South of the Capitol Reef National Park Visitor Center at the end of the paved road is the Capitol Gorge Trailhead. We hiked a short distance down the canyon, then up a short, steep trail to check out natural water tanks formed in low places along a water drainage.
I captured a few images in the canyon in route.
Capitol Gorge and Hiker/PhotographerCapitol GorgeStanding Tall – Black and White with Selective ColorizationDefiance – Trees atop Canyon Walls – Black and White with Selective ColorizationReflection in a Natural Water Tank
The snow like blobs in these photos are foamy floaters in the water.
Water TankIcy Water Tank and ArchGreen Gold – Tree adjacent to the tanks – Black and White with Selective ColorizationArch below Tanks
Water flow has cut through rock forming a small arch along the occasional stream bed.
Old Visitor Register – Enhanced to bring out faded writing
Early visitors in this canyon left their names and dates high up on the canyon wall. These marking are much higher than anyone other than a giant can reach. Maybe some stood on horses or wagons to leave their mark here or maybe the canyon was not as deep many years ago?
Parched, Hopeful – Capitol Reef Desert Scene
I cannot recall where in the park this final photo was taken, but I think it was shot along the unimproved dirt road that continues past the end of the paved roadway from the Capitol Gorge Trailhead parking area.
After my unsatisfying photographic outing in Yellowwood State Forest, I waited for sunset on a little boat dock that barely jutted into Yellowwood Lake. It was mostly calm and the lake surface smooth and reflective of the sky and surroundings.
Clouds and Lake
The photographer and young couple, that I had encountered as I returned from my woodland hike, had walked past me and into the area on the right side of the photo above. I had to watch carefully to keep them out of my photo, even though I doubt that they would have been very noticeable, anyway.
I made a series of photos as the light, sky, clouds and reflections in the lake surface changed.
Softly Reflected
There were small, almost inconspicuous plants or floating, natural object in the water that made subtle foreground in my compositions. These photos are best view on a large screen to appreciate the details.
Yellowwood Lake Fall ReflectionsRadial SunsetRadial CloudsYellowwood Sunset
I alternated shooting directions from along the lake to across the lake as sunset approached. The forest blocked the actual sunset, but the cloud color and lighting changed as the minutes ticked by.
Yellowwood LakeRadial
This end of the day shoot was much more satisfying than the hike in the forest, so I’m glad that I decided to hang out here for sunset.
It was a relatively calm morning as I hiked around Ogle Lake in Brown County State Park, Indiana. As the morning advanced, enough of a breeze developed to sometimes make small ripples in the lake, distorting the reflections of the trees and sky.
Fall Reflections
Fog remained just above the lake surface in the shadows near the end of the lake.
Fall at Ogle LakeLake PointerCorneredFall at Ogle LakeFall Lake SceneAutumn LakeSquiggly Reflections
This ends my hike and morning photography at Ogle Lake.
As I had coffee and a light breakfast early one morning in the Indiana cabin, I noted that it was a foggy morning and if I got out soon I might get some interesting photos before the fog burned away.
As I drove the main road into Brown County State Park, I was regretting not getting up a little earlier this morning. I could see that the early morning fog would be good for photography and it was lifting rapidly. The park does not officially open until 7AM, but I was told at the entrance the prior morning that the gate was always open, so I could come and go whenever I liked. The gate keeper even offered that getting there early would let me avoid the entrance fee, which at $9 per day was a bit steep compared to many such parks, but I never got there before 7AM, even though it would have been best for photography had I done so.
When I arrived at the Ogle Lake parking lot well after sunrise, I glimpsed the fog coming off of the lake, and I hastened to grab my gear and walked rapidly to the dam.
Early Morning Fog on Ogle Lake
My first composition this morning is my favorite one of this morning shoot.
Lake Fog
After shooting a few images from the dam, I walked on to the hiking trail around the lake.
Early Morning CalmSerenenessThe Stick and Rippleness
A small tree limb in the lake caught my eye and I shot a couple of compositions with it as a focal point. These images are best view on a big screen to see the details.
Early Morning Fog, Reflections and The StickThrough the Trees SoftlyMisty Lake
Enough for now. I will continue this hike and photography in the next post,
I continued hiking the trail around Ogle Lake and shooting images in and around the lake.
Fall Forest
The big lens allowed me to zoom into the edge of the forest across the lake, eliminating the sky and the lake from the scene.
Early Fall ColorDreamy Reflections
Reflections in water are always a good subject. The scene above drew me to it as soon as I noticed how the log divided the reflections and calmed the surface just enough to create the impressionist forest reflection.
Leaves and TrunkRed FallTattered
Before I left the park, I stopped and hiked along a trail through the forest. I shot many images, but most were not all that appealing, so I’m just sharing a few of the better ones.
