Bisti May 2019 – Day 3 Sunrise – Continued

Petrified log and north Bisti vista. Nikon D850, Nikon 24-70mm at 34mm, f/16, 1/13s, ISO 64. Helicon focus stack of 13 images. Edited in Adobe Lightroom and DxO Nik modules.

The last shots that I acquired on the hillside, where I spent most of the early morning on day 3 in the northern portion of the Bisti Wilderness, were of the long slender petrified log that I had discovered in scouting this area a couple of days prior.

I had found a way to safely get down a hillside and shoot near the log.  The first image above is taken from a place on the hillside above the log.

Petrified log sections in North Bisti. Nikon D850, Nikon 24-70mm at 55mm, f/16, 1/20s, ISO 64. Helicon focus stack of 4 images. Edited in Adobe Lightroom and DxO Nik modules.

I shot four images from the perspective above, focusing at different points in the scene, then stacked those images using Helicon software.  Focusing stacking results in a sharp image from front to back in the image.

The image below is created in the same manner, using 6 images, each with a different focus point.

Petrified log in north Bisti. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/10s, ISO 64. Helicon focus stack of 6 images. Edited in Adobe Lightroom and DxO Nik modules.

Satisfied that I had done as much as reasonable shooting on the hillside, I hiked back down into the canyon and made a few images of interesting features in the canyon.

The Clam Hoodoo in North Bisti. Nikon D850, Nikon 24-70mm at 48mm, f/16, 1/20s, ISO 64. Helicon focus stack of 6 images. Edited in Adobe Lightroom and DxO Nik modules.

I acquired a number of images with various focus points to create these final two images of the “Clam” hoodoo.

The Clam Hoodoo in North Bisti. Nikon D850, Nikon 24-70mm at 27mm, f/16, 1/40s, ISO 64. Helicon focus stack of 7 images. Edited in Adobe Lightroom and DxO Nik modules.

I used the Helicon retouching tool for the last image to fix some artifacts that were a result of the clouds moving as the multiple images were acquired.  The Helicon retouching tool allows one to choose one of the multiple images and paint in portions of that image to replace the unnatural artifacts.

If the cloud motion just results in an appearance of a long shutter speed image, showing motion in the clouds, I think that is fine and does not require retouching.  Obviously, this is a matter of personal preference.

The hike back to the parking area was pleasant, with moderate temperature.  I had seen rain in the distance while shooting and while returning to the parking lot.  The sky appeared to be clearing in the west, but the wind speed was increasing.  It can get very windy here, but I am hoping it will not be so bad as to prevent a sunset shoot today.

More later,

Ken