In the spring of 2018, my oldest son and I visited Joshua Tree National Park in Southern California. We photographed in the park in the early morning, late afternoon and night. During the middle hours of the day we scouted for places to photograph and/or we hiked several of the easy to moderate trails within the park. This post is about the Contact Mine Trail with illustrations via iPhone photos.
The Contact Mine Trail is an easy one, with a gentle slope, gaining only 700 feet in just under two miles. As we hiked along the trail we began to notice a barrel type cactus with red spines.
Later research revealed that this cactus is referred to by its obvious common name “California Barrel Cactus”. As we hiked along, it became obvious that this area had many of these attractive red cactus, some with yellow blooms. My iPhone shots of blooms near the bottom of one such cactus did not turn out well, so none are posted here. I have seen other images with blooms on the top, but I do not recall seeing any with blooms on the top and most did not have blooms.
In the early history of this area there were numerous mining operations, which have since been abandoned. Remnants of equipment and or housing remain at some of the mine sites.
The Contact Mine Site has remains of old mining equipment, other rusty evidence of human activity and mine shafts that have been covered with steel cages to prevent people from entering.
Neither of us carried our heavy camera gear on this hike and I shot a number of iPhone photos just to record the scenes and the experience. I’ve edited the iPhone (jpg) images with some minor adjustments in Adobe LR, followed by edits in Nik software.
I’m including duplicates of some images to show the variations between color edits and monochrome edits.
Edits can bring out texture, contrasts and colors. I tend to like the monochrome versions better than the color versions. The monochrome versions depend mostly upon the composition, texture, contrast and shadows. While it is possible to manipulate the monochrome images in many ways to achieve artistic effects, these type edits just seem more appropriate to me, than the color software edits.
Color editing software can allow one to emulate the effects of the “Golden Light Hours” in photos taken outside these magical times of the day; but the emulation is never quite the same as the real light effects, getting into the more artistic edits of the images, about which there can be much philosophical discussion.
I’m not getting into the debate over photo editing, since that is a subjective matter. I used to be of the opinion that one could only get good images during the Golden Light Hours of sunrise or sunset and, while I prefer to photograph during those magic light hours, sometimes it is not possible to do so. Rather than pass up photographic opportunities in places, where I know I will never be during the golden light hours, I’ve reconciled to working with whatever light I have at the time, then editing to get an image that I find pleasing from an artistic point of view.
I do still feel that the color editing is more unreal than the monochrome edits; but maybe that is just because monochrome images have been in existence in photography for many more years and we study the works of the early pioneers in photography, whose work was entirely in monochrome.
Anyway, the early photographers manipulated the monochrome images in the dark room, just as modern digital photographers manipulate the images via computer software.
I would like to hear readers’ opinions on this matter as well as critiques of any of my images (composition and/or edits).
On day two in Escalante, my two sons and I went back to Peek-A-Boo Slot Canyon, this time with several cargo tie down straps to use as aids, if necessary in getting into and out of the upper portion of the canyon.
The two sons with me had some experience with rock climbing. The oldest dropped into the canyon via the steep slick rock at the upstream entrance point, leaving his backpack and camera behind on this test entrance into the canyon. He was able to immediately climb out. Now we knew that at least one of us could climb out unassisted and if necessary, he could assist the other two of us out. So we all entered the canyon to begin our exploration and photography inside it.
This entrance point was in a wide, open portion of the canyon with the very narrow, short section at the beginning of the canyon on one end of the open area and the entrance to the main portion of the canyon on the opposite end.
We looked into the short beginning section first, one at a time, since it was too small for more than one person at a time to get into and out of.
While waiting my turn to enter the first section of the slot, I killed some time shooting my shadow on the sunlit side of the canyon.
The upstream beginning of the slot is shown in the photo above. It is clear from the photo how narrow the entrance is and one can only go a short distance into this section of the slot.
We worked our way through the slot, photographing as we went along.
I do not recall meeting anyone coming from the other end of the canyon on our way down towards the main entrance; but we did begin to meet a few others as we went back up to our drop in point.
Not far from the downstream entry, there is a small arch cut into the rock, which one can see near the bottom center of the photo above.
