Indiana, Fall 2022, Part 1

My wife and I began a tradition of spending a couple of weeks in Indiana in the fall a few years ago.  There are multiple reasons why we established this tradition.  1.  My wife has relatives in the area, having lived in Indianapolis during her early childhood.  2. A relative allows us to stay in their weekend cabin that is very near Brown County State Park, which is a very popular place in the fall.  3.  We both enjoy seeing fall color in the hardwood forests in this part of the U.S.  4.  I get to photograph the fall color and write about it in this blog.

Timing our visit to see the best of the fall color is always hit or miss.  Sometimes we are too early, sometimes too late and sometimes we see the peak fall color.

Photographing in the same location at the same time of the year is a challenge and I often worry about my photographic images being too repetitive.   After all, how many ways can one photograph trees, forests, barns and fall scenes?  Lots, actually, but how many are unique? Trying to get unique and interesting images is a challenge.  I can only hope that the scenery varies sufficiently, year by year that my images will not be too boring.

Fall Backroad

Driving the backroads of Indiana is a good way to appreciate the fall color and other rural fall country scenes.

Fall Medley
Indiana Barn

The barn in this image sits far back from a roadway on private property.  I shot it with a telephoto lens from the edge of the roadway, hand holding the camera.  I shot from different perspectives trying to get shots with the least amount of that pile of debris in front of it in the image.  However, this image may be the best overall, even with that unsightly mess in front of the barn.

Fall Progression
Bramble Morning

I was a little late for the actual sunrise at this location in Brown County Park, so I walked down a slope into the briars, weeds, grasses and brushy growth, thinking a shot from within all that foreground clutter might at least be different than that of the early photographers that were wrapping up their sunrise shoot from the top of the slope and there was no way to avoid getting that messy foreground in a shot from anywhere here.

I had to spend a considerable amount of time picking the stick tights from my clothing after this mornings’ shoot.

Crooked Tree Fall
Puddle Fall
Exposed
Up a Fall Creek
Fall Tease

Until next time,

Ken

Rio Grande National Forest, September 20, 2020, Part 5

After my trip into Del Norte, I returned to the Rio Grande National Forest via FSR 380, having still not settled upon a campsite for tonight.  I had noted a number of sites, but all were either occupied or otherwise not a good choice for tonight.

I had noted a place along FSR 380 that looked promising for late day photography, so I planned to stop there, since it looked like the timing would work for photographing there today.

I made a number of images at that location, shooting from the edge of the roadway, as the late day shadows moved across the meadow and up the mountainside.

Reclamation. Nikon D850, Nikon 14-24mm @ 24mm, 1/10s, f/11, ISO 64.

The image above is the one that I liked best.  It took me a while to realize that the terraced landscape below the mountain peak is artificial and a result of reclamation of a mine site.

I thought about shooting from the roof rack on my vehicle to get a better view of the ponds, which reflected the scene behind them.  I rejected that idea, since it would involve not only awkwardly climbing up and down my access ladder with camera and tripod, but maybe having to move the vehicle multiple times to get the best perspective and having to repeat going up and down the ladder with my gear.  In hindsight, I wish I had taken the time to do that, since even the elevated view from my driver’s seat in the van gave a better view of the ponds.

After shooting here, it was getting late in the day and I really needed to find an overnight place to stay.  I continued along FSR 380, driving slowly due to the washboarded road.  I eventually ended up back at Stunner Campground, having found no other available place to camp.  The first pull through campsite and others were vacant, so I claimed the pull through site for tonight.

I had no plans for the next day.

Stay tuned for more,

Ken

 

Echo Park, July 2019, Sunset Shoot in the Yampa River

My son and I return to the area near our sunrise shoot and go down a steep bank into the river channel, crossing a narrow, mucky interval near the bank, balancing on a narrow, short tree branch and rocks, avoiding as much mud and water as possible, trying not to fall, wading through shallow water on the edge of a broad bar, before getting onto the dry portion of the rocky bar in the river channel.  We are just east of the confluence of the Yampa and Green Rivers.  The river is broad and maybe not deep, but we do not test the waters; even though, there is a large driftwood tree on the bar on the opposite side that would make a great foreground object.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/13s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The river surface provides good reflections of the canyon walls, as we make numerous photos, while waiting for the sunset light.  The river and a good portion of the canyon walls are already in shadow.  A high wall to the west, will prevent full sunset light illumination of the entire canyon walls; but we expect golden light on the upper portion of these walls.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I experiment with different compositions with the 14-24mm lens at various focal lengths, while waiting for the golden hour.  I use a 3 stop, soft, graduated neutral density filter to balance the exposure of the sky and the river.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 17mm, f/16, 1/25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The first of the golden hour rays are apparent in the image below and the light is already far up the canyon walls.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/5s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

I make a series of images as the light changes in its move up the walls.   Short, fractions of a second, shutter speeds make the river current ripples apparent in the images above.  The images below are made with long shutter speeds, using a 7 stop neutral density filter, smoothing out the ripples.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 30s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The light is going away faster on the north wall than on the south wall, creating an asymmetrically lit image.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Blurring of the reflections by the river current is more apparent in the longer exposures.

Yampa River Reflection, Echo Park, DNM, Colorado. Nikon D850, Nikon 14-24mm @ 15mm, f/16, 25s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

Finally, as the light disappears on the canyon walls to the east, I turn to check out possible compositions to the west.

Yampa River, Echo Park, Colorado. Nikon D850, Nikon 14-24mm @ 14mm, f/16, 1/4s, ISO 64, edited in Adobe Lightroom and DxO Nik modules.

The sun is below the western rock face, the sky is bright and the river is in shadow, making it difficult to get a balanced exposure.  While this is not a great photograph, I still like the leading line of the river with its current ripples, reflected skylight, fuzzy reflections of the bordering walls, the bars on each side of the channel and the soft streaky clouds in the sky.  This view might be good in early morning sunrise light.

While waiting for the golden hour, I made a few iPhone images just to see what I can do with those and to show those who might use such a device to capture photographs, the possibilities for such images.

Yampa River at its confluence with the Green River. iPhone photograph edited in Adobe Lightroom and DxO modules.

I can brighten the lower portion of the image above, but I think this looks more natural.

The Yampa River and Canyon in Echo Park. iPhone photograph edited in Adobe Lightroom and DxO modules.
Yampa River and canyon walls near sunset. iPhone photograph edited in Adobe Lightroom and DxO modules.

That is it for this shoot.  We have one more sunrise in Echo Park before ending this trip.  Some of the images in this blog are posted to my Flickr page, where one can view them in higher resolution and viewing on a large screen will be best.

Until next time,

Ken