. This will be a short post with only a couple of photos to review.
These two images are from our last evening to shoot here. The weather report indicated a smallish chance for rain, so we thought we would get lucky and have a tremendously beautiful sky at sunset. It did not turn out that way. The sky was heavily overcast all around and it began to rain shortly after we got into position to shoot, so we cut our outing short.
An overcast evening in Yankee Boy Basin, Colorado.
The composition above, I thought at the time, was just a desperate attempt to get something, as it began to sprinkle, before we had to retreat. I had reservations about even spending time editing this image or showing it to anyone. After letting this one sit for awhile before editing it, I remembered why I made this image.
The tops of the yellowish-green vegetation, running diagonally from the bottom left corner, leads the eye to the dead, leaning tree trunk, which in turn points to the overcast, threatening sky, as if to say, “you better hurry and shoot now”. So, I think, this composition worked better than I expected, when I was hastily making this image.
Wildflowers, Mountains and Sky in an overcast evening in Yankee Boy Basin, Colorado.
This final image is again one that I still have reservations about. I’m trying to show the drama in the sky and soften it with the wildflowers in the foreground set below the rugged mountain peaks. The softness of the wildflowers is enhanced by motion, created by the wind and a slow shutter speed. This is usually not the kind of image I prefer. Often I would increase the ISO under these conditions to get a fast shutter speed to freeze the motion in the vegetation and in the clouds. If there had been some side lighting on the wildflowers this would have been a much more impactful image.
Please feel free to critique my images. Your feedback is always welcome.
Porphyry Basin, Colorado is accessed via a narrow, steep 4WD road off of US550 between Ouray and Silverton.
My oldest son drove us up the road to the basin in July, 2020. On the way up the mountainside, we passed a canvas tent with a stove pipe jutting from the top. It was obvious that someone had set up that tent for a long term camp. Upon arriving at the end of the 4WD road at an old mine site, it became apparent who was living in that heavy duty tent. First we saw a large flock of sheep spread across the high mountain meadow, then a horse staked out nearby the roadway, two sheep dogs, and a lone shepherd watching over the sheep.
Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 50mm (before crop), f/11, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/11, 1/160s, ISO 200. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Sheep, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 70mm, f/16, 1/80s, ISO 250. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
We wandered around the old mine site with its collapsed wooden structure and other scattered debris, being careful to not step on old rusty nails or other potentially harmful items lying around on the ground.
K Marks The Spot, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
The basin is beautiful with an abundance of wildflowers, a mountain stream and a waterfall. It was bright daylight so I hand held my Nikon D850, shooting with a fast shutter speed to freeze the motion of the flowers. It was too bright to get a long exposure of the waterfall for that silky, flowing water effect.
Wildflowers and Waterfall, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/11, 1/320s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall, Stream and Sheep in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall and Stream, Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/200s, ISO 320. Edited in Adobe Lightroom and Nik Color Effects Pro 4.Waterfall and Stream in Porphyry Basin, Colorado. Nikon D850, Nikon 24-70mm @ 24mm, f/16, 1/250s, ISO 500. Edited in Adobe Lightroom and Nik Color Effects Pro 4.An iPhone image of wildflowers in Porphyry Basin, Colorado. Edited in Adobe Lightroom and Nik Color Effects Pro 4.
Higher resolution images can be viewed on my Flickr page by clicking on the images in this post.
Yellowstone National Park is a truly amazing and one of a kind natural wonder. I’ve only passed through it briefly on a couple of occasions, when the primary objective was Glacier National Park in Montana. Yellowstone and Grand Teton were in the road travel path, so passing through those, it made perfect sense to utilize a stop over at one or both of those parks on the way to Glacier and back.
Spending only a day or two in this very large park in no way allows one to see all that it has to offer; but it is possible to see most of the commonly visited sites. In addition to the really big features and geysers, there are small features that are interesting and hardly ever mentioned and I expect not observed closely by most visitors.
This post is about one of those minor features, which can be observed from the safety of board walks. There are areas where the hot water and steam escaping from underground creates mud puddles that are dynamically pulsing, but in a much smaller way than the eruptions of the major geysers.
It is fun to watch these tiny eruptions of mud spewing just a few inches into the air. The expelled mud takes on random, fleeting, geometric shapes. These shapes can be captured in photographs, if one has patience to spend a few minutes observing and learning how to time shots. I think the best approach is to watch and anticipate the eruptions and shoot in burst (continuous) mode with a fast shutter speed, capturing a quick series of images during the eruption. Thumbing through the images one may find really interesting and intriguing shapes.
Here are a couple of the best ones I managed to capture in the few minutes I had to observe and shoot.