One has to crawl through the small arch to proceed. The downstream view of the arch is the light area in the center of the photo above. The opening is quite small, so only small people can fit through it. There is some room around the side of the arch, which I recall being rather tight; but it might be possible to navigate around the arch, rather than through it. Going through the arch was definitely more fun than trying to go around it, anyway.
Just prior to the downstream entrance there are three large arches, which can be seen in the photo above. The large rocks in the foreground form one arch and the other two can be seen behind it.
Looking over the rock at the bottom of the first arch, we saw a hole with muddy water in it. We could not tell how deep the hole and water were, so we did not attempt to go further, electing to back track up the canyon to our entrance point. One can see the light at the end of the slot near the top center of the photo above.
Thinking back to the previous day here, even had we or the young Swiss man gotten up the sheer entrance wall at the main, downstream entrance, it is unlikely that any of us would have been able to continue past this point.
We encountered several people on our trip back up the canyon, having to wait at the wider places in the slot to pass each other. As we got near the upstream entrance point, we found a 50-ish year old female hiker sitting on a ledge in the canyon wall. She had injured her knee along the way. Those that we passed in the canyon were her family members, whom she had told to go ahead and get her on the way out. She had only a small, almost empty, water bottle, so we first filled her bottle with water from one of our water reservoirs. Then, thinking it was not a good idea to leave her there by herself, we offered to help her get back to the entrance point, at least. She could put weight on her knee, but had to be careful not to let it bend sideways, as it would give way. I let her lean on me as we slowly worked our way back to the entrance. I was a bit concerned about supporting her, as she was not a small (not obese, but hefty) woman.
Upon arriving at the entrance, we were considering how we could get her out of the canyon and were in the process of tying the cargo straps together, when another hiker came up from the main entrance direction. He told us he had a friend, a medic with technical climbing gear, back down the canyon, if we wanted to ask him for help. Of course, we did. So the hiker went back into the slot and returned with his friend. At some point the injured woman’s family members returned, as well.
The medic examined the knee and recognized the problem. The injured woman was a large animal veterinarian from upstate New York and she knew quite a bit about anatomy and what was wrong with her knee, with which the medic agreed. The medic also knew exactly how to rig up the ropes to make a sling for getting her out of the canyon. He and others then worked the rope to pull her up the steep slope of the canyon, while others went along by her to help and make sure she did not slip back.
Once on the canyon bank, my oldest son used paracord from his emergency bracelet to tie a portion of a tripod leg to the side of the injured vet’s leg to help keep the knee from bending sideways. She was able to use the remainder of the tripod as a walking stick. She and her family began the hike out, while we stayed behind, having a snack before we started back. We quickly caught up with the injured woman and her party, where they had stopped to rest for a few minutes.
We hiked ahead, thinking it was going to be a slow, arduous hike for the injured woman, especially when they got to the steep, sandy slope followed by the slick rock climb back to the parking area.
On our way back along Hole In The Rock Road, we passed an SUV that was upside down just off of the roadway. There were young boys, maybe college age, standing around and a sheriff’s deputy in his vehicle. Fortunately, no one seemed injured. We speculate that they were driving too fast on the very washboarded road and lost control of their vehicle, sliding off to the side and flipping. We had noted that one had to drive slowly or the bouncing caused by the washboarding would cause a vehicle to drift.
In the late afternoon, we returned along this roadway to an area called Devil’s Garden, where we would shoot at sunset and then star trail photos after dark.
As we were scouting around the area, I heard someone call, “Hey, guys”. I initially thought I had walked into someone’s photo composition and looking around, I spotted the large animal veterinarian. She was wearing a knee brace and walking with crutches. We were happy to see that she had gotten back from her hike and surprised to see her out again. She told us she had been telling everyone about how we came along and helped her out of the slot canyon.
I know this has been a long post, but I hope that readers will glean some safety tips here, in addition to photographic tips for photographing in this area.
There is much more to see in this area (we never got to Zebra Slot or to the end of Hole In The Rock Road), so I expect I will return one day.
On our last day near Escalante, as we were leaving, we hiked several miles along a sandy creek to a waterfall. I’m including one photo of that fall here.
This will be the last post for this year. I wish and hope that you all have a happy holiday season.