I went out just before sunrise to photograph along the Rio Grande in Thirty Mile Campground, getting wet by the early morning dew covered vegetation that I had to walk through to get to the river’s edge. It was a cool, but not really cold morning and it warmed up quickly, after the sun came up.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 0.8s, f/11, ISO 200, Nikon 12-24mm @ 18mm.
I found a spot with boulders along the river bank that looked favorable, so I began shooting prior to sunrise, making a few tentative exposures with longish shutter speeds in the still dim light.
Wanting an even longer exposure, I added a darker neutral density filter to my setup, getting a 30 second shutter speed to smooth the river current. The neutral density filter also increases the color saturation. I probably had a circular polarizer mounted, too; but I really do not recall for sure, since it has been a couple of months since I made these images.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 30s, f/11, ISO 200, Nikon 12-24mm @ 18mm.
Since I was in a valley, there was no golden hour light, as the sun had been up for a while before direct sun rays impinged upon the scene.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 0.6s, f/11, ISO 200, Nikon 12-24mm @ 12mmRio Grande in Thirty Mile Campground. Nikon D90, 0.5s, f/11, ISO 200, Nikon 12-24mm @ 12mm.
I think the image below may be the best one that I got during this morning’s shoot; although, I do like the earlier 30s shot, which has a more serene appearance, as compared to the more dynamic later photographs.
The Rio Grande in Thirty Mile Campground, Colorado. Nikon D90, 1/10s, f/22, ISO100, Nikon 12-24mm at 12mm.
I favor the composition above, because it has more colorful vegetation, with wildflowers, along the river banks, prominent boulders, dynamic flow in the river current and those wonderful, early morning clouds in the sky and the river cutting diagonally across the image leading to the cloudy sky.
Having decided that there was not much variety to shoot at this location, I decided to move on to my next destination today, rather than trying to stay over another night here.
On my drive out of this area, I stopped along the river to shoot a few scenes, even though it was getting well into the morning with harsher light to deal with.
Adult and baby ducks swimming in the Rio Grand Reservoir, Colorado. Nikon D850, Nikon 24-70mm @ 70mm (before crop), f/8, 1/100s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
There were many ducks, adult and young ones, in the river. So I had to try to capture a few of those. Maybe I should have put on my 80-400mm lens to shoot the ducks, but I like to travel with the 24-70mm mounted on my camera, since it gives me more flexibility for wide to medium telephoto range landscape images.
Reflections in the Rio Grand Reservoir, Colorado. Nikon D850, Nikon 24-70mm @ 29mm, f/11, 1/250s, ISO 200, edited in Adobe Lightroom and DxO Nik Modules.
My destination today is Teal Campground north of Pagosa Springs, Colorado.
The last bridge that I got to late in the afternoon of my first day of photographing Indiana covered bridges was the Dunbar Bridge. There was more traffic across this bridge than any of the other bridges that I had photographed earlier in the day, maybe because it was late in the day and people were going home after their work day was over.
Dunbar Covered Bridge and information sign. iPhone photo, edited in Adobe Lightroom and DxO modules.Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/4s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.
Wide angle lens distortion, especially when shooting from one side at an angle to the plane of the bridge, makes these bridges appear to be leaning to one side. Some bridges were actually leaning a little and/or the sides were not vertical, so the distortion exaggerates the lean or angle. I try to correct this in post processing, but sometimes it is not possible to completely correct the distortion.
Beneath Dunbar Covered Bridge.Nikon D850, Nikon 14-24mm @ 24mm, f/11, 5.0s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.
To get to the creek for a side image, I had to walk beneath the bridge from the only easily accessible route. This appears to be a popular place for young people, judging by the graffiti and many footprints in the sand. Looking closely at the writing on the left hand side beam one can see a message from Missy proclaiming that she loves Ken. I promise that I did not write that or anything else on the bridge.
Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 21mm, f/11, 1.6s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
The side view of the bridge with the creek, bridge and tree reflections in the creek and the sandy shore line with the early fall foliage in the background was quite good.
Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 3.0s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.
The dim late day light required longer exposures, showing the motion in the clouds and probably blurring of the tree foliage moving in the wind.
Dunbar Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 30.0s, ISO 200, edited in Adobe Lightroom and DxO Nik modules.
Some of these images have embedded links to higher resolution images on Flickr. Viewing the images there will let one see more detail.
The third bridge that I photographed in the afternoon of my first day of seeking covered bridges in Indiana was the Bakers Camp Bridge.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 24mm, f/11, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik modules.
I made use of a fairly new looking fence in a grassy area on one side of the bridge as a leading line to the bridge.
