Rio Grande National Forest, Colorado, September 24, 2020, Part 1 – Edited to correct an error in the last paragraph.

I ventured back into the forest on the morning of September 24, 2020, initially taking a similar path to the route I had taken the previous afternoon, wanting to see how the light and forest scenes would differ in the morning light.

Intersecting Aspens. Nikon D850, Nikon 24-70mm @ 24mm, 1/6s, f/11, ISO 200.

Sometimes I photographed essentially the same scenes, which looked a little different with the light coming from a different direction.

Aspen Trunks and Shadows. Nikon D850, Nikon 24-70mm @ 34mm, 1/8s, f/11, ISO 200.

There is something magical about being in a forest with sunlight filtering through the leaves and the tree trunks creating bands of shadow and light and

Evergreen with Aspen Leaves. Nikon D850, Nikon 24-70mm @ 46mm, 1/125s, f/11, ISO 2500.
Forest Light. Nikon D850, Nikon 24-70mm @ 48mm, 1/400s, f/11, ISO 2500.

fallen tree trunks creating an array of geometrical shapes.

Triangle. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 1600.
Aspen Forest. Nikon D850, Nikon 24-70mm @ 38mm, 1/125s, f/11, ISO 2000.
Fall Starburst. Nikon D850, Nikon 24-70mm @ 48mm, 1/160s, f/11, ISO 250.
Forest Starburst. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 200.
Star Burst Aspens. Nikon D850, Nikon 24-70mm @ 26mm, 1/200s, f/11, ISO 200.

With all the big trees, back lighted leaves and starburst effects, it is easy to overlook the myriad small details.  There are often interesting little things that make good images.

Aspen Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 2000.
Aspen Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 2000.

The juxtaposition of color and texture in small items can be as intriguing as a wide angle image of the forest.

Grain and Veins. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 200.

Autumn is my favorite time of the year.  I like the colors of fall and the crispness and smell of fall.  Yet it is also a strong reminder of our mortality.  I’m wondering, do we become more colorful in our autumn or just wrinkled and weathered?

To be continued,

Ken

 

Rio Grande National Forest, Colorado, September 23, 2020, Part 5

Continued from part 4:

In an opening in the forest on a steep slope, I photographed the distant mountainsides below clouds that provided shadows and moving spotlights on the massive forest.

Aspen Mountain. Nikon D850, Nikon 24-70mm @ 42mm, 1/200s, f/11, ISO 400.

Much of the mountainsides were covered with beetle killed evergreens.  A scattering of color within the mass of dead, grey trees caught my eye as they were highlighted by light breaking through the cloud cover.

Hope. Nikon D850, Nikon 24-70mm @ 56mm, 1/160s, f/11, ISO 400.

There are a few green evergreens and a scattering of Aspens within the mass of dead trees.  I wonder how this will evolve with time.  Will Aspens replace the evergreens or will the evergreens somehow evolve to resist the beetles?

It was getting late in the day, there would be no golden hour light here due to mountains blocking the late day light and in any case I did not want to try to find my way through the forest in the dark, hiking back to my campsite.  So I began to work my way back up the slope.  Taking my time and stopping whenever I thought I might get an interest photo.

Skeleton Tree. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1250.

The late day sunlight filtered through the forest creating narrow, subtle, streaks of highlights in the grassy floor of the forest.

Grassy Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 1250.

Many fallen trees, partially supported by living trees, created mazes that might have proven dangerous to navigate through after dark.

Head Knockers. Nikon D850, Nikon 24-70mm @ 42mm, 1/13s, f/11, ISO 200.
Chaotic Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/13s, f/11, ISO 200. (Flickr Explore, December 28, 2020).

Near the top of the grassy, forested slope, I stopped to get this shot through the mass of Aspen trunks.

Aspen Hill. Nikon D850, Nikon 24-70mm @ 31mm, 1/10s, f/11, ISO 200.

That’s all for now,

Ken

Rio Grande National Forest, Colorado, September 23, 2020, Part 3

I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.

Forest Road. Nikon D850, Nikon 24-70mm @ 42mm, 1/125s, f/11, ISO 200.

The first image here is a shot down FSR 380, just past my campsite.  It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.

Overhead Loop. Nikon D850, Nikon 24-70mm @ 46mm, 1/200s, f/11, ISO 2500.

Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.

Forest Seclusion. Nikon D850, Nikon 24-70mm @ 48mm, 1/320s, f/11, ISO 2500.

Aspen trunks have always fascinated me.  They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.

Forest Eyes. Nikon D850, Nikon 24-70mm @ 44mm, 1/160s, f/11, ISO 200.
Forest Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/500s, f/11, ISO 200.

A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting.  A smaller aperture would have given a smaller, sharper starburst.

Leaves and Trunks. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 400.
Signatures. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement.  I posted this image on LinkedIn, where I knew others would see those traces as I did,  and as of this writing it has received 15,275 views, 252 likes and 56 comments.

Under the Canopy. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

The small Aspens in full color beneath the much taller ones were eye-catching.

Under and Over. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 800.
Leaning into Fall. Nikon D850, Nikon 24-70mm @ 60mm, 1/200s, f/11, ISO 800.
Aspen Sky. Nikon D850, Nikon 24-70mm @ 50mm, 1/500s, f/11, ISO 400.

A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky.  There is a full range of color in the images here, since “peak” color is not yet here.

Skyward. Nikon D850, Nikon 24-70mm @ 24mm, 1/200s, f/11, ISO 200.
Joyful. Nikon D850, Nikon 24-70mm @ 24mm, 1/50s, f/11, ISO 320.

Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.

To be continued,

Ken