Since, I do not have anything from a recent journey, I am reaching back into my mental and photographic archives for this post. I have also revised the editing of the photos contained here. The original edits were mostly very conservative. Now that I have more time and getting more comfortable with advanced photo editing, I think I am able to extract better images from some of the original raw files that I initially ignored, considering them unworthy of sharing.
In March, 2014 two of my sons and I traveled to Escalante, Utah to explore and photograph in the Grand Staircase-Escalante National Monument. We had a couple of interesting events associated with our hikes in two of the well known and popular slot canyons.
On Monday, March 24 our first destinations were Peek-A-Boo and Spooky Slot Canyons which feed into the Dry Fork of Coyote Gulch. We arrived at the parking area, after traveling down the very washboarded Hole In The Rock Road and a heavily rutted side road with signage recommending high clearance and preferably 4-wheel drive vehicles. We were in a high clearance Jeep, so no problem for us. As we were gathering our gear from the Jeep, a rather low clearance, smallish crossover type vehicle, that we had passed on Hole In The Rock Road, pulled into the lot. We were surprised that anyone in that type vehicle would travel the rutted, dirt road, especially after seeing the warning signs; but the road was not wet or muddy, at least, so a careful driver could navigate it. We met the driver, a young Swiss man, at the trail head marker and chatted with him. He told us that his rental vehicle was 4-wheel drive, but I expect it was the more typical All Wheel Drive rental vehicle.
As we all started the hike, which began on a slick rock slope, then transitioned to a steep, sandy slope down into the dry wash, we noted that the young Swiss man, who was using two hiking canes, had a physical handicap that did not allow him normal use of his legs. Consequently, we soon outpaced him.
We arrived at the entrance to Peek-A-Boo slot and, just as one of our references describe, there was a shallow pool of water in front of a sheer drop off from the slot canyon. Someone had put a few rocks across the pool, stacked a few at the base of the sheer wall and leaned a small tree trunk or maybe a large tree branch against the wall as aids for climbing the sheer wall. There were also a few shallow toe holds cut into the sheer face of the rock wall. After some consideration, we decided that with all of our gear, it would not be wise to attempt this entrance to the canyon. We knew, from our reference for this hike, that one could hike up slope in the general direction from which the canyon came and eventually find a place to drop down into the canyon from above. So we began hiking up away from the dry wash. We were not always able to stick close to the canyon, but we were able to hike back in the direction of the slot and eventually found an entrance point at the upstream start of the canyon. However, we were not sure that we would be able to climb back out at this point and we had no ropes with us. We had cargo tie down straps back in our motel room, so we decided that the safest plan was to come back the next day with a few of those straps, which we could tie together and use, if necessary.
We hiked back to the dry wash on our way to the next slot, known as Spooky. As we were passing the entrance to Peek-A-Boo, we were incredibly surprised to see that the young Swiss man, with his hiking canes, camera, tripod and day pack, had managed to ascend the sheer wall to the first level. (There were two or three levels on the wall, where one could stand). We were concerned that the young man might injury himself and we tried to talk him into coming down. He insisted that he had to go ahead, so we stayed there to make sure that he got up safely. As he tried to lift his leg to put his foot into the next foot hold, it became obvious that he was physically unable to raise his leg sufficiently to continue. He then realized that he could not go on, but he seemed afraid of getting down from his perch. We assured him that we would help him down. He passed his gear down to us, asking us to please be careful with his camera. My oldest son was quite helpful guiding his feet into the foot holds, while we were all making sure he did not fall. He was obviously concerned about his safety during his descent and expressed his gratitude to us, when he was safely back in the wash.
We suggested that he walk along with us to Spooky. He agreed, but said he would be slow and we assured him that we would stay with him.
We arrive at Spooky after about a half mile of walking in the wash. Spooky is a very narrow slot, frequently requiring one to walk sideways with arms outreached with backpack in one hand and tripod with camera in the other hand. The walls are also rough and abrasive, which wore holes in our backpacks as these were pulled through the narrow passage. I am not a big person and both my chest and back frequently scrapped against the walls. Anyone much larger than me would not be able to squeeze through this slot.
The best time for photography in the slots is when the sun is high enough for sunlight to penetrate into the dark, narrow canyon. Light reflecting off of the sandstone walls can create interesting color, highlighting the texture of the rock.