Mud Geyser. This eruption produced a linear series of geometric shapes.Mud Alien. This small mud eruption took on this whimsical shape that appears to have an alien looking face.
These small features are so fleeting that one usually does not have time to mentally process the shapes as they appear and evolve so quickly, but photographs freeze the shapes, allowing for a greater appreciation of natures temporary artwork.
So, if you get a chance to visit Yellowstone, enjoy the big geysers and colorful pools, but don’t forget to observe the smaller events.
A few years ago, tired of the unending job of trimming large Ligustrum trees in a back corner of our yard, I decided to take out those trees and create a tropical landscape, that would look more appropriate behind our large pool.
I had already taken out a number of large Crepe Myrtles that were a year round nuisance, requiring severe pruning several times a year, clogging the pool skimmer with blooms, staining the pool apron, dropping leaves and seed pods, putting out shoots and trying to take over the neighborhood.
The Ligustrum trees were a similar maintenance problem. Knowing that birds frequently built their nest in these trees, I looked for nests before beginning the removal process, finding nothing but old, abandoned nests. So with my electric chain saw and pruning tools, I began removing limbs, working my way towards taking down the main trunks.
This process took some time, as I removed limbs, trimmed them to manageable size and dragged the trimmings to the front curb for pickup by our trash service. I was feeling quite satisfied, when I got to the point of removing the top of the last tree. My feeling of progress and accomplishment, as the tree top crashed to the ground, was quickly dampened, when I heard the frantic cries of baby birds and spotted their nest from which they had just been ejected. The babies were very young and did not yet have feathers. Feeling guilty and responsible for their plight, I gathered them and placed them back into the nest, while wondering how I was going to make amends.
There was a main trunk of one tree still standing with a stub of a branch, to which I managed to secure the nest. Realizing that the babies were totally exposed to the sun and elements with no tree foliage for protection, I retrieved an old umbrella and fastened it, with zip ties and twine, to the tree stub to provide some shade and protection of the nest.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.
I’m sure my neighbors, who could only see the top of the umbrella above the fence line, wondered what craziness I was up to, cutting off the top of a tree and replacing it with a dilapidated umbrella. Had the umbrella been visible from the street, I’m sure my aggressive HOA would have demanded that I take the umbrella down.
I waited and observed from a distance to see if the parents would return to the nest. The parents soon returned, but were very cautious, spending much time watching from a perch on the privacy fence near the tree stub, fluttering near the nest, but not landing. After an extended period of caution, the parents finally accepted the new location of the nest and resumed caring for the baby chicks.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.
As the chicks grew, I began to take a few photos, documenting their progress. The photos are not great, but serve to illustrate this event.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.
The chicks developed, growing feathers, becoming more vociferous in their demands for food and beginning to venture just outside the confines of the nest.
Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chick in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 220mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.
One day, I found one of the young birds on the ground. I could not leave it there for fear of neighbors’ cats, that frequented our yard, finding and making a meal of the young bird. I picked up the foundling, which complained loudly, as I tried to place it back into the nest, while being attacked by the parents, with all the baby birds screaming for help. While I managed to get the one bird back into the nest, another one was frightened out of the nest and onto the ground.
Bluejay Chick, prematurely out of its nest. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.
Realizing that any attempt to put the second baby bluejay back into the nest would probably result in another one jumping out, I decided that I had to put those that left the nest into something other than the nest, from which they could not easily escape and hope that the parents would still take care of them.
I had several plastic bins supplied by a recycling service, so I decided one of those would by suitable. I could not leave the bin on the ground, where the baby birds would be easily accessible to the neighbors’ cats, so I secured the bin to the tree trunk. This arrangement worked – for awhile.
Bluejay Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 145mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/200s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 300mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.Bluejay Parent and Chicks in their relocated nest with an umbrella for shelter. Nikon D70, Nikon 70-300mm at 130mm, 1/250s, f/9, ISO 200, edited in Nik Color Efex Pro4.
Eventually, all of the chicks ended up in the recycle bin.
We lived in an area subject to heavy rains and tropical storms. Late one night one of those strong thunderstorms blew in and I knew the baby birds were getting pounded by the rain. The next morning I went out to check on the birds. Much to my dismay, they had all perished in the storm. There was standing water in the recycle bin, which did not have drainage holes in the bottom. There was not much water, but apparently enough that the exposure was fatal for the young birds that could not escape from the death trap that I had unwittingly made.
This was a great disappointment. Those babies were so close to being ready to take flight on their own and my stupid mistakes had resulted in their deaths.
Such a simple experience, but it remains with me, in a Bluejay purgatory.
I am reminded of the words of the poet, Robert Burns:
“The best laid schemes of mice and men go often awry, and leave us nothing but grief and pain, for promised joy!”