At the end of the fence line, near the bridge, I found a way down to the edge of the creek from which I made several photographs with reflections of the bridge in the creek, after removing some distracting litter along the near shore line. It is not always possible to physically remove distracting objects, but whenever it is, I like to do so, since that is far easier than having to remove the objects later in post processing.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 22mm, f/11, 1/125s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
Walking back up to the front of the bridge, I made the usual frontal close up to get the bridge name and date into a photograph.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 1600, edited in Adobe Lightroom and DxO Nik modules.
I then walked onto the bridge to attempt shooting inside. I stood on one side in case of traffic, which is not usually heavy across these country bridges, but not unusual either. In fact, one friendly lady, driving an SUV, stopped momentarily to ask if I was getting good photographs.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, multiple exposures, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.
Since it is dark inside these bridges, I used a high ISO and, due to the bright light at the end and from the top side vents, I made multiple exposures, combining them into an HDR image in post processing.
I walked on through and made other images from the opposite end.
Bakers Camp Covered Bridge. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/125s, ISO 2500, edited in Adobe Lightroom and DxO Nik modules.
On the morning of our third day in Echo Park, Dinosaur National Monument, Colorado, my oldest son and I returned to the Yampa River and the nearby grassy meadow for our final photography shoot before packing up and heading back to Denver.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 19mm, f/11, 0.8s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.
We again went onto the bar in the river channel just east of the confluence of the Green and Yampa Rivers to shoot in the pre-sunrise and sunrise light.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.5s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.
I made compositions similar to those of the previous day’s sunset shoot, capturing the morning sky, the canyon walls and reflections of those in the river.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1/8s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.
Clouds moved across the sky as the light changed. I shot towards the east and the rising sun, then made a few images toward the west.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 1/6s, ISO 1600, edited in Adobe Lightroom and DxO Nik Modules.Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 8s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
I turned again to the east and north as the sky and clouds became brighter, which created more contrast in the images and brighter reflections in the river.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 15mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
As the sun rose behind the canyon walls, the clouds became brighter and more colorful.
Yampa River Morning, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 1/4s, edited in Adobe Lightroom and DxO Nik Modules.
After shooting in the river channel, we climbed back onto the meadow and made more images as the morning light advanced across the sky. The moon transited across the sky to the south as we shot.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 0.4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
Today, rather than using rocks in the meadow as foreground objects, I put tall clumps of grass in the foreground.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
Shooting with the wide angle lens results in distortion, some of which can be taken out, but not all of it. Note how the rock outcrop on the right side of this image appears to be tilted in towards the middle of the image. Trying to take out this tilt with the tools in Adobe Lightroom will affect the rest of the image in an undesirable manner.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/3s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
There were a few scattered thistles in this meadow and I used one as a foreground object.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik Modules.
The first of the sunrise rays began to show up on the top of the large rock outcrop on the east side of the meadow
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.
and a little later on the rock outcrop on the west side.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.
We were fortunate to have scattered clouds this morning to add interest to the sky.
Echo Park Morning, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/125s, ISO 1250, edited in Adobe Lightroom and DxO Nik Modules.
This wraps up the highlights of my July 2019 Colorado road trip,
Mosquitoes swarm relentlessly around us as we walk the short distance through a forested area to the Yampa River behind our campsite. We are covered in bug repellant. Still the mosquitos buzzing around our heads are an unpleasant distraction. We go down a steep bank with the aid of a rope tied to a tree, getting onto a sandbar in the river. We are shooting sunset photographs at this location our first evening in Echo Park.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/160s, ISO 500. Edited in Adobe Lightroom and DxO Nik modules.
As usual, when shooting in a canyon, the late day light illuminates only a portion of the canyon wall.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 17mm, f/11, 1/20s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
The light on the far canyon wall reflects into the river with just a sliver at the edge of the sandbar.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 1/20s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
The top edge of the cliff side to the right of Steamboat Rock gets only a small wedge of late day sunset light.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/10s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
I make a number of shots, capturing the sunset highlights and the reflections in the river.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 24mm, f/16, 1/8s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 16mm, f/16, 20s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
To smooth the ripples in the river, I use a seven stop neutral density filter and a long exposure.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
Each time I change the composition, I acquire a shot with a 3 stop soft graduated neutral density filter to balance the foreground and sky exposure, then add the seven stop ND for a long exposure.
Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/16, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.Yampa River, Echo Park, DNM. Nikon D850, Nikon 14-24mm @ 18mm, f/11, 30s, ISO 64. Edited in Adobe Lightroom and DxO Nik modules.
I like the way the long exposure shows the motion of the river current in the photo above. By the time these last two images are made, the golden hour light is gone, so we call it a day. We venture once again through the mosquito infested woods back to our campsite.
We are looking forward to a sunrise shoot tomorrow.