The low light within the canyon can also require larger apertures, slow shutter speeds and maybe even multiple exposures for creating HDR images.
Eventually, the slot opened up into a wide, sandy wash, which we used to walk back to the main trail. The young Swiss man took off across country in the opposite direction. He had a GPS and we never heard of anyone going missing here during our visit, so I am assuming he got back safely.
(On a subsequent trip in the hot summer, by two of my sons, they encountered a woman and her children in the parking lot, asking them to keep an eye out for her husband. They had been hiking and got disoriented. The husband hiked up to a higher elevation to try to see the way out and disappeared. He eventually perished, before he could be found. The environment here is deadly for those not sufficiently prepared).
One does not want to be in one of these slots, when there is any rain in the area. Flash floods through these canyons will be deadly for anyone in these canyons during one.
These canyons are beautiful and a joy to hike through, just make sure to use care in getting here. Carry plenty of water, snacks, wear proper clothing and either know the area well or carry a GPS and/or map and compass.
The rough texture of the canyon walls is clearly visible in the above photo.
And yet, some portions of the walls are rather smooth as shown in the above photo.
The sandstone looks purplish in low light and reddish in brighter light.
The narrowness of most of the route is obvious in the above photo, which is just a slightly different angle of the same section as in the previous photo.
It is amazing how flowing water over many years has carved and sculpted the rock walls of these amazingly beautiful canyons.
Part II of this blog will relate yet another significant experience involving a hiker in distress in our subsequent trip to Peek-A-Boo Slot on the following day. So stay tuned for more in a week or so.
I got up early Sunday morning, September 23, left the Bisti south parking area about 5AM and headed out into the dark wilderness area. Â I started out with a headlamp, but soon switched to a brighter flashlight, as the normally bright headlamp just did not seem bright enough this morning. Â It is one of those headlamps with multiple functions and it would not switch to the brightest mode. Â This is a good reason to have backup light sources, when hiking in the dark. Â I had another headlamp in my Camelbak, but the flashlight was easier to get to.
There are landmarks that are an aid to navigation during the daylight hours, but in the dark it is not possible to see those landmarks from a distance. Â Fortunately, my GPS device, linked to my iPhone via Bluetooth, with a preset route made it quite easy to navigate towards my destination in the dark. Â Before I got to my destination, an area with many hoodoos of various sizes and wing like or fanciful shapes, it became light enough that I no longer needed the flashlight.
I scouted the area for awhile before it got very light, looking for a good place to begin the early morning shoot. Â I made a number of photos prior to the sunrise. Â Since the light was still dim, getting good images was a challenge and those images required more extreme editing to bring out the details and produce more attractive images.
I am never really satisfied with these low light images in which the heavy handed editing often produces unnatural results and, even though, it is an artistic expression, being artistically handicapped, I’ve never felt completely comfortable with the results.
When the sun rose above the eastern horizon, there was magnificent light on many of the hoodoos.
Note that I focus stacked images to extend the depth of field in many of my photos here. Â This requires a bit more work in capturing sufficient images and much more time in the editing process, especially on my old, slow iMac.
I continued to shoot even after the “golden” hour, which is very limited in duration and I wanted to make the most of the limited time that I had for shooting here. Â I felt that the contrast and shadows would still allow for the making of good images.
I am becoming more interested in monochrome photography and this area is superb for this, since the colors are mostly muted, but the contrast, textures and shadows make for interesting monochrome compositions.
As the morning wore on, I meandered around the area looking for additional subjects and for ideas for shooting at another more appropriate time of the day.
I had spotted the above hoodoo on the previous day’s scouting.  I think it may be one that I saw referred to as an “alien woman” in someone else’s post, but the GPS coordinates of that post do not coincide with this hoodoo.  So either there are  more than one of these or the coordinates in the other’s post were incorrect, which I think may be the case, since in that post the photographer commented that he could not find the “alien woman” in a subsequent visit to Bisti.  Of course, these hoodoos are temporary and one of this sort might disappear over a relatively short time interval.
This “alien woman” hoodoo is in a difficult place to photograph at anytime of the day, but it is probably best shot in the afternoon, rather than the morning. Â I did not think I would get back here again on this trip, so I shot it anyway, if for nothing more than a record of it’s existence and location, recording its GPS coordinates on my InReach Explorer.
The above hoodoos are in the vicinity of the “alien woman”, just a bit more to the east. Â These are moderately sized ones and would probably be best photographed earlier in the morning. Â One can see that these are fragile and easily damaged. Â I have seen photographs of people standing on some of the larger hoodoos in Bisti, which is not a good thing to do, it is not only dangerous, but could result in injury to oneself and possibly destroy or damage the hoodoos.
The “elephant head” like hoodoo above bridges a gap in the supporting structure, making a window in the rock.
The smaller hoodoo in the background (above) looks like one that I have seen referred to as “The Seal”; although, I thought “The Seal” was located more to the west, so maybe this is not “The Seal”.
I can imagine that the caps on these hoodoos look like fish faces, so I am calling this the “Aquarium” or “Fish Face Hoodoos”.
I made numerous images of the features above with the intention of focus stacking them; but when I looked at those photos, they just did not measure up to what I thought I saw when making them. Â Consequently, I cropped one image to include the major features on top of this hill. Â Since the back side of the tallest feature is in shadow, converting to black and white, makes it look like a “dark tower”, surrounded by guardian hoodoos. Â (The one on the far left looks somewhat like a shark). Â This image contains a view of “The Seal” from another angle, just to the left of the dark tower.
Finally realizing that the best of the morning light was gone, I headed back to the parking lot. Â Just as I approached my vehicle, the photographer, whom I had met at The Nursery the previous afternoon, came out from his RV to greet me, saying “I knew when I saw you leaving at 5AM that you were serious about photography”. Â Standing in the parking lot between our vehicles, we chatted for quite a while. Â I was entranced as he talked much about his background and experiences as a photographer and as he offered suggestions on photographic topics that I questioned him about. Â Near the end of this impromptu discussion, he said, “If you don’t mind, I have copies of a book that I offer to those I find with a serious interest in photography and I would like to give you one”. Â Of course, I accepted and he autographed the book for me. Â The book, The Ancient Shape of Man, is filled with beautiful, very sharp, large format monochrome images.
Meeting and conversing with John Eric Hawkins and receiving his book as a gift was the highlight of this trip.  I found his website listed in the book, which he told me he has not updated for awhile;  nevertheless, his website has beautiful images and more information about John Eric.  His website is worth a visit for those of you interested in fine art photography.
Be sure to check out the images in this post on Flickr, where these appear in higher resolution and in a larger size.
Thanks for following and please feel free to offer comments, suggestions and critiques of the images and the writing within this blog.
I left Ridgeway Colorado Saturday morning, September 22, via the San Juan Skyway, deciding to take that route to the south towards New Mexico, rather than travel the most direct route via US550, AKA The Million Dollar Highway, which I had just been on in July. Â I wanted to see some different scenery and I was not disappointed, even though, I know US550 from Ouray to Durango would have been a great, if somewhat scary with its hairpin switch back turns on a mountain roadway with steep drop offs with no guard rails, route, too.
There were some really good fall colors, more reds than I had seen in the past few days, along the chosen route in southern Colorado. Â I pulled over at one scenic pull out, needing a snack and to stretch my legs for a few minutes. Â Others pulled in and out of this area, to take a look around, while I was there. Â Before I got out of my vehicle, I saw, via my side mirror, the driver of a van behind me taking photos of my vehicle through his windshield. Â After my snack, I got out and walked back past that van. The driver was just coming back and he commented that he really liked my vehicle. Â The Sportsmobile does get a lot of attention, so it is not one to travel in inconspicuously.
As I was standing by the guardrail, looking out over the roadside mountain view, a group of motorcyclists, decked out in their riding apparel, pulled into the parking area. Â Most of the bikes appeared to be Harleys, but I noted one near the middle of the pack that looked different. Â I walked over to it to get a better look and commented to one of the nearby riders that I had never seen one like it before. Â He pointed out that it was a Spyder, a three wheel motorbike, and the rider was a “middle age” (not sure what this is now) female, who was really chatty about her tricycle and pointed out another “sportier, more powerful” model near the back of the pack, also ridden by a female. Â I asked one of the riders, if they were members of a particular club and he said they were just friends out for a ride. Â Most were from Wyoming, but a couple, he said, were “Idaho Potatoes”. Â He then held up his phone, asking if I would take a group photo. Â So of course, I did. Â Afterwards, I wished that I had had the presence of mind to ask their permission to get a shot of the group for my blog,
Nothing else of note happened along the route, but it was an enjoyable ride through countryside that I had not seen before.
I arrived at the south parking lot for Bisti access early Saturday afternoon, which, as expected on a weekend, had a number of vehicles in it, including a full size tour bus. Â I parked near the entrance of the lot between the bus and a long wheel base Mercedes Sprinter RV. Â After setting up, having lunch, gathering my selected photo gear for sunset photos, checking my Camelbak and InReach Explorer GPS device with previously set routes across the wilderness area, I relaxed a bit. Â Later, seeing the tour bus driver, I went over and chatted a bit with him. Â He turned out to be a very talkative person. Â He was originally from the northeastern US, but had moved to Colorado years ago, as had other member of his family. Â I learned that the tourists he was driving around were Latvian. Â It was a small group, too small to be profitable, he said, but the tour company had to host them, nonetheless. Â They had a guide to conduct them around Bisti, which was fortunate, otherwise they would, most likely, have no idea how to navigate to any of the interesting sites within Bisti. Â I was surprised that they were out there during the heat of the day.
Around 5PM, I set out into the wilderness, heading to an area referred to as the “Nursery” or “Cracked Eggs”, to which I had not yet been on either of my other two trips to Bisti. Â I loosely followed a pre-determined route that I sketched out via a satellite map view of the area with points of interest marked as waypoints, using GPS coordinates gleaned from online searches and a few from earlier photos that I had taken with GPS coordinates recorded via a device attached to my Nikon D90 some years ago. Â The one way distance to my destination was about 2 miles. Â So the resulting hiking distance was a bit longer, since I scouted a few interesting looking areas just off of my route for future possible destinations, recording a few new waypoints on my GPS device and getting a few reference photos with my iPhone. Â My Garmin InReach Explorer connects via Bluetooth to an app on my iPhone, which has an easier to use interface than that of the GPS device itself.
Along the way, I encountered a few of the Latvian tourists heading back to the parking area. Â They were not youngsters, mostly female, all looked a bit bedraggled and did not respond to my greetings. Â Maybe they did not understand English very well or were just too tired, hot and thirsty to speak.
When I arrived at The Nursery, I was pleased to see that there was only one photographer there, since it is a relatively small area and multiple photographers there could easily get into each others way. Â I chatted with him for a few minutes, then left him alone to finish his shooting, while I scouted the area, being careful to stay out of his way. Â It was still a while before the “golden” hour prior to sunset and I was a bit surprised that he was shooting prior to that time, since he was obviously a professional. Â However, he appeared to be shooting close ups of details in the “cracked eggs”, so I think he only needed the shadows and the contrasts. Â When he finished shooting, he hailed me, saying “It is all yours”. Â We chatted a bit more about gear, cameras, photography, etc. before he began his trek back to the parking lot. Â In our conversation, I learned that the long wheel base Mercedes Sprinter RV in the parking lot was his.
Soon afterwards, I proceeded to shoot a few compositions, even though it was still a bit early. Â I noted a small Z shaped hoodoo and, as I looked it over, I thought that one edge of it had a facial shape and I could imagine the top of it as long hair streaming back from the head. Â So I’ve dubbed this the Bisti Automobile Hood Ornament Hoodoo. Â To shoot it from the most interesting direction and angle, I could not isolate it against the sky and I could see that the hillside in the background was going to be problematic, unless I just left the background blurry, which would be ok; but I did not want a blurry background. Â To bring out the hoodoo from the background, I made a couple of images to focus stack in Photoshop, then played around with a couple of ideas for merging the images. Â I decided that the best looking result was a color background with a monotone image of the hoodoo, blended in Photoshop. Â I selected “seamless color and tones” for the blending during the focus stacking process, which muted the color in the background, but I still think it contrasts well with the black and white hoodoo image in the foreground.
As I was shooting, a couple of more people showed up and we greeted each other. Â Recognizing a German accent, I struck up a conversation. Â The man (Wiener) and his daughter (Anna), who was a student (university, I surmise), were on a tour around the western US, having started in Los Angeles. Â He and his family had visited the US on numerous occasions and he commented on how crowded the National Parks are now as compared to his first visits.
As the sun went low on the horizon, we each went about our shooting, being careful to keep both ourselves and our shadows out of the other’s shots. Â Weiner did most of the shooting, but occasionally shared his camera with Anna. Â Both shot hand holding the camera, as most tourist tend to do and I expect they were shooting with their camera in Auto mode. Â There were clouds on the horizon, which intermittently blocked the best sun rays, so we would stop shooting and chat a bit, then resume shooting when the clouds moved away.
There was a beautiful sunset that afternoon, which we both shot, before heading back to the parking lot. Â When I put a reverse graduated neutral density filter into the filter holder attached to my camera lens, Anna was intrigued, as she was not familiar with the use of filters. Â I explained to Anna why that particular filter was useful for photographing sunsets; but I gathered that Weiner knew about the use of neutral density filters.
There was nothing of interest in the foreground for this sunset shot, so I was satisfied with a silhouette shot.
Anna, learning that I lived in Texas, asked if I had been to Big Bend NP. Â So I told them about my first disastrous visit there, as we hiked back to the parking area. Â (I should write a blog about that trip sometime. Â It was a very memorable experience, although not a really successful photography trip).
We arrived back in the parking lot, where Weiner and Anna were tent camping, just before it got really dark. Â They were planning to go out again in the morning, but not prior to sunrise, as I was. Â We said goodnight and I did not see them again, other than from a far distance the next morning, so I did not get a chance to learn more about them.
The photo compositional possibilities here are only limited by one’s imagination. Â I have so many photos that I like from this photo session that it is not practical to include them all in this post, so I have selected only a few to include here, but others will be put onto my Flickr page.
My oldest son and I recently spent a couple of days in Bisti Badlands, New Mexico and the local area.  The rock formations and landscape here are other worldly.  There are no trails to follow, one must either explore randomly or find GPS coordinates or generalized directions for particular areas of interest.  I have now visited Bisti on two occasions, the first a few years ago and I have not yet seen everything of interest in Bisti, so I will plan to visit again at some future date, hopefully not in the summer, since  the summers here are hot during the day, but the evenings and early mornings are fairly comfortable, especially during and after thunderstorms, which we were lucky to have in the evenings, when we were there.  In fact one of the storms presented us with a tremendous lightning display, some of which my son captured via a GoPro camera.  After the storm passed over us, I put the penthouse top of the Sportsmobile up and enjoyed the distant lightning display and cool breeze as I lay there waiting for sleep to over take me.
We were fortunate to have the area essentially to ourselves most of the time. Â We did see a few others come and go, but never encountered anyone while photographing and exploring the area.
As we saw storms on two sides of us and one heading towards us, during our last evening of photography in the wilderness, we decided to beat a hasty retreat to the parking area and the safety of our camping vehicle. Â Upon arriving at the parking area, we found another vehicle parked next to ours, but no one around. Â So we assumed the vehicle owner(s) were out in the wilderness area. Â As the storm got closer and darkness began to fall, we saw lights in the distance coming from the wilderness. Â We left our vehicle interior lights on as a beacon for the hikers, since otherwise it can be difficult to find ones way back to the parking area in the dark. Â We watched the progress of the lights approaching the parking area, eventually seeing a young couple arriving just before the serious rain began. They had planned to camp in the wilderness, but they realized that it was unsafe to be out there during a severe thunderstorm. Â The young man made a point to come over and thank us for our lights, which he said were a great help to them in finding their way back to the parking area. Â They hung around for awhile, then left, leaving the parking area totally to us for the rest of the night.
Even though, there was a hard, blowing rain for awhile during the thunderstorm, the hot desert area was mostly dry the next morning. We photographed during the early morning sunrise, then moved on to our next destination in Colorado, which will be the subject of my next post. Â So stay tuned for more…
Some (eventually maybe all) of the photos posted here will also be uploaded to my Flickr page, where they might be viewed more easily.